Art by Medium: Handmade Paper

Romina Milano is an Italian artist renowned for her paintings that are primarily composed of strong gestures, vibrant colors, and daring experimentation with tones. Details: Title: ...

Paris: Mourlot Press, 1964. Lithograph in colors on Velin d’Arches paper, 6 3/4 x 10 inches (170 x 253 mm), full margins. Published by Fernand Mourlot and Jean Adhemar, 1964. In ver...

Paris: Israël Henriet, c1680. Etching with engraving on cream laid paper, laid down to a cream laid paper matrix, 3 1/8 x 7 1/8 inches (78 x 180 mm), the full sheet with thread marg...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Original print from feathers and stencil on five layers of Japanese paper, limited edition. Framed size: 75 x 50 cm Artist's information: Ruth Thomas RCA is a contemporary printmake...

A very good impression of this color lithograph on TGL handmade paper. Initialed and numbered 6/40 in pencil. Printed and published by Tyler Graphics, Ltd., Mount Kisco, with the bli...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100 Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a closeup on a large stone building, with a landscape reflected in the windows. The building has carved ornamentation in a classical style. There is a bright red sunset in the background behind the building. The title refers to the author Gabriel García Márquez. Signed "Carol Summers" in the lower right corner. Numbered and titled "93/100 Casa Marquez" in the upper right corner. Presented in a silver colored aluminum frame. Frame size: 19.25"H x 23.25"W Paper size: 16"H x 20"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of two boats off the coast of Kuwana. Signed in Kanji upper right, "Hiroshige Ga" for Utagawa (Ando) Hiroshig...

Etching with drypoint on white laid paper, 6 1/4 x 7 1/2 inches (160 x 190 mm); 10 x 13 1/2 inches (254 x 343 mm) full margins. In good condition with some minor scattered surface so...

Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...

In this contemporary collage by Jessica Maffia, light brown paper is hand-cut into the silhouette of a delicately outlined curly-haired female figure swimming through water on teal g...

Paris: c1860. Etching on wove paper 6 1/4 x 3 1/8 inches (160 x 80 mm); sheet 12 x 8 1/2 inches (305 x 216 mm), full margins. In good condition minor losses at the extreme lower corn...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Full title: Calm Prayer for Peace The artwork is made on a wooden panel with Japanese paper, Oguni washi, pigment, sumi and nikawa glue. It is signed on the side, Japanese style. M...

Etchings with drypoint on laid Japon paper, 3 x 4 inches (71 x 102 mm); sheet 9 x 11 3/8 inches (230 x 290 mm), full margins. In very good condition with some minor uniform toning. ...

London: c1820. Etching with aquatint and engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small ...

Chalcographie du Musee du Louvre, 1855. Etching on cream wove paper, 17 5/16 x 19 3/16 inches (439 x 488 mm); sheet 17 3/4 x 20 1/8 inches (451 x 519 mm), full margins. Scattered ma...

Etching on delicate, fibrous Japon paper with a deckle edge, 8 7/8 x 4 1/8 (227 x 105 mm); sheet 12 x 7 7/8 inches (304 x 100 mm), full margins. Signed and dated in pencil in the low...

This beautiful painting explores organic growth through bold, biomorphic forms that evoke coral, foliage, and underwater ecosystems. Saturated reds, blues, and pinks interweave with ...

Paris: Sarazin, 1865. Etching with engraving on Chine collé mounted to wove paper with a false platemark, 5 3/8 x 4 1/4 (137 x 108 mm); matrix 12 1/4 x 16 3/4 inches (312 x 425 mm),...

Etching on watermarked handmade F J Head & Co cream laid paper with a deckle edge, 14 1/8 x 9 1/8 inches (358 x 232 mm); sheet 18 1/8 x 11 inches (461 x 280 mm), full margins. Signed...

Paris: 1872. Etching with drypoint on cream laid Japon paper with deckle edges and a partial indiscernible watermark, 3 1/8 x 4 3/4 inches (80 x 120mm); sheet 6 1/8 x 9 1/4 inches (1...

19th century European Group of 13 hand-colored English and Continental fashion plates and costume designs. Each an etching with hand coloring in watercolor. Various sizes and condit...

Covers 13-Black B (Abstract painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses ta...

Out of Stock - 2 Hand cut holes on reinforced Hahnemühle German Etching heavyweight Giclee print. Box framed and float mounted under museum quality no...

Details: Title: Caribbean Corals Medium: Acrylic paint and oil crayon on canvas Size: 90 x 90 cm (35.4 x 35.4 inches) Year: 2026 * Certificate of authenticity provided. * Painting i...

Covers 13 Red 2 (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape ...

Covers 24-Green A (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tap...

Not Signed. Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the Universit...

Mullvihill's work is comprised of Chinese characters written in four directions, creating a mandala effect. His Calligraffiti, employing 'Cut-Up' and 'Permutation' processes, results...

Mullvihill's work is comprised of Chinese characters written in four directions, creating a mandala effect. His Calligraffiti, employing 'Cut-Up' and 'Permutation' processes, results...

Paris: c1870. Etching with drypoint cream laid paper with a GF watermark and a deckle edge, 6 x 9 1/2 (152 x 240 mm); sheet 12 1/4 x 18 1/4 inches (311 x 464 mm), full margins. Mino...

Diablitos and Mushrooms, by Ángel Pahuamba - acrylic painting -120 x 75 cm - Mexican Basquiat, c. 2023 The traditional elements of my work are part of the Purépecha identity, as a ...

Anna Kauz born and raised in Hemberg, Toggenburg (CH). Lives and works in Will, St Gallen. Artistic training at the Basel School of Design, various day and evening courses in object...

Full title: Flower Bomb: My Hope Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials...

Red, Black & Yellow Abstract Expressionist Mixed Media Art on Paper, 1999 - a Unique Original Painting - an extremely rare early work from leading British Contemporary Artist, An...

Full title: "Origin of Desire: A Pancake Brunch with All the Toppings " The artwork is made on a wooden panel with Japanese paper, Oguni washi, pigment, sumi and nikawa glue. It is s...

Richard Hunt Paper piece V, Terracotta Voyage, 1978 Artwork made exclusively from colored paper pulps, formed, handmade Twinrocker paper made by hand utilizing stencils to apply the ...

"Majestic" by Joan Giordano Mixed Media, Photo Lithograph on Yupo Paper Award-winning artist Joan Giordano has created a new series of unique, mixed media works on paper. "Sections ...

Paris: Cadart & Luquet, c1870. Etching with engraving on Chine-collé mounted to wove paper, 14 1/4 x 9 5/8 inches (360 x 244 mm) full margins. In good condition with some marginal w...

Etching with aquatint on cream wove paper, 6 11/16 x 9 15/16 inches (170 x 252 mm), full margins. Signed in pencil in the lower right margin. With significant toning and moderate mat...

'Mirror 46' 2021 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 30 x 40 in. Tran's ‘Mirror’ series, is heavily influenced by her history ...

Orange, Black & Cream Abstract Expressionist Art - a Unique Original Painting - an extremely rare early work from leading British Contemporary Artist, Angela Wakefield. This colo...

Kenneth Noland (1924 – 2010) is one of the most important contributors to the evolution of American abstraction, specifically as a leading figure in the Color-Field movement. Unlik...

Golden Yellow & Brown Abstract Expressionist Mixed Media Art on Paper, 1999 - a Unique Original Painting - an extremely rare early work from leading British Contemporary Artist, ...

Vibrant print of a coyote by Daniel Stolpe (American, 1939-2018). Titled, numbered ("Presentation Proof"), signed and dated along bottom edge. Presented in a black frame with a double mat. Sheet on verso with information about the piece, stating that only 5 Presentation Proofs were created, making this piece 1 of 5. Paper size: 24"H x 28"W. (2018) Master artist and Native Images lithographer Dan "Coyote" Stolpe slipped out of his non-functioning body, and is running free at last and howling in the hills. Born and raised in Los Angeles, Dan's father introduced him to Native American teachers of Art and Culture through the Woodcraft Rangers, who influenced Dan for the rest of his life. "Everything was patterned after a tribal structure," Stolpe said. We learned about Indian life and lore and we had Indian guys teach us how to make Indian costumes and about Indian dance and drums. That's what got me interested." Dan made his first drum when he was 14, and he was quietly playing that same drum during his final days of life. Stolpe attended LA Co. Art Institute (OTIS) on scholarship until 1962, when he dropped out to Apprentice with artist Don La Viere Turner in Glendora, and then with Master Printer Joe Funk in Venice until 1966. Commissioned by the Smithsonian Institute, he moved to Washington DC to illustrate extinct birds...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

In this contemporary relief print on archival handmade paper, a circular, botanical mandala shape with petal-like edges in dark grey is dramatic and eye-catching against the brillian...

A detailed Grand Tour panorama of the Pyrenees on handmade 1832 paper with a large "Sun of St. Moritz" heraldic watermark, circa 1840. Watercolor, graphite and grayish ink on two s...

Etching with aquatint on watermarked cream laid J Perrigot Arches paper, 15 7/8 x 9 3/4 inches (400 x 248 mm), full margins. Signed, dated, and dedicated to the the artist Ruth Knobl...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood or black on request. The title of this works is "From the Apollon...

Paris: 1845. Etching on Chine collé mounted to a wove matrix with a false platemark, 4 x 5 inches (101 x 127 mm); matrix 9 1/2 x 12 5/8 inches (242 x 320 mm). full margins. A second...

Etching on antique cream laid paper with a partial watermark (likely Arches), 12 1/8 x 6 1/8 inches (308 x 156 mm), full margins. Signed and dated in pencil in the lower right margin...

Butterfly Catcher is a mixed-media work on Japanese washi paper the subject of which is a child who attempts to rescue butterflies from their demise. Against a turquoise acrylic pain...

London: Charles Joseph Hullmandel, 1839. Oil stick color lithograph on cream wove paper, 14 3/16 x 11 inches; (360 x 280 mm), full margins. Scattered light yellow spots of discolora...

This minimalist abstract landscape is created on handmade paper produced from natural plant fibers and inclusions, giving the surface a rich organic texture. The composition is divid...