1920s Art

9 3/4"H x 6 3/4"W

Original Ex Libris, includes passepartout. Woodcut print on paper. Hand signed. 

Jean DESPUJOLS (Salles 1886 – Shreveport 1965) Portrait of a Henri Martin, mayor of Saint Médard en Jalles (Gironde) Oil on canvas H. 75 cm; L. 60 cm Signed lower right around 1920/2...

“Choosing the Love Nest: Lil and Sandy Find a Cozy Spot for Their Bungalow of Dreams,” original cover for Liberty magazine, published June 18, 1927 Lil and Sa...

Jim’s of Lambertville is proud to offer this artwork. Oil on canvas. Signed lower right. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" by James Alterman. Henry Bayley Snell (1858 - 1943) Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill. Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City. The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four. Henry Snell earned an international reputation as an artist for his paintings of Cornwall...

5-112 Italian oil on canvas Displayed in custom wood frame Image size 10.5x13.5" Signed A. Colli

Spanish Impressionist River Landscape with Bridge and Figure, c.1925 Artist: Unknown Period: c.1925 Style: Spanish School, Impressionist / Barbizon-inspired landscape Medium: Oil on...

Young Competitors (1925) - Silver Gelatin Fibre Print (Photo by MacGregor/Topical Press Agency/Getty Images) 11th August 1925 Three young competitors arriving at the courts for th...

Roger Parent (Paris, 1881 - Brussels, 1986). Horse rider and bathers. 1921. Oil on canvas. 200 x 265 cm. Condition: Good condition. Provenance: Private Collection, France. Des...

Original cover for Good Housekeeping, published October 1922. The Young Scholar, reproduced on the cover of the October 1922 issue of Good Housekeeping, demonstrates Jessie Willcox ...

"Montagne Sainte-Geneviève, Paris" - Watercolor Drawing of French Street Scene Vintage sketch of a 1920's Paris street scene by E. (Elizabeth) (Elisa...

Date: 1923 Medium: Oil on Canvas Dimensions: 35.50" x 30.00" Signature: Signed Lower Left Never the Twain Shall Meet, Cosmopolitan illustration, 1923 This illustration appeared in Peter B. Kyne's story, Never the Twain Shall Meet. "'Ah!' said Tamea. 'You do not believe, then, that I am the Queen of Riva?' 'No,' retorted the health officer, 'I do not. You're the Queen of Hearts.''" It was also reproduced on page 76 of Dean Cornwell: Dean of Illustrators by Patricia Janis Broder, Collector's Press, 2000. Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota...

Powerful French pencil sketch of nude male figure, circa 1920. Original artwork on paper displayed on a white mat with a gold border. Archival pla...

George Bellows (1882-1925) Anne 1923 (Head of Anne) Lithograph, 1921 Signed, titled and dated in pencil by the artist; signed by his printer Bolton Brown (see photos of signat...

Medium: pochoir (after the watercolor). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 6 5/8 x 8 1/8 inches (168...

Medium: original etching and drypoint. Printed in 1921 at the Franz Hanfstaengl atelier for the Ganymed portfolio "Das dritte Jahrbuch der Marees Gesellschaft" and published in Munic...

9 3/4"H x 6 3/4"W

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 22.00" x 22.00," Framed: 26.00" x 26.00" What Folly to Endure Coarse Pores? Advertisement Illustration...

Medium: original etching. Printed in Germany in 1925 for the rare Ganymed "Das funfte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co...

Boris Lovet-Lorski, Untitled (Nike), lithograph, edition 250, 1929. Signed and numbered 1 in pencil. Number 1 of Volume 1, a series of 10 lithographs in each of 2 portfolios, publish...

Date: 1921 Medium: Colored Pencil on Canvas Dimensions: 22.50"x 16.50" Signature: Signed Lower Left Image of seated girl holding a teddy bear.

9 3/4"H x 6 3/4"W

China ink, wax and watercolor on paper. Hand signed. Very good condition.

Preliminary drawing for Remy de Gourmont, Couleurs, published in Le Mercure de France (Colors, new tales follow old things), 1908 Graphite and colored pencil, 1926 Signed in pencil l...

Andrew Thomas Schwartz American, 1867-1942 Blue Ridge Mountains, Virginia Oil on canvas 24 by 30 in. W/frame 28 ½ by 34 ½ in. Signed lower right...

Designed by the celebrated Russian artist Ivan Bilibin (1876–1942), this original 1927 programme was produced for the Russian Culture Day festivities held in Paris on 12 June 1927. M...

Original cover for Needlecraft Magazine, published January 1928 This delightful artwork graced the January 1928 cover of Needlecraft Magazine, offering a warm domestic scene that pe...

“Their Romantic Honeymoon: The Bride and Groom Visit Niagara Falls,” original cover for Liberty magazine, published July 9, 1927 Newlyweds Lil and Sandy are on their honeymoon at N...

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed...

This vintage silver gelatin print is signed, dated and titled in pencil on the front of the mount. Carmel, California had established itself as a gathering place for artists, photo...

In this vibrant and spirited 1925 original advertising poster, French illustrator Henry Lemonnier captures the essence of brand identity through bold design, striking color, and a me...

Medium: Oil on Canvas Signature: Signed on the Back

5-3496 oil on board displayed in a gilt -wood frame, signed by Portidne lower right. Image size 18 H x 14 W

Pierre Eugène VIBERT (1847-1902) Wild Dancing in the Forest, 1923 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp ...

This rare circa 1920 original poster by Mikhail Cheremnykh belongs to the celebrated series of ROSTA Windows (Okna ROSTA), one of the most innovative forms of visual propaganda produ...

Frank Nelson Wilcox (American, 1887-1964) On the Back Porch, Brecksville, Ohio, c. 1922 Watercolor on paper Monogram lower right 21.5 x 27. 5 inc...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Clarence Raymond Johnson (1894 - 1981). Clarence Johnson was an important New Hope School Impressionist painter who was active from 1917 until 1935. Born in Ohio, Johnson began his studies at the Columbus Art School. He then came to the Pennsylvania Academy of the Fine Arts where he studied under Daniel Garber, Emil Carlsen, and Cecilia Beaux...

Parrish, Maxfield. THE KNAVE OF HEARTS. 1925. 14 full page and many smaller color plates. A Fine copy of Parrish's most elaborate book. A highlight among American children's books, b...

Romantic black and white etching of a pair of ballet dancers performing on stage by artist Ernst Oppler (1867-1929), circa 1920. Signed lower right, numbered 88 of 100 lower left. ...

Philippe Petit's 1927 Art Deco poster for Clotilde & Alexandre Sakharoff is a mesmerizing piece of visual art that captures the essence of an era known for its opulence and artistic ...

Joseph Stella creates a beautiful and colorful still life rendered in lush expressive bright colors and quick spontaneous bravura brushstrokes.. Signed Lower Right Joseph Stella Fra...

Untitled (Carmel), c. 1920s, oil on canvas, signed lower right, 18 x 24 inches, signed several times verso, illegible writing verso with the word “Carmel” and what appears to be “Rooms and Apts,” perhaps the title of the work Untitled (Carmel) is a pleasing example of California plein air painting from the early 20th century. Morgan's light touch and pastel-colored palette do a convincing job of capturing the unique California light falling over a downtown street in Carmel, a burgeoning tourist destination. The artist spent much of her career in Northern California and was a member of the Carmel Art Association. Born in Lakeville, California, Morgan studied at the San Francisco School of Design with Arthur Matthews and Emil Carlsen and later in life at the University of California Berkeley where she earned an MFA degree in 1928. She exhibited across Northern California, including at the Mechanics Institute in San Francisco, with the San Francisco Art Association, Carmel Arts & Crafts Club, Carmel Art Association, California Statewide Exhibitions, and Oakland Art Gallery. She was the sister-in-law of fellow artist Mary DeNeale Morgan, with whom she sometimes shared a studio. Charlotte Morgan...

Signed lower left. Walter Beach Humphrey specialized in painting magazine covers and he eventually did work for almost all of them, beginning with small-circulation p...

Historic Drypoint Etching by Russian/Scottish/British artist William Walcott (1874-1943). This beautiful image of New York City created 1923 is in mint condition with large margins. ...

A unique, original silver gelatin black and white photograph. The International Decorative Arts Exhibition in Paris, October 1925. The front entrance of the Russian Pavilion. Feature...

A unique, original silver gelatin black and white photograph. View of a bridge in Lyon, France, March 1927. This view of the Pont de l'Université in Lyon, France, was taken from the...

Louise HERVIEU (1878-1954) Fly, circa 1925 Charcoal and white chalk on paper 5,3 x 5,3 cm black oak frame 22 x 17 cm Born in Alençon in 1878, Louise Hervieu showed a talent for dr...

Signed and dated center right, Seam down center where two sheets attached is original. Some slight surface smudging outside figure area .

River Eure, Lyons la Forêt by Paulémile Pissarro (1884-1972) Watercolour and crayon on paper 31.5 x 48.5 cm (12 ³/₈ x 19 ¹/₈ inches) Titlted, signed and dated lower left, Lyons la Fo...

'La Bergère Turque' (The Turkish Shepherdess) by Georges Manzana Pissarro (1871-1961) Etching 33.5 x 27 cm (13 ¼ x 10 ¾ inches) Signed lower left, Manzana Pissarro, titled and inscri...

Medium: Oil on Board Signature: Signed Lower Right Liberty Magazine Cover, April 4, 1925

Pierre BONNARD (1867-1947) On the Street of Paris, 1927 Original lithography Signed in the plate Limited to 225 copies (not numbered) On BFK Rives vellum 33 x 25 cm (c. 12.9 x 9.8 ...

Alfred de Breanski was an English painter best known for his soaring landscape paintings of the Irish and Welsh countrysides. His panoramic vistas of...

Medium: Oil on Canvas Signature: Signed Lower Left Norman Mills Price never fully received the popular recognition that his work deserved. Because he was so intently interested in h...

Michael Wittmann The Magus Giclée on Hahnemuehle Velvet 2020 Size: 24 x 17 inches (60.96 × 43.18 cm) Edition: 25 Signed and numbered in marker by the artist COA provided (gallery is...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

9 3/4"H x 6 3/4"W

The Saturday Evening Post Magazine, July 23, 1921 (cover illustration). Sarah Stilwell-Weber is celebrated for her captivating illustrations of children. While her early work often ...

A fantasy scene with Elves and a beautiful girl lost in thought at the base of a tree. Elizabeth Mary Watt, G.S.W.A. In 1919, she was elected as ...

Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...