1930s Art

Olof Walfrid Nilsson (1868–1956) Fjäll i aftonsol (“Mountain in Evening Sun”) circa 1933 oil on canvas signed Olof W. Nilsson and dated 1933? unframed: 102 x 82 cm (40.2 x 32.3 in)...

Erotic Scene is an original pencil drawing realized by Maurice Vertès in the 1930s. The little drawing is in good condition with some folding on yellowed paper. On the back is the ...

California Landscape Painting, Signed Rowena R. Smith, Circa 1930s Beautiful California landscape painting of a path to the beach by listed Berkeley, California artist Rowena R. Smit...

Medium: original lithograph poster. This striking art deco piece was published in Paris in 1933 by Arts et Métiers Graphiques. Size: 11 1/2 x 8 1/4 inches (290 x 210). Signed in the ...

This is an original poster printed in lithography by the famous poster artist Leonetto Cappiello. Leonetto Cappiello was an Italian and French poster ar...

Original Fortune Magazine 1938 vintage cover. Archival linen backed in very fine condition; ready to frame. Artist: Miguel Covarrubias (1904 – 1957) This is an Original Letter Press...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

A moody expressionist painting of the Upper Delaware River, done in the style that earned John Fulton Folinsbee his well-deserved reputation as an exceptional landscape painter of th...

Medium: original etching and engraving. This impression on wove paper was printed in 1939 and published in Paris by San Lazzaro for the art revue XXe Siecle (issue number 5-6). Size:...

An original silver gelatin black and white photograph by Mondial Photo Presse, Paris, circa 1930. A construction site on a street in Paris. Features: Original silver gelatin print ph...

Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 1/8 to 1 1/4 inches), in excellent condition. A work from La Grange’s celebrated series of woodcuts 'Drama and Color in the America's Cup Races'. Image size 10 x 10 11/16 inches (254 x 271 mm); sheet size 12 1/4 x 13 1/4 inches (311 x 337 mm). Archivally matted to museum standards, unframed. When the artist created this print in 1934, the 'Yankee' was one of the most promising yachts eligible for the America's Cup but ultimately 'Rainbow' was chosen to defend against England's 'Endeavor' in that year's race. The 'Endeavor' was built for Thomas Sopwith who used his aviation design expertise to ensure the yacht was the most advanced of its day with a steel hull and mast. She was launched in 1934 and won many races in her first season but the Cup challenge was blighted by a strike of Sopwith's professional crew prior to departing for America. Forced to rely mainly on keen amateurs, who lacked the necessary experience, the campaign failed. 'Rainbow' won the series 4–2. This was one of the most contentious of the America's Cup battles and prompted the headline "Britannia rules the waves and America waives the rules." ABOUT THE ARTIST Jacques La Grange was born in Clanwilliam (near Cape Town) in South Africa in 1895. He studied at London University and later immigrated to the United States. La Grange established himself as a painter, illustrator, and printmaker specializing in nautical subjects. He and his wife, Helen La Grange, published 'Drama and Color in the America's Cup Races' in 1934 and 'Clipper Ships of America and Great Britain 1833-1869', in 1936. Both were deluxe hardcover limited edition volumes with signed original color woodblock prints. La Grange had solo exhibitions at the Buchanan Gallery in 1929; the Babcock Gallery and the 56th Street Gallery, New York, in 1930; and at the Nicholas Roerich...

English Soldiers in Tientsin is a b/w photographic print on polished paper, taken on July 31, 1939 by World Photos (England). Stamp and stereotype in ...

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Charles Rosen (1878 - 1950). Charles Rosen was born on April 28, 1878, in Reagantown, Westmoreland County, Pennsylvania. At age sixteen, he opened up a photography studio. However, he quickly lost interest when most of his clients only wanted post-mortem photos of deceased relatives. In 1898, he went to New York City to enter classes at the National Academy of Design, where he studied with Francis Coates Jones...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm ) Image Size: 7 x 5.5 inches ( 17.78 x 13.97 cm ) Framed: No Condition: A: Mint Additional Details: Part of AMERICAN BLOCK PRINT...

This original Padova travel poster, created circa 1930 by renowned Italian illustrator Marcello Dudovich, showcases the grandeur and historical significance of the city of Padua. Com...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

This exquisite lithograph by Andre Derain (1880–1954), titled Tete de Jeune Fille (Head of a Young Girl), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates fro...

Artist/ School: French School, first half 20th century. Indistinctly signed to the lower corner. Title: Still Life of Flowers on a window sill, looking outside. Medium: oil paintin...

This exquisite engraving after Edgar Degas (1834–1917), titled Etude de nu se massant la cheville (Study of a Nude Massaging the Ankle), originates from the celebrated album Degas Da...

Frank Henry Mason 1875 – 1965 Steamship in Asia Gouache on paper, unsigned Image size: 8 x 15 inches Acid free mount and hand made gilt frame Original artwork for a carriage print...

'Bassets D'Artois a Jambes Torses'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fre...

Leslie Ernest Parkinson 1903 - 2001 A Willow Tree Oil on board, initialled and dated 1930 top left Image size: 10 x 12 inches Handmade frame Parkinson was born in Islington in 1903,...

Roger Irriera's vintage travel poster for the Chemins de fer Algériens de l'État, highlighting Biskra as the "queen of Zibans," is a captivating portal to a bygone era of North Afric...

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse orientale (Oriental Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Drawings), p...

Ex Libris - Marco Binnholz is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech pa...

A beautiful Pennsylvania Farm painted by Marion Butler Ewald. Strong, bright and bold. Her career was short but her impact was impressive. 18" x 16" sight, 22.5" x 20.5" framed, oil ...

Clara Deike (American, 1881-1964) My Studio Stove, 1936 Oil on canvas Signed and dated lower right, titled verso 23.5 x 19.5 inches 29.75 x 25.5 inches, f...

FRANCIS SHIELDS (1908 – 1984) THE DESCENT c. 1937 Lithograph, signed and titled. Edition c. 25. Done for the WPA/Federal Art Pro...

Wonderful hand-colored lithograph of Sierra Mountain camping scene by Donald Masefield Easton (American, 1896 - 1956), published in 1931. Signed lower right (partially obscured by mat). Presented in rustic wood frame under glass. Image size: 14"H x 18"W. Donald Masefield Easton was a painter, illustrator with his subjects being California landmarks and western scenes. Born is Port Costa...

Gathering Vraic on a Jersey Shore. c. 1937. Ink and watercolor on 'Castle Linen Tolli & Harvey LD London' countermarked paper. 7 1/8 x 13 1/2 (sheet 12 1/2 x 16 1/4). Good condition, apart from small professionally repaired paper losses at the corners, from previous hinges. Dedicated 'To my friend Harold James Bailey E.B.' and annotated 'To wish you a glad glow of happiness for Christmas and the New Year'. From the collection of the famous Blampied scholar and collector, Harold J. Bailey, who wrote an article, 'Edmund Blampied: Artist and Philosopher' in the Print Collector's Quarterly 24 (1937). Housed in a 15 1/2 x 21 1/2-inch Whistler style gold wood frame. In the left rear section is a Martello or Conway tower, built as a fortiffiction. A Jersey Round Tower Coastal towers stand all along the coast of the island. The British built 22 round towers, one similar square tower, and eight Martello towers towards the end of the 18th Century and in the early to mid-19th Century, but now only 24 remain, including seven of the Martellos. Vraic is a seaweed found in the Channel Islands. The main use of vraic is for spreading over potato fields during the winter. It is then ploughed into the soil before the potatoes are planted in late winter and spring. Vraic was traditionally gathered by horse and cart in Grouville Bay and St Ouen's Bay, and in smaller quantities at Le Hocq and Havre des Pas. The practice continues using...

Works by Jon Corbino (1905-1964) feature drama. Here he's showing us the chaos produced by a major earthquake in rural Montana in 1936 -- an actual historical event. The horses (ear...

"Flying Cloud" Vintage 1938 Clipper Ship Gouache Painting This small piece by Victor Lind (Sweden, 19th-20th c.) depicts the Flying Cloud clipper...

Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Very scarce. Matted to museum standards, unframed. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Born in Massachusetts, Nicholas Panesis (1913-1967) studied art at Syracuse University, NY, and went on to teach ceramics at Alfred University, NY. Panesis moved to San Francisco in the early 1930s shortly before settling in Los Angeles, where he worked for different animation studios...

Edgar DEGAS (after) Whorehouse Scene : The Drunk Prostitutes Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the gre...

Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...

Original holiday cover for The Sportsman magazine, published December 1934. The image features an equestrian feeding a horse. Medium: Oil on Canvas Signature: Signed Lower Right

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse (Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Drawings), published by Ambrois...

This lively 1934 poster by Hervé Baille promotes the 27e Salon des Humoristes, an annual exhibition in Paris dedicated to satire, caricature, and comic art. Held at 11 rue Royale, th...

This lively 1934 poster by Hervé Baille promotes the 27e Salon des Humoristes, an annual exhibition in Paris dedicated to satire, caricature, and comic art. Held at 11 rue Royale, th...

Inscribed and Signed Lower Right "To / Olive Godwin / Neysa McMein" "Looking Into the Mirror." Cover for Woman's Home Companion, published June 1938, with their stamp on verso. Past...

This elegant circa 1930 original poster by Alo, created for “Rodez – Centre régional de tourisme,” is a fine example of interwar French travel promotion, combining regional pride wit...

This original 1938 poster by Ray Bret-Koch was created to promote Air France’s legendary long-haul routes, stretching from Europe to the Far East. At a time when international air tr...

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse (Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Dra...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

James Allen, 'Spiderboy', 1937, etching, edition 40, Ryan 86. Signed in pencil. A superb, richly-inked impression, on cream laid paper, with full margins (1 1/4 to 2 7/8 inches). A s...

Arturo Martini (Treviso 1889 - Milan 1947), La Botola (1930 / 1933) Terracotta sculpture 34 x 42 x 9 cm signed lower left; label of Galleria del Milione, Milan, on back. Provenance...

Walter Farndon June Day at the Sound Signed lower right Oil on canvas 20 x 24 inches Living and working in an era of passionate and often controversial changes in the art world, Wal...

Medium: Pastel on Illustration Board Signature: Signed Lower Right Sight Size 20.00" x 28.50;" Framed 32.50" x 41.25" Cover Art for Unidentified Title Pre-code Hollywood starlet Verna Hillie is the subject of this erotically charged pastel portrait, which was the title Reel Movie Fun, a short lived wild and racy publication that merged the world of pin-up and burlesque with the envelope pushing film culture emerging from Hollywood before enforcement of the notorious Hays code put an end to overt expressions of sexuality or immorality on screen. Pastel is dated and signed on the back and the sitter is identified in the artist's hand as seen. Beautifully framed and matted behind glass in a handsome gallery frame and ready to hang. Verna Hillie was a Monograph Pictures star who appeared in The Marx brothers comedy "Duck Soup...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Stately sanguine portrait of Leopold Hamilton Myers (Novelist) by Sir William Rothenstein (English, 1872-1945). Captured in Rothenstein's characteristic style, Myers looks directly at the viewer with a neutral expression. Although this portrait uses only two colors and minimal shading, the likeness of Myers is incredibly well captured. Leo (Leopold) Hamilton Myers (1881 – 1944) was a British novelist. Numerous examples like this one of the writer are in the Tate Museum. Initialed and dated in the lower right corner ("W.R. 1936") Inscription on verso indicating materials, subject, and artist. Presented in a new cream colored mat with foamcore backing. Mat size: 18"H x 12"W Paper size: 15.25"H x 10.75"W William Rothenstein (English, 1872-1945) was born into a German-Jewish family in Bradford, West Yorkshire. His father, Moritz, emigrated from Germany in 1859 to work in Bradford's burgeoning textile industry. Soon afterwards he married Bertha Dux, and they had six children, of which William was the fifth. Rothenstein was knighted in 1931. Rothenstein left Bradford Grammar School at the age of sixteen to study at the Slade School of Art*, London (1888-1893), where he was taught by Alphonse Legros, and the Académie Julian* in Paris (1889-1893), where he met and was encouraged by James McNeill Whistler, Edgar Degas and Henri Toulouse-Lautrec. Whilst in Paris he also befriended the Anglo-Australian artist Charles Conder, with whom he shared a studio in Montmartre. In 1893 he returned to England to work on "Oxford Characters" a series of lithographic* portraits. In Oxford he met and became a close friend of the caricaturist* and parodist Max Beerbohm, who later immortalised him in the short story Enoch Soames (1919). During the 1890s Rothenstein exhibited with the New English Art Club* and, in 1900, won a silver medal for his painting The Doll's House at the Exposition Universelle. In 1898 he co-founded the Carfax Gallery in St. James' Piccadilly with John Fothergill. During its early years the gallery was closely associated with such artists as Charles Conder, Philip Wilson Steer, Charles Ricketts and Augustus John. It also exhibited the work of Auguste Rodin, whose growing reputation in England owed much to Rothenstein's friendship and missionary zeal. The gallery was later the home for all three exhibitions of The Camden Town Group*, led by Rothenstein's friend and close contemporary Walter Sickert. Rothenstein is best known for his portrait drawings of famous individuals and for being an official war artist in both World War I and World War II. He was also a member of the International Society of Sculptors, Painters & Gravers. The style and subject of his paintings varies, though certain themes reappear, in particular an interest in 'weighty' or 'essential' subjects tackled in a restrained manner. Good examples include Parting at Morning (1891), Mother and Child (1903) and Jews Mourning at a Synagogue (1907) - all of which are owned by the Tate Gallery. The National Portrait Gallery owns over two hundred of his portraits. In 2011 the BBC and the Public Catalogue Foundation began cataloguing all of his paintings in public ownership online. Between 1902 and 1912 Rothenstein lived in Hampstead, London, where his social circle included such names as H.G.Wells, Joseph Conrad and the artist Augustus John. Amongst the young artists to visit Rothenstein in Hampstead were Mark Gertler...

This striking recruitment poster from around 1930 is a vivid example of interwar French military propaganda, designed to appeal directly to young men hesitating over their profession...

Original 1930s Danish Movie Poster – "Færdsels-Politiet Arbejder" (Crash Donovan) Featuring Jack Holt – Vintage Police Crime Action Artwork – Rare Universal Film Collectible movie...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...