1850s Art

Framed oil on canvas. Signed S WALTERS Picture Size: 20 x 30" (50 x 76cm) Framed Size: 26 x 36" (66 x 92cm) 1811-1882 This is a typical piece by Samuel Walters. He typically placed...

Bronze sculptural group - The Farnese Bull (The Punishment of Dirce) - Rome, 19th century. 39.5 x 39.5 x h 54 cm. Technique in brief: Sculptural group in cast and chased bronze, br...

A beautiful and significant oleograph depicting a crucified Jesus with rare intensity and skill, rendered in an almost hyper-realistic style. The figure of Jesus stands out against ...

This remarkable mid-19th-century landscape painting by English artist Edward Williams (1781-1855) presents the Thames as he knew it during the final decade of his life - peaceful and...

Wonderful Hudson River School painting, oil on canvas. Obviously painted by a talented artist, unsigned and a mystery for you to solve. Canvas stamped Edward Dechaux NY. An amazing...

A splendid oil painting on canvas, the artist's first work on canvas, attributed to the great German painter Friedrich August Bouterwek (1806–1867). Signed "FB" and dated 1853 in the...

George Earl was a painter, primarily of sporting dogs and other animals. He was also the father of Maud Earl and Percy Earl, and the brother of Thomas Earl,...

This charming mid-19th-century French oil painting depicts a young woman seated alongside her beloved dog. It's signed with the initials ‘HP’ and dated 1854. There's an appealing di...

A charming and antique oil portrait of a young boy shown seated beside his spaniel and gazing directly towards the viewer. American School, unsigned, and painted circa 1850.

A fantastic example of George Armfield’s renowned portraits of dogs. This work depicts a Manchester Terrier excitedly standing outside a rabbit hole on the edge of a forest. The ter...

W. S. Forest English, circa 1850 Study of Two Horses and Goats Before Farmland Oil on canvas Signed lower right Presented in its original richly carved and gilded frame A finely o...

Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper Dynamic woodblock print with several elegantly dressed figures by Utag...

The Portrait is a drawing artwork realized by Émile Lévy (1826-1890) in 1866. Hand-signed Good condition.

One of a kind and incredible six-panel Hasegawa school folding screen, featuring horses, is an exceptional piece. "Scene with Wild Horses" (Kōgen Bashu-zu in Japanese) is in the styl...

Whistler, James A. M. READING BY LAMPLIGHT. Etching and drypoint, 1859. Glascow 37, W.25, K.32. Third state of three, with the revisions to the sitter's facial expression and the dar...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

French school of the mid-19th century Watercolor 51 x 37 cm (69 x 55 cm with frame) Signed and dated at the bottom “M. C. / 1857” The hollyhock comes from China, passing through Sy...

Artist: Louis van Houtte (Belgian, 1810-1876) Title: "Azalea Indica vittata (Rhododendron Indicum)" (Vol. IX, Plate 886) Portfolio: Flore des Serres et des Jardins de L'Europe (Flowe...

This picturesque mid-19th-century oil painting by English artist Frederick Waters Watts (1801-1870) depicts the Menai Strait in North Wales. It presents a sweeping view along the str...

➡️ Beautiful study Landscape⬅️ Title: Sur les bords du Loing (Seine et Marne France) Jean Baptiste Camille Corot Medium: Oil on canvas Period: Likely mid-19th century Framing: A wid...

Artist: Louis van Houtte (Belgian, 1810-1876) Title: "Azalea Ind. Crispiflora (Rhododendron Indicum)" (Vol. IX, Plate 887) Portfolio: Flore des Serres et des Jardins de L'Europe (Flo...

Shunga, Love plays is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865). Good print with gold. Backed, restored wormholes and missing oarts, glued at upper ...

This stunning, large British mid 19th century exhibited river Trent landscape oil on canvas painting by noted artist Henry Dawson was described as 'one of the Principle Pictures of ...

This vintage salt print is titled, attributed and annotated in lithographic ink on the front of the mount.

Hiroshige (1797-1858) - One Hundred Famous Views of EDO 名所江戸百景 Artist: 広重 Hiroshige (1797-1858) Series: One Hundred Famous Views of EDO (名所江戸百景) Title: The Ferry at Sakasai (逆井のわたし...

Antique American sunset seascape oil painting. Oil on board. Signed. Framed. Measuring: 18 by 24 inches overall, and 12.25 by 18 painting alone.. In excellent original condition. Ha...

Henry Brittian Willis English plough team at rest during harvest Summertime. A painting by Henry Brittiam Willis capturing a 19th-century English plough team, complete with horses,...

Carl Friedrich Deiker (1838 Wetzlar - 1892 Düsseldorf). Vigilant fox. Pencil drawing on brown paper, 18 × 29.5 cm (inside measurement), 31.5 x 43.5 cm (mount), signed and dated "Deiker [18]54" at lower right. - a little bit stained, with a light water stain at lower right About the artwork Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits. The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up. While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level. About the artist Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him. In 1859 he went on a study trip to the Reinhardswald. Just as the Barbizon School had rediscovered the landscape, Deiker opened up the forest for animal painting. From 1861-64 Deiker had his own studio in Karlsruhe, then moved to Düsseldorf, where his brother Johannes followed four years later. Deiker married a daughter of the landscape painter Karl Hilger and remained in Düsseldorf until his death. In 1868 he finally achieved international fame with his painting 'Pursued Noble Deer' and was regarded as a virtuoso new founder of animal painting. "Deiker brought for the first time a truly great artistic quality to animal painting [...]". - Hans Vollmer From 1870 he participated in the academic art exhibitions in Berlin, Dresden, Munich and Hanover. He was also very busy as an illustrator. He drew for the Gartenlaube, the Salon, the Universum, and produced many of the finely illustrated hunting and animal books of the period. He also worked as a printmaker, while his oil paintings circulated as reprints by Franz Dinger. From 1865 to 1892 Deiker was a member of the artists' association Malkasten. Carl Friedrich Deiker's life's work was honoured with a large posthumous memorial exhibition at the Düsseldorf Kunsthalle in 1892. His son Carl Deiker, born in 1879, also became a painter. Selection of art museums that own works by Carl Friedrich Deiker: Hamburger Kunsthalle / Kunsthalle Karlsruhe / Kunstmuseum Düsseldorf / Wallraff Richartz Cologne. Selected Bibliography H. Schmidt: Johannes and...

Artist: Louis van Houtte (Belgian, 1810-1876) Title: "Rhododendron Maddeni Hook" (Vol. IX, Plate 912) Portfolio: Flore des Serres et des Jardins de L'Europe (Flowers of the Greenhous...

This fine mid-19th-century oil painting by English artist Edward Ladell (1821-1886) depicts a delicate still life with fruit, wicker basket, leaves, bird's nest and egg. Ladell was r...

19th century English forest landscape with figures by a fireside, mid-afternoon. A very well painted classic Victorian English landscape with figures. Wonderful observation by the p...

Henry John Boddington. 19th century English landscape with figures by a riverside. Simply one of the finest quality English landscape Ive ever had the pleasure of owning . This i...

This stunning large 19th century landscape oil painting is attributed to follower of Joseph Turner, possible George William Mote. Painted circa 1850 it is a panoramic landscape loo...

Studio of Rosa Bonheur (Bordeaux 1822 – Thomery 1899) Ploughing in the Nivernais Oil on canvas H. 62 cm; W. 120 cm (97 x 154 cm including frame) Unsigned Ploughing in the Nivernais ...

This wonderfully evocative work aligns with one of the most significant movements in 19th-century European landscape painting, reflecting a major shift toward Naturalism and the dire...

J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Signed on the plate. With the description and notes in French. G...

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...

JEAN-BAPTISTE CAMILLE COROT (1876 - 1875) LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42) Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....

Eugène-Modeste LE POITTEVIN (Paris, 1806 – Paris, 1870) Étretat: The Porte d’Aval and the Needle Rock Watercolor and gouache over pencil outlines H. 23.5 cm; W. 22 cm Studio sale sta...

Gabriel-Dominique DUDAN (Active from the 1830s to the 1850s) Bouquet of Roses, Foxgloves, Poppies, Violets, and Daisies Oil on canvas 61 x 50 cm (77 x 66 cm with frame) Signed and da...

US buyers pay no import tariffs on this item. This charming mid-19th-century oil painting by Dutch artist Johannes Philippus Galjaard (1812-1867) depicts several figures on a rural ...

George Armfield (British, 1808–1893) Terriers in a Barn Interior Oil on canvas, circa 1850 Signed lower right This spirited and characterful work by George Armfield captures two al...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Landes at Pessac, near Bordeaux - Gironde Oil on canvas H. 126 cm; W. 201 cm Signed lower left Louis Cabié, a renowned a...

John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...

Loch Awe and Kilchurn Castle is a landscape oil painting on board by 19th century artist Edward Train (1801 -1866). Train was a British artist, painting mostly landscapes in northern England and, like this one, in Scotland. The painting is signed E. Train (lower left) and dated 1850 or 1856, the last number being too faint to be certain. From 1850 to 1880 Train flourished as an artist. His work was exhibited from the 1830s. Born in Gateshead, Tyneside, Train left to take an apprenticeship with a London engraver. In the 1830s Train traveled with an expedition to the Hebrides and Shetland Islands. Here he became fascinated with the Scottish scenery that would become part of his repertoire of landscape art. Loch Awe lies in the west of Scotland in Argyll and Bute. Kilchurn Castle, built in the 16th century, lies on a peninsula inside the Loch, on the water's edge. Train would have traveled to the Highlands and painted the dramatic scene from the east banks of Loch Awe, across from the Castle. This painting captures the Highland mountains, loch and castle that was very much the ouevre of this artist's work. Train painted the Highlands decades before other renowned landscape artists of the 19th century, such as Alfred de Breanski, Louis Bosworth Hurt, Douglas and Duncan Cameron...

Tourelle de la rue de la Tixeranderie is an original Modern Artwork realized in the half of the 19th Century by Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). Original Etching. Fine impression printed by the artist. II/III state on V. Total dimensions: 24 x 12 cm. Passepartout is included. Excellent conditions of sheet. Reference: Salimbeni no.163; Schneiderman n. 24; Delteil n. 29. Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). He was a French artist who worked almost entirely in etching, as he suffered from color blindness. Although now little-known in the English-speaking world, he is generally recognized as the most significant etcher of 19th century France. His most famous works by him are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also suffered from mental illness, dying in an asylum. Meryon had sketched in Athens, Algiers and other exotic places he had visited, and by late 1840 decided to take lessons in drawing from the Toulon...

A beautiful signed and dated 1855 French oil on board depicting jockeys in a weighing room, by Jean-Maxime Claude. A jockey sits in the foreground with his arm in a sling, whilst mor...

Artist: 広重 Utagawa Hiroshige (Ando Hiroshige) Title: Suwa Bluff, Nippori (Meisho Edo hyakkei: Nippori, Suwa-no-dai) Series: One Hundred Famous Views of Edo Size: O-ban 大判 Age: 1857 ...

19th century English Folk Art Landscape with Cottage. This charming English Victorian 19th-century folk art landscape is a delightful portrayal of pastoral life, blending a quaint t...

This print is from a highly regarded series by the Edo woodblock artist Utagawa Kuniyoshi: in the period, there were at times prohibitions in depicting a...

The Dog is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

The Prince of Borbone is an original lithograph by Antonio Zezon. Naples 1851. Interesting colored lithograph which describes the Prince Francesco II di Borbone riding his horse, in...

This interesting British 19th century coastal landscape oil painting is by noted Suffolk School artist Edward Robert Smythe. Painted circa 1850 it is a busy coastal landscape with fi...

This exquisite mid-19th-century still life by Danish-German painter Theude Grönland (1817-1876) depicts an abundant arrangement of roses, poppies and grapes, enlivened by a butterfly...

"Still Life and Hunting Dogs, 1851" P. M. Guillemin (French, 1800-1874) Monogrammed "EG" on right side. Oil on cradle board 26 x 21 (36 x 31 frame) inches Stunning example and un...

Émile Louis Vernier (1829-1887), a beachcomber, oil on canvas Signed to the bottom left corner. Frame: 77 x 103 cm Émile Louis Vernier (1829–1887) was a French painter and lithog...

The Bat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

Utagawa Hiroshige Dawn Inside the Yoshiwara, circa 1857 Woodblock print 11 x 7 inches Utagawa Hiroshige is recognized as a master of the ukiyo-e woodblock printing tradition, havin...

Lithograph realized by Daumier in 1859. Belongs to the Series "Ces Bons Parisien". Ref. Delteil 3241 Very good condition

"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...