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Jacques VillonManége Rue Caulaincourt ou Le Petit Manége Aux Chevaux de Bois1904
1904
About the Item
JACQUES VILLON 1875-1963
(Gaston Duchamp) Damville 1875-1963 Paris (French)
Title: Manége Rue Caulaincourt ou Le Petit Manége Aux Chevaux de Bois, 1904
Technique: Original Hand Signed and Numbered Etching and Aquatint with full margins on BFK Rives vellum paper
Paper size: 50 x 65 cm / 19.6 x 25.6 in
Plate size: 39 x 49.5 cm / 15.3 x 19.5 in
Additional Information: This High quality early work by Jacques Villon is hand signed by the artist in pencil "Jacques Villon" at the lower right margin. It is also Hand Numbered "49/50" at the lower left margin .
This Etching was printed in 1904 in a limited edition of 50 impressions some were made in sanguine (red) and some in the colour olive bistre.
This work was printed in a small limited edition of 50 Hand Signed and Numbered Impressions.
The paper bears the watermark of "BFK" Rives paper.
Provenance: This is a very early work by Villon dated from 1904. It belonged to The Collection of Olga Carré-Burel formally known as the Collection of Louis Carré. This was one of the most important collections of Villon's work in the world if not the most important one. Olga Carré (born Burel) was the wife of the important Paris Gallery owner and Collector Louis Carré. He passed away in 1977 and so his wife, Olga Carré, inherited his collection. Louis Carré was the main dealer of Jacques Villon and exhibited his works regularly in his Gallery in Paris and New York. Most of their collection was bought directly from the artists.
Literature: Jacques Villon-Les Estampes,Les Illustrations-Catalogue Raisonné, by Colette de Ginestet and Catherine Pouillon, published by Arts et Metiers Graphiques.
Reference: Ginestet et Pouillon E. 111 (fully illustrated in page 73).
Condition: Excellent condition
- Creator:Jacques Villon (1875-1963, French)
- Creation Year:1904
- Dimensions:Height: 19.69 in (50 cm)Width: 25.6 in (65 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1801199763
Jacques Villon
Jacques Villon was born Gaston Duchamp in 1875. He was the oldest brother of the artists Marcel Duchamp, Suzanne Duchamp-Crotti and the sculptor Raymond Duchamp-Villon. Initially a law student, in 1894 he went to Paris to study art. It was there that he met Henri Toulouse-Lautrec and other influential artists in Paris, and changed his name to Jacques Villon, after the poet. Villon made prints of some of the most well-known belle-époque portraits and genre scenes of the early twentieth century. Around 1911, he came under the influence of Picasso and other cubists, and became a leading exponent of the style, exhibiting in the 1913 Armory Show in New York. In 1922, the Galerie Bernheim-Jeune commissioned Villon to produce a series of color aquatints after 38 major nineteenth- and twentieth-century paintings. This series included works by Pierre Auguste Renoir, Henri Matisse, Pablo Picasso, Paul Cezanne, Georges Braque, Raoul Dufy, Amadeo Modigliani, Edouard Manet, Pierre Bonnard, and others. Artists who were alive at the time of the printing collaborated with Villon, and signed the prints. The project took ten years to complete. Several of these prints are valued highly today, and some went on to be reproduced by the Louvre Museum as photo-etchings. Villon's 'cubist' etchings, with their characteristic cross-hatching, are amongst the most renowned prints of the twentieth century. Jacques Villon's long career brought him fame. The diverse nature of his paintings, from end-of-the-century portraits to cubist and abstract styles to graphic works, made him a major figure in twentieth-century art. He was made a Grand Officer of the Légion d'Honneur, and upon his death in 1963, and he was given a state funeral.
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