Art by Medium: Aquatint

With 15 (8 signed) coloured original etchings and aquatints by C. E. Uphoff. Original vellum with gilt cover vignette in private linen case with gilt title on spine (stained due to m...

Brushed aquatint, lift-ground etching and aquatint on German Etching paper 71.8 x 56.5 cms (28 1/4 x 22 1/4 ins) Edition of 32

ZAO WOU-KI 1921- 2013 Beijing 1921 -2013 Switzerland (Chinese) Title: Etching No. 163, 1965 Technique: Original Hand Signed and Numbered Etching and Aquatint in Colours on Arches W...

Peter Doig (born 1959 in Edinburgh) Lapeyrouse Wall, 2005 Medium: Etching with aquatint printed in red on wove paper, with full margins Dimensions: 29.5 × 39.2 cm (45.4 x 56 cm) Edit...

Lester Johnson Girls Walking State 3 etching 1986. Designated edition number 8 of 21 in pencil lower left recto. Signed in pencil "Lester Johnson" lower right recto.

Etching and aquatint, 1980, on BFK Rives, signed and titled in pencil, numbered 18/26. Published by Brooke Alexander, with full margins. Artwork is in excellent condition. Certificat...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Robert Woodlark Founder of Catherine Hall, Cambridge from a Picture at the Hall (1815) Hand-coloured aquatint 24 x 20 cm Published by Rudolph Ackermann (1764 - 1834). A copy of this engraving is held by the National Portrait Gallery, reference NPG D4871. Robert Woodlark (also spelled Wodelarke) was an English academic and priest. He was the Provost of King's College, Cambridge, and the founder of St Catharine's College, Cambridge. He drew up the original statutes for the governance of the college and obtained a charter from Edward IV...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854) Screen Over the Chantry of Henry V, Westminster Abbey (1812) Hand-coloured aquatint 26 x 31 cm Published by Rudolph Ackermann...

Fascinated by an experience in the Camargue bird sanctuary in 1955, the bird became a symbol of freedom and harmony for Georges Braque. ‘I now only draw birds, after my still lifes h...

Roberto Antonio (Echaurren) Matta (1911 - 2002) "Driote Liberees" Etching & Aquatint on Japon Nacré Paper. Signed in pencil and numbered 73/100. Published and printed by Georges Visat...

Alex Katz (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. Over the succeedi...

Aquatint on Strathmore Bristol paper. From the 6 + 4 portfolio. Hand signed, dated and numbered by the artist. From the main edition of 35. Artwork size 16 x 13 inches. Custom fra...

Jim Dine (b. 1935, American) Henry Street Robes 2006 Aquatint and digital color print, on Strathmore coated paper 17 3/4 x 25 3/8 in. Edition of 50 Pencil signed, dated, and numbered...

Beautiful example of Roberto Matta's book with 1 full color/ full page engraving and 4 black and white vignettes. On Arches. Signed on the justification page by the author and the ...

From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...

Etching and aquatint in colour "Char noir (Char V)" (Black Chariot, Chariot V) by Georges Braque from 1958. The edition on BFK RIVES comprises approx. 75 copies. The present copy...

Author: Joan Miró. Title: Personnage a la Flèche Noire Year: 1977. Technique: Etching and aquatint. Print run of 50 copies, signed and numbered by hand. Certified by the Fundació Joa...

Signed and dated bottom right, a beautiful aquarelle from the 1940s by Röhl.

John Hoyland View 1979 Etching and Aquatint, Edition of 50 91.5 x 68.5 cms (36 x 27 ins) JH9079

To see our other prints and architectural views, scroll down to "More from this Seller" and below it click on "See all from this Seller." Louise Ibels (1891-1965) Castle Ruins...

TECHNICAL INFORMATION Richard Tuttle Type J 2003 Spit Bite Aquatint with Soft ground Etching Tarlatan Chine Colle 13 x 13 in. Edition of 15 Pencil signed & numbered Accom...

125.5 x 135.5 cms (49.41 x 53.35 ins) Edition of 58 Signed in pencil, inscribed 'Bon a tirer'. Published by 2RC Edizioni d'Arte, Rome Printed by Vigna Antoniniana, Rome, with t...

2-color etching and aquatint with pochoir and paint applied with a tire printed on Pesci Italia that is signed, titled, and numbered in pencil.

Artist: Joan Miró Title: Series “Enrajolats” Year: 1979. Technique: Etching with aquatint on Arches paper, copy 26/30. Signed and numbered in pencil. The series “Enrajolats” consists...

Covers 3 Red (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 6/20 Covers 3 Red was chosen to be in the International Print Center New York’s 2017 summer show, The juror was Katherine Bradford. The series was awarded Curators Choice at The 2017, Annual Fine Print Fair at the Cleveland Museum of Art. The juror was Michael...

Covers 3 Orange (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 5 of 20. This piece i...

Covers 4 Viridian (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 6 of 20. This piece...

Covers 2 Cobalt (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This piece is part of a series titled ""Covers"", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. Aquatint is an intaglio printmaking technique, a variant of etching, using copper...

Covers 1 Viridian (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This piece is part of a series titled ""Covers"", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. Aquatint is an intaglio printmaking technique, a variant of etching, using copper...

Covers 3 Ultramarine (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This piece is part of a series titled ""Covers"", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. Aquatint is an intaglio printmaking technique, a variant of etching, using copper...

Covers 2 Ultramarine (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 5 of 20. This pi...

Covers 3 Cobalt (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 3 of 20. This piece is part of a series titled ""Covers"", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. Aquatint is an intaglio printmaking technique, a variant of etching, using copper...

Covers 4 Ultramarine (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 7 of 20. This pi...

Covers 3 Viridian (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This piece...

Covers 1 Ultramarine (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This pi...

Covers 3 Ultramarine (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This pi...

From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis North East View of St George's Chapel, Windsor To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x40cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...

William Tillyer The Ruswarp Suite 6 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

Tony Scherman (b. 1950-2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work, frequently executed in encaustic (one of the mo...

Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were als...

86.4 x 71.8 cms (34 x 28.25 ins) Edition of 17 Paper: Somerset Textured Proofs: 9 AP, I CTP (on handmade paper) Signed right, under image; numbered left, under image; publisher's chop lower right Publisher: The Litho Shop Inc., Santa Monica, California Printed by Jacob Samuel...

Portfolio of eleven prints. Photoengraving and aquatint on Twinrocker handmade 400 gsm paper. Sheet: 17.25 x 14 in. Image: 12 x 9 in. Edition 12/30. Order of prints: Ada, Ahn, Alba, ...

Saunier, Hector (French, born Argentina, 1936-) . KITES. Aquatint and engraving in colors, 1974. Edition of 50. Titled, numberd, dated, and signed in pencil. 17 1/8 x 16 7/8 inches (...

Colour aquatint with embossing ""Feuillage en couleurs" (Colourful Leaves) by Georges Braque from 1956. The edition on BFK RIVES cromprises approx. 80 copies. The present copy is ...

17M7G-2017 (Abstract print) Aquatinte on paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an...

17M6G-2017 (Abstract print) Aquatinte on paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an...

17M1G-2017 (Abstract print) Aquatinte on paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an...

17M3G-2017 (Abstract print) Aquatinte on paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an...

18OC2G-2018 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contrib...

13F2G-2013 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contribu...

15AV3G-2015 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contrib...

14AV10G-2014 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contri...

13F6G-2013 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contribu...

18OC2G-2018 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contrib...

15AV4G-2015 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contrib...

13F6G-2013 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contribu...

13F2G-2013 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contribu...

13F1G-2013 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contribu...

17M2G-2017 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contribu...

15AV1G-2015 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contrib...