Early 2000s Abstract Paintings

Supersymmetry is a

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Contemporary mixed media on board painting by Polish artist Anna Mikke. Birds are next to people favourite artistic subject of Mikke. This piece is in neutral colors, the background ...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

blue drops effect original abstract acrylic paper painting . framed Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fields of art...

Winter Abstraction is a semi-abstract painting painted with acrylic paints on canvas. "My goal was to convey the feeling of a winter forest using only cool colors and straight line...

Artist: Robert Wyland (1956) Title: Basket Series Year: Circa 2001 Medium: Acrylic, watercolor on Aquarelle paper Size: 30 x 22.5 inches Condition: Excellent Inscription: Initialed by the artist, lower right, recto Notes: This artwork will be flat-packed for shipping. ROBERT WYLAND (1956- ) Internationally renowned artist Robert Wyland is one of the most celebrated and recognized artists of our time. An innovative painter, sculpture, writer, photographer, philanthropist, and filmmaker, he captured the imagination of people everywhere by completing over one hundred monumental murals...

Splatter painting probably showing Mousehole harbour, Cornwall England. A small rowing boat lays stranded on the low tide just awaiting high tide. The splatter painting lifts this pi...

Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...

Billy Al Bengston Sweet Filthy Cheat, 2004 Watercolor and acrylic on paper Signed, dated and titled on the front Frame included Unique This unique work, with it's charmingly sly tit...

Peter Max Land of the Free, Home of the Brave, 2005 Acrylic and collage on heavy art paper Hand signed in acrylic paint on the front, the back bears the artist's copyright and unique...

A simply framed example of Peter Max’s American flag paintings, one of his most used motifs other than the Statue of Liberty. The simplified fl...

Randy Browning’s paintings sparkle with the breath of life. His delightful contemporary paintings offer his viewers a unique way of regarding contemporary still life, combined with old-world attention to detail. Browning feels that to truly observe an object, one must be absorbed by it. The large scale of the paintings helps people focus on the incredible variety and subtlety of apparently common objects. In the triptych, Randy is playing with a red and white striped dinnerware set placed upon a blue and off-white background. The teapot draws you into the middle panel and makes your eyes happily jump to the outside panels to view the whole optical illusion. Randy Browning’s paintings sparkle with the breath of life. His delightful fruit and vegetable paintings...

"#2" gallery-wrapped acrylic on canvas painting by street artist John "CRASH" Matos. Numbered on back upper left corner.

Elliot Gordon (American) , "The Vases in Tulsa", Post Modern Impressionist Acrylic on Canvas, 30 x 24, Early 21st Century, 2004 Colors: Red, Yellow, White, Blue, Black, Brown, Purpl...

A Moment in Time - Abstract Oil on Paper Abstract oil painting on paper by Ken Wright (American, 1945-). Multiple colors are presented on paper with black ...

5-3374 Acrylic on artist board Image size 8,5x11.5"

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

"Circle Spin Painting" acrylic on paper painting by artist Damien Hirst. Created with public collaboration at the Damien Hirst Spin Workshop to celebrate the opening of "Requiem" at ...

Psychedelic Handbags - Surreal Visionary Landscape Psychedelic abstract with textile fashion handbags in a colorful, surreal landscape by San Francisco artist Michael William Eggle...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) Hand signed and dated 2002 Metallic paint, acid etched on aluminum, wood Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

Oil paint on burlap with c-us frame Size with the frame 115 x 85 cm

Treasures In The Flames is a colorful, abstract, surrealist painting by Armenian artist, Vatche Geuvdjelian. Artist’s Statement “𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 �...

The painting "Golden Chrysanthemums" belongs to the decorative series. It is slightly abstract with lots of additional graphic elements. This picture clearly shows the influence of t...

A large figurative abstract, acrylic and oil on canvas over panel painting execute in purples, blacks, reds, oranges and greens by Annie Lapin. Signed verso, "Annie Lapin".

Algodón de Seda, 1978 by Amelia Cajigas Image size: 3 H x 2.75 W inches. Frame size: 12 Hx 11.5 W x 1 D inches. White Frame ___ Amelia Cajigas. Artist. He was...

Steven H. Rehfeld (American, born 1954) "Exuberance" 2002 Oil paint, Canvas, Stretcher bars The artist signed the back of the painting. "Exuberance" by Steven Rehfeld is a visceral ...

Artist : Kory Twaddle Title : California Monoprint Materials : Tempera on paper Date : 2008 Dimensions : 36 x 24 x .1 in. Kory Twaddle is a Kansas City based artist and Research A...

Ameryllis Study 2 - Miniature Abstract Floral Canvas Art by Contemporary British Artist, Angela Wakefield Art measures 12 x 9 inches Frame measures 16 x 13 inches A vibrant and emo...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

This piece is an abstract portrait composition of a woman's profile face done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with c...

A painting by Ryoko Kato. "Flooded Small Room" is an acrylic on canvas executed in a bright palette primarily of blues, whites and pinks and depicts a young girl, dressed in a white ...

"The Cradle" is an abstract style painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of bright and colorful expression. About the artwork: TECHNIQUE: Acrylic, oil on canvas painting STYLE: Abstract, Contemporary Edition : Unique, signed Weight: Approximately 4 kg. The painting is unframed. Dear art lovers, if you like the art of maestro Halimi, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. The paintings brings emotion of happiness, love, energy and beauty represented by the vast creative power of the artist's talent.” “The impressions of the artist's paintings on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination with its perfection. His paintings bring positive emotion of desire, possession and energy, represented by the vast creative power of his talent.” Maestro Simon Richard Halimi was born in Tunis on 2nd February 1943. He left his homeland 20 years later for France. In 1974 he was expatriated in Ivory Coast with frequent travel in central Africa and West. This requires him to maintain contact with his family and painting, many travel between Africa and France. He has been painting since the 1960s and has produced thousands of works. Since February 2003 he left Africa and dedicated himself fully to his art. SOME AWARDS: Lauréat du prix International Victor Choquet Lauréat au salon Populiste Musée d’Art Moderne Grand prix Interministériel au musée de la Monnaie Grand Prix C3D au Musée de la Monnaie Lauréat et diplômé de l’Académie Internationale de Lutèce Lauréat et diplômé de l’Académie Internationale d’Art Contemporain Diplômé de la Fédération Nationale de la Culture Française en qualité de “Créateur d’aujourd’hui". Prix du salon des Artistes Français 2004, décerné par l’Académie des Beaux-Arts Prix Paul Chabas, Institut de France, Académie des Beaux-Arts Médaille du mérite et dévoument aux Arts, Académie Mazarine Prix Michel Ange pour l’ensemble de l’oeuvre, Académie Mazarine Fédération Nationale de la Culture Française (Sélection du monde des Arts Plastiques). Académie des Beaux-Arts de Saint Louis (Titre d’Académicien Associé). Grand Baz’Art, prix de l’humanité et de la générosité. Collective Exhibitions Salon des Artistes Français Salon d’Automne Salon des Artistes Indépendants Salon d’Hiver Salon Populiste (Musée d’Art Moderne) Salon Interministériel (Musée de la Monnaie) Grand prix Victor Choquet (Musée de la Monnaie) Grand prix C 3 D (Musée de la Monnaie) Salon International de Lutèce Salon international d’Art Contemporain (I.A.C.) Europe-Art (Paris) Salon d’Art Singulier Salon Violet, prestige de l’art contemporain A2PAC - Invité d’honneur 2004 Ramp-Art - Avignon Art Contemporain 2000 Diverses expositions itinérantes en groupes en Allemagne, Italie, Belgique, Espagne, Afrique, Chine ... Hivernales LONDON ART - Salon Waldorf Palace Art SHANGHAÏ - Art contemporain WIK & AM - Wiener International Kunst - Vienne AUTRICHE Rouen National Arts - Biennale Courants d’Art Singulier Espace Rachi (Rétrospective) Personal Exhibitions Salon des Artistes Français Salon d’Automne Salon des Artistes Indépendants Salon d’Hiver Salon Populiste (Musée d’Art Moderne) Salon Interministériel (Musée de la Monnaie) Grand prix Victor Choquet (Musée de la Monnaie) Grand prix C 3 D (Musée de la Monnaie) Salon International de Lutèce Salon international d’Art Contemporain (I.A.C.) Europe-Art (Paris) Salon d’Art Singulier Salon Violet, prestige de l’art contemporain A2PAC - Invité d’honneur 2004 Ramp-Art - Avignon Art Contemporain 2000 Diverses expositions itinérantes en groupes en Allemagne, Italie, Belgique, Espagne, Afrique, Chine ... Hivernales LONDON ART - Salon Waldorf Palace Art SHANGHAÏ - Art contemporain WIK & AM - Wiener International Kunst - Vienne AUTRICHE Rouen National Arts - Bienale Courants d’Art Singulier Espace Rachi (Rétrospective) Galeries Valombreuse à Biarritz et Paris Galerie Climat au Sable d’Olonnes Galerie Zafira rue Mazarine à Paris Galerie 51 rue de Seine à Paris Les Galeries du salon Ivoire en Côte d’Ivoire Galerie d’Art du Palais au Touquet Opéra Gallery (Paris, Miami, New-York, Singapour, Londres) Gallerie “Art Passion” - Montpellier Gallerie 27 - Londres (rétrospective). Gallerie Hughes Pénot, La Baule Singul’Art - Lyon Tel-Aviv - YAFO (Rétrospective - 350 oeuvres) Gallerie d’Art des Pyramides GF & CO Gallery - Vienne - Autriche MEETING WITH THE ARTIST: A work of art must allow itself to be viewed in a calm manner, with you letting your mind wander and allowing yourself to daydream. All forms of creative and recreational cultural expression are or should be an invitation to travel. Music, literature, poetry, theater, cinema, painting, sculpture, photography, and so on, are no exceptions to this rule when they carry a stamp of sincerity. An act of expression can only be authentic if it is not motivated by the constraints laid down by obligations, by recognition. Painting, like other means of expression, is a cry, a feeling, a listening process, pain, joy... a realization or an epiphany to be shared with my family and friends and with people who go to my exhibitions. In the former case I experience a real moment of sharing, a kind of osmosis. A work - irrespective of what it contains - is only successful as an act of expression if it contains life, something to think about, feelings a pathway to an exchange, an invitation concerning it and the observer. If this communion takes place, then the work is a good one. When the architecture of a work, its theme, the balance of forms and colors, the mobility or freedom of the eye, the seeing, and the thinking, are all present in a kind of harmony, there are no longer any obstacles between a work and us. After painting for more than 50 years, I have had many opportunities during the course of my exhibitions to express myself with visitors who wanted to go through the mirror of the initial visual impression of a painting. I find their uncertainties and their desire to know - more than just view - touching. Other visitors view, sometimes view themselves, and then continue going around a gallery having ''read'' paintings in their own ways. Some people cast a disinterested passing glance, and, very sure of themselves, continue on their way. These people are sometimes in the majority. After having worked in conjunction with several gallery-owners, exhibited my work in France and abroad, I have never agreed to sign a contract. I never express myself on an imposed topic, work, based on an order, or work at a certain speed. Art cannot be dictated, it cannot be ordered. Life, time, kindness, love, madness, freedom, money, politics, the mind, the heart, its opposite, popular and honest art, all of life's facets and asses became my life. They are my reflective and observational canvas in terms of the content of my paintings. Developments, variations on forms have taken place, but never in relation to the basics of my process. On this journey I came across ''sand'', which can be found on the surface of my paintings from 1966 to 1998 - and occasionally after 1998. We are made of dust, and must return to dust. Humbleness is a watchword which is included in one way or another, in my paintings, by means of signs or of small sentences, and this is notably the case in relation to topics addressed concerning covetousness, temptation, greed, selfishness, hypocrisy, success at any price, lying, power, money, art for money's sake people, and so forth. I hesitated a very long time before writing about my painting. I believed that doing so was a bit like usurping the role of the ''watchers'', those people who prefer to have their own interpretation, and prefer to take the tome to uncover, in the meanders of my handwriting and my short sentences, the keys, crucial details and symbols in my works - what is hiding behind the initial image. When you read a good book or listen to music, you do not make decisions based on the title of the book or on the first note...

Sardinian Bay'. Signed painting by Andy Gradwell. circa 2004. watercolour and pastel on paper 25cm x 32cm Glazed oak frame 43cm x 53cm. A piece that expresses his return to Sardinia...

Very nicely painted California coastal beach scene. Oil on board. Signed verso.

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Orazio De Gennaro's Ballads of Lights is a 36 x 36-inch abstract painting on panel. The main colors are different shades of blue, red and purple. De ...

This bold and dynamic figurative abstract acrylic painting on handmade paper by Marc Foster Grant (American, b. 1947) certainly makes a splash! A figure dressed in a fabulous swimwear ensemble jumps into the pool and onto a globe, causing a huge splash of water to burst forth towards the viewer. The fun, colorful, and fancifully detailed swimming outfit complete with vintage style bathing suit...

Painting of an established contemporary artist Jan Wunderman. Oil on canvas.

Painting of an established contemporary artist Jan Wunderman. Oil on canvas.

Colors original abstract acrylic painting paper While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Julius Bissier refe...

Original acrylic and spray paint on metal. Hand signed and dated lower front and verso by John 'Crash' Matos. Artwork size: 48 x 22 inches. Artwork is in excellent condition. Certi...

Cecil Touchon (1956-, Austin, Texas) FS3809ct16 Abstract Composition Framed ink and collage on heavy Aquarelle Arches paper Hand inscribed lower center (these were typically signed ...

Steven H. Rehfeld (American, born 1954) "Blue Series" 2008-2009 Oil Paint, Ink, Paper, Tape, Mixed Media, Canvas, Stretcher Bars, Wire The artist signed the back of the painting. "B...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Curated squares, rectangles and fine horizontal and vertical stripes in pink, cherry, pumpkin, greens and teal dance across a rust ground in this acrylic painting on panel. This geom...

color original abstract acrylic painting. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Julius Bissier referred t...

Orazio De Gennaro’s Rituale is a masterful exploration of texture, color, and materiality, offering a deeply immersive visual experience. This painti...

Edie Nadelhaft “Three” Oil on canvas, 48 x 44 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bodega flowers were born from her ea...

#5-3292 Fantasy Landscape,abstract field of straberries ,a contemporary painting on gallery canvas ,signed Neapolitan by P.Russo Rapped canvas no need for frame

About "Night's Inventions: As the night slowly emerges, anything is possible in the dark. Oil on canvas. Note: The painting shown on the wall may not be proportional to the room si...

Homenaje al tapiz- original abstract mixed media painting. frame GRAU-GARRIGA, Josep (San Cugat del Valles, 1928 - Angers, 2011). Grau-Garriga was a Catalan artist, muralist and o...

Ameryllis Study 3 - Miniature Abstract Floral Canvas Art by Contemporary British Artist, Angela Wakefield Art measures 12 x 9 inches Frame measures 16 x 13 inches Angela Wakefield ...

Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art (1974-1977) Kremer has spent almost her entire career working alongside contemporary Dor...

Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art (1974-1977) Kremer has spent almost her entire career working alongside contemporary Dor...

Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art (1974-1977) Kremer has spent almost her entire career working alongside contemporary Dor...

Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art (1974-1977) Kremer has spent almost her entire career working alongside contemporary Dor...

Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art (1974-1977) Kremer has spent almost her entire career working alongside contemporary Dor...

Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art (1974-1977) Kremer has spent almost her entire career working alongside contemporary Dor...