1940s Art

Yasuo Kuniyoshi Carnival, 1949 Signed in margin lower right Lithograph on paper 15 3/4 x 9 3/4 inches 23 1/4 x 16 mat Born in Okayama, Japan, Yasuo Kuniyoshi had no intention of be...

Henri Matisse Visage de jeune femme 1948 Aquatint on BFK Rives paper, signed in pencil and numbered 4/25. Paper size: 55.5 x 38 cms (21 7/8 x 15 ins) Image si...

Charles CAMOIN A long Study Day : Girl Reading, 1946 Original etching Hand signed in pencil Numbered / XX copies On Lana vellum 26 x 36 cm (c. 10.2 x 14 inch) Excellent condition

Charles CAMOIN The Rest : Woman on a Bed, 1946 Original etching Hand signed in pencil Numbered / XX copies On Lana vellum 26 x 36 cm (c. 10.2 x 14 inch...

The Challenge in the Aegean is a black and white artwork realized by Giorgio De Chirico in the half of 20th Century. Rare specimen on light blue paper. Original title: "La sfida in ...

Paper Size: 41 x 27 inches ( 104.14 x 68.58 cm ) Image Size: 39 x 25.25 inches ( 99.06 x 64.135 cm ) Framed: No Condition: D: Heavy signs of wear, Torn, Damaged. SOLD AS IS. Price...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur, 1948. Publ...

Fisherman on the River Nicolai Cikovsky, Russian-American (1894–1984) Date: 1949 Oil on canvas, signed and dated lower right Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 35 x 41 i...

Presenting a just discovered mixed media painting by American artist Robert McIntosh, (1916-2010.) Formations, is an original mixed media gouache on heavy artists paper, signed, da...

Charcoal drawing on paper realized by Maccari in the late 1940s. Hand signed in the lower center. Very good condition. A witty and sharply observed drawing by Mino Maccari, one of...

At Eye Level Paramyths is an original modern rare book illustrated by Max Ernst (1891 - 1976) and written by Various Authors in 1949. Original Edition, designed by Max Ernst as cat...

Just discovered within an exceptional private west coast collection, the signature and inscription on this incredible small oil on paper, is at the moment, undecypherable, we are res...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 1 (Series C, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

A true masterpiece that makes you travel in a glance and that we are proud to present to you! Lucien Boucher 🇫🇷 (1889 - 1971) is a painter, engraver, poster artist and draughtsman who marked his time. He began by studying ceramics at the School of Sevres before being sent to the front in 1914. He was taken prisoner, and that's when he started to draw. First hired as a caricaturist by the weekly humoristic magazine "Le Rire", he will end up designing posters and flyers for Air France. This fantastic work of Lucien Boucher represents, a mythical phoenix flying in front of an Air France plane on a map of Asia marked by pagoda palaces and minarets, an Asian sailboat at sea and the snow topped by Mount...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie K, var. 2 (Series K, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Lucky For Some 1949: Sicilian-born gangster Charles ‘Lucky’ Luciano (1897 – 1962) walking down a street in his native Sicily, followed by local children mimicking his posture. Whils...

China ink realized by Mino Maccari in 1945. Hand signed and dated. Very good condition.

Original watercolor and gouache on archival paper by the American artist, Martin Louis Lindsay. Signed, titled and dated top right. Done in 1944. Condi...

Antique American modernist landscape painting. Oil on canvas, circa 1930. Signed. Housed in period frame. Image size 45L x 32H.

Original poster for the movie Ruy Bias based on the drama by Victor Hugo. Ruy Blas is a film directed by Pierre Billon, released in 1948. Adapted by Jean Cocteau with Jean Marais and...

A magnificent impression from the collection of the artist's sister, with a dedication in Arms's hand. Etching on antique grayish-blue laid paper, 9 1/2 x 5 1/2 inches (242 x 140 mm...

This striking original poster from circa 1945 was illustrated by James Rassiat and commissioned by Les Établissements Marcel Faivre, a Parisian firm located at 7 Rue de Montreuil in ...

Oil on canvas. Framed. Image size, 18H x 24L. No signature found. Very nicely painted.

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

This exquisite etching by Marie Laurencin (1883–1956), titled Jeune femme et son fils (Young Woman and Her Son), from the album Antares, eaux-fortes originales de Marie Laurencin (An...

Versi e Prose 1871-1873 is a rare original Modern Rare book written by Arthur Rimbaud (1854, Charleville — Marseille, 1891) and illustrated by Carlo Carrà (Quargnento, 1881 — Milan, 1966) in 1945. Original Edition. Published by La Conchiglia, Milan. Format: in Folio. 55 numbered copies signed by the artist. The Book includes 98 pages, loose leaves in editor’s box, 12 full page lithographs in black and 12 full page hand colored lithographs. Good conditions. Carlo Carrà (Quargnento, 1881 — Milan, 1966). Carrà has been one of the most influential Italian painters of the first half of the 20th century. He is best known for his still lifes in the style of Metaphysical painting. Carrà studied painting briefly at the Brera Academy in Milan, but he was largely self-taught. In 1909 he met the poet Filippo Marinetti...

Insetto is an original artwork realized by Ivan Mosca in 1945. Original Drawing. Colored pencils on cardboard. Hand-signed and titled by the artist on the lower right corner. Very good conditions. Very fresh and delicate artwork representing an insect in foreground realized with colored pens. Ivan Mosca (Parma, 1915 - Rome, 2005) was an Italian artist and painter. He moved to Milan where he attended the School of Book and the Istituto Superiore per le Industrie Artistiche in Monza. He was interested by the abstract art and met the artists of the Gallery "Il Milione", such as Osvaldo Licini...

Babies are falling from the sky and not bombs. British female artist and illustrator Noel Laura Nisbet makes a passionate twist to the reality of En...

Striking, surreal, and direct, this 1947 original poster designed by Victor B. Wells is a rare example of post-war American industrial messaging that blends dramatic visual metaphor ...

'Paris Opera House' by Antoon Heinsbergen, 1941. California Artist, Chouinard Art Institute, Crocker Museum ----- Signed, verso, 'A Heinsbergen' for Antoon Heinsbergen (Dutch-American, 1894-1989), inscribed 'Painted in Paris from the top floor of the Grand Hotel Paris' and dated 1941. A panoramic view of early twentieth-century Paris with early automobiles, charabancs and pedestrians filling the boulevards converging on the Paris Opera beneath sunny blue skies. Painter and theatrical designer, Antoon Heinsbergen immigrated to Los Angeles as a small boy and first studied at the Chouinard Art School and the Otis Art Institute. He subsequently became sought after as a decorator of theaters and, working with a crew of 185, designed and painted wall and ceiling decorations...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie K, var. 1 (Series K, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur, 1948. Publ...

The original propaganda poster titled "Confiance... Ses amputations se poursuivent méthodiquement" stands as a remarkable artifact from the era of Vichy France and anti-British Nazi ...

Howard Daum Croton Park, 1940 Signed, titled and dated lower right Watercolor on paper 8 1/2 x 11 1/2 inches Provenance The artist Ashby Gallery, New York Carl Ashby, New York Estat...

French film actress Mila Parely amuses passengers onboard the ferry from Tower Bridge, London, to Southend, Essex. Original Publication: Picture Post – 4412 – Mila Goes To Southend –...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur, 1948. Publ...

Lithograph on vélin paper. Paper size: 9.25 x 12.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur, 1948. Publ...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

I rare Edition, by Edizioni ERI-RAI, published in 80 pieces numbered and hand signed by the Artist. Very good conditions. This artwork is shipped from Italy. Under existing legislat...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Lithograph and stencil on vélin de Rives paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Dignimont, 1946. Published by Éditi...

Lithograph on vélin paper. Paper size: 9.25 x 12.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur, 1948. Publ...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

War In Belgium is an original drawing realized by Erich Hochschild in 1940. Charcoal drawing on tinted paper, attached on cardboard (29 x 39.5 cm). Titled in pencil on the lower lef...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie I, var. 6 (Series I, Variation 6), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Image dimensions: 30 x 35 cm. Il poeta del ponte (The Poet of the Bridge) is an original artwork realized by the Italian artist and engraver Luigi Bartolin...

Original American Lobby Card of Walt Disney’s Movie „Pinocchio“, USA 1940. Pinocchio gets his first coat of paint from his father and maker. Keywords: Anim...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie I, var. 15 (Series I, Variation 15), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

This exquisite etching by Henri de Waroquier (1881–1970), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerb...

Winston Churchill 'I avow my hope and faith...' Lithograph 61 x 46 cm 'I avow my hope and faith, sure and inviolate, that in the days to come the British and American peoples will, ...

This original 1943 World War II poster, designed by Sloan Roberts, was part of the U.S. government’s War Bonds campaign, encouraging American citizens to financially support the war effort. During WWII, War Bonds were a crucial means of raising funds for military operations, and posters like this played a significant role in mobilizing patriotic sentiment across the nation. Roberts’ artwork for this poster is a striking example of wartime propaganda, using bold imagery and compelling text to inspire action. The composition typically features heroic figures—soldiers, civilians, or symbolic American icons—set against a powerful backdrop, reinforcing themes of duty, sacrifice, and national unity. The typography is strong and direct, emphasizing the message: "Buy War Bonds", a rallying cry repeated across numerous government-issued posters during the war. As a wartime artist, Sloan Roberts was known for his ability to evoke emotion and urgency through dynamic compositions and dramatic lighting. His work exemplifies the graphic design style of the era, which combined realistic illustration with bold, patriotic color schemes—often featuring reds, whites, and blues to reinforce national pride. These original 1943 posters were distributed widely across public spaces, factories, schools, and military recruitment centers, serving as a visual reminder of the home front’s responsibility in the war effort. Today, Sloan Roberts’ War Bonds poster is a highly collectible piece of WWII history, valued for its artistic, historical, and patriotic significance. This poster remains an iconic representation of American resilience and unity, making it a prized addition for collectors of vintage military propaganda, WWII memorabilia...

A soldier charges into battle propelled by the allegory of the American workforce at his back in this 1942 WWII poster entitled, Let's All Fight-Buy War Bonds. The smaller figures in...

Compelling oil painting of Temptation of St. Anthony by Piero Tamo (Swiss, 1899-1966). Tamo was a poet and a painter who worked in the realist style and ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie E, var. 10 (Series E, Variation 10), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

Photo is 9X13.5 (image size), 16X20 is the mat. Mounted to original mat. Vintage photograph. Marion Post (June 7, 1910 – November 24, 1990), later Marion Post Wolcott, was a noted American photographer who worked for the Farm Security Administration during the Great Depression documenting poverty and deprivation. Marion Post was born in New Jersey on June 7, 1910. Her parents split up and she was sent to boarding school, spending time at home with her mother in Greenwich Village when not at school. Here she met many artists and musicians and became interested in dance. She studied at The New School. Post trained as a teacher, and went to work in a small town in Massachusetts. Here she saw the reality of the Depression and the problems of the poor. When the school closed she went to Europe to study with her sister Helen. Helen was studying with Trude Fleischmann, a Viennese photographer. Marion Post showed Fleischmann some of her photographs and was told to stick to photography. Marion Post Wolcott with Rolleiflex and Speed Graphic in hand in Montgomery County, Maryland. While in Vienna she saw some of the Nazi attacks on the Jewish population and was horrified. Soon she and her sister had to return to America for safety. She went back to teaching but also continued her photography and became involved in the anti-fascist movement. At the New York Photo League she met Ralph Steiner and Paul Strand who encouraged her. When she found that the Philadelphia Evening Bulletin kept sending her to do "ladies' stories," Ralph Steiner took her portfolio to show Roy Stryker, head of the Farm Security Administration, and Paul Strand wrote a letter of recommendation. Stryker was impressed by her work and hired her immediately. Post's photographs for the FSA often explore the political aspects of poverty and deprivation. They also often find humour in the situations she encountered. In 1941 she met Leon Oliver Wolcott, deputy director of war relations for the U. S. Department of Agriculture under Franklin Roosevelt. They married, and she continued her assignments for the FSA, but resigned shortly thereafter in February 1942. She found it difficult to fit in her photography around raising a family and a great deal of traveling and living overseas. In the 1970s, a renewed interest in Wolcott's images among scholars rekindled her own interest in photography. In 1978, Wolcott mounted her first solo exhibition in California, and by the 1980s the Smithsonian and the Metropolitan Museum of Art began to collect her photographs. The first monograph on her work was published in 1983. She was an advocate for women's rights; in 1986, Wolcott said: "Women have come a long way, but not far enough. . . . Speak with your images from your heart and soul" (Women in Photography Conference, Syracuse, N.Y.) She and other FSA WPA photographers, including Esther Bubley...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...

Pastel, colored pencil with collage elements Unsigned Condition: Repaired tear in the area of the moon, only visible from verso Pin holes in the corners and in the ...

Marc Chagall, Russian (1887 - 1985) - Poesie De Mots Inconnus (Ex-Libris), Year: 1949, Medium: Etching with Aquatint, Edition: 158, Image Size: 5 x 3.25 inches, Size: 13 x 10 in. (3...