Salvador Dalí­

Salvador Dalí­, "Le dos divin de Gala", original etching, hand colored, signed

1974

Salvador Dalí "Dieu, le temps, l'espace, et le Pape" (God, time, space, and the Pope) from After 50 Years of Surrealism Original etching with hand coloring, hand signed in pencil 19...

This piece is an original dry point etching with aquatint and scraper, created by Pablo Picasso in 1971, for the 156 Series. This piece is stamp signed and ...

Salvador Dalí Les lauriers du bonheur (The laurels of happiness) from After 50 Years of Surrealism Original etching with hand coloring, h...

Salvador Dalí "L'amour sacré de Gala" (The Sacred Love of Gala) from After 50 Years of Surrealism Original etching with hand coloring, ha...

Maurice Vlaminck Le Cafe de Paris, Pl. X, from Visage des Maisons, c. 1927 (Walterskirchen 132) Etching on Van Gelder laid paper, signed in pencil, trial proof with the blindstamp o...

Hand-Colored, with watercolor painting, Etching hand signed in pencil l.r. in Hebrew, l.l. in English. Rare A/P artist proof. EUGENE ABESHAUS Leningrad, Russia, b. 1939, d. 2008 Eu...

This print was created in 1979 by master printmaker, Chilean artist Sergio Gonzalez-Tornero. His work is characterized by his bold use of color and fascination with the silhouettes a...

ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...