1930s Art

'Idyllic Landscape with Ox and Figures', pencil and gouache on art paper, by Germaine Hageman (circa 1930s-40s). This is a sensitive and quietly evocative drawing by the Belgian arti...

A unique, original silver gelatin black and white photograph by Press Agency Keystone View Co, Paris. Paris during the Great Depression, circa 1930. Features: Original silver gelatin...

This stunning French marquetry picture from circa 1930-40, depicting a serene Swiss lake and castle, is a masterclass in the intricate art of wood inlay. The warm, natural tones of v...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

Frank Nelson Wilcox (American, 1887–1964) California Valley, Near Capistrano, c. 1937 Watercolor on paper Signed lower right, titled verso 15 x 20 inches 18.5 x 24 inches framed Fr...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

William S. Robinson (1861 – 1945) Gloucester – Mass, 1934 Signed lower right Oil on panel Sight size: 12 × 16 in. Frame size: 14.5 × 18.5 in. PROVENANCE Private collection, New En...

Antique American impressionist landscape oil painting. Oil on board. Framed. Measuring: 20 by 23 inches overall, and 13 by 17 painting alone. In excellent original condition. Hand...

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse (Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Dra...

JOSE CLEMENTE OROZCO (1893 – 1949) WOMEN, 1934 ( Orozco 25) Lithograph, One of 127 signed & unnumbered impressions, (total printed 255) Printer Jesus Arteaga. Image 12 1/2 x 17 inches, sheet 17 x 23 inches. Large sheet. top sheet edge with deckle edge and with some remnants of old old tape. Some slight mat burn verso., just a hint on the recto. This impression is also dedicated to Rosita Boyce by Clemente Orozco - (the Artist's Son) in 1961 From "Jose Clemente Orozco - Graphic Work" by Clemente Orozco, University of Texas Press, 2004. "The image is a detail of the Mural "Contemporary World" in the Palace of Fine Arts, Mexico City. The mural depicts "the real prostitution of power is implied by prostitutes fighting for survival. in a game of exuberance and decadence. The theme of women, especially prostitutes, has a special significance in Orozco's work, from his early watercolors to this fresco.." This print is related to Orozco's MACHINES also on 1stdibs offered by this dealer. Mexican Prints...

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Jim’s of Lambertville is proud to offer this artwork by: Bror Julius Olsson “B.J.O.” Nordfeldt (1878 – 1955) Bror Julius Olsson was born in Tullstrop, Sweden in 1878. He immigrated to the United States in 1891, later adopting his mother’s maiden name of Nordfeldt. Beginning his art studies at the Art Institute of Chicago where he was chosen to assist fellow artist, Albert Herter, with a large mural project for the McCormick Harvester Company. In 1900, he was sent to Paris by McCormick to help set up the completed mural at the Paris Exposition. While there, he studied briefly at the Academie Julian before traveling to England to study woodblock printmaking under F. Morley Fletcher. Returning to Chicago in 1903, Nordfeldt would spend the next ten years painting mainly figurative works in an academic style similar to that of the Old Masters. By the mid-teens he had developed a bold dramatic modernist style and divided his time between New York and Provincetown, Massachusetts. There, he invented the “Provincetown Print...

Medium: original linoleum cut. Printed in 1938 for the art revue XXe Siecle (issue number 4) and and published in Paris by San Lazzaro. Sheet size: 12 1/2 x 9 5/8 inches (317 x 243 m...

Albert Potter, 'Modern Music' also Twilight Melodies', linocut, c. 1935, from the posthumous edition of 20, printed in 1977, authorized by the artist’s widow. Estate authenticated in...

Vintage black and white etching of a farmer leading his flock of sheep to a pasture bordered by a small village by French artist Emile Roux Fabre, circa 1930. Signed in pencil lower ...

1930s French Impressionist Barbizon School oil on panel view a port by Georges Guerin (1910-1984). The painting is not signed but was acquired with a collection of other signed paint...

Medium: Drawing/Painting

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Firmado en la parte inferior Se presenta enmarcada la obra Medidas obra: 50 x 61 cm. Medidas marco: 61 x 73 cm. El estado de conservación de la pintura es bueno ::::::::::::::::...

Firmado en la parte inferior Se presenta enmarcada la obra Medidas obra: 27 x 35 cm. Medidas marco: 45 x 53 cm. El estado de conservación de la pintura es bueno ::::::::::::::::...

Firmado en la parte inferior Se presenta enmarcada la obra Medidas obra: 27 x 35 cm. Medidas marco: 45 x 53 cm. El estado de conservación de la pintura es bueno ::::::::::::::::...

This work is accompanied by a Photo-certificate and essay from Ralph Jentsch who will include it in his forthcoming catalogue raisonné Signed lower right. Estate stamp on verso....

Original American Lobby Card of Walt Disney’s Movie „Snow White and the Seven Dwarfs“, USA 1937. Here the evil witch gives the poisoned apple to snow whit...

A Fine, Modern 1930s Academic Anatomical Figure Study Drawing of a Standing Young Male Nude Model (Torso) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally ...

1930s Original Oil Painting of Ulster County, Woodstock, New York A beautifully composed regionalist landscape attributed to Rudolph Jacobi (1889–1983), known for his richly textured depictions of the Catskills and Hudson Valley. This evocative scene captures a modest country home nestled in dense spring foliage, with a winding road and distant tree silhouettes hinting at seasonal change. Executed in expressive brushwork and a vibrant yet earthy palette, the painting reflects Jacobi’s time in Woodstock, New York, where he was associated with the storied Woodstock Artists Colony. Though unsigned, the technique and subject matter are consistent with Jacobi’s documented works from the 1940s–50s. Artist: Rudolf Jacobi...

Original 1930s Danish Movie Poster – "Færdsels-Politiet Arbejder" (Crash Donovan) Featuring Jack Holt – Vintage Police Crime Action Artwork – Rare Universal Film Collectible movie...

Original Travel Poster for Belgium - Cities of Art signed by artist Poleff and dated 1932. The image, framed in an archway window, features a woman wearing Byzantine / Middle Ages e...

Printed later. Signed on the back of the print with date in pencil. Camera Obscura label on back of mat. Overmatted to 18 x 22". Provenance Camera Obscura Gallery (Denver) 1980s to p...

Original Ex Libris, includes passpartout. Etching on paper. Not signed. 

Stanley (1951) Silver Gelatin Fibre Print (photo by Cineclassico/Alamy Archives) A STREETCAR NAMED DESIRE 1951. Directed by Elia Kazan With Vivien Leigh...

Mathieu (Matei) ROSIANU (1897-1969) Surrealist composition, ca. 1935 Pencil on paper Studio stamp on verso 5 x 5,5 inch. Frame : 12 x 12 inch (30 x 30 cm) Born in Bucharest in 1897...

This rare, vintage silver gelatin print is signed, dated and editioned (15/50) in pencil on the front of the mount, with title, date and number in pencil on the reverse of the mount....

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Ida Ten Eyck O'Keeffe The Fish, 1935 Signed and dated in pencil lower right Monotype on paper Image 6 x 8 1/2 inches Exhibited Dallas Museum of Art, Ida O'Keeffe: Escaping Georgia's...

House of happiness is an original etching realized by Michel Fingesten in 1930s.  It includes a white cardboard passpartout.  Limited Edition of 50 etching.  Hand signed in the lo...

Thames Divers (1934) - Silver Gelatin Fibre Print (Photo by H F Davis/Getty Images Archive) Two divers jumping off the Embankment into the River Thames in London, near Westminster...

1930's Palm Springs Desert in Spring Landscape Original Oil Painting Gorgeous oil painting of Palm Springs desert landscape by Helen Wannop ...

Here for your consideration is a beautiful oil on canvas painting laid down on board by the well known Scottish artist, David Foggie. This still life of poppies in a ceramic pitcher...

Signed lower right. Titled verso on stretcher, Artist to the current owner's Aunt. unframed

Jim’s of Lambertville is proud to offer this artwork by: Morris Hall Pancoast (1877 – 1963) Born in Salem, New Jersey, Morris Hall Pancoast was a painter, illustrator, and cartoonist. He took night courses at Drexel University and enrolled at the Pennsylvania Academy of the Fine Arts under Thomas Anshutz...

Antique American modernist signed portrait oil painting by Sidney Gross (1921 - 1969). Oil on canvas. Signed.

Marc Chagall (1887-1958) Bible : Samson and the lion, (Samson et le lion), 1939 Original etching Printed signature in the plate On Montval vellum, 33.5 x 44 cm (c. 13.1 x 17.3 inch)...

This French marquetry picture, circa 1930-40, is a remarkable piece that exemplifies the mastery of wood inlay artistry from the Art Deco period. The scene is a harmonious blend of n...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

Maurice Asselin (1882-1947) The House of the painter, Neuilly signed lower left oil on canvas 55 x 46 cm Framed : 63 x 54 cm The subject of this painting is fairly easy to identi...

Herbert Ferber (Silvers--1906-1991) is recognized as one of the most original artists of the New York Abstractionist Expressionist group. His sculptures were known for their 'pierced...

Marc Chagall (1887-1958) Bible : Noah's coat (Le manteau de Noé), 1939 Original etching Not signed On Montval vellum, 44 x 33.5 cm (c. 17.3 x 13.1 inch) INFORMATION: Published by ...

Signed lower left, 'Gregory Deane' (American, born 1938) and painted circa 1985. Framed dimensions: 15 H x 31.5 W x 1.5 D inches This contemporary California Expressionist incorpora...

Pal Molnar C.'s circa 1930 original travel poster, depicting Budapest and the majestic Danube River, stands as a captivating testament to the allure of the ...

1930s French Impressionist Barbizon School oil on panel view of a church in a bucolic landscape by Georges Guerin (1910-1984). The painting is signed bottom right and also signed top...

Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benjamin sustained an active career for over seven decades. D...

China Ink and watercolor on paper.  Hand-signed by the artist.  Good condition.

Date: 1938 Medium: Oil on Canvas Dimensions: 37.00" x 29.00" Signature: Signed Lower Left Image of man and grandson.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Paul Landacre, 'Verdi', wood engraving, 1936, edition 60, (only 14 printed), Wien 188. Signed, titled, and numbered '10/60' in pencil. A fine impression, on cream, laid Japan paper, ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Edition of 131 copies including 66 original b/w and colour lithographs by Giorgio De Chirico, plus repeats on title-page and front wrapper. One of the 88 copies on papier de Chine, w...

Paul Kelpe, Untitled (Abstract Composition), lithograph, 1937, edition unknown but small. Signed and dated in pencil. A fine, richly-inked impression, with all the nuanced texture an...