Modern Paintings

CITY STROLL Size: 44 x 66 cm (including frame) Oil on Canvas A very pleasant modernist oil street scene composition, painted by the established Swedish artist Stig Wernheden (1921-1...

A striking original oil on board painting by celebrated Colorado artist Herndon Davis (1901–1962), this richly textured landscape captures the dramatic beauty of Red Rocks Park near ...

Waterfall Bearsville NY Landscape Social Realism Mid 20th Century Modern Cubism Georgina Klitgaard (1893 - 1976) Waterfall, Bearsville NY 40 1/2 30 inches Oil on canvas Signed lower...

The Unspoken Between Us 41.5 x 33.5 cm (including frame) Oil on Board An enigmatic contemporary figurative painting that presents two semi-abstracted figures, rendered in broad, raw...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interio...

Luigi Veggetti's figurative painting has multiple themes: portraits, urban views and natural landscape scenarios. Currently, after devoting himself mainly to collaborations abroad in...

This artwork titled "Three Nuns" 1964 is an oil painting on hardboard by Italian artist Leonardo (Leo) De Magistris, 1933-2010. It is signed and dated at the lower right corner by th...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 9"x12" A certif...

'Mediterranean Landscape', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of Prov...

Signed "Pernet" in the lower right corner. Dimensions with frame: 43,7 x 41,5 x 5,3 cm. This expressive Modernist still life presents an abundant arrangement of dark purple grapes, ...

This strobe-like dynamic composition with bright and bold colors reflects the energetic taste of the 7 Up brand. It lies somewhere between abstraction and figuration. Peaks' use of b...

An Upper East Side of Manhattan New York city scene of bald guy reading newspaper on bench with East River and tugboat in background. The 1970s were the “glory days,” Huffaker says, ...

Oil on Canvas 24 x 36 in. 32 x 44 in. Framed A charming and whimsical composition featuring a shaggy, brown bear reclining on a turquoise, blue, and lavender background. The bear i...

Vintage American still life painting. Oil on canvas. Framed. Measuring: 20 by 16 inches overall and 18 by 14 inches painting alone. Excellent condition, ready to hang and enjoy.

Ludwig Gschossmann, Summer beach landscape with riders, horses, people. Munich artist. Dimensions WITHOUT frame in cm 50 x 60 Dimensions WITH frame in cm 68 x 78 This picturesque ...

Dramatic, monumental oil painting laid to Masonite by George Matthews Harding (1882-1959). Painter, illustrator and muralist, Harding was born in Philadelphia. He studied at the Pyle...

Amsterdam - the city of canals and bicycles. And don't forget the wonderful, distinctive canal-side buildings that are recognised the world over. Michael's paintings were sold in A...

'Hidden Portraits XXVIII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agei...

CHROMATIC COAST Size: 61 x 52 cm (including frame) Oil on canvas A vibrant and energetic abstract composition where colour, movement, and gesture converge in a dynamic visual dialog...

Oded Feingersh. painter and chemical engineer. Born in Jerusalem. Graduate of Bezalel Art Academy, studied art in Paris. Education 1960–63 Bezalel Academy of Art & Design,, Jerus...

The painting is being offered with a work and authenticity certificate

Oil on canvas realized by the haitian artist Romane Jereme. Hand signed lower right. Excellent condition.

"Love In Green" is a gorgeous painting in person. It has a detailed background with the Love in two colors painted over it creating depth in the piece. This is an ongoing series tit...

The artworks in this Limited Edition Series are visually striking and capture the iconic design of the Air Jordan 1 shoes in a bold and energetic way. The use of acrylic and spray paint adds depth and texture to the pieces, creating a sense of movement and dynamism that reflects the athleticism and style associated with the Air Jordan brand. The color palette of the artworks is vibrant and eye-catching, with bright hues and contrasting tones that emphasize the sleek lines and recognizable shapes of the shoes. The incorporation of branding elements, such as the Nike swoosh and the Air Jordan logo, further reinforces the connection to the iconic footwear. Overall, this series of artworks successfully celebrates the cultural impact and timeless design of the Nike Air Jordan 1...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

An important original oil painting by acclaimed American modernist Charles Ragland Bunnell (1897–1968), View from the Park captures the tranquil beauty and atmospheric depth of the R...

Riders Joyce Roybal, (1955) Oil on Canvas, signed lower right Size: 19.75 x 24 in. (50.17 x 60.96 cm) Frame Size: 26 x 29.75 inches

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

Kartick Chandra Pyne - Untitled - 18 x 24 inches (unframed size) Water color on thick imported paper Inclusive of shipment in roll form. Style : After graduating from the Government...

Untitled (New Bedford), 1933, oil on canvas, signed and dated lower right, 16 x 20 inches Hope Shippee Bunin was a multi-faceted artist, who worked as a painter, designer, and one ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

LEMON & FISH Size: 56 x 72.5 cm (including frame) Oil on canvas A striking and brilliantly executed mid-century still life rendered in a bold, semi-abstract style, painted in oi...

THROUGH THE TUNNEL Size: 57 x 67 cm (including frame) Oil on board A vibrant and compelling mid-century modernist painting that immerses the viewer in the perspective of a train dri...

WHISPERS Mixed Media on Board Size: 30 x 37 cm (including frame) A wonderfully expressive and brilliantly executed figurative composition in mixed media (oil, watercolour gouache), painted onto board. Two women in black headscarves are the focus of the scene, with very captivating expressions. The woman on the right appears to look almost shocked, with her mouth ajar and her eyes widened. The woman on the left stares directly at us, her emotion less identifiable. The scene is intriguing, making us question what these women have heard or what has happened. Their faces have been painted with brilliant detail, capturing the shadows on their faces as well as the aged skin of the woman on the right. These two women are set against a blue-ish green backdrop, making their faces stand out even more from within their black head scarves...

Jean Even French, 1910-1986 Boats in the Harbor Oil on Canvas 21 ¼ by 25 ¾ in, w/ frame 29 ¾ by 34 in Signed Even lower right

Delbar Shahbaz deftly deploys sources in her works (sculpture, painting, installation, video, and drawing) that reflect on her role as a woman, artist...

Oil on paper :: Painting :: Modern :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: Bo...

Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maci...

This is a mixed media, it appears to be oil, graphite and ink on board Hand signed lower right size is with frame. Motke Blum was born in Racacun, Romania in 1925. Early in his child...

Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British...

Excellent work from this Indian Born (1930) artist, who moved to South Africa. She has received International critical aclaim and her work rarely reaches the market Reddy’s style of...

Unknown School. Second half of the mid-20th Century. Charcoal, Oil Paint & Spray Paint On Plywood Panel. Signed Indistinctly. Image size 26.8 inches x 21.7 inches ( 68cm x 55cm )....

QUIET SEASON Size: 50 x 63.5 cm (including frame) Oil on board This serene and atmospheric mid-century landscape painting that captures the quiet stillness of a snow-covered shoreli...

Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maci...

Marie Antoinette Boullard-Deve French, 1890-1970 Segovie Oil on canvas 29 by 21 ½ in. W/frame 39 by 31 ½ in. Signed lower left and titled and dated 1951 on the back Marie was born...

BULLFIGHT IN MOTION Size: 43.5 x 51 cm (including frame) Oil on Canvas An emotive and dynamic mid-century modernist composition that captures the dramatic spectacle of a bullfight s...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

STRUCTURAL VIEW Size: 45 x 51.5 cm (including frame) Oil on canvas A compelling mid-century modernist urban landscape composition, executed in oil onto canvas and dated 1956. The p...

Fred Ingrams was born in 1964 in England. He studied at the Camberwell College of Arts and later at the Central Saint Martins (St Martins School of Art), though he left Camberwell ...

Oscar Yosef de Kerdsmont Socec was born in 1879. He studied at the Beaux Arts Academy in Paris under Edward Sain and Carolus Durand. Socec painted extensively in Europe in the 1900s, living for seven years on the island of Capri...

AUTUMN PATH Size: 25.5 x 31.5 cm (including frame) Oil on canvas A small yet impactful expressive mid-century landscape painting that captures a winding country path weaving through...

Antique American modernist beach scene oil painting. Oil on board. Framed. Image size, 16L x 20H.

Pat garnered international attention in 2012 when a time-lapse video showing the painstaking production of his Manhattan skyline drawing, Empire State of Pen (2012), went viral. Since then, he has become something of a cityscape specialist, producing large-scale works such as Colossus (2015) and a range of new pieces created for clients such as MGM Park in Las Vegas and Gensler Architects. Pat has recently collaborated on a book with Björn Ulvaeus from ABBA, making drawings in response to stories about his life and has just worked with legendary Podcaster, Roman Mars (99% Invisible) on his first book, which was a New York Times Bestseller. Pat has also established a creative relationship with the Iconic British fashion designer, Sir Paul Smith, painting a mural for him in NYC and will be working with him on multiple London projects in 2024. Other past clients have included Apple, Tiffany's and Co, BMW, Ian Happ (Chicago Cubs), RIBA, IDEO, BMW, Pentagram, Washington Post, NIKE, Adidas and British Airways. Patrick...

QUIET COMMUNE Size: 49 x 56 cm (including frame) Oil on canvas A minimalist and serene mid-century modernist style composition, executed in oil onto canvas by the established Swedis...

J. Caesar Smith (British, 1930-2021) signed & dated 1980 oil on canvas, framed framed: 19.5 x 25 inches canvas: 16 x 22 inches Provenance: private collection, England Condition: very...

As a pupil of William Straube, Dora Hitz, Max Pechstein and Willy Jaeckel, Edith Meyer von Kamptz achieved her own individual aesthetic designs with colourfu...

delightful oil on canvas by unknown artist inspired by the works of master Massimo Campigli, in this case "La Scalinata " from the 1950s

This painting relates to a time when I was really looking forward to an island-holiday. It shows my pleasant anticipation of a relaxed time. It is a vibrant and happy artwork on c...

This wonderful painting by Angelo Urbani del Fabbretto combines the musical and expressive elements typical of his work with a strong theatrical and scenographic framework. The work ...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 24 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...