Panel Paintings

In this contemporary woodland landscape, the densely treed forest and mountain ledges of Hennen's Virginia home are the subject for this rich, highly detailed painting in oil on pane...

This Italian tempera painted on gilt wood gold ground panel is a Tuscan religious artwork in the style of late Renaissance - early Gothic period. The sc...

David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631 Oil on panel, H. 104.5 x 79.5 cm Provenance: Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by descent The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632. Not only are the paintings remarkably similar in overall size and format, in painting style, and in the positioning of the girls in full length in their white lace dresses. They are also connected by the iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging from it. Although they are of course individuals, the faces are very similar in their depictions of features such as eyes, nose, and lips. This points to the same technique applied by the same painter. Finally, the handwriting is almost the same on the works by Finsonius known so far. About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Emerald Green by Ginny Fox Acrylic on 2 panels Each panel is 30 x 40 x 2 inches Overall measurement for horizontal install with 2 inch recommended spacing, 30" X 82" X 2" *Panels may be oriented in various configurations Ginny Fox achieves a smooth and complex surface by applying multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

This realistic oil landscape painting is by Ciba Karisik, whose work is collected internationally. Photographers call it the ‘golden hour’ or ‘the magic hour’—that moment in time ju...

Signed and dated oil on panel landscape by sought after French post impressionist painter Jacques Martin-Ferrieres. This beautiful piece depicts a view of Auribeau-sur-Siagne, is a c...

Riot, Revolution, Police figures on Horseback in City Streets. Hand signed lower right. Painting measures 6 x 12, framed 9 x 15 inches. Arthur Smith is a listed American painter mos...

So perfect for your ski house! Fantastic oil painting of Glacier National Park by Artist John Modesitt. Artwork size: 8" x 10". Framed size: 12 1/2" x 14 1/2". Primarily self-taught, William was best known as a California Landscape Painter. His paintings were reminiscent of the California Impressionists with rich atmospheric perspective and depth. It is important to note that William had difficulty seeing distance due to an eye condition. He would create the illusion of depth with skillful painting techniques and his sophisticated use of color. William’s paintings were frequently available on the secondary market, in antique stores and auction houses, where they were often paired with early California painters such as Edgar Payne, William Wendt and Ray Strong...

Marein Konijn Hike V 10 x 10 cm (Framed, included in price 15 x 15 cm) Large monumental landscapes without color, small landscapes with countless shades of green, figurative paintin...

Oil Painting on panel realized by Miloslava Vrbova (1909-1991) in the mid-20th century, depicting an elegant reclyned ballerina. Hand signed. Good condition, framed.

Impasto Oil Painting of a Moorland in the English Countryside by British Landscape Artist. Original on Canvas. Expressive and atmospheric depiction of a stormy. Art measures 26 x ...

Expressionist style encaustic landscape on green mountains against a stormy grey sky "Approaching Storm" by Regina Quinn, made in 2024 oil paint and encaustic on panel 24 x 36 inches...

This captivating beach scene in Zandvoort, a Dutch coastal town west of Amsterdam, Netherlands that is a remarkable display of Van der Plas's true passion for outdoor genre paintings...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

"Daughter" (2024) by Adam Shaw is an original handmade oil painting that depicts a portrait of an astronaut with her face partially visible through her helmet. About the Artist: Fi...

A Couple Embracing Nude Figures In The Landscape Oil on wood panel 7"25h x 10"w with frame 11"x14" Late 19th Century oil on wood panel signed il...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

In this contemporary autumn landscape in oil on panel, the densely treed forest of Gregory Hennen's Virginia home are the subject for this rich, highly detailed landscape painting. I...

This painting is made by Dutch artist Bart Koning who lives and works in Krefeld, Germany. Incredibly clever how the originally Dutch Bart Koning knows h...

Contemporary, abstract vibrant purple and lavender encaustic (pigmented beeswax) painting on birch panel accented with bright teal blue along the edge. Signed, dated and titled on ve...

In this contemporary landscape in oil on panel, ivory clouds float in an idyllic pink sky over brown rolling hills and mountains. Signed, dated and titled on verso. David Konigsberg...

Peter Durieux Pad 19,7 x 16,3 cm (Framed, included in price 30 x 26,5 cm) The work of Durieux is characterized by serene French landscapes. In recent years, he has also created work...

Max Guarnaccia paints from live floral arrangements that he sets up in his studio in Houston, Texas. "Fresh from Floral Stand" is 4" x 11" and has a custom made frame which makes i...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Hunt Slonem "Dazzling Conjures" Multicolor Parrots on Orange Background A group of three birds gestured in yellow, green, red, blue and black on a light orange background in a vintag...

This piece titled "Won't Take the Easy Road" is an original artwork by Crystal Latimer and is made of acrylic, pastel, ink, flock, 24k gold, cotton tassels on panel. The dimensions a...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Mid Night Blue background with thick use of paint...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Antoine Emile Plassan (1817-1903), a French painter of genre works, portraits and landscapes, was born in Bordeaux. He exhibited frequently at the Salon and was awarded medals in 185...

Cornelis le Mair Awaken in Opulence 120 x 150 cm with frame 150x 180 cm ( frame is included in price) Oil paint on wood panel Cornelis le Mair (born,...

Serene is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments and silver leaf on Japanese paper mounted on wood, dimensions are 61 × 50 ...

"French Village" by Sandra Pratt Artist Statement: My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark....

Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...

Robertson K. Mygatt (American, 1862-1919) Trees by a Small Pond Oil on panel, 5 1/8 x 6 3/4 inches Framed: 9 1/2 x 11 1/2 inches (approx.) The landscape painter and etcher Robertson...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

"Sentinel" (2024) by Jessica Cook is an original, handmade oil painting on canvas mounted on panel. This piece depicts a hawk sitting in an abstracted tree.

"Scene in Mohawk Valley, Utica, NY," c. 1860 by Hudson River School painter Lemuel Maynard Wiles (American, 1826-1905) was painted during the Civil War years. Wiles's red striated cl...

"Kissing Nocturne" by Emma Kalff (United States) is a handmade landscape oil painting depicting a nocturnal landscape. This piece is framed and ready to hang. Emma Kalff is a Dutch-...

View of Paris is a modern artwork realized by Henri Hamm in the 1930s. Oil on wooden Panel. Good conditions.

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

An original oil painting on panel by artist Ginny Williams. This moody still life features a Spode pitcher, a gold cup, books and paper. The slanting lig...

In this contemporary landscape painting in oil on panel, a peaceful summer scene is set, beautifully capturing the idyllic feel of a field of wildflowers in early August. Signed, dat...

In this radiant encaustic work, Joanne Ungar transforms a flattened cardboard box—originally packaging from the health and beauty industry—into a luminous, layered composition. Satur...

Crucifixion, cercle of Adriaen Isenbrandt, mid 16th century School of Bruges, cercle of Adriaen Isenbrandt (actif 1510-1551) Oil on oak panel with its original ebonized frame Dimensi...

Yellow, Orange, and White Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition from the Studio of David Francis by "Margo" (20th Century). Bright col...

Maurice Legendre 1. La Rue Norvins du Sacre-Coeur, c. Early 20th century 2. L'arc de Triomphe Oil on wood panel 5 1/2 x 7 1/8 in. (each) Framed: 8 5/8 x 10 x 1 1/2 in. (each) Signed lower left Inscribed verso Maurice Legendre was a noted French impressionist and sculptor, especially known for his Parisian and London landmark scenes. The present paintings depict iconic spots in Paris, and their charming size affords the opportunity to hang them anywhere in your home. Legendre was a pupil of Robert Couturier and Marcel Grimond...

In this cinema noir , comic strip series of original oil and acrylic painting on wood panels, Myron Stephens realistically recreates images of people and often mundane objects that a...

In this contemporary landscape painting in oil on panel, a peaceful summer scene is set, beautifully capturing the idyllic feel of a field with queen anne's lace and lilac purple wil...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Scarlet Red background with thick use of paint. I...

Lesley Anne Spowart, an abstract artist hailing from Cape Cod, Massachusetts, is renowned for her transformative creations that blur the boundaries of mediums and styles. With a di...

Calvin Lai's (US based) "Inner Speech" is an original, handmade oil painting that depicts two standing female nudes. The painting is framed, with overall dimensions of 29 x 23 inches, Artist Bio: Calvin Lai's art is a mixture of medicine, meditation, and personal growth. He found early on that drawing was something he loved, and to make a picture appear lifelike became his goal. Through constantly drawing, his work began to breath, and his fascination with value and perspective led Calvin to become a student of realism. Eventually he moved from where he grew up in Los Angeles to San Francisco. There he studied drawing and printmaking at San Francisco State University. In 2008, he enrolled in the Academy of Art for illustration, but began painting instead. He found that he preferred the fine arts over commercial illustration...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

By the Waterside III is a unique oil on wood painting by contemporary artist Valérie de Sarrieu, dimensions are 50 × 50 cm (19.7 × 19.7 in). It is part of the “Silhouettes” series. T...

This still-life is painted by Dutch Painter Ingrid Smuling. The now 77-year-old artist is still most in her element when she is painting in her beautiful studio in the middle of The...

A peaceful outdoor scene with a grassy field with white Queen Anne's Lace flowers, beautifully capturing the idyllic feel of a field with wildflowers in July. Signed, dated and title...

This is a beautifully framed contemporary floral still-life oil painting of pink and white peonies in a sterling vase in a traditional style by Pennsylvania artist Sharon Henderson. ...

Carlos Duarte is an emerging young artist at the National School of Fine Arts Institute in Montevideo, Uruguay. The gallery has taken on several pieces from several students at the...