Early 2000s Abstract Paintings

Firmado y titulado por la artista en la parte trasera El estado de la obra es bueno Se presenta sin enmarcar la obra Medidas obra: 130 cm altura x 130 cm ancho ::::::::::::::::::...

The Shambles in York City England Medieval Street Framed, Acrylic on Board, 2007 - a rare early work by leading British Contemporary Artist, Angela Wakefield. This colourful & en...

Jean Nerfin, “Musicians,” 2004 — Dazzling Neo-Cubist Jazz Band Oil Painting on Canvas A happy, colorful, exuberant Neo-Cubist oil-on-canvas painting of a jazz band that will bring j...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

This contemporary abstract painting was created by a prominent Canadian artist. Inspired by colors warmed by the intense sunlight of Cuba, David Sorensen, considered to be one of Ca...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

"Kook" is an acrylic painting on canvas by American artist Aaron Parazette (b. 1960), dated 2007. The square-format work depicts large overlaying block...

A refreshingly original colour palette and clean, bold shapes tells the ‘story’ in this minimalist painting by Pat Service. As always, the BC artist is inspired by the beauty of natu...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Kenny Scharf Val Wong Worm, 2006 Oil, acrylic, silkscreen and rhinestones on paper Signed, dated and titled by the artist on the die-cut window on the back Frame Included: elegantly ...

Artist: Dale Chihuly (1941) Title: Basket Series Year: 2001 Medium: Acrylic on Arches Aquarelle Rag paper Size: 42 x 30 inches Inscription: Signed by the artist Notes: Hand painted b...

Painting on handmade hemp paper by Marc Foster Grant (American, b. 1947). Bold, heavy gold, bronze, and orange paint sits atop thick handmade paper. The paper is composed of rough fi...

Damien Hirst Spin Painting, 2009 (Damien Hirst Circle): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless...

"QUEEN VICTORIA" is created and from acrylic and found objects on thick, round panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure...

Minimalist Red & Black Abstract Geometric, "John Favors Red" Bold organic geometric abstract with black and light yellow form titled "John Favors Red", by Oregon artist Cassandra Linnea Auker (American, b. 1971), 2005. Interesting grainy texture varying among colors adds interest and depth. Titled and signed on verso "John Favors Red", "Auker 2005". Presented in slat frame painted to match the piece. Frame size: 24.50"H x 24.50"W. Image size: 24"H x 24"W. Cassandra Auker...

In keeping with my passion of nature, this collection focusses on the movement and structure of nature. I am fascinated in finding things in our environment that often go unnoticed....

George Dannatt (1915-2009) Small Linear Composition on Graphite 1997 Image: 19.0 x 14.0 cm Mount: 27.6 x 20.5cm Reference number: 1345 George Dannatt’s long career as a painter and...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

A large gold, orange, and yellow contemporary abstract painting by Danish artist Kenneth Strandby (1960 - ). With its color and its large size the painting has a warm and alluring vi...

Modernist Geometric Abstract in Pastel Colors, in Acrylic on Canvas This geometric abstraction uses interlocking planes of color to create a sense of rhythm and movement across the ...

Finely painted contemporary tropical landscape. Oil on canvas. Framed. Signed verso.

A narrative of hard edged orthogonal shapes in sapphire blue, bright yellow and crimson unfolds across a background grid of washed charcoal black rectangles. The black ground is made more powerful by the size of the six foot tall canvas...

Artist: Alvar Suñol Title: Figurative Composition Date: c.2000 Medium: Oil on canvas Dimensions (canvas): 81 x 100 cm (31.9 x 39.3 in) Framed: Yes Condition: Excellent Signed down ri...

Title: Untitled Artist: Deyan Valkov Medium: Oil on canvas Dimensions: 24 x 20 inches Year: 2002 (signed on the artwork) Frame: Unframed Style: Abstract Expressionism Description of...

Contemporary large scale surreal figurative abstract interior scene by Bay Area artist Michael Pauker (American, b. 1957). Titled "Studio Sweepings" on verso. Signed "Michael Pauker"...

Stunning original oil painting by the French abstract artist, Yvette Dubois-Habasque (1929-2016). oil painting on canvas, unframed signed and dated lower corner and verso canvas:...

Acrylic on paper. 2009 48.9 × 67.3 cm 94 x 94 cm (framed) A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless, mysterious form of a shark. Th...

George Dannatt (1915-2009) Untitled, 2004 Image: 17.5 x 11.5 cm Frame: 30 x 24.8 cm Signature bottom left George Dannatt’s long career as a painter and sculptor ended with the artis...

Textural abstract landscape painting by Moroccan artist Wafaa Mezouar. Earth tones, Acrylic, mixed media on linen. Size: 40 x 40 inches. Offered unframed. Exhibitions include: Co...

Colourful Abstract Painting using Orange & Turquoise Resin on a White Canvas by 20th Century British Artist Art measures 30 x 30 inches (Unframed) Philippe Aird...

Peter Max United We Stand, 2006 Mixed-media with acrylic painting and color lithography on paper. A unique work Hand signed in acrylic low right. Image size 58 x 43 cm Frame size ...

Colour-filled images of fantastical creatures along with birds, snakes, rabbits, beautiful women in yoga poses - all images of Balinese reality and folklore combined in this one abst...

Mixed media on table realized by Michele Cerciello in 2005. Hand signed. Good condition. Michele Circiello was born in Rocchetta Sant'Antonio (FG) on November 23, 1944. He studied...

'L'Obscurité' by Richard Whitten, 2009. Trompe L'oeil, Newport Art Museum, Frye Museum, Yale ----- Initialed lower left, 'RCW' for Richard Whitten (American, born 1958) and dated, l...

This acrylic abstract painting in bold earth tones is by Otto Rogers. Otto Rogers is a distinguished abstract artist whose original artwork left an indelible mark on the Canadian ar...

Abstract Painting with Yellow Orange Red & Pink by Contemporary British Artist, Angela Wakefield. This is the one of the earliest works from her Abstract Interior Design Series. ...

Peter Max Heart on Blends, 2006 Mixed-media with acrylic painting and color lithography on paper. A unique work Hand signed in acrylic low right. Image size 23 x 18 cm Frame size ...

Watercolor, acrylic, and gesso on paper by New York artist Peter Opheim, titled "Untitled (#38)," created in 2009. This signed original work measures 20 x 11 inches and represents an...

6132 Soft Impact colorful abstract set in a carved wood frame Image Size 23.5x19.5"

5-3530 Oil on canvas Set in a rapped canvas no frame required

This work fits seamlessly into the Japandi aesthetic—a rare blend of Japanese contemplative philosophy and Scandinavian understated elegance. It exudes a calm and visual quietude, pa...

Artist/ School: French abstract School, late 20th century/ early 21st century, inscribed initials MD Title: Brown, yellow, beige abstract composition painted on a very large scale. ...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Ship to Leave Atlantis", the painting is oil on canvas, presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 34 x 24 inches; Framed size: 36 1/2 x 26 1/2 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

A large signed original painting . Many facets of chroma and texture. Gem like luminosity. Shows lots of energy, , gravity, tension and momentum with a mysterious atmospheric g...

Simon Gaon (born 1943) is an American painter, Expressionist, and action painter. This is a thick impasto oil painting. with a lot of texture and color. Times Square with 42nd st in...

Signed, dated, and titled "MAX MARRA XXX 2002 verso. Mixed media sculpture painting including acrylic, ink, cord, and wax on shaped canvas, 20 3/4 x 24 in., unframed. Ho viaggiato ...

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 13 x 15 inches. Unsigned. Minor paint loss along right edge.

6104 Modernist Abstract flowers in a vase table Setting

A one of a kind signed original painting . Many facets of chroma and texture and gem like luminosity . Multiple focal points dot the landscape emanating a mysterious glow. Excellen...

Dynamic, heavy impasto abstract expressionist scene by unknown artist Joy W. (American, 20th Century). Titled, signed and dated on verso "Joy Wxxx" Spring 2002. Presented in a custom...

Painting of Abstract Turquoise & Red Flowers on a Pink Background by British Landscape Artist, Angela Wakefield. This original is from th...

"Untitled" is a powerful contemporary abstract painting created in 2007 that masterfully explores structural depth, raw texture, and dynamic motion. The composition relies on heavy, ...

The colours of summer by the lake are celebrated in this pastoral painting by Pat Service. The Canadian artist is known for her landscapes—this minimalist piece illustrates a classic lake and beach view—the deep blues of the cloud filled sky and lake, green fields, a red cabin...

Mixed media on paper by New York artist Peter Opheim, titled "Untitled 3," created in 2008. This signed original work measures 30 x 23 inches and represents an important period in Op...

Final Framed dimension: 18 x 22.5 collage art only: 9 x 12 full paper size: 15 x 19 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, publish...

A vibrant and yet romantic sailing scene which was a favorite series by Della-Volpe. His compelling colorist approach has made his works desirable as he was one of the few artists post-war to be representative in style like Milton Avery and Wolf Kahn. Head to Sea has the hallmark intense and lovely coloration for which Della-Volpe is known. He came out of Abstract Expressionism in the New York school but then pivoted, like Milton Avery to representational, colorist work. The frame is a silvered gold leaf float frame of quality and has a rubbed, antiqued surface...

Ethereal abstract with bright red forms floating in a deep red/brown color field by California artist Sharon Weiner (American, 20th/21st Century). Signed "Sharon Weiner", dated " '...

This work by Anna Shesterikova is a subtle abstraction that seamlessly fits into the Japandi aesthetic. The painting was created with the idea of ​​a golden rain bringing wealth and ...