1920s Art

Original Silver Gelatin Photograph of Charenton‑le‑Pont, Paris, June 1926 A rare and atmospheric original silver gelatin black‑and‑white photograph capturing the River Seine at Chare...

Portrait of a little 2 1/2-year-old boy holding a toy sailboat in a seaside landscape. Inscribed on the stretcher: Peter Krumbhaar Age 2-1/2 Painting by J.W. Smith June-Sept. 1926 a...

Issued around 1925, this original advertising poster for Vermouth Perucchi is a remarkable example of the elegant commercial graphics that flourished during the interwar period. Comb...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Georges Ribemont -Dessaignes ( 1884 -1974 ) " Douceur de l' amour " . 1921 . provenance: collection privée sud de la France Photograph on cardboard enhanced with gouache on lamin...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 19.00" x 16.00", Framed 26.00" x 23.00" Good Housekeeping Magazine Cover, July 1928. Jessie Wilcox Smith...

Two hunting dogs in a kennel, oil painting on canvas 19th Federico OLARIA Federico Olaria was a Spanish 19th Century painter who was born in 1849. Olaria's work has been offered at ...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

HAROLD L. DOOLITTLE (1883 – 1974) CALIFORNIA VISTA, 1923 Aquatint signed and titled in pencil. 8 7/8 x 6 7/8 inches. Sheet 11 x 14 inches. Good condi...

Jacques Martin Ferrieres (French, 1893-1972) A delightful landscape of mountains with agricultural fields with a river and colorful trees. The pallet and texture make this a special art piece as it is probably done with knives and tools other than brushes. Probably vineyards in the countryside of France. Executed in 1926 Oil on canvas Dimensions: 81 x 65 cm (32 x 25 in.) Framed: 37.5 x 31.25 Inches signed lower right “Jac Martin Ferrieres...

Story illustration for “Amos Tries it Tudor” by Sewell Ford for Cosmopolitan magazine, published January 1924, page 35. The image shows an elegant woman holding a fan. Medium: Ink ...

A unique, original silver gelatin black and white photograph. In the countryside near Paris, France, April 1926. A soldier in uniform poses in front of the ruins of a house destroye...

Rene Lalique "Vase Ormeaux" White blown molded glass with patina and high color 7,5 x 7,5 in Appears in the 1928 and 1932 catalogs. Catalog Raisonne #984

Decorative mat with hand applied cut-out stationary letterhead crests c1920s surrounding a B&W photo of Harvard Yard c1920s Art Sz: 12 1/2"H x 16"W Fram...

Otto Kuhler, 'Grand Central Station', etching and drypoint, 1927, edition c. 50, Kennedy 27. Signed and titled in pencil. A superb, richly-inked impression, in brown/black ink, with ...

Henri Matisse Arabesque 1924 Lithograph on Chine paper, Edition of 50 Paper size: 62.2 x 46 cms (24 1/2 x 18 1/8 ins) Image size: 48.3 x 32 cms (19 x 12 1/2 ins) HM15834

Advertisement for the Interwoven Stocking Company, New Brunswick, NJ. "A Colonial Christmas", Title given by Interwoven. (“Christmas in Philadelphia—Independence Hall” is title give...

A charming portrait of a beautiful blue-eyed girl in a pink dress holding flowers in her hand. It's based on Renaissance portraits where the subject is pushed to the foreground and i...

Femme en Costume Oriental by Georges Manzana Pissarro (1871-1961) Pastel on paper 31.5 x 23.6 cm (12 ⅜ x 9 ¼ inches) Signed with Estate stamp lower left Executed circa 1925 This wor...

Story illustration for “The Enchanted Hill” by Peter B. Kyne for Cosmopolitan, published November 1924, pages 32-33. The full caption reads: “‘I was low enough to ask a favor of y...

Original Swedish movie poster, The Sea Master. (Herre på Skutan).. Archival linen backed in good condition, ready to frame. The USA silent movie was produced in 1917 but released in ...

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

Signed Lower Right by Artist Titled on the reverse: May I Have the Pleasure Good Housekeeping cover, November 1926 As Jessie Willcox Smith biographer S. Michael Schnessel has a...

Medium: Oil on Canvas Walter Beach Humphrey specialized in painting magazine covers and he eventually did work for almost all of them, beginning with small-circulation publica...

Frank Vincent Dumond American, 1865-1931 Sunny Hedge Oil on canvas Signed "F.V. DuMond," lower right 24.5 in. by 29 in. W/frame 32.5 by 37 in. Born in Rochester, New York in 1865, Frank DuMond left his work as an illustrator at age 23 to study in the rigorous classical atelier tradition of the Academie Julian Paris in 1888.  Upon his return to New York in 1892, DuMond embarked on a painting and teaching term at the Art Students League spanning nearly six decades until his death. A painter of diverse talents, he was an accomplished landscape, portrait and still life painter, muralist, and leader of the Tonalist then Impressionist art colonies of Lyme, Connecticut.  In particular, DuMond was noted for his use of landscape green.  American Impressionist expert William H. Gerdts wrote of DuMond, "As one might speak of Velazquez's blacks, one must speak of DuMond's greens."  Scholars have described him as a deft painter of the American Impressionist landscape and the figure, but he will perhaps be remembered as among the most outstanding educators in American art history.  Though an accomplished painter, he is said to have considered himself more of an educator than an artist. By all accounts, DuMond is described by his students as a man whose art and teaching methods were based on deeply held religious and philosophical beliefs.  One student recalls, "There were occasions when DuMond revealed a clear intent to educate us on a deeper level than might casually be associated with painting."  His students remember him fondly as "a genial, generous, and perceptive instructor…whose warmth and kindness pervaded everything he did."  Under his tutelage, many prominent American artists were brought to recognition, including Georgia O'Keeffe, Norman Rockwell, and John Marin.  Still other protégés of DuMond renown became influential teachers, such as Baroque-style painter Frank Mason, whose influence emerged in New York at the Art Students League; and Arthur Maynard...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972) One of the finest painters to embark upon the New Hope Art Colony, John ...

Alfred de Breanski was an English painter best known for his soaring landscape paintings of the Irish and Welsh countrysides. His panoramic vistas of...

A unique original silver gelatin black and white photography. The International Decorative Arts Exhibition in Paris, in October 1925. By the river Seine, access to the Department Sto...

Medium: pochoir (after the watercolor). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 6 5/8 x 8 1/8 inches (168...

Medium: wood engraving. Printed in 1929 and published by Douglas Cleverdon. Image size: 4 1/4 x 4 3/8 inches (110 x 112 mm). Not signed.

This enchanting watercolor, measuring a mere 4.5 x 8 cm, offers a glimpse into the beauty of a serene autumn landscape overlooking Lake Möckeln, nestled between the municipalities of Degerfors and Karlskoga in the province of Värmland, Sweden. In this picturesque scene, the horizon reveals the serene outline of the distant shoreline, adorned with several small islands. The tranquil waters mirror the reflection of the trees on the land, creating a harmonious and captivating play of colors. In the foreground, a solitary birch tree stands tall, adding depth and perspective to this miniature watercolor. The level of precision achieved within this tiny format is truly remarkable, showcasing Fanny Hjelm...

Historic Drypoint Etching by Russian/Scottish/British artist William Walcott (1874-1943). This beautiful image of New York City created 1923 is in mint condition with large margins. ...

Medium: Watercolor and Ink on Board with Collage Signature: Unsigned Sight Size 16.25" x 11.75;" Framed 24.00" x 19.00" Circa 1925 This illustration was utilized as a movie poster a...

Rene Lalique (1860-1945) Bowl with frieze of parakeets (Perruches) Opalescent Glass Size: 4 x 10 in Literature: Patricia Bayer & Mark Waller. The Art of Rene Lalique. Illustrate...

Rendered with an alla prima paint application and quick gestural brushstrokes, "Tender Family Portrait - Mother and Child" reflects Margery Ryerson's deep knowledge of academic training. Reyerson studied with Robert Henri at The Art Students League. This painting is aesthetically pleasing and communicates a sense of maternal tenderness from a female artist. Margery Ryerson did a book on her former teacher. Henri's philosophical and practical musings were collected by former pupil Margery Ryerson and published as The Art Spirit (1923), a book that remained in print for several decades. Signed. Lower Left Margery Austen Ryerson (September 15, 1886 - 1989) was an American artist, painter, etcher, lithographer and watercolorist.Her work is included in the collections of the Smithsonian American Art Museum Biography Ryerson earned her Bachelor's of Fine Arts in English from Vassar College in Poughkeepsie, New York, after attending private schools in Morristown. She went on to study under Charles Hawthorne at the Cape Cod School of Art in Provincetown, Massachusetts, and with Robert Henri at the Art Students League in New York. During the years 1920 through 1940 Ryerson taught in New York settlement houses. There she got the privilege to paint and draw the children in their care. The subjects of these paintings were often the children of the underclass and immigrants. Her artistic technique and subjects gained universal recognition and appealed to many people. Miss Ryerson is most known for her portraits...

Jacob Steinhardt 1887-1968 Lithograph hand colored with watercolor painting. Plate signed and pencil signed lower right Dated 1921 Judaica Shtetl scene with Rabbis and synagogue. ...

Designed by the celebrated Russian artist Ivan Bilibin (1876–1942), this original 1927 programme was produced for the Russian Culture Day festivities held in Paris on 12 June 1927. M...

Firmado en la parte inferior La obra se presenta enmarcada Medidas obra: 47 x 61 cm. Medidas del marco: 71 x 84 cm. Buen estado en general de conservación ::::::::::::::::::::::...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

A unique original silver gelatin black and white photography. Paris, a salt truck on Place de la Concorde under the snow, January 16th, 1926. The municipal employees of the City of P...

Bogota's Glory by Henri Bouchard (1875-1960) Sculpture in bronze with a nuanced yellow-brown patina Signed "H. Bouchard" on the base Cast by "Siot" (stamp) France circa 1927 height...

Jim’s of Lambertville is proud to offer this artwork. Oil on canvas. Signed lower right. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" by James Alterman. Henry Bayley Snell (1858 - 1943) Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill. Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City. The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four. Henry Snell earned an international reputation as an artist for his paintings of Cornwall...

Landsape Klee, Paul 1879–1940. Landschaft bei Pilamb, 1934,23 (K 3). From Original : Aquarell und Feder über Bleistift auf Papier, auf Karton, 63,6/64 × 48,2 cm. Düsseldorf, Kuns...

William S. Butz (American, active Woodstock, N.Y., 1911-39) Field with Trees in Hilly Landscape Oil on canvasboard, 8 3/4 x 11 inches Framed: 15 x 17 inches (approx.) Signed on verso...

Louis Icart, After, French (1888 - 1950) - Louise, Year: Of Original: 1927, Medium: Lithograph, facsimilie signature, Edition: 122/300, Image Size: 20 x 14 inches, Frame Size: 2...

Antique American oil painting by Parker S. Perkins (1862 - 1942). Oil on canvas. Signed. Framed. Measuring: 24 by 30 inches overall, and 18 by 24 painting alone. Excellent conditio...

Grape Varieties - 'Mrs Pince's Muscat, Royal Muscadine, Chasselas Vibert, Foster's Seedling, Mrs Pearson, Gros Maroc'. Early 20th century fruit chromolithograph, from Horace Wright'...

Angelo PISANI (1885-1950) Panoramic View from Venice Oil on canvas signed low right Frame gilded with leaves Dim canvas : 51 X 100 cm Dim frame : 70 X 120 cm

Sloan, John. SHINE, WASHINGTON SQUARE. Morse 206. Etching, 1923. Signed, titled and inscribed "100 proofs," and further inscribed "Peter Platt imp." Morse says that 80 were print...

Fabled Vogue Magazine Cover Artist Eduardo Garcia Benito depicts a perfectly posed long-neck flapper with her reflection in a mirror, Her extrav...

Original advertisement for the Treo Girdle Company, published in the October 1923 issue of McCall’s Magazine, page 93, and likely in other publications as well. This original adver...

Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed...

Published in 1930 to commemorate the centennial of French Algeria, this vibrant poster celebrates Algeria as a land of exceptional agricultural abundance. Produced during the height ...

Classic British officer's uniform c1928 by Martin Gale (LR) Art Sz: 11 1/4"H x 8 3/8"W Frame Sz: 18"H x 14 7/8"W The Royal Army Service Corps (RASC) was...

Work on canvas with frame The frame is new and the total size is 70x80 cm Signed " V. Marendaz ", Unknonwn artist from the gallery Dated 1920

Classic polo scene drawn on stone featuring six ponies on the field drawn on stone & signed by Edward King (LL) Print Sz: 10 3/4"H x 18 1/2"W Frame Sz: 18"H x 25 3/8"W

George Bellows (1882-1925) Anne 1923 (Head of Anne) Lithograph, 1921 Signed, titled and dated in pencil by the artist; signed by his printer Bolton Brown (see photos of signat...

China ink drawing and white lead on paper. Hand signed. Very good condition.

Cornelio Palmerini, born in the heart of Versilia, was a sculptor trained between Tuscany (Pietrasanta, Carrara and Florence) and Rome, the city where he went in 1913 to the studio o...