Early 2000s Abstract Paintings

Hyde Park Corner by LÉLIA PISSARRO (b. 1963) Acrylic and silver powder on canvas 100 x 70 cm (39 ⅜ x 27 ½ inches) Signed lower right Lélia Pissarro Titled Hyde Park Corner, signed ...

Oil paint on burlap with c-us frame Size with the frame 115 x 85 cm

The composition of this painting may suggest the artist’s own lifelong journey. The white area becomes a focal point of the image with a broken mode of transportation painted over it...

The painting is being offered with a work and authenticity certificate

#5-2968 Red Table still life painting,contemporary acrylic on board displayed in a vintage hand painted curved wood frame signed by Neapolitan artist P.Russo lower left. image size H...

The painting is being offered with a work and authenticity certificate

Colourful Expressive Abstract Interpretation of an Urban Landscape City Scene, by leading British Artist Angela Wakefield. This artwork is from an intense body of abstract work that...

Contemporary abstract painting: bright crimson red and black stripes and bars intersected with varied lines in the geometry of this bold small painting. Signed, dated and titled on v...

The painting is being offered with a work and authenticity certificate

Colourful Tribal Aboriginal Inspired Oil on Canvas entitled “The Reacher” in Portrait Format Figure Reaching Toward the Sun Medium: Oil on canvas Attributed Artist: Contemporary in ...

Colourful Abstract Tribal Aboriginal Inspired Oil on Canvas in Portrait Format 25 x 48 inches (unframed) Original, Oil on Canvas, Signed This captivating large-scale abstract sho...

"Lucy in the Sky" Contemporary Bather, Figurative Swimming Pool Abstract Bright and fanciful figurative abstract depicting a woman in swimming pool by California artist Marc Foster ...

Bay Area Poolside Figurative Abstract, S.S. Claremont Hotel in Acrylic on Paper A fun and vibrant figurative acrylic painting of a woman ready for the pool in a blue bathing suit in...

Abstract acrylic on canvas composition 'Red Movement' (New York 2003) by Christos Angelakis of Samos, Greece & a contemporary of Brice Marden Art Sz: 21 1/2"H x 49 1/2"W Frame Sz: ...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

On The Town, signed lower right Dutch gold leaf and oil with acrylic. Deep box canvas

Billy Al Bengston Sweet Filthy Cheat, 2004 Watercolor and acrylic on paper Signed, dated and titled on the front Frame included Unique This unique work, with it's charmingly sly tit...

Colorful French abstract of free form shapes highlighted in bright hues by A. Vivent, 2005. Original artwork on paper displayed on a white mat with a gold border. Archival plastic ...

A large figurative abstract, acrylic and oil on canvas over panel painting execute in purples, blacks, reds, oranges and greens by Annie Lapin. Signed verso, "Annie Lapin".

Green Energy - Stefano Iannone Italia - Mixed technique on canvas mis. cm. 80x130, with modern woooden frame, mis. est. 95x145

Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art (1974-1977) Kremer has spent almost her entire career working alongside contemporary Dor...

Anita Roy Chowdhury - Untitled Watercolour on Paper 22 x 15 inches (Unframed & Delivered) A serene watercolour by Anita Roy Chowdhury, featuring a central leaf surrounded by abstrac...

Cecilia Biagini Teorema chino del resto, 2009 Vinyl paint on canvas 55 x 55 in (139.7h x 139.7w cm)

Presenting a large gold, orange, and yellow contemporary abstract painting by Danish artist Kenneth Strandby (1960 - ). With its color and its large size the painting has a warm and ...

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

Signed lower left, 'J.da Silveira' for Jose Da Silveira (French-American, born 1965), titled, 'The Soul is Music' and painted circa 2002. Additionally...

Winter Abstraction is a semi-abstract painting painted with acrylic paints on canvas. "My goal was to convey the feeling of a winter forest using only cool colors and straight line...

Colour-filled images of fantastical creatures along with birds, snakes, rabbits, beautiful women in yoga poses - all images of Balinese reality and folklore combined in this one abst...

Blue Mountain Abstract Expressionist Painting by Contemporary British Painter Angela Wakefield. Art measures 18.5 x 13 inches Frame measures 24 x 18.5 inches This painting is a ra...

In this painting with white markings, In the central scene, a winged Atlas kneeling, With one knee on the ground, holding the earth, But the figure emerges only in fragments, Within ...

(April 9, 1926 – January 17, 2018) was an American artist based in Los Angeles and a central figure of postwar West Coast art. Moses first exhibited at the Ferus Gallery in 1957 and...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Out of many come one. A huge back mountain is formed out of scores of gas spewing smokestacks. The foreboding back mass fills most of the pictorial area. As one gets closer to the canvas, the complexity of the mass if revealed in low on contrast as we see the diverse variety of the stacks with accompanying petrochemical architecture. Above the stacks, plums of air pollutants like sulfur dioxide and nitrogen oxides rise gracefully into the atmosphere. The artist focuses less on the by-product of the stacks and more on his giant pollution machine that he has so astutely rendered. The work is mostly monochromatic but the artist has indicted a red tonality of a sunset/sunrise that offsets the charcoal blacks and grays. ______________________________________________ Submitted by Tamarind Institute Ian Davis...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Abstract figurative painting of a pregnant woman. The woman is painting in a minimal outline and the background is a purple texture. The canvas is signed on the back and titled. The ...

"Chica Boom" Abstract Composition in Oil on Canvas This piece is a dynamic composition characterized by bold color contrasts and sweeping, curvilinear forms. Broad brushstrokes and ...

Oil on canvas with plaster and cement

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

The painting of Bertina Lopez (Mama B) privileges her maternal Mozambican roots. Her artistic work, like that of many others of her generation, is steeped in social criticism and Mo...

A figurative abstract oil on canvas by contemporary artist Krisjanis Kaktins-Gorsline. "Dustr" is executed in deep pastel blues, rust, yellow, brown, peach and black and depicts an a...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art (1974-1977) Kremer has spent almost her entire career working alongside contemporary Dor...

This is a gorgeous David Sorensen painting; one of the desirable ‘Horizon’ series painted in the early 2000s. The palette is rich and warm. The gestural brushstrokes reveal subtle la...

The picture was painted as the second part of the “Musician” diptych. The violin's music gains weight and visual expression, mixing with autumn leaves and notes and it all becomes an...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

The painting "Golden Chrysanthemums" belongs to the decorative series. It is slightly abstract with lots of additional graphic elements. This picture clearly shows the influence of t...

A very large triptych each panel 48” x 36” This artwork arose from improvised music, expressing the nuances of harmony, rhythm and melody in visual form. Mixed media on marine ply.

Stunning original oil painting by the French abstract artist, Yvette Dubois-Habasque (1929-2016). oil painting on board, unframed painting : 12 x 12 inches The painting has excel...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Work original by Rafael RUZ . Interior Landscapes - 2015 Rafael Ruz Abstract Acrylic Painting Perfect condition While contemplating the painting of Ruz, we are inclined to talk a...

This artwork is not framed. Béatrice Bescond is a French artist. Mostly influenced by Pavel Filonov, Henri Michaux and François Rouan, and inspired ...

John Havens Thornton, Untitled, 2008 — oil on canvas A lively, folded structure rises from a pale field, its planes switching between electric turquoise, umber, rust, and slate as c...

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 13 x 16 inches. Unsigned. Minor paint loss along left edge.

Mira Tager Lehr (American, 1936-2023), Acrylic on canvas painting Interrupted Cell Formation series Circa 2008-2009. Mixed media technique incorporating organic forms, floral motifs...

Abi Kremer (b.1955) Holton Lee Series 1 No.5 2008 Mixed media mono screenprint 38.5 x 26.0 cm Signed Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art...

Painterly bands of bright lemon, aqua, white and verdant green point to beach, sand and sky in this modernist triptych by David Sorensen. Through his painterly modern compositions, celebrated Canadian painter David Sorensen (1937-2011) sought to “give voice to the inner reality.” In the paintings from his last years, Sorensen offers solutions to the nature of abstraction – wresting nature and the horizon from pure form and brilliant colour. Born in Vancouver in 1937, Sorensen studied at UBC and the Vancouver School of Art under Arthur Erickson...

original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Perfect state CALDENTEY, Toni - (Portocolom, Mallorca - Spain) The active notio...

This abstract work of art captures attention with its dynamics and depth. Vigorous brushstrokes in midnight blue, bright white and earthy orange intertwine with palpable intensity, ...

This striking original abstract painting, signed by Kaulani (probably) is a bold and textured work of contemporary art. Dated 01/05, the painting features a dynamic blend of green, g...

Artist: Deyan Valkov Title: Untitled Year: 2002 (based on the signature) Technique: Mixed media on canvas (oil and material) Dimensions: 21.65 x 18.11 inches Condition: Unframed Thi...