Early 1900s Art

The Pope and the globe is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, tempera, ink and pencil on paper. Hand signed on the right margin. Good c...

Vain efforts is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, tempera, ink and pencil on paper. Hand signed on the right margin. Good conditions ...

ALBERT TOFT (1862-1949) Relief Portrait of Sir Henry Irving Indistinctly signed l.r.: Albert Toft Bronze, dark brown patina, on wooden base Diameter 24....

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DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

The Minister is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink and pencil on paper. Hand signed on the right margin. Good conditions and aged ...

The vesting is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink and pencil on paper. Hand signed on the left margin. Good conditions and aged wi...

Non Expedit is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink, tempera and pencil on paper. Hand signed on the right margin. Good conditions a...

The toy soldier is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink and pencil on paper. Hand signed on the right margin. Good conditions and ag...

The "Bussolotti" player is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink and pencil on paper. Hand signed on the right margin. Good condition...

Two men is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink, tempera and pencil on paper. Good conditions and aged with foxing. Gabriele Galant...

Fishing in the lake is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink, tempera and pencil on paper. Hand signed on the right ...

PS 241 Drowned in Monet Portrait of a woman with red dress. The background is the famous from Claude Monet Water lilies. ⭐Structural analysis:⭐ Such as Impressionist painting, the...

Portrait PS 238 Le temps des Jonquilles Portrait of a woman with back naked. ⭐Structural analysis:⭐ Such as Impressionist painting, the subject is firstly a study of light on human...

Portrait PS 126 De Guerres lasses Portrait of a woman with blue and yellow hair with a crown of flowers. Technique: oil, acrylics, spray paint and ink on canvas 70x50cm ■■ 27.6x19...

French School - PS 248 Elle(s) Portrait of two women, from La Belle époque. Technique: oil, acrylic, and ink on old book pages on wooden frame 55x55cm ■■ 21,6x21,6 inch ⭐Sustainab...

Portrait PS 231 La Dormante Scene: a poetic closeup portrait with abstract background field. The background is created with series of drippings. Technique: oil, acrylic, and ink on...

Portrait PS 168 Les Quatres coins du coeur. Closeup - portrait of a woman head ⭐Structural analysis:⭐ Such as Impressionist painting, the subject is firstly a study of light on hu...

Artist: Filippo Bartolini (Italian, 1861-1908) Title: "Resting Lady, Roma" *Signed by Bartolini lower right Circa: 1900 Medium: Original Watercolor on heavy wove paper Framing: Rece...

Southeast Asian School, Battle Scene Painting, Gouache on Linen, circa 1900, giltwood frame. Image: 24" H x 17.5" W; frame: 30" H x 23.75" W. ...

Augustin Nicolas Georges Grasmick, known as Grass-Mick (Augustin Grass-Mick, Paris, 1873 – Marseille, 1963) Interior, Studio Corner Circa 1906 Oil on cardboard 50 × 65 cm 62 x 77 c...

Ink, tempera, watercolor and white lead realized by Gabriele Galantara in 1900s. Hand signed in the lower right corner. Very good condition.

Ink, tempera, watercolor and white lead realized by Gabriele Galantara in 1904. Hand signed in the lower right corner. Published on "L'Asino" in 27/3/1904. Very good condition.

Harry A. Neyland (American, 1877–1958) Slack Tide, Polperro, Cornwall, England, Summer, 1904 Oil on canvas, 20 x 18 inches FRAMED: 26 1/2 x 23 1/2 inches (approx.) Signed at upper ...

Vase with Birch trees in Autumn by DAUM and CLAIN et PERRIER Vase decorated with birch trees in autumn Multi-layer blown-molded glass Glass colored by vitrification of powders Deco...

Artist: Henri Patrice Dillon (French, 1850-1909) Title: "Pluviose (Rainfall)" Portfolio: Revue de l'Art Ancien et Moderne *Signed by Dillon in the...

McManus, Blanche. THE ADVENTURES OF CAPTAIN HORN. Color lithograph poster, 1901. Monogram in the plate. 16 1/4 x 12 inches, framed to 23 x 18 1/2 inches. In very good condition with ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Sloan, John. TURNING OUT THE LIGHT. M. 134. Etching, 1905. 5 x 7 inches; 127 x 178 mm. (plate), 9 1/2 x 11 1/2 (sheet). Titled, inscribed "100 Proofs" and signed, all in pencil. Whi...

Sloan, John. FUN, ONE CENT. Etching, 1905. Morse 131. 2d (published) state. One of the plates from the New York City Life Series. Edition 100, only 60 printed, this being one of an ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

"Coupe Gordon Bennett 1909 — Curtiss le Gagnant" is an original Lithograph with Pochoir created by Marguerite Montaut (GAMY). Gamy presents the viewer w...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Georges MEUNIER Starlight Soap, 1900 Original Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate ...

Black crayon on wove paper. Artist initials are ink stamped in lower right corner.

Roth, Ernest (American, 1879-1964). THE WOODEN BRIDGE,VENICE. Etching, 1906. Signed and dated in pencil 7 x 8 3/8 inches (plate), 9 x 10 3/4 inches (sheet). In excellent condition.

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Madonna Structural analysis: Closeup portrait of the celebrity Madonna. The background is painted with a heavy and thick texture. Dripping of light blue and orange create movement t...

L'alsacienne Or Bretonne aux Rameau silver overlay patina by Leo Laporte Blairsy (French, 1867-1923). Depicting a woman in robe holding a garnet of flowers with a L'alsacienne or Bre...

With bold simplicity and architectural clarity, this rare 1908 German poster promotes a model home exhibition showcasing summer and holiday houses from a design competition held by t...

"Fire and Police Department Record" is a chromolithograph by J.M. Vickroy & Co. It features scenes of a Fire and Police department doing civic servic...

Jean-Emile Laboureur (1877-, Souper a New York, etching on zinc, 1907, signed in pencil bottom left margin; also annotated “No 11/20 imp” bottom margin. Reference: Sylvain Laboureur ...

Flowers Starwars Pink Strikes Back Structural analysis: _ Feeling of the wind in the flowers_ Abstract drippings bring movement to the still life painting. There is a contrast bet...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

This masterful and detail oriented depiction of potentially three generations of what may be leather tanners and or saddle-makers in their workshop is a very American genre scene tha...

George Frederick Morse Hubbard Park, Crescent City, Florida, 1906 Oil on canvas 17 x 12 inches A landscape and marine painter from Portland, Maine, George Morse was a founding membe...

Gustave Poetzsch (1870-1950) Baby Boy Original charcoals and pencil drawing Stamp of the Estate auction sale on the back On grey vellum 22 x 26 cm (c. 9 x 1...

Portrait Elvis Presley Technique: Acrylics, oil painting, China ink on canvas 73x60cm / 28,7x23,6inch 》》R E A D Y -- T O -- H A N G《《 ❶ → Original signed work. Certificate of aut...

This wood statue, used as a fetish, was created by an unknown Bacongo artist in Zaire. The Kongo people (also Bakongo) are a Bantu ethnic group primarily defined as the speakers of K...

This whimsical Air India travel poster presents a playful scene on the golf course, where a startled group of golfers discovers that their ball has landed squarely on the head of a f...

This lively Belle Époque poster by Leonetto Cappiello (1875–1942) was created to advertise Absinthe Gempp Pernod of Lunel. A radiant red-haired woman in a flowing blue dress lifts a ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio...

Woodcut print realized by Paul Emile Colin in 1902. Mounted on cardboard cm 37.5x27.5 Edition of 8/15. Hand signed and numbered. Very good condition.

Donald Shaw MacLaughlan's small, even 'miniaturist' etching, 'A Tuscan Farm,' features an idyllic view of a scene he would have encountered on his European...

William Samuel Horton (1865 - 1936) La Seine Fumee bleu, Paris, France, circa 1909 Oil on canvasboard 17 x 21 inches Signed lower left A landscape painter, William Horton lived and ...

Cyrus Cincinnatto Cuneo (1879 - 1916) Sleeping in the Hay, circa 1900 Oil on canvas 15 1/4 x 23 inches Signed lower left An expatriate Italian American, Cyrus Cuneo spent much of his career in England, from where he served as an artist-illustrator of the American West for the London Illustrated News. It was written that he became "an Englishman by preference and adoption." In London, he was a member of the Royal Institute of Oil Painters, and from 1905 to 1912, he exhibited at the Royal Academy. He paid for his art training in Paris with James Whistler by boxing professionally. In 1908 on assignment with the Illustrated News, he made an extensive trip back to California and through Canada, where he was a special guest of personnel representing the Canadian Pacific Railroad. From this trip, he did a series of railroad oil paintings...