Early 2000s Abstract Paintings

A one of a kind signed original painting . Many facets of chroma and texture and gem like luminosity . Multiple focal points dot the landscape emanating a mysterious glow. Excellen...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

"Kook" is an acrylic painting on canvas by American artist Aaron Parazette (b. 1960), dated 2007. The square-format work depicts large overlaying block...

This contemporary abstract painting was created by a prominent Canadian artist. Inspired by colors warmed by the intense sunlight of Cuba, David Sorensen, considered to be one of Ca...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

This work fits seamlessly into the Japandi aesthetic—a rare blend of Japanese contemplative philosophy and Scandinavian understated elegance. It exudes a calm and visual quietude, pa...

A refreshingly original colour palette and clean, bold shapes tells the ‘story’ in this minimalist painting by Pat Service. As always, the BC artist is inspired by the beauty of natu...

George Dannatt (1915-2009) Small Linear Composition on Graphite 1997 Image: 19.0 x 14.0 cm Mount: 27.6 x 20.5cm Reference number: 1345 George Dannatt’s long career as a painter and...

The Shambles in York City England Medieval Street Framed, Acrylic on Board, 2007 - a rare early work by leading British Contemporary Artist, Angela Wakefield. This colourful & en...

Modernist Geometric Abstract in Pastel Colors, in Acrylic on Canvas This geometric abstraction uses interlocking planes of color to create a sense of rhythm and movement across the ...

"QUEEN VICTORIA" is created and from acrylic and found objects on thick, round panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure...

6104 Modernist Abstract flowers in a vase table Setting

In keeping with my passion of nature, this collection focusses on the movement and structure of nature. I am fascinated in finding things in our environment that often go unnoticed....

Finely painted contemporary tropical landscape. Oil on canvas. Framed. Signed verso.

Bold abstract geometric composition by Marc Foster Grant (American, b. 1947). Unsigned. but was acquired with a collection of other Grant pieces. No frame...

Damien Hirst Spin Painting, 2009 (Damien Hirst Circle): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless...

Artist: Alvar Suñol Title: Figurative Composition Date: c.2000 Medium: Oil on canvas Dimensions (canvas): 81 x 100 cm (31.9 x 39.3 in) Framed: Yes Condition: Excellent Alvar Suñol –...

Textural abstract landscape painting by Moroccan artist Wafaa Mezouar. Earth tones, Acrylic, mixed media on linen. Size: 40 x 40 inches. Offered unframed. Exhibitions include: Co...

This contemporary abstract painting by David Sorensen explores a bright yellow palette. David Sorensen was drawn to the rich and vibrant colours of Mexico. Celebrated as an importa...

Colourful Abstract Painting using Orange & Turquoise Resin on a White Canvas by 20th Century British Artist Art measures 30 x 30 inches (Unframed) Philippe Aird...

A narrative of hard edged orthogonal shapes in sapphire blue, bright yellow and crimson unfolds across a background grid of washed charcoal black rectangles. The black ground is made more powerful by the size of the six foot tall canvas...

Contemporary large scale surreal figurative abstract interior scene by Bay Area artist Michael Pauker (American, b. 1957). Titled "Studio Sweepings" on verso. Signed "Michael Pauker"...

Artist/ School: French abstract School, late 20th century/ early 21st century, inscribed initials MD Title: Brown, yellow, beige abstract composition painted on a very large scale. ...

Presenting a large gold, orange, and yellow contemporary abstract painting by Danish artist Kenneth Strandby (1960 - ). With its color and its large size the painting has a warm and ...

Bold Expressionist work in the Style of Richard Diebenkorn Original Oil Eclectic Neo-expressionist work by San Francisco area abstract artist Daniel David Fuentes (American, 1978-20...

Ethereal abstract with bright red forms floating in a deep red/brown color field by California artist Sharon Weiner (American, 20th/21st Century). Signed "Sharon Weiner", dated " '...

A one of a kind signed original painting. Excellent condition as pictured and framed ..Signed on the verso and monogram initials on the front by French artist Edouard D. Louis. A d...

Mixed media on paper by New York artist Peter Opheim, titled "Wait," created in 2008. This original work measures 30 x 23 inches and represents an important period in Opheim's develo...

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 13 x 15 inches. Unsigned. Minor paint loss along right edge.

Kenny Scharf Val Wong Worm, 2006 Oil, acrylic, silkscreen and rhinestones on paper Signed, dated and titled by the artist on the die-cut window on the back Frame Included: elegantly ...

Minimalist Red & Black Abstract Geometric, "John Favors Red" Bold organic geometric abstract with black and light yellow form titled "John Favors Red", by Oregon artist Cassandra Linnea Auker (American, b. 1971), 2005. Interesting grainy texture varying among colors adds interest and depth. Titled and signed on verso "John Favors Red", "Auker 2005". Presented in slat frame painted to match the piece. Frame size: 24.50"H x 24.50"W. Image size: 24"H x 24"W. Cassandra Auker...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

A large signed original painting . Many facets of chroma and texture. Gem like luminosity. Shows lots of energy, , gravity, tension and momentum with a mysterious atmospheric g...

George Dannatt (1915-2009) Untitled, 2004 Image: 17.5 x 11.5 cm Frame: 30 x 24.8 cm Signature bottom left George Dannatt’s long career as a painter and sculptor ended with the artis...

Artist: Antoni Pitxot Title: Untitled (Cadaqués, 2001) Medium: Oil on cardboard Dimensions: 23 × 17 cm (9.05 × 6.69 in) Framing: Unframed Signature: Signed “Pitxot 01” upper right In...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Painting of Abstract Turquoise & Red Flowers on a Pink Background by British Landscape Artist, Angela Wakefield. This original is from th...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Peter Max United We Stand, 2006 Mixed-media with acrylic painting and color lithography on paper. A unique work Hand signed in acrylic low right. Image size 58 x 43 cm Frame size ...

Deirdre Schanen's "By Itself" abstract oil on canvas features a meditative blue, yellow, and orange composition reminiscent of the color field paintings of artists like Mark Rothko, ...

Mixed media on paper by New York artist Peter Opheim, titled "Untitled 3," created in 2008. This signed original work measures 30 x 23 inches and represents an important period in Op...

Lively abstract composition with lines and dots over rectangular color fields of peach, yellow, and sky blue by Marc Foster Grant (American, b. 1947), c.2000s. Unsigned. Acquired wit...

Stunning original oil painting by the French abstract artist, Yvette Dubois-Habasque (1929-2016). The painting has excellent provenance having come from the artists studio sale in Pa...

This work by Anna Shesterikova is a subtle abstraction that seamlessly fits into the Japandi aesthetic. The painting was created with the idea of ​​a golden rain bringing wealth and ...

Mira Tager Lehr (American, 1936-2023), Acrylic on canvas painting Interrupted Cell Formation series Circa 2008-2009. Mixed media technique incorporating organic forms, floral motifs...

This acrylic abstract painting in bold earth tones is by Otto Rogers. Otto Rogers is a distinguished abstract artist whose original artwork left an indelible mark on the Canadian ar...

This contemporary abstract painting is by David Sorensen. A Canadian treasure, David Sorensen pursued his own vision of abstract expressionism for decades. He was known for his lyri...

Dorothy Gillespie (1920 – 2012) Ribboned Image X 2001 Metal Ribbon Sculpture, Enamel on Aluminum with colorful striped green ribbons. Dimensions...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

TN509-T is a unique triptych painting by Japanese contemporary artist Hachiro Kanno. The painting is made with Ink and acrylic on canvas. It is composed by 3 panels, total dimensions...

the painting is being offered with a work and authenticity certificate

This 28" x 20" oil on canvas by Masri represents an abstract landscape that plays with texture and color to evoke the essence of a natural scene. The painting features a deep, earthy...

Oil paint on burlap with c-us frame Total size with frame 115x85 cm

You might assume that this is a watercolor work. But that's not true! "This painting was painted with acrylic paints directly on silk, which I later stretched on a plywood board and...

By Damien Hirst 2009 Stamped by artist A vibrant example of Damien Hirst’s iconic spin paintings, this work embodies the artist’s exploration of colour, movement, and controlled r...

Abstract monoprint by Michael Pauker (American, b. 1957). This piece is made from several layers of collage, including stamps and pages from old books and manuscripts. Atop the colla...

A vibrant and yet romantic sailing scene which was a favorite series by Della-Volpe. His compelling colorist approach has made his works desirable as he was one of the few artists post-war to be representative in style like Milton Avery and Wolf Kahn. Head to Sea has the hallmark intense and lovely coloration for which Della-Volpe is known. He came out of Abstract Expressionism in the New York school but then pivoted, like Milton Avery to representational, colorist work. The frame is a silvered gold leaf float frame of quality and has a rubbed, antiqued surface...

Geometric passages in painterly red-orange frame a central green field in this bold abstract painting by David Sorensen. Through his painterly modern compositions, celebrated Canadian painter David Sorensen (1937-2011) sought to “give voice to the inner reality.” In the paintings from his last years, Sorensen offers solutions to the nature of abstraction – wresting nature and the horizon from pure form and brilliant colour. Born in Vancouver, Sorensen studied at UBC and the Vancouver School of Art under Arthur...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Ship to Leave Atlantis", the painting is oil on canvas, presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 34 x 24 inches; Framed size: 36 1/2 x 26 1/2 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...