Framed Abstract Paintings

Red and blue abstract figurative painting by Haitian artist Richard Antilhomme. The painting depicts four different red flowy figures that branch from each other. The figures are against a light blue background with green botanical elements. Signed by the artist at the bottom right. Framed in a beautiful gold frame. Dimensions With Frame: H 31.88” x W 23.75” Artist Biography: Born in 1922 in Petit Trou de Nippes. Antilhomme didn't start painting until he was 50 when Tiga, a famous Haitian artist, brought him into the Saint Soleil circle. Malraux mentioned him in L'intemporel as one of the finest artists. He paints vodou-inspired themes in a raw and naive format. He has participated in many exhibits. Saint Soleil was founded in the early 1970's under the direction of Tiga (Jean Claude Garoute...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Tycjan Knut...

This mesmerizing artwork exhibits a nuanced interplay between light and shadow through the use of varying shades of deep blues. The composition, reminiscent of a twilight ocean's sur...

RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Julius Bissier referred to some of th...

Acrylic on canvas, Wood Frame, 105 x 86 x 4 cm Diana Torje is a prizewinning Romanian artist born in 1983 & based in Paris whose works have been exhibited in solo and group show...

Dawn 1 [2022] Original landscape of the woods with dark and vibrant tones. Additional information: Original Acrylic on Canvas Image Size: H:39.5 cm x W:39.5 cm Complete Size of Unf...

Blue Square is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2015. Oil on canvas applied on plywood. Hand signed and dated by the artist on the back. Hand signed o...

Walking On Air is an original expressionistic abstract with several layers of paint and some mark making in charcoal and oil pastel with show through of underlying colours. After the...

Ellen Hackl Fagan transforms stillness into motion. She begins with a brittle 18th-century cedar shingle—salvaged from a landmarked house she restored—and saturates it with vivid blu...

Andre Lanskoy Russian, 1902-1976 Abstract Composition Pastel and tempera on paper 18 ¼ by 25 ¾ in, w/ frame 26 by 33 ½ in Signed lower right Inventory Number: 01777 Andre Lanskoy ...

Hunt Slonem Oil Painting "4 Hombre" Orange and Red Diamond Dust Bunnies A family of four rabbits in orange, red, yellow and purple Diamond Dust in a vintage frame Unframed: 21.5 x 1...

This painting is a strong and compelling example of Jacques Doucet’s signature style, combining expressive, gestural brushwork with a structured, almost sculptural composition. The d...

Balcomb Greene Composition, 1936 Signed Balcomb Greene on verso upper stretcher bar Signed on backing board: Balcomb Greene Oil on canvas 30 1/4 x 46 inches Provenance: The artist A...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 26H by 32L.

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...

SOUTHERN SHORE Size: 65.5 x 65.5 cm (including frame) Oil on board A very atmospheric and expressive abstract landscape painting, executed in oil onto board by contemporary British artist Ian Mood...

Violet and green composition is a contemporary artwork realized by Leo Guida in 1975 Mixed colored oil painting Includes frame. Leo Guida (1992 - 2017). Sensitive to current iss...

Virginia Berresford Pond in Back of Her House Signed and titled on the reverse Oil on board 23 1/2 x 17 1/2 inches Virginia Berresford was an underrated American modernist who had ...

This series of paintings explores the depth of human relationships and the spiritual world through dynamic compositions, where lines and color planes create a sense of constant movem...

This work is one of two panels depicting an autumn woodland in bright sunshine. This painting is available separately, but a second panel Bunny Woods in Bright Sunshine left panel, i...

Large Scale Bay Area Modern Geometric Abstract Landscape with White, Blue, Red Dramatic large scale abstracted landscape with white, blue and red shapes by Erle Loran (American, 190...

Contemporary Abstract Painting, Acrylic on Canvas, Framed, Psychedelic Patterns Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, in...

Virginia Cuppaidge (Australian, b. 1943), "Cerella", Oil on Canvas, 1982, abstract composition, signed, titled, and dated to verso, gold-tone metal frame. Image: 44.5" H x 71.5" W; f...

Vintage American modernist abstract expressionist oil painting. Oil on canvas. Framed. Signed. Measuring: 29 by 37 inches overall, and 24 by 32 painting alone.. In excellent origi...

Wonderful 1980's abstract of sunset through Golden Gate Bridge arch. Unsigned. Presented in rustic painted wood frame. Image size: 8.5"H x 11"W.

"Rising Sun" Oil, 23 Karat Gold Leaf, Linen 31.5 x 48 Inches Charlotte Gibbs’ "flag" and "star" paintings often reference the artist's interest in Pop art and sometimes incorporate 23 karat gold leaf in addition to oil paint, but not always. With its depiction of a graphically idealized Japanese flag...

Static 309 Framed one of a kind painting with gold leaf This lively original painting on hand cut heavy stock with elevated details with gold leaf is brilliant for modern spaces,...

Oil Painting on canvas Hand signed to lower right Lauro. Provenance: Eleonore Austerer Gallery, San Francisco, CA Work Size: 39.5 x 39.5 in. framed 44 X 44 inches. Roberto Lauro is a British-Swiss Post War & Contemporary artist who was born in 1932. Roberto Lauro was born in 1932 in Gorey Harbor on the island of Jersey (Great Britain) the son of a Swiss mother, Rosa Ramseier, from Oberdiessbach / Emmental, Switzerland, and and Italian father Innocenzo Roberto Lauro, born in Mondovi, Italy. In 1941 he moved to Switzerland with his mother. 1949-1953 he lived in Gunten (Switzerland) where he did an Apprenticeship as a lithograph and offset printer and graphic designer in Thun. There he was introduced to the color theory of Johannes Itten by Hermann Oberli at the Bern School of Applied Arts. From 1953 to 1955 he worked as a fine art printer in Norway where he was influenced by the color theory of Edvard Munch. These works bears the influence of Russian artist Andre Lanskoy, Tachisme and the Cobra artists Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret. In 1955-1956 he worked as an offset printer in Amsterdam (Netherlands). Visit to the Instituut voor Kunstnijverheidsonderwijs. In 1957 he returned to Gunten, Switzerland. Where he started working in printmaking and and oil painting. He resumed his studies at the Bern School of Applied Arts. He was greatly impacted and influenced by abstract art on the occasion of a large Paul KIee exhibition. In 1958 he moved to Zurich where he worked part-time work as an offset copyist; fulfilling graphic orders for advertising agencies. In 1962 he took his final examination as graphic designer at the Zurich School of Applied Arts. In 1980 he begins his development of three-dimensional picture objects, Sculpture, detachment from the canvas, using metal as a support and play space for light and color. By 1981 he has turned full time to fine art. He spends the next years growing and developing his considerable talent. Inspired by classical music, the rhythm, mood and lightness of which form the basis for the large swings and loops of his colorfully lacquered metal and blown glass sculptures. These are "pensieri", thought sketches that capture the emotions in countless versions. There is something dance-like about his rotating sculptures. Everything becomes music and the rhythm of colors. In 1988, after exhibitions in Europe, he has his first exhibitions in Atlanta and San Francisco (USA), In 1989 he does his first glass and metal sculptures at the Roberto Niederer glassworks, Hergiswil (Switzerland). In 1992 has a retrospective exhibition in the Tan Gallery, Zurich, and the Eleonore Austerer Gallery, San Francisco. They Publish a catalogue raisonne, Eine Retrospektive, covering a 45 year career. In 1993 he creates A Retrospective, a unique sculpture in a table top form that contains his catalogue raisonne and an original lithograph. 1993–1995 he begins work on a number of large scale public outdoor commissions, including Light Columns for a Bank building, and a commission of a sculpture-fountain in Oetwil am See. In 2001 he creates a wall sculpture entitled "Color Poems of the Yearly Cycle. A linen bound book enclosed in a unique plexi display with a one - of a - kind metal and glass sculpture,containing 12 linocuts each printed in colors and signed. Roberto Lauro's sculptural work work is spontaneous and loaded with energy. The furrows, rifts, cracks and scars in the metal allow light to enter; it is then reflected back by the glass. His work is a clear statement of our times, uniting the intellect and the heart in search of the spiritual. Like the interplay of light and shadow, his sculpture combines fragile, transparent glass with solid, heavy iron. These colorful and luminous sculptures convey a powerful presence and emit vibrant positive energy. With their jagged exteriors and translucent cores, the spectacular sculptures created by the synergy of metal and glass are powerful - yet fragile. Lauro has created and mastered his own idiom and proven that through the artist sheer will and vision, seemingly incompatible materials such as iron and glass can indeed be combined. In 2004 he has an anniversary exhibition Light and Color, Love of Life on the island of birth, Jersey. Ceramic works (raku with glass inclusions). Roberto Lauro's works have been shown in numerous exhibitions in Europe and the USA around the world, and he has also realized projects such as "KUNST AM BAU" in public spaces and for industry. He lives and works in Switzerland. Select Exhibitions Eleonore Austerer Gallery, Palm Desert ART IN THE FRAME FOUNDATION: The Harbour Gallery, Isle of Jersey Galerie fur Gegenwartskunst,, Bonstetten, Switzerland Galerie Annamarie Anderson, Zurich, Switzerland “Color and Light,” Austerer-Crider Gallery, Palm Springs, CA, USA “Color and Light: the art of Roberto Lauro,” Eleonore Austerer Gallery, San Francisco, CA, USA “Flower Power,” with Ed Baynard, Roberto Azank, Siegward Sprotte, and Daniel Phil...

This compelling early composition by Jean Lurçat reflects the artist's distinctive fusion of Cubist structure, Surrealist imagination, and maritime symbolism. Titled La Bataille de T...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Cont...

Into the Woods is a 30x24 acrylic painting on canvas depicting the tranquil feeling of being surrounded by nature. You can almost hear the leaves rustling and birds singing amidst th...

Francisco Toledo Original Watercolor Painting c.1959 Fine original abstract watercolor Watercolor on paper dimensions 8" wide x 4.25" high The vintage frame...

A unique oil painting, drawing heavily from the post-impressionist movement. A gloomy night-time street scene, typical of Glanville's work, depicting two figures in earthy colours. O...

Size without the frame: 130 x 100 cm (51,18 x 39,37 in) Size including the frame: 132 x 102 cm (51,97 x 40,16 in) Barcelona based painter Nikolaos Schizas creates dynamic abstract p...

Dibond mirror Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Sain...

Jane Skingley b. 1963 Hokusai Green II, 2024 mixed media on vintage book pages laid onto canvas 50 x 50 cm 19 3/4 x 19 3/4 in signed verso Jane Skingley paints seascapes and landsca...

Small but mighty. A moment caught, an explosion of energy, of color. And such a departure for California artist Heinie Hartwig (b. 1937), who is known primarily for his Western subje...

This cool-colored cubist painting by Edmund E. Niemann is a captivating exploration of form and color, embodying the essence of the Cubist movement. Through his unique artistic visio...

Jean Xceron (Greek-American, 1890 – 1967) Mid-20th Century Abstract Painting Oil on canvas 41.7 x 43.5 inches Signed lower left Jean Xceron (1890 – 1967) is a modernist artist who...

Composition is an original contemporary artwork realized in the mid-20th century by Roberto Crippa. Mixed media (tempera and collage) on wooden panel. Signature on the back. Includes frame: 65 x 6 x 64 cm Colorful and power artwork with a mixed composition of geometrical shapes and with different contrasting colors. Gaetano Crippa known as Roberto Crippa (Monza, 1921 - Bresso, 1972) was an Italian painter, sculptor and aviator. He started painting in 1945, with a figurative style and cubist influence close to Picasso's style. He joined the spatial movement with Lucio Fontana, Gian Carozzi...

"Sunset", acrylic on Canvas, multiple layers using brushes, squeegees and sponges, framed, by Eva Ullrich. Eva Ullrich is a landscape artist who's work leans more towards abstractio...

Phenomena Spectrum Guardian by Paul Jenkins (1923 - 2012) Acrylic on canvas 76 x 101.5 cm (29 ⁷/₈ x 40 inches) Signed lower middle Paul Jenkins Executed in 1970 Provenance: Gallerie Iris Wazzau, Davos, Switzerland Private collection, Cologne, Germany Artist biography: Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Vibrant and dynamic abstracted nude figure drawing, depicted with expressive line and color by Stewart Goldman (American, b. 1936). Signed "S. Goldman" and dated "82" lower right. "Steward Goldman," dated "1982" and titled "Figure Drawing #2" on verso. Presented in a metal frame. Image size, 29.5"H x 22"W. Exhibited:Chamber Paintings and Other New Work - Toni Birckhead Gallery - Cincinnati, Ohio EDUCATION Philadelphia College of Art - 1955-58, 1960-62, BFA in Painting TEACHING EXPERIENCE Art Academy of Cincinnati –September 1968-August 2001 –Retired PROFESSIONAL SERVICE Cincinnati Art Museum Board of Trustees Member– 2013-2016 Advisory Committee- Weston Art Gallery Previous Service Center for Holocaust and Humanity Education, Board of Trustees Member Gamble-Nippert YMCA - Committee of Management Member GRANTS and AWARDS Ohio Arts Council Grant-Exhibition support-“Working Spaces” Munich, Germany -2001 Ohio Arts Council Grant-Exhibition support-“Tales of Slavery and Deliverance”, Munich, Germany-1999 Kulturreferat, Munich, Germany Grant-Residency, Villa Waldberta-Feldafing, Germany-1997 Cincinnati Arts Allocation Grant-To create installation-“The Cherubs of Theresienstadt”-1994 Ohio Arts Council Grant-To curate exhibition and travel “Cincinnati Artists Works on Paper” Kharkiv Art Museum, 1993 Cincinnati Bell Mural Commission-1990 Cincinnati Summerfair Fellowship-1988 Cincinnati Post-Corbett Award, Outstanding Individual Artist-1988 RECENT PROFESSIONAL ACTIVITIES 2013 Curator- “Seeing Opera” Weston Art Gallery, Aronoff Center for the Arts, Cincinnati, Ohio 2013 Book publication, My Mother’s Eyes, Italian translated edition 2011 Curator - exhibition for Constella Festival of Music and Fine Arts, Cincinnati, Ohio 2010 Created print at invitation for Cincinnati Art Museum portfolio commemorating Jim Dine 2007 Book Publication, My Mother’s Eyes, German Translated edition 2005 Commencement Address, New Hampshire Institute of Art, Manchester, NH Colloquia, College of Applied Science, Cincinnati, Ohio Portfolio Presentation, 92 Street Y, New York, NY 2004 Book Publication, My Mother’s Eyes. Holocaust Memories of a Young Girl SELECTED SOLO EXHIBITIONS 2017 Mythic Macrocosm - Tarble Art Center, Eastern Illinois University, Charleston, ILL 2015 Stewart Goldman: Nuances - Philip M. Meyers, Jr., Memorial Gallery, University of Cincinnati - Cincinnati, Ohio 2009 Stewart Goldman Presence through Absence - Cincinnati Art Museum – Cincinnati, Ohio 2008 Then and Now- Paintings and Tape drawings – Springfield Museum of Art- 2006 Old Square/New Square: Paintings and Wall Drawings-Weston Art Gallery, Aronoff Center for the Arts 2005 Paintings-Cincinnati Art Galleries...

Anatoly Kost “Anticipation” 1996 y. Canvas.Oil. Painting Flat: 65/55 cm. Framed: 69/59 cm. This picture is a transformation of music on canvas, so it is accompanied by: Visiomix - La...

A superbly clever, très French and highly decorative abstracted painting by Bernard "Becool" Coolen which tells a story: it is in fact a stylised representation of of the Champs Ely...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: This work was re-framed AFTER photography was completed. The frame seen in the photos was original, and has since been replaced with a solid maple floater, finished in a polyurethane clear coat (see other listings for an example of this frame). Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Abstract Composition is an original painting realized by Caterina Feng in 2014. Mixed media on canvas. Signed and dated by the artist on the back. A colored light blue abstract c...

original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Peliculas: ...

Gorgeous and Modern acrylic on canvas signed by J. C. Cárdenas in the lower left corner, titled “Composition.” Estimated to have been completed in the late 20th century, this work is...

Static 412 abstract framed minimal painting. Whether you love art or just looking to decorate your home, this vibrant piece will create a new ambiance and impact your da...

Willem de Kooning (Dutch, 1904 - 1997) Abstract oil on Newspaper (NY Times, Friday Jan. 26, 1973). Pencil signed lower left. Provenance: - Private Collector, East Hampton New York;...

Nicely painted mid century abstract landscape. Oil on canvas. Framed.

Lamar Briggs Untitled color abstraction, ca. 2008 Mixed media oil and gouache on paper Hand signed by Lamar Briggs on the lower center front Frame included: held in the original off ...

Josh Rowell Virtually Fragile #20 Triptych, 2023 Acrylic on Painting Panel 122 x 61 cm each 48 x 24 inches Josh Rowell generates his artistic vision by focusing on technological adv...

A summer hedgerow festooned with wild roses - the epitome of a lazy walk down a country lane. These are dog roses, which got their name from the belief that you should eat the root i...

The painting was inspired by a series of flower borders in the Oxford Botanic Gardens known as the Merton Borders, a natural planting, with sustainability in mind, the species are ab...

Danny McCaw's (US based) "Patterned Rug" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous human figure. Bio/artist statement: Danny McCaw is...

Abstract Expressionist composition by Andre Guillou (French 1925-2017) signed oil on board stuck on board, mounted dated 2000 mount: 25.75 x 19.75 inches board: 19 x 14 inches proven...

This superb large abstract oil painting is by Italian born but South African based artist Armando Baldinelli. It was painted circa 1958 after Baldinelli left Italy for South Africa a...