Panel Paintings

Signed and titled figures in interior oil on panel circa 1920 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family enjo...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

August Sunset Impressionism Seascape Framed Water Texas Artist Marine Dawn $950 Framed 11" x 13". Is part of newly released small works from V....Vaughan's collection of recent travels. V....Vaughan painted each of these on location "en plein air" It has an Impressionistic Style as seen in many of Virginia Vaughan's paintings. V....Vaughan is know for her animal, Texas missions Italy, France and Gulf Coast paintings...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a black background with thick white paint and then ...

"Sunset" is a beautiful original acrylic painting on panel, depicting a sunset, deep into the horizon and over a hill, with the sky reflecting its oranges pinks and purples. This st...

A vibrant orange, yellow and lime green encaustic (pigmented beeswax) painting on birch panel accented with lime green edges. Signed, dated and titled on verso. Joanne Mattera’s pai...

Dalvin Byron’s “Diadem” is a 24 x 24 inch oil painting on wood panel. It marks a departure from the straightforward glass studies into the current “dream journal” series. Mostly, bla...

TIGRESS AND THREE CUBS, 17th Century School OF PETER PAUL RUBENS (1577-1640) 16th/17th Century Flemish study of a Tigress and thee cubs, oil on panel. Excellent quality and condit...

An elegant and atmospheric portrait depicting a young woman standing gracefully in a flowing white gown against a dark, painterly background. Executed with delicate tonal transitions...

Marinas 19, is a unique oil on wood painting by Spanish contemporary artist Calo Carratalá, dimensions are 22 × 35 cm (8.7 × 13.8 in). The artwork is signed, sold unframed and comes...

Framed Size: 35" x 23.5" 'Red Squirrel Redoubt' is a charming and beautifully observed portrait that captures the alert nature and delicate beauty of one of Britain’s most treasured...

Silver and Gold (Abstract Landscape of Winter Forest in Blue & Yellow Encaustic) by Regina Quinn 2024 encaustic, India ink, and oil with wax on panel 6 x 6 unframed / 8 x 8 framed "...

Carolien van Olphen Dreams Oil on wood panel 47 x 44 cm (Framed 55 x 52 cm, frame is included) Dutch artist Carolien van Olphen has left a great impression in many places with her ...

Provenance Acquired by the gallery directly from the artist Signed "Godfrey" on lower right FRAMED: 14.25" x 14.25" x 1.75" UNFRAMED: 8" x 8" Exhibited Monumental Miniatures 2022...

Signed fauvist oil on canvas laid on panel riverscape circa 1925 by French painter Louis Valtat. The work depicts several boats being rowed on River Seine in Bois de Boulogne - a for...

Patina - Minimalist Composition in Wax and Acrylic on Wood Panel Bold abstract composition by Charles David Francis (American, 1951-2018). Laye...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

Provenance Acquired by the gallery directly from the artist Signed " J. PAQUET" on lower right corner. Artist Statement "This unique vantage point could only be accessed by jeep. I...

"Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to re...

Michael Magrin's ( US based) "On the Horizon" is an original, handmade oil painting of a sunset above Colorado plains. This piece is framed in a "barn wood" frame and is ready to han...

Marinas No. 12, oil painting on wood panel by Spanish contemporary artist Calo Carratalá. 22 cm × 35 cm. This landscape painting takes the viewer to the coasts of Tanzania on the Ind...

"Patriarch" is an original oil painting by Kyle Fisher on panel in a handmade wood frame measuring 42in x 59in. Kyle Fisher's use of delicate, organic elements to create the strong ...

Carlos Bruscianelli's "Fruits on Paper" is an original, handmade oil painting on canvas panel that measures 10.25 x 24.25 inches framed and is ready to hang. About the Artist: Carlo...

By Linda Dumont 6" x 6" - Oil on Panel About the Artist: Linda Dumont draws upon her childhood experiences in a vibrant and experimental art world to create extraordinary works. Wit...

This painting depicts an impressionistic Plein Air scene of a couple under an umbrella by the Eiffel Tower in the rain. The thick brush strokes and fun marks creates an atmosphere re...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in various ways by others. In this recent body of work, I draw on my deep love of nature: the impressions from my new rural life Upstate and in the Berkshires...

"Shine Again" (2024) by Brian Sostrom is an original handmade acrylic painting that depicts a lake with a brilliant sunrise. Brian Sostrom grew up in small rural towns in the Pacifi...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a light purple bunny on a Purple background with thick use of paint ...

A peaceful outdoor scene at summertime with a delicately painted field of lavender lilac flowers beneath a tree with dark green leaves, beautifully capturing the idyllic feel of a fi...

"Self-Portrait" (2015) by Michael DeVore is an original handmade oil portrait painting of the artist that measures at 12 x 10 inches framed and is ready...

Elizabeth Zanzinger's (US based) "Market Flowers V" is a masterfully created realistic oil still-life. This painting measures at 12 x 12 inches, and is framed in a thin black frame ...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Raymond Bonilla's "Anoop's Place" is an original, handmade oil painting that depicts the façade of a brick building with balconies as the morning light hits its surface. About the Artist: Raymond Bonilla is a nationally recognized illustrator and fine artist in Buffalo, NY. Raymond graduated from the State University in New York at Fredonia in 2005 with a degree in New Media and Illustration. He continued his studies at the Academy of Art University in San Francisco where he completed his Masters of Fine Art in 2009. He was awarded Best in Show in the Great Lakes Emerging Artist Competition, was a finalist in the Artists Magazine Annual Art Competition, has been awarded Gold Medals in advertising from both Society of Illustrators of New York and Los Angeles, and juried into the Communication Arts Illustration Annual. He currently lives in Buffalo, New York where he spends his time painting and teaching part-time at SmART School and Visual Arts Passage. He is represented by Principle Gallery in Alexandria...

Hunt Slonem "Red 2" Black and Red Bunny A single rabbit gestured in black on a red background in a vintage frame Unframed: 8 x 6 inches Framed: 13 x 11 inches *Painting is framed - ...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Rob Alexander's "The Winding Path" is an original, handmade oil painting that depicts a dirt foot path snaking its way through the green foothills with large fluffy clouds in the bac...

Marinus van Reymerswaele c.1490 – c.1546 Dutch The Tax Collectors 16th century Oil on wood panel Marinus van Reymerswaele stands among the greatest and most beloved artists of 16th-century Antwerp. Entitled The Tax Collectors, this oil on board original exudes the technical skill and life-like vibrancy for which the artist is renowned. In a quiet interior scene, two men sit at a green table covered in coins, jewels, and empty moneybags. While the man in the red turban...

This piece rests at 8 x 8 inches and is framed at 13.62 x 13.62 inches, wired and ready for hanging. Artist Statement: "Subject matter to me is a vehicle for me to explore how I obs...

Painted entirely en plein air under moonlight, with no artificial light to guide her, Shizico Yi embraced the night with unfiltered presence. Relying solely on instinct, memory, and ...

The little residents of the city — the cats of Marrakech — greet you here and there as you wander through its narrow streets. Their calm presence weaves naturally into the city’s vib...

Hunt Slonem "Cardinals" Bird Couple in Red on a White Background A pair of birds gestured in red and black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 1...

“Barn On River Rd Deerfield” by Marcia Wise is a 12 X 16 inch contemporary oil painting from the artist’s collection of palette knife paintings in which complementary colors of reds ...

Imke 16 x 16 cm ( it will be delivered framed/ frame is included: size with frame 18 x 18 cm ) Acrylic paint on wood The Dutch artist Jantina Peperkamp likes to paint portraits of ...

"Lemons" is a contemporary realist painting; a still life of fresh cut lemons from the Italian countryside. Lemon's from a lemon tree, still have their leaves, and are hanging on a b...

Artist: Valverde, Francisco Title: Mira Date: 2025 Medium: Pigmented resin on panel Unframed Dimensions: 48" x 96" x 2.5" Signature: Signed Verso Edition: Unique

Contemporary painter Brooks Anderson continues his exploration of the desert and mid-century architecture through oil landscapes that offer quiet meditations on land, sea, and sky. W...

Artist Statement I grew up in a small town west of St. Louis, MO.  To be more specific, I grew up in the woods outside of that small town.  Not having many human children around, my...

"Rushing Water" by Diego Glazer is an original oil painting depicting a rushing river. About the Artist: For as long as I can remember, I have been on a quest to convincingly repre...

Urban Landscape Painting of the Town Hall in Accrington in the North of England by Leading Contemporary British Artist, Angela Wakefield Art measures 18 x 24 inches Accrington Town...

About the Artist: For as long as I can remember, I have been on a quest to convincingly represent on canvas what I see in the physical world, what I see in my mind and what I feel. M...

Judd Mercer's (US based) "Fast and Fleeting" (2022) is an original handmade oil painting depicting a rocky waterfall in a forest. Artist bio/statement Judd Mercer is a contemporary...

"Above Shark Harbor" by Jane Hunt (United States) is an original, handmade oil painting that depicts an coastal landscape. After moving to the US as a teenager, Jane Hunt studied il...

"Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to re...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Erik Zwaga Faded sunflowers 80 x 100 cm (Framed, included in price 84 x 104 cm) The painter started in the style of the romantic school, Erik Zwaga began to search more and more f...

Bret Hansen originally from Baltimore, Maryland is a painter and graphic designer based in Los Angeles, California. His design career spans art direction roles in publishing, brandi...

Dutch School 19th Century Flower Still Life Oil on panel Framed: 13 ½ inches x 11 ½ inches (34 x 29 cm) This charming miniature floral still life—possibly a preparatory study for...

Eric Cederberg (1897-1984) Beach with pearls, ca. 1950 Oil on panel 9 1/10 × 14 3/5 in l 23 × 37 cm Frame included: 13 3/4 x 19 1/3 l 35 x 49 cm Signed lower left Exhibition history...