Interior Paintings

Antique American modernist still life oil painting. Oil on canvas. Signed.

"Melodies of Rain/8" is a canvas that conveys the magic and beauty of a rainy day. Soft shades of blue and gray create a feeling of deep silence and tranquility, where each stroke ...

Ross Tamlin's unique photorealistic compositions merge traditional painting methods with modern industrial techniques to create captivating works of art. Using layers of oil and enamel paint, Tamlin creates an illusion of corrugation that adds depth and texture to his pieces. His use of industrial imagery and found objects is a nod to contemporary art, while his bold color palette and incorporation of text is a nod to the Pop Art movement. Tamlin is a full-time artist living in Kyogle, New South Wales, Australia. He began a Fine Arts Certificate course at Meadowbank TAFE, and then in Brisbane, he completed a graphic arts course before returning to Sydney. His signature corrugated iron paintings combine traditional art genres including still-life and landscape along with graphic art. Influenced by the De Stijl movement, these paintings represent a synthesis of art and function. Tamlin created a one-of-a-kind, vibrant, and colorful painting that measures 42 inches high by 40 inches wide. The sides of the canvas are painted in a continuation of the front, and the artwork is signed and dated by the artist on the front. It does not require framing, and a certificate of authenticity issued by the gallery is included. Free local delivery is available in the Los Angeles area, and affordable shipping is also available throughout the U.S. and worldwide Tamlin's innovative compositions are a stunning exploration of industrial materials, as he reimagines their purpose and function to create a new relationship between object and viewer. Through the use of bright colors and primary hues, overlaid with text and glazing, Tamlin creates a landscape that is uniquely his own. His work challenges the traditional notion of landscape painting, as he incorporates familiar places' names and text into his pieces, offering a contemporary take on this classic genre. “My idea was to transmute traditional Australian corrugated iron into works of modern art. The corrugation in the painting is a visual illusion created by layers of paint. Most people can connect with these panels because corrugated iron is a familiar sight both in suburbia and the bush. However, the sense of seeing the traditional is contradicted by the contemporary signage.” Tamlin's works are represented by Artspace Warehouse Los Angeles and are held in private collections worldwide, including Australia, New Zealand, the United Kingdom, Hong Kong, Singapore, the USA, Switzerland, and France. Corporate collections include ING Bank, Babcock & Brown, Barclays Bank, Saville Hotel Group, Savills Property Group, Minter Ellison, Hai Win Shipping, Allkotes Pty Ltd, Blue Scope Steel Pty Ltd, Sieper & Co., A. P. Moller Maersk Group, Grant Thomas Management, Maridan Pty Ltd, Esprit Changeware Pty Ltd, Maritime Transport Ltd, London. REPRESENTATION Artspace Warehouse, Los Angeles, CA EDUCATION 1979 – 1981 NZ Certificate of Town Planning (3 Years) 1982 Emigrated to Australia, 1989 Australian citizenship 1985 Fine Arts Certificate (Meadowbank) (not completed) 1987 Graphic Arts Certificate, Brisbane 1988 – 1997 Paint/Colour Laboratory Technician SOLO EXHIBITIONS 2014 Soho Galleries, Sydney, Australia 2013 Soho Galleries, Sydney, Australia 2012 Paintbox Fineart, Canberra, ACT, “Melange” 2011 Jackman Gallery, St. Kilda, Melbourne, Australia 2010 Harrison Gallery, Paddington, Australia 2008 Rushcutters Bay Gallery, Sydney, Australia 2007 Paintbox Gallery, Braddon, Canberra, Australia 2007 Rushcutters Bay Gallery, Sydney, Australia 2006 Rushcutters Bay Gallery, Sydney, Australia 2005 Rushcutters Bay Gallery, Sydney, Australia 2005 Paintbox Gallery, Braddon, Canberra, Australia 2004 Rushcutters Bay Gallery, Sydney, Australia 2003 Rushcutters Bay Gallery, Sydney, Australia 2002 Rushcutters Bay Gallery, Sydney, Australia 2001 1+2 Artists Studio Gallery, Rozelle 2000 New Aesthetix Gallery, Camperdown, Sydney, Australia GROUP EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2023 Artspace Warehouse, Los Angeles, CA 2021 “Urban Thoughts”, Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York 2019 Affordable Art Fair Hong Kong 2019 Artspace Warehouse, Los Angeles, CA 2019 Affordable Art Fair New York 2019 Palm Springs Fine Art Fair, Palm Springs, CA 2018 AAF Hong Kong 2018 New York AAF, NY, USA 2018 Morris Art Prize; Gold Coast, Queensland 2018 Art Palm Springs Fine Art Fair, California 2017 SOHO Galleries, Sydney, group exhibitions 2017 Gallery Beneath, Moolloolaba, Queensland, group show 2017 Whistler Contemporary Gallery, Whistler, BC, Canada 2017 Artspace Warehouse Gallery, Los Angeles, USA 2017 AAF New York, NY, USA 2017 AAF Battersea, London, UK 2017 Palm Springs Art Fair, Palm Springs, California USA, represented by Artspace Warehouse 2016 Stockholm AAF 2016, Sweden, represented by Retrospect Planet 2016 Artspace Warehouse Gallery, Los Angeles, USA 2016 Kunstwarenhaus Gallery, Zurich, Switzerland 2016 SOHO Galleries, Sydney, NSW, Australia 2016 Art Hamptons, represented by Artspace Warehouse LA 2016 AAF Hong Kong 2016 New York AAF, USA, represented by Artspace Warehouse LA 2016 Asia Contemporary, Hong Kong 2016 Palm Springs Fine Art Fair, USA, represented by 2016 Artspace Warehouse 2016 Whistler Contemporary Gallery, Whistler, Canada 2016 Caldera Art Exhibition, Murwillumbah, Northern NSW 2015 AAF Singapore 2015 Artspace Warehouse, Los Angeles, USA 2015 Palm Springs Fine Art Fair, USA, represented by 2015 Artspace Warehouse 2015 London AAF, Battersea, March, represented by 2015 Retrospect Planet 2015 Asian Contemporary, Hong Kong, March, represented by Retrospect Planet 2015 New York AAF, USA, represented by Artspace Warehouse LA 2015 Hong Kong AAF, May, represented by Retrospect Planet 2015 Kunstwarenhaus Gallery, Zurich, Switzerland 2015 Lethbridge Gallery, Paddington, Brisbane 2015 Stockholm AAF 2015, Sweden represented by Retrospect Planet 2015 Group Show SOHO Galleries, “Realism” Sydney, NSW 2015 Singapore AAF 2015 Hamburg AAF, Germany 2015 Mosman Art Prize, Sydney, 2014 Brussels AAF, Belgium, represented by Retrospect Planet 2014 Milan AAF, Italy, represented by Retrospect Planet 2014 London AAF, UK, represented by Retrospect Planet 2014 Hong Kong AAF; represented by Retrospect Planet 2014 Asian Contemporary (Hong Kong) 2014 Singapore AAF (May) 2014 Stockholm AAF, Sweden (October) 2014 Amsterdam AAF, Netherlands 2014 Hamburg AAF, Germany 2014 Singapore AAF, Singapore 2014 Northern Rivers Kyogle Pop Up exhibition (November) 2014 Soho Galleries, Xmas group exhibition 2013 Brussels AAF, Belgium, represented by Retrospect Planet 2013 Milan AAF, Italy, represented by Retrospect Planet 2013 Hong Kong AAF, Hong Kong, represented by Retrospect Planet 2013 Asian Contemporary Art Show,JW Marriott Hotel, Hong Kong 2013 Melbourne Art Fair, represented by Manyung Gallery, 2013 A Book about Death (international travelling art show) Tweed Art Gallery, Murwillumbah, NSW 2013 Hong Kong Contemporary Art Show, Marriott Hotel, Hong Kong 2013 Stockholm AAF, Stockholm, Sweden 2013 Amsterdam AAF, Amsterdam, Holland 2013 Hamburg AAF , Hamburg, Germany 2013 Singapore AAF, Singapore 2013 Seattle AAF, Seattle, USA, represented by Manyung Gallery 2013 Whistler Village Art Gallery, Whistler, BC, Canada 2012 Redsea Gallery,Group Exhibition, Brisbane 2012 Toowoomba Grammar School Art Show, Toowoomba, QLD 2012 Brussels AAF, Belgium, represented by Retrospect Gallery 2012 New York AAF, New York, USA 2012 Envie D’Art, Paris, France & London UK 2012 Art Melbourne AAF, Melbourne 2012 Hamptons Art Fair, July, New York, USA 2012 Wilson Art Prize, Lismore, Northern NSW 2012 Shanghai Art Fair, China, October 2012 Toronto International Art Fair, Canada 2012 Singapore Affordable Art Fair, represented by Retrospect Gallery 2012 Hamburg Affordable Art Fair, Germany 2012 Border Art...

Presenting an outstanding original oil painting by American artist Thomas Prentiss b.1920. Three Pears, is painted in the hyper realistic trompe l'oeil style, viewing this painting ...

French expressionist artist, 1955 signed oil painting on canvas, framed dated 55' framed: 22 x 29 inches canvas: 15 x 22 inches provenance: private collection, France condition: ove...

This painting conveys the feeling of a calm winter dawn, when the sky still retains the soft shades of night, and a subtle light envelops the landscape. Cold blue, silver and delicat...

Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is. Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town). After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin. Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century. Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out. At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born. 1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832. Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of ​​around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude). Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...

Helen Mount's painting "Melodies of Rain/2" captures the unique image of silence and melody in the rain. Made in the technique of acrylic on canvas, this work is distinguished by its...

Beautiful botanical still-life of a large purple pear and a glass full of cut flowers with a background of soft, warm neutrals by California artist Josephine Guerra...

A large and elegant still life with grapes and pears on a table which also features a pristine white bowl and a candle stick. Painted with simplicity, clarity of structure, and restrained emotion, this is a superb modernist work by Jean Chauffrey (1911-) dating from circa 1950. At the time, Chauffrey had a contract with mythical Paris art dealers...

Abstract Composition by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed stamped verso painting : 23 x 16 inches provenance: artists estate, France condition: very good a...

Framed 21.2 X 25.5 Unframed 17 X 21 Signed and dated 1920. Nina Karasek (Joële) born 1883 Kuttenberg, Czech Lands, Austro-Hungarian Empire, died in 1952 (I have also seen the date recorded as 1933) Vienna, Austria. Nina Karasek was an Austrian Impressionist & Modern artist who was born in 1883. Her work was featured in exhibitions at the Es Baluard, Museum of Modern & Contemporary Art and the Bildraum Bodensee. Little is known of Nina Karasek's life. She was born in 1883 in Kuttenberg (Kutná Hora) in Bohemia, studied art at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna, Austria, under Adalbert Seligmann and Tina Blau. She studied at the Frauenakademie in Vienna and Munich. In the 1920's she worked first as a landscape painter and an illustrator, later turning toward symbolism, painting mystical subjects after her interest in spiritualism. Her conventional works were shown at various exhibitions. At the age of 44, while she was copying a work by Rembrandt in an Italian museum, she fell into an altered state of consciousness. Rembrandt appeared to her, took possession of her arm, and immediately her hand started to draw something quite different from what she had intended. From then on, for the rest of her life Nina Karasek was in “supernatural” contact with a series of great masters like Rembrandt, Albrecht Dürer, Goya, Raphael, Leonardo da Vinci, Gustav Klimt and others. Under their guidance and inspiration, she drew and painted works "in the style" of the masters. But very soon her works became stylistically more and more unrestricted and Symbolist, showing an enormous range of creative expression, ranging from symbolic and allegorical motifs to bewildering images with a fantastic arsenal of figures and private characters, signs, and symbols, and to frantic, gestural sketches and abstract compositions. From then on, she often signed her works with her esoteric “primordial name” Joële. (Nina Karasik-Joel) Almost everything we know about her life was from what she noted on the reverse of her drawings: sometimes diary-like notes of her horrible living conditions during World War II, but often strangely impenetrable explanations of the depicted motifs – often as fascinating and mysterious as the drawings themselves. In her works and notes, an exciting private cosmology and mythology unfolds, a drama of hidden powers and principles that flow through macrocosm as well as microcosm. Shortly after their discovery, Nina Karasek's Spiritualist, mediumistic works have found their way into galleries and major international collections. SELECT EXHIBITIONS 2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond. The Gallery of Everything, London, (she showed with Madge Gill, Augustin Lesage, Fleury-Joseph Crépin...

English artist Jonjo Elliot's artworks are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments the viewer wants to i...

ARTIST : Alex Senchenko © Title : Abstract 2388 Technique: Acrylic & structure on canvas 100cm. x 100cm. Original Painting on a 1.5cm Deep Canvas Ready to hang 2023 -------...

This interior still-life painting on canvas combines expressive brushwork with intricate details capturing a warm and inviting atmosphere. Through the use of acrylic, pencil and colo...

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othello", depicting a young Desdemona pleading with an enraged Othello, and perhaps Iago is the seated figure, within a giltwood craquelure finished frame. Signed (l/r): H. Hamilton, 1921 . Canvas Height: 67 inches (170.2 cm) Canvas Width: 48 inches (121.9 cm) Frame Height: 75 inches (190.5 cm) Frame Width: 57 inches (144.8 cm) Frame Depth: 2 inches (5.1 cm) Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations. Artistic career Hamilton Hamilton was born in Oxford, England, on 1 April 1847. While young, he was a protégé of John Ruskin. In 1872, he began his mostly self-taught career as a portrait artist in Buffalo, New York. He created 47 landscape paintings during an 1873 expedition to Colorado which were chosen to be part of the 1876 Centennial Exposition in Philadelphia. He spent 1878 and 1879 painting in Pont-Aven, Brittany, alongside Barbizon School painters. He moved to New York City in 1881 and shortly after began to practice genre painting and etching.[6] He became an associate member of the National Academy of Design in 1886 and a National Academician in 1889. Until the end of the century, he and his family resided alternately in upstate New York, Long Island, Colorado, and England.[6] In 1907 and 1908, Hamilton spent two years painting landscapes in Southern California. In 1912 he and his family permanently moved to Norwalk, Connecticut. There he became involved with the Silvermine group of artists led by Solon Borglum...

François-Marius GRANET (Circle of) Aix-en-Provence, 1775 – Aix-en-Provence, 1849 Convent interior with nuns Oil on canvas 35 x 27.5 cm (39.5 x 31 cm with frame) Beautiful black and g...

Large Colour Block Abstract, Mixed Medium, Original Painting French School, circa 1990s sigend indistinctly on the bottom of the painting Mixed m...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Technique (canvas handmade) The picture was painted with a palette knife and a brush on canvas . (handmade) I've poured my heart into this canvas, creating a vibrant dance of color...

"Ambiance a la Lampe Galle" by Bernard Fouchet (French 1932-2013) signed lower corner, titled verso in original frame with the artists monogram as part of the moulding canvas: 15 x 18 inches framed: 24 x 27 inches provenance: private collection, France Absolutely beautiful original painting by Bernard Fouchet (French 1932-2013). The work is signed to the front and back and titled verso too. Very rarely, it looks like the frame was custom made for or by the artist - as the monogram of BF is part of the moulding. The painting radiates colour and vibrancy, with this eclectic mix of still life objects on a table, set against this red/ orange backdrop of colours. Beautiful. Condition report: the painting is in very good condition. The frame has a couple of 'nibbles' to the corners but is fine. Bernard Fouchet was born in Cerdon-du-Loiret, France. He was the student of Augustine Memin who worked with Utrillo and Alfred Chagniot...

"Campanula" is a stunning exploration of depth and delicacy, featuring three graceful bluebell stalks in crisp focus against a lush, blurred meadow. The vibrant blue petals are the f...

Mid Century Modern Artwork Hand Embellished Giclee on Canvas, Blue Green ORL-6848 Vibrant Colorful Abstract-0-22-6 State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY...

Wonderful mid-century modern oil painting of wheat and fruit by Wanda Faust (American, 20th century), c.1950. Signed lower left corner "Faust." Displayed i...

''Portrait of a Lady in Pink" by Édouard Righetti (1924-2001) Signed lower front and back oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors. v...

Stunning realistic oil painting of a pensive Dachshund, "Plique" in the South of France on a blue and yellow floral upholstered chair. The ...

A charming depiction of an interior scene with Piano and Chandelier. A cozy impressionistic scene with warmth and feeling. Whimsical details through out and beautiful brushwork. This...

The 'Sculptor in His Studio' oil on panel painting, signed by F Vogler, captures the intense, intimate atmosphere of an artist at work. The scene is set in a small, sunlit studio. T...

Untitled 018 [Remains of the Remains 018], 2019 oil on canvas 78 47/64 H x 59 1/16 W in. 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán...

Sargy Mann (1937-2015) Studio with standard lamp Signed, upper right Inscribed with title to the reverse Oil on board 48 x 60 inches Provenance: Cadogan Contemporary Private Collection Exhibited: Sargy Mann and Graham Giles, Christchurch Mansion, Ipswich, 1991 A truly beautiful work but also highly significant within Sargy's oeuvre. The painting dates to the late 1980s when Sargy and his family were living at 58 Lyndhurst Grove, SE15. Sadly by this time, Sargy's eyesight had greatly deteriorated to ‘“a very little, blurry, peripheral vision” in his left eye, (he was registered blind)....(he) found it a struggle to paint from direct observation and began to rely on short term memory and tape recordings. Working on a large scale, he taped canvas to the living room wall of the family home on Lyndhurst Grove, “rather as Bonnard had pinned primed canvas to his studio wall”’. The space depicted had initially been a dark, depressing attic space but this was transformed by the addition of some French windows. The painting has an almost abstracted quality with the two light sources creating pools of cool, luminescent energy radiating throughout the picture space. Peter Mann describes the paintings from Lyndhurst Grove as, ‘in some sense a precursor to the very late work, The little sitting room paintings...

'Battle Shoes ' still life painting of a pair of women's heels by California artist Kim Frohsin, who employs mixed media including acrylic paint, Stabilo pencil, watercolor, gouache,...

This floral artwork called " Purity " makes part of my series dedicated to "Springtime". This floral painting was done in an expressive impressionist style. This beautifully floral...

"The picture was painted with a palette knife and a brush on canvas . (handmade) In this vibrant fusion of expressionism and impressionism, I've joyfully layered acrylics and oils t...

Artist : Alex Senchenko © Title: Abstract R 2420 . Acrylic Paints. The painting was created on 100% cotton 340gsm Canvas made in Italy (Pintura). 2024 • Size of a painting: 16...

An oil painting by Contemporary American painter Kelly Carmody. A bouquet of flowers sprout from a blue striped ceramic jug. A thick book rests along the check-print tabletop. Situte...

"Look at the flowers. It is simply unbelievable how happy flowers are." -Osho Capturing delicacy through floral imagery, the meticulous strokes and carefully chosen colors create a ...

"The Potter" is an interior portrait of a young man working on a vase at his potter's wheel by Philadelphia born Expressionist painter Bernard Harmon. The 24.25" x 14" oil on cardboard painting is signed "Harmon" in the lower left and it is framed in a new black wood frame. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke, Paul Keene...

In "Nostalgia" a 21st -century Nigerian painter uses an impressionist technique the brushwork clearly visible —to evoke the haziness between wakefulne...

"Association Day" by Morakinyo Femi captures the essence of everyday life with remarkable finesse. In this captivating artwork, we see a woman with her ...

This most charming oil painting is attributed to the circle of noted British Impressionist artist Philip Wilson Steer. Painted circa 1900 this lovely Edwardian Impressionist paintin...

An ironic reflection on Hollywood stars and the stock and fund market. A new interpretation on the theme of pop art style. This painting is meant to be ironic, reflecting on what "ic...

Vibrant mid-century floral still-life of a bouquet of Chrysanthemums in a classic Deco style trapezoid vase by C.A. Wilkenson (American, 20th C), c.1960. Signed "C.A. Wilkenson" lowe...

Excellent gouache of the interior of a Parisian cabaret filled with vivid, feminine furnishings and decor by AM. Rémy, circa 1950. Unsigned. Original one-of-a-kind artwork on paper...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...

ABOUT THE ARTWORK "Guardian of the Enchanted Grove" is a striking portrayal of the intertwining of human and nature, steeped in symbolism and vibrant color. The central figure, a wo...

JOSÉ GARCÍA Y RAMOS Spanish, 1852 - 1912 FAUST signed "J. García y Ramos" (lower right) oil on canvas 21-1/2 x 24-5/8 inches (54.5 x 62.5 cm.) framed: 24-5/8 x 27-3/4 (62.5 x 70.5 cm.) PROVENANCE Private Collection, France José García y Ramos (Seville, 1852-ibídem, 1912) was a Spanish painter and illustrator. He was a student of the Provincial School of Fine Arts of Seville from a young age, completing his training in the workshop of José Jiménez Aranda...

Early spring is a good time for painting rivers. You can smell wonderful smells of young ground, river, first flowers. The painting was created near the Elchik river. The most part o...

The dark spot of the river looks beautiful against the background of light snow. Sunlit treetops with warm sunlight and the blue hues of the snow create the...

The painting "After the Rain" conveys a sense of freshness and revival that fills nature after a downpour. The bright green hues of the meadows set off the darker peaks of the mounta...

The Lobster by Georges Bordonave (French contemporary) signed oil painting on canvas, unframed dated 1978 canvas: 15 x 18 inches condition: very good provenance: from a large priva...

French School, 20th century oil on canvas, unframed canvas: 24 x 18 inches provenance: private collection condition: very good and sound condition

Cubist Still Life European School, mid 20th century oil painting on board, unframed painting: 18 x 11 inches condition: very good provenance: private collection, Cotswolds, England

Blue Flowers by Y. Blanchon, French 1950's Impressionist artist signed oil on board, framed board: 12.5 x 10.5 inches framed: 11 x 9 inches provenance: from a large private collectio...

Gillis Mostaert Hulst 1534 – 1598 Antwerp Flemish Painter 'Adoration of the Shepherds' Medium: oil on panel Dimensions: image size 38,5 x 46,5 cm, frame size 54 x 62 cm Provenance...

Still Life of Roses in a Bowl French School, circa 1960's signed, 'G. Pernet' oil painting on canvas, framed canvas: 18 x 32 inches framed: 23.5 x 37.5 inches provenance: private col...