1950s Art

Vintage American modernist abstract oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, re...

Inviting watercolor of a small path winding through a quaint town using soft, cool hues by artist Jacques Bouillac, circa 1950. Signed lower right. Original one-of-a-kind artwork ...

The Pagoda of Ninnaji Temple in Kyoto with Cherry Blossoms - Woodblock Print Beautifully executed Showa-era print by Japanese artist Benji Asada (b. 1899 d. 1984.) This print shows ...

Dans Le Perche after Maurice de Vlaminck ( 1876 – 1958)  depicts a stormy sky above a wind swept field of golden vegetation. There is a house on the distant horizon. One of 12 wood e...

Vintage silver print Western Photography Guild studio stamp in purple ink, verso Stamped "Wrestling Poses" and numbered "Series 37 No. 5" in purpl...

Medium: lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,...

Antique American school abstract oil painting. Oil on canvas. Framed. Image size, 25L x 47H.

5-3422 Black and white acrylic on paper Displayed in black wood frame under glass Image size 8x11.5" French artist Signed Jacques Simons

Framed 19 x 17.75 in No. 202 in the Catalogue Raisonne of Chagall's lithographs This lithograph was created by Chagall especially for this edition of the book "Chagall" by Jacques ...

• Picasso began working with ceramics in 1946 at the Madoura workshop in Vallauris, marking the beginning of an important and highly productive chapter in his career. What initially ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte aux fruits (Still Life with Fruit), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...

Mid Century still life oil painting on canvas, signed in the bottom right and dated 1953. This is an unusual and stylishly simplistic painting but delightfully charismatic. A ruffl...

"Pilgrimage", a mid century figurative landscape by Carmel, California artist Mary Miller (Klepich) (American, ? - 1957). Presented in a rustic giltwood frame. Signed "Mary Miller" lower right. Titled "Pilgrimage," dated "1952" and signed "Mary Miller" on logo on verso, with Santa Cruz Art League Twenty Third Statewide Art Exhibition Label. Image, 18"H x 24"L. Framed size: 22.5"H x 28.5"W. Mary Miller (Klepich) exhibited in the Twenty-Third Annual Santa Cruz State-Wide Art Exhibition. She and her husband Fred Klepich studied at Bellas Artes, San Miguel de Allende in Mexico. Fred and Mary Owned Carmel Craft Studios, later (SAS) Studio Art Supplies...

This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...

Lily On The Riviera 1957 (printed later) Chromogenic print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. French soprano Lily P...

Norma Jeane Mortenson or better known as Marilyn Monroe – iconic, beautiful and maybe the most known Hollywood Stars of the 20th century. Born and raised in Los Angeles, USA, she spe...

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 9 x 6 inches (225 x 150 mm). Jean Cocteau executed this original lithograph to depict a sce...

Rainy Time Square (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Two silhouetted women at bus stop under umbrellas in Time Square, Manhattan,...

'Venice, Santa Maria della Salute from the Cannaregio Canal' by Peter Götz Pallmann. Large Venetian Oil ----- Signed lower right, 'P. G. Pallmann'...

This atmospheric Western scene may be just what a themed room or collection needs. Listed American artist Frederic Burnett is known for his depictions of the American West and this ...

Work on canvas

SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...

Medium: pochoir (after the watercolor and collage). Printed in Paris in 1955 at the Daniel Jacomet atelier and published the Berggruen Gallery for a rare catalogue. Image size: 5 1/4...

Stephen Harty, Untitled (Bird Abstraction), gouache, 1953. Signed and dated lower left. A fine, meticulously rendered, mid-century, modernist gouache painting, with fresh colors on 1...

This exquisite heliogravure after Georges Braque (1882-1963), titled Sans titre (Untitled), from Carnets Intimes de G. Braque, Verve: Revue Artistique et Litteraire, Vol. VIII, No. 3...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 15 x 22 inches, with centerfold, as issued. Notes: From Derrière le miroir, N° 113, published ...

Stamped verso with Victor di Gesu (American, 1914-1988) Estate Stamp and created circa 1955. Graphite nude showing a young woman seated on a chair, one leg tucked beneath her, with ...

Artist: Henri Matisse (after) Title: L'escargot Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14" x 10 1/2...

Peaceful landscape of a calm stream winding through an autumnal forest by Lorenz Griffith (American, 1889-1968). Signed "Lorenz Griffith" lower left. Titled "Autumn Reflections - Virginia" and dated 1958 on verso. Unframed. Image size: 24"H x 35.5"W. Lorenz E. Griffith was born in Indiana; he was active/lived in North Carolina, Florida, Indiana and many places across the United States. Lorenz Griffith is known for luminist landscapes and portraits. He painted in the style of the Florida Highwaymen...

"The Toreador" Pierre Ambrogiani (France, 1905-1985) Oil on canvas Circa 1950's  28 1/4 x 20 3/4 (31 1/4 x 23 3/4 frame) inches Signed bottom right corner If the artists Diego Veláz...

his original 1957 still life painting by American artist Bernard Arnest presents a refined Mid-Century Modern interpretation of a classic subject. Executed in oil on canvas, the comp...

Title: Rincón de Horta (Corner of Horta) Artist: Antoni Llobet Aracil (Barcelona, 1910 – 1983) Medium: Oil on canvas Dimensions: 46 × 55 cm (18.1 × 21.7 in) Support: Canvas on stretcher Signature: Signed “A. Llobet” in the lower right corner Inscription on reverse: “Rincón de Horta” Estimated period: 1950s–1960s Condition: Good Provenance: Private collection DESCRIPTION The painting depicts a scene of vernacular architecture in Barcelona’s Horta neighborhood, at a time when it still preserved its rural and peaceful character. A dirt path opens between lush vegetation and the façades of traditional houses, wrapped in bougainvillea, ivy, and leafy trees. Light enters from the left, illuminating the walls with warm brushstrokes that contrast with the greens and violets defining the foliage. The atmosphere is serene, almost nostalgic, captured with a loose and impasto technique, especially visible in the sky and vegetation. The composition showcases the painter’s ability to harmonize architecture and nature, conveying the tranquility of a nearly hidden corner. The vibrant brushwork and mastery of color evoke a distinctly Mediterranean sensibility, heir to post-impressionism and the legacy of Joaquim Mir. ABOUT THE ARTIST: ANTONI LLOBET ARACIL Antoni Llobet Aracil was a Catalan painter born in Barcelona in 1910 (according to some sources, 1919) and died in 1983. He trained at the Escola Superior de Belles Arts de Sant Jordi and was a pupil of masters such as José Mongrell and Joaquim Mir. In 1931, he received a scholarship to continue his studies in Rome. His career included exhibitions in Paris, Denmark, Finland, Norway, Iceland, and Mallorca, as well as his native city. He led an itinerant life that enriched his pictorial vision and allowed him to develop a plastic language characterized by free use of color, energetic brushwork, and a poetic view of the landscape. In his works, Llobet blended the impressionist tradition with a Mediterranean sense of light. He alternated natural landscapes, seascapes, rural streets, and urban corners with a rich palette and atmospheric sensitivity. He worked as a drawing and painting teacher and exhibited in prominent venues such as Grifé & Escoda in Barcelona, as well as in Palma and Inca, Mallorca. ARTISTS WITH SIMILAR STYLE The work of Antoni Llobet Aracil can be linked to that of several Catalan and Mediterranean artists through his loose technique, treatment of the landscape, and warm palette: Joaquim Mir i Trinxet – for his impasto brushwork and vibrant luminosity. Rafael Durancamps – for the intimacy and warmth of his urban and rural landscapes. Josep Mompou – for chromatic harmony and evocative simplicity. Isidre Nonell (in some late landscapes) – for dense pictorial matter and atmospheric color. Ramón Vilanova...

Charming painting of colorful Gallic "Le Coq Gaulois" roosters by listed California artist Helen Enoch Gleiforst (American,1903-1997), circa 1950. Born in Crete, Nebraska, Helen Gle...

Edition of 274 copies copies including 4 original colour lithographs by Rufino Tamayo. Copy on B.F.K.Rives, in perfect conditions and uncut. Original editorial softcover. Peret's hom...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amoureux au Gris (The Lovers in Gray), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This intimate and poetic composition reveals Chagall’s enduring fascination with love as both a personal and universal theme. Les Amoureux au Gris presents two lovers tenderly united against a soft, monochromatic background, their forms gently intertwined in a suspended moment of emotion and serenity. The subdued palette of grays enhances the dreamlike atmosphere, evoking nostalgia and the quiet beauty of devotion. Through its delicate tonal harmonies and lyrical symbolism, the work exemplifies Chagall’s belief that love transcends time, space, and circumstance—a central tenet that defines his artistic legacy. Executed as a lithograph on velin paper, this work measures 9.06 x 7.875 inches (23.01 x 20 cm). Unsigned and unnumbered as issued. The edition reflects the extraordinary craftsmanship of the Mourlot Freres atelier, renowned for its close collaboration with Chagall and for achieving unmatched brilliance and subtlety in color lithography. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Les Amoureux au Gris (The Lovers in Gray), from Chagall, 1957 Medium: Lithograph on velin paper Dimensions: 9.06 x 7.875 inches (23.01 x 20 cm) Inscription: Unsigned and unnumbered as issued Date: 1957 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 194. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34. Condition: Well preserved, consistent with age and medium Provenance: From the album Chagall, published by Maeght Editeur, Paris, 1957 Notes: Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957. About the Publication: The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, stands among the most celebrated collaborations between Marc Chagall and the great Parisian ateliers of the mid-20th century. The album features a series of color lithographs that capture Chagall’s poetic world of memory, faith, and love through luminous tones and expressive line. Each lithograph embodies the artist’s mastery of the medium, where the transparency of pigment and fluidity of form fuse into a language of visual music. Guided by the technical expertise of Mourlot Freres, these works convey Chagall’s painterly spontaneity and emotional depth with remarkable fidelity. The Maeght album remains a touchstone in modern printmaking, symbolizing the creative dialogue between artist, publisher, and master printer that defined the golden age of the French art book. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Les Amoureux...

This exquisite lithograph after Henri Matisse (1869–1954), titled Decoupage (Decoupage), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Decoupage reflects Matisses late career mastery of distilled form, harmonious contour, and poetic abstraction. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Decoupage (Decoupage) Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1954 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs, linocuts, and pochoirs printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, Atelier Lacouriere, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1954 issue, Nouvelle serie N°4 (double), stands among the journals landmark mid century editions. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later cut out compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Decoupage...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

Gorgeous mid century landscape of Villafranche Sur Mer overlooking Cap Ferret by G. Cunningham (American, 20th Century), 1957. Study of painting by Ladislav...

PABLO PICASSO (AFTER) Tête de Femme au Chapeau. Color lithograph 1956 Sheet size 650x540 mm; 25⅝x21¼ inches, full margins. Proof before letters, aside from the published poster e...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Montmartre, Place Saint-Pierre (Montmartre, Place Saint-Pierre), from the album Paris Capitale (Paris Capital), origi...

Mid-century abstract serigraph by Kenneth William Auvil (American, 1929-199). Continuing Auvil's exploration of the changing seasons, this serigraph presents an abstracted landscape,...

Marc Chagall, Russian (1887 - 1985) - The Flute Player, Portfolio: Jacques Lassaigne "Marc Chagall", Year: 1957, Medium: Lithograph, Edition: 6000, Size: 9 x 15.25 in. (22.86 x 38.7...

Harriet was born and raised in Brooklyn, New York, and lived with her husband in Park Slope for over 35 years. She attended the Brooklyn Museum School at...

An Ink and marker figurative abstract of the Main Square on the Island of Syros. Signed, titled and dated Aug 1959 lower right. Nell Blaine contracted Polio during her excursion to G...

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 8 3/4 x 6 inches (225 x 150 mm). Jean Cocteau executed this original lithograph to depict a...

Marc Chagall Paradise II From the rare limited edition Editions de la Revue VERVE, Paris The Bible Original double sided lithograph on paper 1956 Mint Condition

Gorgeous mid-century still life of a vase of white lilies next to a green teapot and lemon by listed California artist Helen Enoch Gleiforst (American, 1903-1997). Signed "Gleifors...

This exquisite lithograph by Marc Chagall (1887–1985), titled Saint-Germain des Pres (Saint-Germain of the Fields), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Saint-Germain des Pres reflects Chagall’s poetic vision of Paris, capturing the neighborhood’s spiritual and cultural essence through his unique blend of memory, color, and imagination. The work embodies Chagall’s ability to transform the familiar into the transcendent, merging architectural harmony with human emotion and dreamlike symbolism. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Saint-Germain des Pres (Saint-Germain of the Fields), from the folio Derriere le miroir, No. 67–68 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, 1995, illustration 24; Mourlot, Fernand, and Marc Chagall. Chagall Lithographe I: 1922–1957. Andre Sauret, 1960, illustration 100. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 67–68, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 Notes: On the occasion of the ‘Paris’ exhibition, Marc Chagall created for this triple issue of Derriere Le Miroir XII pages of Lithography. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Saint-Germain des Pres 1954, Chagall Saint-Germain of the Fields, Chagall Derriere le miroir No. 67–68, Chagall Mourlot lithograph, Chagall Maeght...

This piece is a diptych consisting of two original dye-transfer photographs from the original negatives by Milton Greene, shot in 1954 and published in 1978. These photographs depic...

Charming Mid Century still life of pink, purple, and white petunias in a skillfully rendered translucent glass by listed California artist Helen Gleiforst (American, 1903-1997), c.19...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Swedish model Inga Lindgren, wife of Argentinian finance minister Ceferino Alonso Irigoyen,...

Raoul DUFY Normandy Countryside , 1953 Original Lithograph with stencil watercolor On Arches vellum 28 x 38 cm (c. 11 x 15 inch) Excellent condition

Bold mid-century still-life painting with plates and cups by French artist Chantal Jouvin, circa 1950. Original artwork on paper displayed on a ...

6098 Spanish beauty with white bird Elaborate gilt frame Image size 15.5x19.5"

Stunning surrealist painting by Bay Area Figurative artist, John Hultberg (1922-2005). War Night, 1956. Gouache on illustration board measures an impressive 30 x 40 inches; 34 x 44...

5-3501 oil on canvas set in a gilt wood frame

Beautiful young lady in a Paris Park, signed, Original Frame, listed size includes the frame.

Frame size 70x61 cm. José Muntané Balaguer (1889 - 1963) Immerse yourself in the spiritual beauty of "Woman Praying," a sublime work by the acclaimed Spanish artist José Muntané Balaguer. This oil on canvas captures the serenity and introspection of faith, showcasing a masterful use of light and shadow reminiscent of great masters such as Joaquín Sorolla, Ignacio Zuloaga, and even the emotional restraint of Diego Velázquez in his most intimate portraits. The painting depicts the purity of a devotional moment, where the female figure seems to transcend the canvas, inviting the viewer to reflect on spirituality and human connection. The meticulous attention to detail and subtlety in expressions place Muntané Balaguer in the tradition of artists who immortalized scenes of everyday life with unique sensitivity, much like Julio Romero de Torres...

A vibrant, colorful harbor scene of Martha's Vineyard by notable Chicago Modern artist, Francis Chapin (Am. 1899-1965). Depicting a quiet inlet with sandy shoreline, boat houses and...

Hamptons Tennis Club by Toni Frissell Girlfriends watch the tennis at a tennis club in The Hamptons in 1955. Oversize Limited Signature Stamped Edition 20x16" inches / 51 x 41 cm ...