Art by Medium: Etching

Marie Laurencin Young Girl with Pearl Necklace, 1945 Original etching On Japan paper, 32,5 x 25 cm (c. 12,7 x 9,8 inch) REFERENCE : Catalogue raisonné Daniel Marchesseau #236 Exce...

A dynamic football image from the 1920s by a female artist known for her sports scenes. Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...

Born in 1934 in the city of Tlaxcala. He began his artistic training at the National School of Plastic Arts in 1966, remaining there until 1970. He continued his studies at the Colle...

Salvador Dali Mythology: Leda and Swan (Leda et le Cygne), Published 1963 -1965 Medium: Copper and Drypoint Etching with Hand-Coloring on Japon Edition: VII/XX Artwork Size: 30 ...

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...

Lars BO The Departure of The Horserider (Le Rêve de Jean Valjean 1/8), 1975 Original etching Handsigned in pencil On vellum, 35,5 x 45 cm (c. 13,9 x 17,7 inch) Edition limited to 10...

Alison Saar (1956 - ) - Tatoo, Year: 1994, Medium: Softground etching and aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: 20, EP, Image Size: 22 x 13 inche...

Tiepolo, Giovanni Domenico. THE HOLY FAMILY WITH A BEGGAR AND HIS SON. DeVesme 30, Rizzi 57. Etching, c. 1750. 7 1/2 x 4 inches; 188 x 101 mm. With thread margins, or trimmed near th...

Roberto Antonio (Echaurren) Matta (1911 - 2002) "Driote Liberees" Etching & Aquatint on Japon Nacré Paper. Signed in pencil and numbered 73/100. Published and printed by Georges Visat...

Aubrey Schwartz, American (1928 - 2019) - Wild Flowers III, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x 1...

Figure is an original modern artwork realized the half of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original Etching on paper. Hand-signed in p...

Signed, titled and numbered #15/30. This is one in a series of prints related to letters and notes from a teen age friend. The other prints in the series are Chocolat Kisses and The ...

Etching realized by Edmond Morin (1824-1882) between 1860s and 1870s. Beautiful proof of 1st edition, published by Cadart. Not signed. Very good condition.

Hand signed and numbered. Edition of 35 prints. Rare and precious artwork by Chagall, in excellent conditions. Ref. Cat. Cramer, n. 32 Image dimensions : 30.5 x 24 cm

Yovani Bauta (Cuba, 1957) 'Untitled 1 (retrato)', 2003 engraving on paper Guarro Biblos 250g. 16.2 x 13 in. (41 x 33 cm.) Edition of 15 ID: BAU-315 Unframed

Medium: original etching and drypoint. This impression in sepia on watermarked laid paper was printed in 1907 and published in Paris for the Revue de l'art ancien et moderne. Plate s...

Renée Mauperin; Ten Etchings, Complete Set for the Illustrations to the Novel by Edmond and Jules de Goncourt 1882 Paris: G. Charpentier et Cie, 1882-1884. The complete set of ten ...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

Lunar Poet  is a Contemporary Artwork realized in Italy by  Guelfo Bianchini  (Ancona, 1937) in 1978 . Colored Etching on paper.  Hand-signed  in pencil on the lower right corner: ...

Etching on antique cream laid paper, 5 x 2 inches (127 x 52 mm), full margins. Signed and dated in pencil lower margin. From the editoin of 156, printed by Frederick Reynolds. In s...

Tim ( Louis Mitelberg called, 1919-2002) Caricature of Salvador Dali with Double Mustach Original etching Handsigned in pencil On Arches vellum 38 x 28 cm (c. 15 x 11 inch) INFORM...

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

Owl is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 14 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugliese (May ...

Etching on paper. The architect is Paolo Posi, and the image is engraved by Giuseppe Vasi.  The title: Prospetto della prima Machina rappresentante una Deliziosa ornata di verdure,...

Un Forgeron is an artwork realized by Eugène Delacroix in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher...

Jacqueline De Butler, French (1928 - ) - Oed de Chat, Year: circa 1968, Medium: Etching with Aquatint on Arches, signed and numbered in pencil, ...

Aquarius is an original etchingon paper realized by Charles De la Haye after Andrea Stech, in the 18th century. Signed on the plate on the lower. Good condit...

Medium: original etching. Printed in 1906 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image size: 6 1/2 x 5 7/8 inches (165 x 149 mm). Signed in...

The Street is a print realized by Maxime Juan in the early 20th century. Signed on the plate Etching on paper Good condition with slight foxing.

Artist: Arnaldo Pomodoro Title: Untitled - I Year: 1970 Medium: Etching, signed and numbered in pencil Edition: 68/90 Size: 62 in. x 19.5 in. (157.48 cm x 49.53 cm) Frame Size: 69 x ...

An ex libris print featuring the heroic figure of a man on horseback, in a blend of medieval and fantasy armor, with a vanquished dragon at his feet. Roman Sustov's prints often prov...

A superb impression from an important mid-19th century collection. Etching on white laid paper with a partial crown and shield watermark, 4 x 2 7/8 inches (102 mm x 73 mm), margins....

125.5 x 135.5 cms (49.41 x 53.35 ins) Edition of 58 Signed in pencil, inscribed 'Bon a tirer'. Published by 2RC Edizioni d'Arte, Rome Printed by Vigna Antoniniana, Rome, with t...

Louis Icart Woman with Tall Hat Original etching and stencil Printed signature in the plate On vellum 19 x 29 cm (c. 8 x 12 in) Excellent condition

This print is priced fairly, offered at the same wholesale discount extended to our partner galleries and private dealers. We strongly encourage prospective buyers to compare our lis...

This 1953 signed etching by American printmaker Gene Kloss, titled Ceremonial Day at Taos, is a striking example of mid-20th-century Southwestern art and one of her most celebrated T...

This artwork "Rathaus in Vienna" c. 1960 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark...

Etching on cream wove paper, 5 1/2 x 7 inches (138 x 176 mm), full margins. Signed in pencil in the lower margin. With minor mat tone, and two pin-point spots...

Frank Weston Benson (American, 1862-1951) Untitled, 20th Century Etching Sight: 10 1/3 x 12 1/8 in. Framed: 16 3/4 x 19 x 1/2 in. Signed lower left Numb...

A fine nautical etching by William Lionel Wyllie (1851-1931). Syracuse, Sicily, with sailing vessels and Maniace Castle in view. Signed in graphite below plate lights. Framed & m...

Theo Wujcik (1936-2014): Ed Moses, 1970. Etching in black on wove paper. Unsigned. 9 x 8 in. (sheet), 10 x 9 in. (frame). Custom welded brass frame with resolved corners and natura...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Hand signed and numbered. Edition of 200 prints plus 60 prints in Roman Numbers and 5 Artist's Proofs. Published in the general catalogue "Marino Marini, Catalogo Ragionato dell'Ope...

Etching with drypoint in brownish black ink on cream wove paper, 6 1/8 x 10 inches (155 x 255 mm), full margins with a deckle edge. Signed in pencil, lower right margin, and titled (...

Early Morning Rain Etching & color aquatint, 1977 Signed, titled, numbered and dated in pencil Edition: 40 (39/40) Published by Associated American Artists, New York Condition: Mint ...

ARTIST: Salvador Dali TITLE: Licone et Gangaride MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 10/175 MEASUREMENTS: 20" x 26" YEAR: 1971 FRAMED: No CON...

MARINO MARINI (1901-1980) MIRACLE - Etching, Signed and numbered 70 / 75 in pencil. Image 15 ½ x 10 ½ inches,. Full sheet 22 3/8 x 15 inches with deckle edges. Plate IV of the serie...

Image dimensions: 32 x 24 cm. Plate I from Suns/Landscapes is an original artwork realized beetween 1971 and 1972 by Roberto Crippa. Mixed oclored etching. Signed on plate on the lower margin. Numbere on the lower left. Edition 23/100. The artwork is from the portfolio Sun/Landscape, edited by Graphis Arte Livorno. Colorful and power artwork with a mixed composition of geometrical shapes and with different contrasting colors. Gaetano Crippa known as Roberto Crippa (Monza, 1921 - Bresso, 1972) was an Italian painter, sculptor and aviator. He started painting in 1945, with a figurative style and cubist influence close to Picasso's style. He joined the spatial movement with Lucio Fontana, Gian Carozzi...

Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University). ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...

In Molvout, François Houtin merges organic vitality with the crumbling geometry of architecture. The composition presents a fantastical form that seems part tree, part tower, entwine...

French abstract aquatint etching of robed figure and aircraft, 1978. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Archival plastic slee...

Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Carlo Oraty after Nicolò Vanni in the 18th century. Sig...

El caballo raptor - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 1...

Paris: Gazette des Beaux Arts, 1896. Etching with aquatint on cream laid paper, 7 7/8 x 4 7/8 (200 x 125 mm), full margins. Edition of roughly 750. In good condition with uniform ton...

Mother and Child Leonor Fini, Argentine/French (1918–1996) Color Etching on Japon, signed and numbered in pencil Edition of 153/186 Image Size: 18 x 12 inches Size: 26.5 x 19 in. (67...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963. A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back. This work was included in Frederick Crace...

Birds Pompeian Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Secondo De Angelis in the 18th Century. Signed on the plate. Good conditions. The etchin...

Porta Angelica is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margins...

A horse is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris...