Art by Medium: Aquatint

Giacomo Manzu (Italian, 1908-1991) 'La Balance' Etching and Aquatint Undated, hand signed lower left, #27/50, depicting a swinging figure, in copper-tone wood frame. Woman on Swin...

Artist: Louisa Chase, American (1951 - 2016) Title: Woods Year: 1985 Medium: Aquatint Etching, Signed and Numbered in Pencil Edition: 3/15 Paper Size: 22.5 x 24.5 Inches [57.15 x 62....

Artist: Walter Bachinski, Canadian (1939 - ) Title: Cuernavaca Lillies Year: 1998 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 86/125 Image: 35.5 x 15.5 inc...

Artist: Priya Mookerjee, Indian Title: Composition Year: 1970 Medium: Aquatint Etching, signed in pencil Edition: AP Paper Size: 15 x 15.5 inches

Artist: Robert Morris, American (1931 - ) Title: The Walled Grounds of Parade and Punishments from In the Realm of Carceral Year: 1979 Medium: Etching with Aquatint, signed and numbe...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Caius Julius Caesar Octivanius Augustus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition: 24/7...

Artist: Saint Clair Cemin, Brazilian (1951 - ) Title: Portrait Year: 1980 Medium: Aquatint Etching, Signed, Dated, and Numbered in Pencil Edition: 75 Image Size: 9 x 11.5 inche...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Sextus Varius Avitus Bassianus Heliogabalus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition: ...

Artist: Gloria Garfinkle, American (1929 - ) Title: Ginza 3 Year: 1993 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 11/20 Ima...

Artist: Sydney Drum, Canadian (1962 - ) Title: Set of Two Etchings Year: 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 18/25...

Aquatint from three copper plates printed in black, violet, and green. On cream Velin Arches mould-made paper Published by Petersburg Press Signed, numbered, and dated 74 in pencil, ...

Artist: Robert Morris, American (1931 - ) Title: Towers of Silence from In the Realm of the Carceral Year: 1978 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 1...

Artist: Sylvia Roth Title: The Emperor Year: circa 1980 Medium: Etching with Aquatint, signed in pencil Edition: AP Image Size: 23.5 x 22 inches Size: 34 x 28.5 inches

This aquatint etching was created by Peruvian artist Claudio Juarez (1938-2001). Juarez was a master printer, travelling extensively throughout the world and creating over 7,000 prin...

Artist: Gharduer Title: Untitled 2 Year: circa 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 37/50 Paper Size: 19 x 28 inches

Artist: Donald Newman Title: Expulsion Year: 1982 Medium: Etching, Signed and Numbered in Pencil Edition: 3/25 Paper Size: 38 x 29.25 Inches [96.52 x 74.92 cm]

JEKATERINA GRYAZEVA Born in Latvia, Riga 1968 Education 1979 - 1986 J.Rozentals Secondary Art School (Riga). 1987 - 1993 Academy of Art (Riga, Latvia), department of Graphics,...

Artist: Barry Nelson, British/American (1937 - ) Title: Ducalion I Year: 1983 Medium: Etching with Aquatint, Signed and Numbered in pencil Edition: AP Size: 41 x 29.5 in. (104.14 x 7...

Artist: Joe Tilson, British (1924 - ) Title: Proscinemi Tyrins Year: 1978 Medium: Aquatint Etching with Collage, signed and numbered in pencil Edition: 4/71 Size: 31.5 x 23 inches Si...

Artist: Barry Nelson, British/American (1937 - ) Title: Narguissian I Year: 1983 Medium: Etching with Aquatint, Signed in pencil Edition: AP Size: 29.5 x 41 in. (74.93 x 104.14 cm)

JEKATERINA GRYAZEVA Born in Latvia, Riga 1968 Education 1979 - 1986 J.Rozentals Secondary Art School (Riga). 1987 - 1993 Academy of Art (Riga, Latvia), department of Graphics,...

Artist: Barry Nelson Title: Untitled - Blur Grid Year: 1977 Medium: Etching with Aquatint, signed and dated in pencil, verso Edition: AP Size: 41 in. x 29.5 in. (104.14 cm x 74.93 cm)

Artist: Alan Parker, Canadian Title: Time Gig Year: 1992 Medium: Etching with Aquatint, signed and numbered in pencil Image Size: 12.5 x 17.5 inches Size: 22 x 29.5 in. (55.88 x 74...

Artist: Dzevad Hozo, Serbian (Yugoslavia) (1938 - ) Title: Samuleto Year: 1971 Edition: 11/30 Medium: Aquatint Etching with Gold, Signed and numbered in pencil Image Size: 25.5 x 19 ...

limited edition on Arches Vélin Rives paper Current exemplar numbered as: 42/125 paper size: 91 x 63 cm Ed: ZWR, London P: Labyrinth, Florence on the back, declaration of authenticit...

Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, and the Russselet de Rheims, or Gross Russelet varities). Aquatint, engraving with some st...

60 x 42.9 cms ( 23.62 x 16.89 ins) Edition of 26 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right Publ...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Stephen Buckley b. 1944 Untitled (Small Etching J), 1979 etching and aquatint 28 x 24.2 cm 11 x 9 1/2 in signed, and dated verso, edition of 40 Stephen Buckley is a British abstrac...

88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100

Anne Bulitis (British, 20th Century) Pre-Raphaelite girls Aquatint Signed and dated ‘Anne Bulitis 93’, inscribed with title, an artist’s proof The plate measures 2.1/4 x 9 in. (5.4 x...

An original mixed media, Photo Etching, Aquatint, Drypoint on paper by the collaboration of two artists, Robert Flemming and Mizin Shin. This piece entitled Judgment Hour measure ...

Etching, drypoint and aquatint in 28 colours, edited in 1977. Limited edition of 75 copies, numbered as 70/75 in lower left corner. Hand signed by artist in pencil in the lower right...

This aquatint is hand-signed by Sam Francis (California, 1923- California, 1994) in pencil in the lower right and is a unique color trial proof aside from the edition of 30. Francis...

The nature explode * 1986. Aquatint, etching on paper 9/13. 41x58 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on Oct...

Still life 1986. 1/21. Paper, etching, aquatint, 31x40 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on October 24, 19...

Aquatint and soft ground on paper, edited in 1970
 Limited edition, numbered in lower left corner.
 Hand signed by artist in pencil in the lower right corner.
 Very good conditions. ...

Color aquatint etching on Rives light weight cream paper

Aquatint, monoprint with chine collé 85.7 x 68.6 cms (33 3/4 x 27 ins) Edition of 19 variants

Venetian View of Santa Maria della Salute Etching and aquatint 14 x 18 cm Signed in bottom left and right hand corners. View of Santa Maria della Salute from Riva degli Schiavani ...

Hand initialed and numbered by the artist. Etching and aquatint in colors, on handmade paper. Image size: 13.5 X 21.25 in. Sheet size: 22.5 x 31.25 in. Framed. Edition of 50. Artwor...

Adored by collectors and art lovers the world over, Alex Katz is renowned for his elegant and distinctive version of figuration in the original gray linen-covered portfolio. Born in...

from "Series II" - Joan Miró, Graphic artwork, Miró, Black and White Aquatint etching from 1947, printed in 1952-1953, 50,5 x 64,7 cm, Edition of 13, in complete approx. 20 Exemplars...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Etching and aquatint on paper. Hand signed lower right by Antoni Clave. Hand numbered 58/80 lower left corner. Artwork size 22 x 30 inches. Image size 19 x 27 inches. Frame size...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Frederick Christian Lewis (1779 - 1856) after Frederick Nash (1782 - 1856) St Mary's Church, Oxford (1813) Aquatint with original hand colouring 21 x 27 cm Published by Rudolph Ackermann (1764 - 1834). Frederick Nash was born in Lambeth. He studied architectural drawing under Thomas Malton and then enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton and Edward Wedlake Brayley, subsequently becoming a member of the Society of Painters in Watercolours - a group of painters who had left the Royal Academy following complaints of under-recognition of their works. Nash became primarily a landscape painter and toured the rivers of Germany. Frederick Christian Lewis was an English etcher, aquatint and stipple engraver, landscape and portrait painter. He studied under J. C. Stadler and in the schools of the Royal Academy and aquatinted most of Thomas Girtin's etchings of Paris...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Etching in colours by Max Ernst. "Bonjour", 1966 66,5 x 50,1 cm Copy 7/99 Edition of 111 copies (approx.)

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States and Italy. Many of the leading, ground-breaking American abstract artists experienced success in post-war Europe. Nevelson was notably well-embraced in Italy arguably because of parallels to Arte Povera in her work. She had an important and enduring connection to Italy, beginning with representing America at the Venice Biennale in 1962. Nevelson would then exhibit at the legendary Studio Marconi in Milan during the succeeding decades. This fruitful relationship led Nevelson to start working with Italian printmakers during the 1970s. This impressive aquatint is a paradigm of both the era and Nevelson's later printmaking, notable for its use of metallic elements, color, and collage. This work features unexpected shades of magenta, lime green, and rust, which punctuate her signature monochromatic black forms that sweep the surface of the page creating an intriguing architectural form. This work is an example from Nevelson's 1973 portfolio, "Aquatints Portfolio (B. 116)" which comprised six aquatints with metallic elements. Click here to see another example from this body of work. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...