Early 2000s Abstract Paintings

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

"Kook" is an acrylic painting on canvas by American artist Aaron Parazette (b. 1960), dated 2007. The square-format work depicts large overlaying block...

This contemporary abstract painting was created by a prominent Canadian artist. Inspired by colors warmed by the intense sunlight of Cuba, David Sorensen, considered to be one of Ca...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

A refreshingly original colour palette and clean, bold shapes tells the ‘story’ in this minimalist painting by Pat Service. As always, the BC artist is inspired by the beauty of natu...

A narrative of hard edged orthogonal shapes in sapphire blue, bright yellow and crimson unfolds across a background grid of washed charcoal black rectangles. The black ground is made more powerful by the size of the six foot tall canvas...

A one of a kind signed original painting . Many facets of chroma and texture and gem like luminosity . Multiple focal points dot the landscape emanating a mysterious glow. Excellen...

Painting on handmade hemp paper by Marc Foster Grant (American, b. 1947). Bold, heavy gold, bronze, and orange paint sits atop thick handmade paper. The paper is composed of rough fi...

"QUEEN VICTORIA" is created and from acrylic and found objects on thick, round panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure...

The Shambles in York City England Medieval Street Framed, Acrylic on Board, 2007 - a rare early work by leading British Contemporary Artist, Angela Wakefield. This colourful & en...

This work fits seamlessly into the Japandi aesthetic—a rare blend of Japanese contemplative philosophy and Scandinavian understated elegance. It exudes a calm and visual quietude, pa...

George Dannatt (1915-2009) Small Linear Composition on Graphite 1997 Image: 19.0 x 14.0 cm Mount: 27.6 x 20.5cm Reference number: 1345 George Dannatt’s long career as a painter and...

Finely painted contemporary tropical landscape. Oil on canvas. Framed. Signed verso.

Damien Hirst Spin Painting, 2009 (Damien Hirst Circle): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless...

Painting of Abstract Turquoise & Red Flowers on a Pink Background by British Landscape Artist, Angela Wakefield. This original is from th...

In keeping with my passion of nature, this collection focusses on the movement and structure of nature. I am fascinated in finding things in our environment that often go unnoticed....

Bold abstract geometric composition by Marc Foster Grant (American, b. 1947). Unsigned. but was acquired with a collection of other Grant pieces. No frame...

Modernist Geometric Abstract in Pastel Colors, in Acrylic on Canvas This geometric abstraction uses interlocking planes of color to create a sense of rhythm and movement across the ...

6104 Modernist Abstract flowers in a vase table Setting

Beautifully framed - ready to hang Peter Max Land of the Free, Home of the Brave, 2005 Acrylic and collage on heavy art paper Hand signed in acrylic paint on the front, the back bears the artist's copyright and unique catalogue/inventory # This work is elegantly framed with a raised float - a gorgeous aesthetic touch in a handmade white wood museum frame under UV plexiglass. Land of Free, Home of the Brave, is an original signed painting, an acrylic and collage on heavy art paper, that was part of a series the artist did in response to the 9/11 terrorist attacks in New York City, with each variation in the series unique. It is hand signed in acrylic paint on the front and bears the artist copyright and stamp and the Peter Max unique inventory/catalogue on the back. Measurements: Framed 28 inches vertical by 22 inches horizontal by 2 inches Painting 24 inches vertical by 18 inches No artist of our time has reached such a vast global audience and influenced so many others who paint and draw than the legendary Peter Max. On a level comparable to Andy Warhol, but appealing to a broader base of art lovers, Max is the celebrity painter par excellence, an inescapable presence on the cultural consciousness since he burst on the scene in the 1960s. His art is in the collections of more than a hundred museums, many of which have given him solo exhibitions, as well as United States embassies, corporate headquarters and prominent private collections. Max was the first rock-star-scale artist. Even when he was only in his twenties, he was featured on the cover of Life magazine and appeared on late-night talk shows. Now revered as an “Old Master” of Neo-Expressionism, Max’s legacy has gone way past his graphic design origins and inspired generations of artists, including many gathered under the Park West umbrella. An instant media sensation when he made his debut in the 1960s as the go-to artist for the leading rock bands in the heyday of the Woodstock era, Max’s career became ever more public over the decades. At the invitation of the White House, he has made the portraits of six sitting United States presidents and scores of world leaders. He was named the official artist for the Grammies as well as the United States 2006 Winter Olympics team, the World Cup, the U.S. Open tennis championships, the Super Bowl and several music festivals, high-profile events that carried his signature style literally to billions of viewers. Peter Max’s amazing life story, as captivating as his art, was shaped by world events from the start to this day. The literal journey around the world has all the drama of an epic movie. He was born in Berlin in the perilous year of 1937. The next year, his father Jacob recognized that the family could narrowly escape the Nazis by taking the long ocean voyage to join the extensive Jewish refugee community in Shanghai. He has vivid memories living in an old villa across the street from the bright red columns in front of a Buddhist temple where the bells and incense made an indelible impression on him. He watched in fascination as they practiced their calligraphy with giant, five-foot long brushes that made huge Chinese characters on pieces of paper they laid on the ground. The young Peter was given brightly colored crayons and paper to play with by his mother Salla, but when she left the room, he started to draw on her beautiful set of Louis Vuitton steamer trunks...

Colour-filled images of fantastical creatures along with birds, snakes, rabbits, beautiful women in yoga poses - all images of Balinese reality and folklore combined in this one abst...

By Damien Hirst 2009 Stamped by artist A vibrant example of Damien Hirst’s iconic spin paintings, this work embodies the artist’s exploration of colour, movement, and controlled r...

A large gold, orange, and yellow contemporary abstract painting by Danish artist Kenneth Strandby (1960 - ). With its color and its large size the painting has a warm and alluring vi...

Textural abstract landscape painting by Moroccan artist Wafaa Mezouar. Earth tones, Acrylic, mixed media on linen. Size: 40 x 40 inches. Offered unframed. Exhibitions include: Co...

Contemporary large scale surreal figurative abstract interior scene by Bay Area artist Michael Pauker (American, b. 1957). Titled "Studio Sweepings" on verso. Signed "Michael Pauker"...

Artist: Dale Chihuly (1941) Title: Jade Forest, Ikebana Series Year: 2007 Medium: Acrylic on Arches Aquarelle Rag paper Size: 30 x 22 inches Inscription: Signed by the artist Notes: ...

Colourful Abstract Painting using Orange & Turquoise Resin on a White Canvas by 20th Century British Artist Art measures 30 x 30 inches (Unframed) Philippe Aird...

This contemporary abstract painting by David Sorensen explores a bright yellow palette. David Sorensen was drawn to the rich and vibrant colours of Mexico. Celebrated as an importa...

Peter Max United We Stand, 2006 Mixed-media with acrylic painting and color lithography on paper. A unique work Hand signed in acrylic low right. Image size 58 x 43 cm Frame size ...

Final Framed dimension: 18 x 22.5 collage art only: 9 x 12 full paper size: 15 x 19 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, publish...

Mixed media on paper by New York artist Peter Opheim, titled "Wait," created in 2008. This original work measures 30 x 23 inches and represents an important period in Opheim's develo...

Artist: Alvar Suñol Title: Figurative Composition Date: c.2000 Medium: Oil on canvas Dimensions (canvas): 81 x 100 cm (31.9 x 39.3 in) Framed: Yes Condition: Excellent Alvar Suñol –...

Minimalist Red & Black Abstract Geometric, "John Favors Red" Bold organic geometric abstract with black and light yellow form titled "John Favors Red", by Oregon artist Cassandra Linnea Auker (American, b. 1971), 2005. Interesting grainy texture varying among colors adds interest and depth. Titled and signed on verso "John Favors Red", "Auker 2005". Presented in slat frame painted to match the piece. Frame size: 24.50"H x 24.50"W. Image size: 24"H x 24"W. Cassandra Auker...

Artist/ School: French abstract School, late 20th century/ early 21st century, inscribed initials MD Title: Brown, yellow, beige abstract composition painted on a very large scale. ...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Kenny Scharf Val Wong Worm, 2006 Oil, acrylic, silkscreen and rhinestones on paper Signed, dated and titled by the artist on the die-cut window on the back Frame Included: elegantly ...

"Rhino" Abstract Geometric Composition in Oil on Canvas Bold abstract painting by Rod Norman (American, b. 1947). Colorful shapes are divided into sections...

Oil pastels, acrylic, wax pencil, graphite, watercolor and collage elements on paper framed to 39.5 X 31.5. sheet measures 30 X 22 inches. (no glass) Raimundo Figueroa...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Jean Nerfin, “Musicians,” 2004 — Dazzling Neo-Cubist Jazz Band Oil Painting on Canvas A happy, colorful, exuberant Neo-Cubist oil-on-canvas painting of a jazz band that will bring j...

Bold Expressionist work in the Style of Richard Diebenkorn Original Oil Eclectic Neo-expressionist work by San Francisco area abstract artist Daniel David Fuentes (American, 1978-20...

Ethereal abstract with bright red forms floating in a deep red/brown color field by California artist Sharon Weiner (American, 20th/21st Century). Signed "Sharon Weiner", dated " '...

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 13 x 15 inches. Unsigned. Minor paint loss along right edge.

Mixed media on paper by New York artist Peter Opheim, titled "Untitled 3," created in 2008. This signed original work measures 30 x 23 inches and represents an important period in Op...

Stunning original oil painting by the French abstract artist, Yvette Dubois-Habasque (1929-2016). oil painting on canvas, unframed signed and dated lower corner and verso canvas:...

This 28" x 20" oil on canvas by Masri represents an abstract landscape that plays with texture and color to evoke the essence of a natural scene. The painting features a deep, earthy...

George Dannatt (1915-2009) Untitled, 2004 Image: 17.5 x 11.5 cm Frame: 30 x 24.8 cm Signature bottom left George Dannatt’s long career as a painter and sculptor ended with the artis...

Light 2001. Canvas, oil, 92x65 cm The artwork portrays a colorful and abstract woman figure against a backdrop of pink and blue hues. The central focus of the painting is the woman...

A large signed original painting . Many facets of chroma and texture. Gem like luminosity. Shows lots of energy, , gravity, tension and momentum with a mysterious atmospheric g...

Oil on canvas, signed lower left

the painting is being offered with a work and authenticity certificate

This work by Anna Shesterikova is a subtle abstraction that seamlessly fits into the Japandi aesthetic. The painting was created with the idea of ​​a golden rain bringing wealth and ...

This contemporary abstract painting is by David Sorensen. A Canadian treasure, David Sorensen pursued his own vision of abstract expressionism for decades. He was known for his lyri...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Mira Tager Lehr (American, 1936-2023), Acrylic on canvas painting Interrupted Cell Formation series Circa 2008-2009. Mixed media technique incorporating organic forms, floral motifs...

Nguyen Thanh Son (Vietnamese, b. 1954) Nights and Echoes, 2007 Oil on canvas Hand signed and dated lower right Dimensions: 62 5/8 x 76 5/8 inches. Provenance: Totem Art Gallery This ...

A vibrant and yet romantic sailing scene which was a favorite series by Della-Volpe. His compelling colorist approach has made his works desirable as he was one of the few artists post-war to be representative in style like Milton Avery and Wolf Kahn. Head to Sea has the hallmark intense and lovely coloration for which Della-Volpe is known. He came out of Abstract Expressionism in the New York school but then pivoted, like Milton Avery to representational, colorist work. The frame is a silvered gold leaf float frame of quality and has a rubbed, antiqued surface...

Sally Gabori (c. 1924–2015) Titled: Dibirdibi Country Size: 122x137 cm year:2009, Aboriginal Art Provenance: From Mornington Island also known by her tribal name Mirdidingkingat...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...