Art by Medium: Aquatint

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 2', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-103 Hand-signed by author

Villon, Jacques. LES PETITS HALEURS. GP 176. Etching and Aquatint, 1907. Edition of 50 on Arches laid paper, signed and numbered in pencil, 5 3/4 x 7 3/4 inch...

Raul Cordero (Cuba, 1971) '32 hrs 53 min kcal: 783 fat: 35%', 2005 photo engraving and screenprint on paper Guarro Biblos 250g. 26.8 x 33.3 in. (68 x 84.5...

Artist: Antoni Clave, Spanish (1913 - 2005) Title: Carmen Year: 1978 Medium: Intaglio Etching with Aquatint, signed and numbered in pencil Edition: XXV/XXV Size: 30.25 in. x 22.5 in....

Brittany Landscape with Figure Etching & color aquatint, c. 1920 Signed lower right (see photo) Numbered lower left: "No. 21" (see photo) An early color etching by the artist, based ...

"Madeleine Dietz (Germany, 1953) 'Kann sein', 2004 etching, aquatint on paper Velin Arches 300 g. 83.3 x 43.2 in. (211.5 x 109.5 cm.) Edition of 12 ID: DIE-301"

Natalie d'Arbeloff, British/American (1929 - ) - Bagatelle, Year: 1989, Medium: Etching with Aquatint and Embossing, signed, titled, numbered and dated in pencil, Edition: 5/150, ...

Origin-Beginning-7 feels restrained and contemplative, with softly layered forms dispersed across the surface. The composition emphasizes tonal subtlety over contrast, allowing the e...

Grisha Bruskin, Russian (1945 - ) - Litza, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 23/24, Image Size:...

Paolo Boni, Italian (1926 - 2017) - Washington, Year: 1980, Medium: Etching with Embossing, signed and numbered in pencil, Edition: 105/200, Size: 30 x ...

Etching and aquatint, 1965 Handsigned by the artist in pencil and numbered 23/50 Publisher : Galerie Louise Leiris, Paris Printer : Crommelynck Catalog : [Baer n°1179 Bb1 T. V p. 201...

"From Album Twin" is an original signed color aquatint, etching, carborundum, and collage piece by James Coignard. it depicts two figures in the bottom corners among letters and numb...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego VI', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-123 Unframed

Untitled Chezan Date: circa 1980 Etching with Aquatint, signed and numbered in pencil Edition of 250 Size: 26 x 33.5 in. (66.04 x 85.09 cm)

Artist: Roger Hebbelinck (Belgian, born 1912) Title: Somme, Coucher De Soleil Year: Circa 1965 Medium: Color Etching Edition: Numbered 109/300 i...

Carlos Gonzalez (Peru, 1936) 'Cinco fragmentos II', 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) series...

Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2019 Fall colors in Lithia Park, Ashland OR Born in Berkeley, California, ...

Signed, titled and numbered by the artist. A young woman playing with crane. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, sa...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

still-life print of 2 plastic bottles soap ground and spit bite aquatints with aquatint edition of 25 signed in light pencil with edition number, titl...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

A dark and atmospheric aquatint with etching by William Lee-Hankey. Monogrammed within the plate. Signed in pencil to the lower margin. On paper.

Raimundo Orozco (Cuba, 1949) 'Untitled', 2000 engraving on paper Guarro Biblos 250g. 10.1 x 6.6 in. (25.6 x 16.6 cm.) Edition of 60 ID: ORO-313-047 Hand-signed by author

Milton Goldstein, was a prominent Bayside artist, won many prestigious awards and taught at Adelphi University. Born in Holyoke, Mass., Goldstein began his career in the arts when h...

Origin-Beginning-1 introduces the series with a sense of quiet emergence. Pale blue and translucent ochre forms drift across the surface, punctuated by darker circular shapes that an...

Carlos Gonzalez (Peru, 1936) 'Cinco fragmentos III', 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) serie...

Antonio Lorenzo Carrión (Spain, 1922) Piloto de Pruebas I, 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet ...

Artist: Antoni Tapies – Spanish (1923- 2012) Title: Untitled, from Paroles Peintes IV, published by O. Lazar-Vernet, Paris Date: 1970 Medium: Etching and aquatint in colors on BFK Ri...

China Trade aquatint engraving. The plate was engraved by Dadley in London after drawings by Pu Qua of Canton and published in 1799 by W. Miller of Bond Street in London. Sight size 11.5 by 9.5 inches. Under glass. Silver leaf frame with wear consistent with age. Overall framed measurements are 13.5 by 11.5 inches. Not examined out of frame. Borghese label verso. Provenance: Sarasota collector. Inscriptions read as follows: Pu-Qua. Canton. Delin. Dadley, London, Sculpt. Published May 4, 1799, by W. Miller, Old Bond Street, London. John Dadley...

Presenza Grafica is an original artwork realized in 1973 by Arnaldo Pomodoro. Mixed colored aquatint etching in relief. Limited edition of 23/90, numbered in the lower left. From th...

Medium: mezzotint with aquatint Image Size: 8.6 x 10.25 inches Edition of 35 Year: 2016 The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prin...

Image dimensions: 33 x 25 cm. Simplicius Writing Lesson from "Intermezzi" is an original print realized by Max Klinger in 1881. Signature and number of the print on plate. Black a...

etching & aquatint (hand-signed in English and numbered in pencil. Ed 99) Paper size: 15X11 inches Image size: 6X6 inches Condition: work is in excellent condition and is...

Luis Miguel Valdes (Cuba, 1949) 'Pareja', 1999 ink on paper 15 x 11.1 in. (38 x 28 cm.) ID: 1D199907 Hand-signed by author ______________________________________________ Biography Bo...

"Matiére et Graffiti" is an original etching with aquatintin black adn whtie from 1969 by renowned Spanish artist Antoni Tàpies. It is an edition of 75 (67/75) on Guarro handmade pa...

Signed, titled and numbered from the edition of only 10 prints. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, s...

Magda Bolumar (Spain, 1936) 'C. Creciente (Carpeta ""La luna presente"")', 1997 etching, aquatint on paper Rives BFK 300 g. 27.6 x 19.7 in. (70 x 50 cm.)...

Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...

Juan Sebastian Barbera (Mexico, 1964) 'Sin título VI', 2004 silkscreen on paper 22.1 x 30 in. (56 x 76 cm.) Edition of 10 ID: BAR-306 Unframed

Artist: Gilou Brillant (1935- ) Title: Untitled Year: 1975 Medium: Aquatint Etching with Carborundum, signed in pencil Size: 22 in. x 30 in. (55.88 cm x 76.2 cm) Frame Size: 29 x 3...

Univers is an etching print on paper realized by Titina Maselli in 1970s. Hand-signed on the lower right in pencil. Numbered, edition of 78/99 prints. Very good conditions.

Signed, titled and numbered by the artist. This intaglio print shows an orchard combined with the classical architectural imagery that often accompany Smith-Harrison's portraits of ...

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen III',W.Jackson Gallery,London 1993 1 st Egyptian Print Triennale, Giza, Egypt 1994 Art '94, london, with Art First La Galerie du Touquet (with Alain Morcot) 1995 Art...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: Landscape with Pond Year: Circa 1960 Medium: Color etching with aquatint Edition: Numbered 43/3...

Mireille Kramer, Egyptian/American (1932 - ) - Egyptian Theme 4, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 150, AP, Image Size: 6 x 3.5 ...

Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano I', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unframe...

"Goricum", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printe...

Magda Bolumar (Spain, 1936) 'Agua (Carpeta ""Los cuatro elementos"")', 1996 etching, aquatint on paper Rives BFK 300 g. 19.7 x 27.6 in. (50 x 70 cm.) Edi...

Luis Miguel Valdes (Cuba, 1949) 'Sentida-1-99', 1999 ink on paper 13.8 x 11.9 in. (35 x 30 cm.) ID: 1D199901 Hand-signed by author ______________________________________________ Biog...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 176 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Artist: Shigeki Kuroda (Japanese, b.1943) Title: Red Olent Red Year: circa 1990 Medium: Soft ground etching and aquatint Paper: Nippon watermarked pape...

Lucio Fontana Untitled, from Serie Rosa (R. & R. E-30), 1966 Signed and numbered 4/50 in pencil (there were also a few artist's proofs) Etching and aquatint, on BFK Rives paper, ...

Luis Miguel Valdes (Cuba, 1949) 'Gorda 7', 2007 aquatint, ink on paper Canson 320 g. 21.5 x 15 in. (54.5 x 38 cm.) ID: 1D200718 Hand-signed by author ________________________________...

Victor Guadalajara (Mexico, 1965) 'Islote', 2012 silkscreen on paper 17 x 14.8 in. (43 x 37.5 cm.) ID: GUA-362 Hand-signed by author

Raimundo Orozco (Cuba, 1949) 'Untitled', 2002 dry point on paper Velin Arches 300 g. 8.4 x 5.8 in. (21.2 x 14.7 cm.) Edition of 30 ID: ORO-302 Hand-signed by author

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

Gina Daboud (Mexico, ) 'Caracol, caracol', 2012 collagraph on paper Guarro Biblos 250g. 22.1 x 22.1 in. (56 x 56 cm.) Edition of 20 ID: DAB-101

Oval is a color etching and aquatint on paper, realized in 1987 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Dorazio ...

Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography, biotechnology, radiology, geological survey...

Sally Mara Sturman studied art at the University of Michigan, the Rhode Island School of Design, ands the École des Beaux Artes, Paris, France. She has exhibited widely in the Unite...