Early 2000s Abstract Paintings

Abstract expressionist seascape on paper. This piece is one of a series of works created under the guidance of great English artist Sir Terry Frost. The influence of Frost is clear a...

A grid-like matrix of gradients. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ::...

The painting is being offered with a work and authenticity certificate

Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art (1974-1977) Kremer has spent almost her entire career working alongside contemporary Dor...

Artist: Leestemaker, Luc Title: 2008.07 Date: 2008 Medium: Mixed Media Unframed Dimensions: 40" x 30" Signature: Signed Edition: Unique

Abstract Expressionist Painting. Acrylic on Canvas. Collection from revered artist of NYC and The Hamptons. About the Artist: Part of the New York School Abstract Expressionists. Recognized around the world as the leading art movement after WW II. He showed with Jackson Pollock, Willem de Kooning and Franz Kline. 1921 born in Philadelphia 1934 – 38 Graphic Sketch Club 1938 – 40 Philadelphia Museum School of Art 1940 – 41 Pennsylvania Academy of Fine Art 1942 – 45 WWII War Correspondent-Artist, Yank magazine 1946 – 47 Art Students League, Will Barnett 1947- 48 Hans Hofmann Academy 1960–1979 Instructor at: University of California, Berkeley, CA; Princeton University, Princeton, NJ; New York University, New York, NY; Columbia University, New York, NY; Brooklyn College, New York, NY; Temple University, Rome, Italy 2017 deceased Collections: Ciba-Geigy Collection Chase Manhattan Bank Art Institute of Chicago Corcoran Art Museum, Washington Eugene V. Thaw Collection Max Kozloff Collection Montana Historical Society, Montana New York University Norfolk Art Museum Robert Rosenblum Collection Sarah Lawrence Collection Union Carbide Collection University of California Museum University of Massachusetts University of Montana Walter P. Chrysler Collection Walker Art Center, Minneapolis Whitney Museum, New York Yellowstone Art Center, Montana Exhibitions: Individual 2020 Frankfurt TBD 2018 Galerie Barbara von Stechow, Frankfurt 2008 Suvretta House, St. Moritz, Schweiz Galerie Barbara von Stechow, Frankfurt 2006 Ludwigmuseum im Deutschherrenhaus, Koblenz Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf 2005 Galerie Barbara von Stechow, Frankfurt New York „Abstract Expressionism” Galerie Barbara von Stechow, Dr. Alexander Georgieff & Dr. Peter Sewing bei Georgieff Capital, Frankfurt 2004 Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf CherryStoneGallery, Massachusetts 2003 Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf Galerie Barbara von Stechow, Frankfurt Kunstverein Augsburg 2002 ART Frankfurt, Galerie Barbara von Stechow, Frankfurt 2001 Galerie Barbara von Stechow, Frankfurt a. M. Art Cologne, Galerie Barbara von Stechow Denise Bibro Fine Art, New York City 2000 Galerie Barbara von Stechow, Frankfurt a. M. Art Frankfurt, Galerie Barbara von Stechow, Frankfurt a. M. Galerie Schröder & Dörr, Bergisch-Gladbach 1999 Galerie Peter Bäumler, Regensburg 1998 Conrad Hinrich Donner Bank, Hamburg 1996 Galerie Hexagon, Aachen Olaf Clasen Gallery, Köln 1995 Olaf Clasen Gallery, Köln Denise Bibro Gallery, New York City 1994 Olaf Clasen Gallery, Köln 1993 Galerie Peter Bäumler, Regensburg Bologna-Landi Gallery, East Hampton, New York 1992 Olaf Clasen Gallery, Köln Benton Gallery, East Hampton, New York 1991 St. Mary’s College, Maryland M 13 Gallery, New York City 1989 Randall Gallery, St. Louis, Mass. RH Love Gallery, Chicago, Illinois Pennsylvania Academy of Fine Arts (Morris Gallery), Pennsylvania 1988 Cyrus Gallery, New York City Benton Gallery, East Hampton, New York 1987 Armstrong Gallery, New York City 1986 Barbara Ingber Gallery, New York City 1984 Barbara Ingber Gallery, New York City 1982 The New School, New York City 1981 Benson Gallery, New York City 1980 Landmark Gallery, New York City 1978 Temple University Abroad, Rom 1977 Andre Zarre, New York City 1974 Bertha Schaefer, New York City 1973 Bertha Schaefer, New York City 1971 Westbeth Galleries, New York City 1965 University of Arkansas, Little Rock 1964 Princeton University, New Jersey 1963 Thibault Gallery, New York City 1962 Hacker Gallery, New York City 1960 Poindexter Gallery, New York City 1958 Poindexter Gallery, New York City 1957 Poindexter Gallery, New York City 1956 Ganymede Gallery, New York City 1954 Artists’ Gallery, New York City 1953 Hendler Gallery, Philadelphia 1952 New Gallery, New York City 1950 Artists’ Gallery, New York City Group Exhibitions: 2018 Titans In the Rough Denise Bibro Gallery, New York, NY 2011 Joe Stefanelli...

Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art (1974-1977) Kremer has spent almost her entire career working alongside contemporary Dor...

Domenick Capobianco (American, b. 1928), "The Poet", Oil on Panel, 2006, depicting a speaking black figure with polychrome speech bubble on white ground, signed, dated, and inscribe...

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Inspired by natural textures and colors. One-of -a-kind, original and unique artwork. Multiple layers of acrylic paint. Ready to hang . Signed by artist .Sides are painted. Certifica...

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

"Heaven" is International artist Karen Hoepting's 2000 acrylic on paper, signed lower left. The abstract subject includes birds and cats against a bright blue and yellow background. ...

Dan Christensen (1942-2007) is widely recognized as one of America’s foremost abstract artists. Over the course of his career, Christensen was devoted to exploring and expanding the ...

Larry Bell Untitled (Fraction of Fractions), 2000 Pink, green and black painted elements with applied canvas and paper strips on French watercolor paper Pencil signed and dated lowe...

drops effect abstract. original. acrylic canvas painting. Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fields of art. His conce...

La obra va firmada y fechada por el artista en la parte inferior En la parte trasera, va nuevamente firmada y titulada "Perfil" Se presenta bien enmarcada la obra Medidas de la ob...

"Open the Bottle (Let in the Darkness)" is an original oil painting on wood panel by Robert Richter in a gold frame and signed on the verso. It features saturated, deep colors and wh...

Geometric passages in painterly red-orange frame a central green field in this bold abstract painting by David Sorensen. Through his painterly modern compositions, celebrated Canadian painter David Sorensen (1937-2011) sought to “give voice to the inner reality.” In the paintings from his last years, Sorensen offers solutions to the nature of abstraction – wresting nature and the horizon from pure form and brilliant colour. Born in Vancouver, Sorensen studied at UBC and the Vancouver School of Art under Arthur...

Horacio Garcia Rossi Couleur Lumière Décalée Oil on Canvas 50 x 50 cm Signed and dated 11/08 on the back Horacio Garcia Rossi, along Morellet and J.Le Parc - these works, though created in strict accordance with the rules of mathematics, are basically unstable. These models of “perpetuum mobile...

Behind the Curve 45 X 45 Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, all of whom pai...

Vertical composition on paper with a canary yellow acrylic ground over which bristle brushed lines are cross hatched in black. Layered over these central marks is a central collaged strip of paper highlighted in ultra marine blue and grey topped by a tache of white paint. This is balanced by a horizontal strip in white and grey at the foot of the composition held down by another white swipe of white acrylic. A small horizontal collaged rectangle at the upper left keeps the eye moving upwards in the picture plane. This work is unframed. Please ask us about framing options. Titled "listening to Scarlatti", or en ecoutant Scarlatti in French, the piece may certainly be a response to the sonatas of Domenico Scarlatti, an Italian composer and contemporary of Bach and Handel. Scarlatti spent much of his life at the service of the Portugese and Spanish royalty...

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 13 x 16 inches. Unsigned. Minor paint loss along left edge.

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

About "The World is not yet Done": Creation is in flux and the evolution of life is never ending. Oil on canvas. Note: The painting shown on the wall may not be proportional to the...

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"GO" by Jean Jaques Royo, 2006 Original Acrylic on Canvas 21.3 x 25.6 inches / 54 x 65 cm Hand-signed by the Artist Self-taught artist, Jean-Jacques Royo (*1955, Pau, France) sp...

(April 9, 1926 – January 17, 2018) was an American artist based in Los Angeles and a central figure of postwar West Coast art. Moses first exhibited at the Ferus Gallery in 1957 and...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Contemporary purple, pink, and yellow colorful abstract painting by Texas based artist Ibsen Espada. The work features gestural fields of overlapping color accented by black stripes ...

Charles Arnoldi, is an American painter, sculptor and printmaker. He was born April 10, 1946 in Dayton, Ohio. Charles Arnoldi has been described as an artist who “draws in space” to...

Original acrylic and spray paint on canvas. Hand signed, titled and dated on verso by John 'Crash' Matos. Canvas size 36 x 36 inches. Frame size approx 40 x 40 inches. Artwork is ...

Kenny Scharf Val Wong Worm, 2006 Oil, acrylic, silkscreen and rhinestones on paper Signed, dated and titled by the artist on the die-cut window on the back Frame Included: elegantly ...

original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper Perfect state CALDENTEY, Toni - (Portocolom, Mallorca - Spain...

Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally ar...

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It is rare to see a painting by Vasa Mihich available. These works are carefully worked through and planned with the aid of Computers. Mihich will work through the sequencing of co...

Paul Kohn - Spores, Year: 2005, Medium: Acrylic, Sawdust, Oil Pastel and Gesso on Board, signed and dated on verso, Size: 17 x 12.5 x 3.75 in. (43.18 x 31.75 x 9.53 cm), Frame Siz...

Oil on linen. Working on a traditional support, “R/Y/B” uses the primaries as a challenge. This later developed into a series in which Jean Feinberg worked exclusively with the thr...

6105 Modernist Abstract oversized oil painting 2004

Joy of life. 2008., oil on canvas, 100x100 cm Stylized colorful figures on green background Ivars Muizulis (1936) 1956 – Graduated from the Liepaja Art College, Department of Sculp...

Hyde Park Corner by LÉLIA PISSARRO (b. 1963) Acrylic and silver powder on canvas 100 x 70 cm (39 ⅜ x 27 ½ inches) Signed lower right Lélia Pissarro Titled Hyde Park Corner, signed ...

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 13 x 15 inches. Unsigned. Minor paint loss along right edge.

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

A figurative abstract oil on canvas by contemporary artist Krisjanis Kaktins-Gorsline. "Dustr" is executed in deep pastel blues, rust, yellow, brown, peach and black and depicts an a...

PATRICK WILSON (b. 1970, Redding, CA) received his Bachelor of Arts degree at the University of California, Davis in 1993 and his Masters of Fine Art degree at Claremont Graduate University in Claremont, CA in 1995. For abstract painter Patrick Wilson, aesthetic beauty and visual pleasure are primary concerns. Using drywall tools, paint rollers, and masking tape, Wilson layers lines, squares, and rectangles in meticulously balanced compositions that, with the use of vivid color, evoke a palpable sense of light. Despite Wilson’s assiduous process, he also works intuitively, responding to his compositions as they evolve. “The key value of abstraction to me is its openness,” he explains. “The best abstraction isn’t didactic, it’s experiential.” He has had numerous solo exhibitions, including Miles McEnery Gallery, New York, NY; Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Evolving Geometries: Line, Form, and Color,” Center for the Arts at Virginia Tech, Blacksburg, VA; “Steak Night,” Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Patrick Wilson: Pull,” University Art Museum, California State University Long Beach, Long Beach, CA; “Slow Motion Action Painting,” Marx & Zavattero, San Francisco, CA; and “Slow Food,” Curator’s Office, Washington, D. C. Recent group exhibitions include "Do You Think it Needs a Cloud," Miles McEnery Gallery, New York, NY; “20 Years Anniversary Exhibition,” Vielmetter Los Angeles, Los Angeles, CA; “The Responsive Eye Revisited: Then, Now, and In-Between,” Miles McEnery Gallery, New York, NY; “Michael Reafsnyder & Patrick Wilson”, Miles McEnery Gallery, New York, NY; “Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA; “On the Road...

You might assume that this is a watercolor work. But that's not true! "This painting was painted with acrylic paints directly on silk, which I later stretched on a plywood board and...

Acrylic on Canvas 48 x 60 inches. Unframed. This vibrant and intricate painting by Italian American painter and Capital Strategist, Francesca Lorenzini, combines two distinct visual...

Pions (Abstract work on paper) Watercolour on paper - Unframed. Artwork exclusive to IdeelArt. French abstract artist Jérémie Iordanoff blends the visual languages of Western Mode...

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Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses to color and form stim...

#5-2968 Red Table still life painting,contemporary acrylic on board displayed in a vintage hand painted curved wood frame signed by Neapolitan artist P.Russo lower left. image size H...

Elliot Gordon (American) , "The Blue Urn", Contemporary Acrylic on Linen, 36 x 24 Canvas, Early 21st Century, 2009 Colors: Red, Yellow, Orange, White, Blue, ...

Valerie Beller’s abstract paintings encourage visual exploration. Organic forms are both revealed and concealed amidst layers of paint. The streaked and stained surfaces of the canva...

Out of many come one. A huge back mountain is formed out of scores of gas spewing smokestacks. The foreboding back mass fills most of the pictorial area. As one gets closer to the canvas, the complexity of the mass if revealed in low on contrast as we see the diverse variety of the stacks with accompanying petrochemical architecture. Above the stacks, plums of air pollutants like sulfur dioxide and nitrogen oxides rise gracefully into the atmosphere. The artist focuses less on the by-product of the stacks and more on his giant pollution machine that he has so astutely rendered. The work is mostly monochromatic but the artist has indicted a red tonality of a sunset/sunrise that offsets the charcoal blacks and grays. ______________________________________________ Submitted by Tamarind Institute Ian Davis...

The gestural paintings of Hyunmee Lee are sumptuously minimal. Rich forms advance from buttery canvases like an abstract garden. Gauzy veils of paint hover like soft air against the ebony weight of matter. Light peeks through translucent shapes like sunlight illuminating soft mist. Texture swirls and echoes across the canvas as if carved by waves or eroded by the wind. The viewer, invited into a realm of contemplation and meditation, is surprised to look away and see the physical world existing in only three dimensions. But perhaps that is precisely the experience the artist would like the viewer to have. In her current exhibition, Touch, on display at the Phillips Gallery...

Golden Triangle is a complex integration of mathematical elements such as 36, 36, 72 degree angles through collinear intersects completing a geometric...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a transparency i...