Art by Medium: Handmade Paper

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

ArchiParis – Time (Orsay’s clock) is a drawing by contemporary French artist Guillaume Chansarel. In this figurative landscape, through the clock at the Musée d’Orsay, it is possible...

Out of Stock - 2 Hand cut holes on reinforced Hahnemühle German Etching heavyweight Giclee print. Box framed and float mounted under museum quality no...

A fine Neoclassical drawing of Hero holding a beacon atop a tower at Sestos. Pen and ink and wash on cream wove paper, 5 x 3 3/4 inches (128 x 95mm), the full sheet. In excellent co...

Actor as Samurai - 18th Century Japanese Woodblock Print Woodblock print depicting an actor, possibly Nakamura Denkuro II, as a samurai. The actor stands with his sword unsheathed a...

Bowles, Thomas III (after John Donowell) John Bowles & Richard Wilkinson, 1751. Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...

A 19th century study of a mounted Life Guard; a member of the military unit charged with protecting high-ranking individuals, such as a monarch. c1890. Black crayon with white heigh...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper, in this case a paper from the bygone Disco age, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Studio 54 - Cherry Blossom sumi ink and colored pencil on mulberry paper 14.50h x 19.75w in 36.83h x 50.16w cm JEC146 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

23 x 22 inch. Handmade Paper, Textured Lithograph. Signed in Pencil: Bottom Right. Numbered in Pencil: Bottom Left "111/150" A meditative and serene, abstract piece made of a combin...

Mullvihill's work is comprised of Chinese characters written in four directions, creating a mandala effect. His Calligraffiti, employing 'Cut-Up' and 'Permutation' processes, results...

"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae. The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs. The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...

Mullvihill's work is comprised of Chinese characters written in four directions, creating a mandala effect. His Calligraffiti, employing 'Cut-Up' and 'Permutation' processes, results...

Mullvihill's work is comprised of Chinese characters written in four directions, creating a mandala effect. His Calligraffiti, employing 'Cut-Up' and 'Permutation' processes, results...

This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. 'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...

Etching on thin laid paper laid down to mid-weight Japon paper, 9 5/8 x 7 9/16 inches (244 x 190 mm), narrow to thread margins. Lettered below the image in the lower right margin wit...

Davidoff is influenced by her close connection to nature and by what she calls, “the spirit of investigation and observation of the natural world.” Her work explores themes of struct...

A small octopus is inked in the Japanese style of Gyotaku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extrao...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Covers 13 Red Orange (Abstract painting) Gouache on handmade paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape t...

From The "Gen" Series DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such spe...

A detailed Grand Tour panorama of the Pyrenees on handmade 1832 paper with a large "Sun of St. Moritz" heraldic watermark, circa 1840. Watercolor, graphite and grayish ink on two s...

A lovely Picturesque movement landscape. c1840. Ink and wash on wove paper, 5 1/8 x 6 1/2 inches (130 x 165 mm), the full sheet. In very good condition with uniform toning, some min...

Diablitos and Mushrooms, by Ángel Pahuamba - acrylic painting -120 x 75 cm - Mexican Basquiat, c. 2023 The traditional elements of my work are part of the Purépecha identity, as a ...

Paris: Israël Henriet, c1680. Etching with engraving on cream laid paper, laid down to a cream laid paper matrix, 3 1/8 x 7 1/8 inches (78 x 180 mm), the full sheet with thread marg...

The painting is being offered with a work and authenticity certificate

London: Charles Joseph Hullmandel, 1842. Lithograph with hand coloring in watercolor on cream wove paper, 17 5/16 x 12 3/16 inches (440 x 309 mm), full margins. Scattered foxing thro...

A Grand Tour study of decorative objects at the Louvre. c1910. Graphite on light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In very good condition. The object appe...

REDOUTÉ, Pierre-Joseph. Crinium Giganteum Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Etching on cream wove paper, 4 1/2 x 7 inches (114 x 177 mm), wide margins, signed in pencil in the lower right. Laid down to non-archival board with the mat affixed, obscuring the verso and the sheet edges. The visible portion of the sheet is clean with minor toning around the mat window opening. The signature is unobscured and clear. Best known as the original illustrator of Enid Blyton...

"The Fortune Teller" from Japanese Life and Customs - Shin-Hanga Woodblock Print Beautiful second edition woodblock print by prominent Japanese artist Sanzo Wada (b. 1883 d. 1967.) ...

Untitled ( Paper Piece I ) 1978 color laminated handmade paper by Richard Hunt produced by Twinrocker Handmade Paper and published by Lakeside Studio. Example number 27 from an editi...

Full title: Flower Bomb: My Hope Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Rome: Scudellari, 1822. Engraving on laid paper, 13 3/8 x 18 1/4 inches (350 x 464 mm), the full sheet, trimmed at the platemark. In very good condition with minor toning and handli...

Paris, Delpech. Lithograph with engraving on cream wove paper, 11 7/8 x 8 inches (299 x 203 mm), unevenly trimmed but full margins, the full sheet. In good condition with two paper ...

A collabroation between Sir William Hamilton & Pietro Fabris Naples: Pietro Fabris, 1776. Engraving with hand coloring in gouache and watercolor on 18th century laid paper with an...

A detailed landscape of the Gulf of Naples, with Mt. Vesuvius on the precipice of an eruption. Graphite on light-weight cream wove paper, 10 x 30 1/2 inches (254 x 775 mm), the full...

A bucolic late 19th century image of upper Manhattan. New York: 1898. Lithograph on tissue-thin Japon paper with a deckle edge, 14 1/8 x 10 inches (357 x 252 mm), the full sheet. Tit...

London: printed for J. Taylor, 1844. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 10 x 12 inches (254 x 306 mm), the ...

Paul Kostabi Untitled Giclee on handmade cotton paper Year: 2025 Size: 19.5 x 24 inches (49.5 × 61.0 cm) Signed in pencil COA provided (gallery issued) Paul Indrek Kostabi (also kn...

Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals" A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864). ...

Brussels: Fondation de Dietrich et Cie, 1914. Etching with drypoint on Japon paper, 3 5/8 x 4 inches (93 x 102 mm); sheet 11 1/8 x 9 7/8 inches (283 x 251 mm), full margins. Signed a...

'Mirror 45' 2021 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 30 x 40 in. Tran's ‘Mirror’ series, is heavily influenced by her history with Rorschach inkblot te...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

A scene from a vanishing Japan. Two Women Playing Sugoroku from "Comparison of the Customs of Beauties."; The Customs and Manners of Women Japan: Matsuki Heikichi, 1891. Woodblock ...

Brush and black and gray inks and wash on cream wove paper. Signed by the artist in pencil, lower center. Titled in pencil, lower right. Inscribed with the artist's name and addre...

The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185) Tokyo c. 1830 Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art. The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...

The painting is being offered with a work and authenticity certificate

"Turtle, Desert & Pitcher" is an original ink drawing on handmade amate paper by Miguel Castro Leñero. The artist initialed the piece lower right. It features a turtle, an abstra...

"Telephone in Landscape" is an original charcoal drawing on handmade amate paper by Miguel Castro Leñero. The artist initialed the piece lower rig...

Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...

"Woman Milking a Cow" is an original ink painting/drawing on handmade amate paper by Miguel Castro Leñero. The artist wrote his initials lower right. The piece depicts a seated figur...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood or black on request. The title of this works is "From the Apollon...

A peaceful fishing scene with Cow Tower and Norwich Cathedal in the distance. Etching with drypoint and Chine collé; Japon paper mounted to cream wove paper, 8x 10 3/4 inches (204 x...

Chalcographie du Musee du Louvre, 1855. Etching on cream wove paper, 17 5/16 x 19 3/16 inches (439 x 488 mm); sheet 17 3/4 x 20 1/8 inches (451 x 519 mm), full margins. Scattered ma...

The painting is being offered with a work and authenticity certificate

Poppies and Wildflowers unfolds as a lyrical triptych, where fluid brushwork and a vibrant yet balanced palette evoke the quiet vitality of spring. Red poppies emerge among delicate ...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...