Early 2000s Art

"Fruteras" is an original oil painting on jute by Ernesto Gutierrez. The artist signed the piece lower right. It depicts two women selling limes and avocados. 25" x 30" art 33" x 3...

Artist: Peter Max (1937) Title: Heart on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Excellent Inscri...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1329. N...

THERE IS A WOMAN IN EVERY COLOR is a hand pulled limited edition relief print created using linocut, woodcut, and silkscreen printmaking techniques on white archival printmaking pape...

Driving - Henry's Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2498 Not mo...

Digital C-print Stamped and numbered, verso 24 x 20 inches (Edition of 10) 40 x 30 inches (Edition of 5) 60 x 50 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

This striking Self Portrait by Chuck Close was created for the Lincoln Center Poster Program in 2007. This first edition exhibition poster is a l...

"Nelson Dominguez (Cuba, 1947) 'Sin título I', 2005 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DOM1267-007-106" _______________________________________ "Biography. Nelson DOMÍNGUEZ.  Born: 1947, Santiago de Cuba, Cuba. Studies: 1970 National School of Art, Cuba. Experience: 1970 - 1985 Professor National School of Art, Cuba. He has been Professor of Painting and Engraving and Head of the Painting Department of the Higher Institute of Art (ISA). Member of the Union of Writers of Cuba and the International Association of Plastic Artists. Awards: Among the awards and recognitions that the Cuban artist received: Order for the National Culture, Cuba; Order Alejo Carpentier, Cuba; Diploma and Order of Honor from the Fuji Museum, Japan. In 1972, he received the National Prize at the International Painting Festival in Cagnes-sur-mer, France; 1976 Grand Prize, International Biennial of Wood Engraving, Banska Bystrika, Czechoslovakia and Painting Prize, Triennial of Committed Realist Art, Sofia, Bulgaria; Honor Prize, Graphic Biennial, India, as well as at the Jaime Guasch Biennial in Barcelona, Spain. Exhibitions In summary, exhibitions of personalities. In 1983 he made the exhibition ""Retrospective (10 years of professional work)"" at the National Museum of the Palace of Fine Arts of Cuba, in 1984 at the Francoise Tournie Gallery in Paris; in 1985 he did it in the National Welfare Organization of Athens, Greece and in 1986 in the Gallery del l 'Incisione in Venice, Italy. During the eighties and nineties his work was shown in Brazil, Italy, Puerto Rico, Japan, Mexico, Spain, the United States, Cuba and Mexico. In 2001, an individual exhibition was held at the Hotel Trip Cayo Coco in Cuba. Collections: Many of his works are exhibited in the Los Oficios Studio Gallery, Old Havana, Cuba and in the collections of the National Museum of Fine Arts of Cuba, Merugo Museum of Japan; Herbeat F. Johnson Museum of Art of the United States; The Presidential House, Los Pinos, of Mexico; Alejo Carpentier Foundation and José Martí Memorial Collection, Havana, Cuba; Collection Imperial Palace of Japan; Center for Cuban Studies in New York; Julio Cortázar...

Title: British Impressionist Watercolor of Mediterranean Garden with Steps and Flowers By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Blackboard - Hut 2, Bletchley Park, documentary photograph by Richard Heeps. "I photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to...

Stefanie Schneider Polaroid sized unlimited Mini 'Long Way Home' - 1999 - signed in front, not mounted. 1 Digital Color Photographs based on a Polaroid. Polaroid sized open Edit...

Honoring the Elders by Joe C. Hyrum 30x40" image size (35.5x45.5" framed) circa 2003 Original Oil on Canvas, Signed and Dated lower right as pictured. True to his artistic philosophy...

Musica per el Colom is part of the Suite Musical. Alvar’s creative embossing design exists as a resting place for his subject to recline while playing the flute. An onlooker serenel...

Title: Untitled (2002) Artist: Deyan Valkov Date of Birth: 1974 Style: Abstract Material-Expressionism Technique: Oil and mixed media on canvas Dimensions: 25.6 x 21.3 inches Conditi...

Contemporary mixed media on board painting by Polish artist Anna Mikke. Birds are next to people favourite artistic subject of Mikke. This piece is in neutral colors, the background ...

Steve McCurry Sharbat Gula, Peshawar, Pakistan (Hand signed), 2002 Offset lithograph poster (hand signed by Steve McCurry) Boldly signed in black marker by Steve McCurry on the front...

Artist: Peter Max (1937) Title: Tip Toe Floating I Year: 2001 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 6 x 4.75 inches Condition: Excellent Inscr...

Edie Nadelhaft “Equal” Oil on canvas, 48 x 44 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bodega flowers were born from her ea...

Artist: Peter Max (1937) Title: Lady With Floating Flowers Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 9 x 11 inches Condition: Excellent Insc...

[156] pp. Christie's New York 2006 10 3/4" x 8 3/4" The beautiful catalogue that was produced by Christie's in October 2006 for the Magnificent Jewels which had been collected by...

Small-scale mixed media collage with paper and found objects by Michael Pauker (American, b. 1957). Unsigned, but was acquired with a collection of his work. Numbered on verso. Prese...

Color lithograph, on Magnani-Pescia paper. Paper size 70cmx50cm, work size 42cmx60cm. Excellent condition, no defects. Enrico Benaglia was born in 1938 in Rome, where he lives and w...

The gestural paintings of Hyunmee Lee are sumptuously minimal. Rich forms advance from buttery canvases like an abstract garden. Gauzy veils of paint hover like soft air against the ebony weight of matter. Light peeks through translucent shapes like sunlight illuminating soft mist. Texture swirls and echoes across the canvas as if carved by waves or eroded by the wind. The viewer, invited into a realm of contemplation and meditation, is surprised to look away and see the physical world existing in only three dimensions. But perhaps that is precisely the experience the artist would like the viewer to have. In her current exhibition, Touch, on display at the Phillips Gallery...

Hollyhock Garden by Hans H. Ressdorf 24x36" Image Size 33x45" Framed Oil on Canvas An idyllic homestead portrayal of hidden adobe homes enveloped in lush pathways of towering, colorf...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

Title: British Impressionist Watercolor of a Seascape with Dramatic Sky and Cliffs By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11....

Artist: Peter Max (1937) Title: Two Cosmic Sages Ver. II Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 9 x 11 inches Condition: Excellent Inscri...

'Renée's Dream' no. 8 (Days of Heaven) - 2005 26 x 32 cm, Lumas Edition of 100, Artist Proof 4/4. Archival C-Print, based on the Polaroid. Artist inventory 8079. Signature Label...

Autumn Lakeside Landscape with Poplar Trees, Spanish Post Impressionist Oil Painting Artist: Rafael Duran Benet (1931–2015) Title: Autumn Lakeside Landscape Medium: Oil on canvas mo...

The Kiss (Sidewinder) - 2005 125x154cm, Edition 3/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, based on the original Polaroid. Signature label and...

Little Darlings (Till Death do us Part) - 2005 38x37cm, Edition of 10, plus 2 artist proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

Incipit, 2004 Acrylic on canvas (Signed on reverse) 78 7/10 H × 78 7/10 W in 200 H × 200 W cm Signed The painting "Incipit" is part of a larger series of works entitled " Minotaur"...

A "Pylon" of the Brooklyn Bridge with the Manhattan Bridge and Williamsburg Bridge visible in the background is captured in this powerful image by Frederick Mershimer. It is #77 in t...

PATRICK WILSON (b. 1970, Redding, CA) received his Bachelor of Arts degree at the University of California, Davis in 1993 and his Masters of Fine Art degree at Claremont Graduate University in Claremont, CA in 1995. For abstract painter Patrick Wilson, aesthetic beauty and visual pleasure are primary concerns. Using drywall tools, paint rollers, and masking tape, Wilson layers lines, squares, and rectangles in meticulously balanced compositions that, with the use of vivid color, evoke a palpable sense of light. Despite Wilson’s assiduous process, he also works intuitively, responding to his compositions as they evolve. “The key value of abstraction to me is its openness,” he explains. “The best abstraction isn’t didactic, it’s experiential.” He has had numerous solo exhibitions, including Miles McEnery Gallery, New York, NY; Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Evolving Geometries: Line, Form, and Color,” Center for the Arts at Virginia Tech, Blacksburg, VA; “Steak Night,” Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Patrick Wilson: Pull,” University Art Museum, California State University Long Beach, Long Beach, CA; “Slow Motion Action Painting,” Marx & Zavattero, San Francisco, CA; and “Slow Food,” Curator’s Office, Washington, D. C. Recent group exhibitions include "Do You Think it Needs a Cloud," Miles McEnery Gallery, New York, NY; “20 Years Anniversary Exhibition,” Vielmetter Los Angeles, Los Angeles, CA; “The Responsive Eye Revisited: Then, Now, and In-Between,” Miles McEnery Gallery, New York, NY; “Michael Reafsnyder & Patrick Wilson”, Miles McEnery Gallery, New York, NY; “Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA; “On the Road...

Artist: Murakami, Takashi Title: Flowers Have Bloomed Date: 2000 Medium: Offset-lithograph with cold-stamping Unframed Dimensions: 31.5" x 23.75" Framed Dimensions: 37.125" x...

Artist signed lower left. The painting size is 64"x49.5 inches. Jenik Cook’s work embodies a lyrical form of abstraction where gesture, color, and movement merge into a deeply expr...

Mediterranean Andalusian Townscape Carmona Spain Post Impressionist Oil Artist: Rafael Duran Benet Title: Carmona, Andalucía, España Technique: Oil on canvas laid on board Dimensions: 50 × 61 cm / 19.69 × 24.02 in Period: 2005 Signature: Signed lower right and titled/signed on verso Condition: Very good vintage condition. Stable pictorial surface with vivid original color. Unframed. Style: Post-Impressionist / Mediterranean Landscape Origin: Spain DESCRIPTION Radiant Mediterranean view of the historic Andalusian town of Carmona, painted by Catalan artist Rafael Duran Benet in 2005. The composition captures the sun-drenched architecture and rolling vegetation of southern Spain with a luminous palette and expressive post-impressionist brushwork. The painting balances architectural rhythm and atmospheric depth beautifully: whitewashed facades shimmer beneath an intense cobalt sky while olive-green and lavender tonalities animate the foreground landscape. The church tower rising in the distance gives the scene a timeless Iberian identity, somewhere between poetry and heatstroke Duran Benet’s handling of color reveals clear Mediterranean sensibilities, combining the chromatic vibration of Catalan post-impressionism with the warmth and serenity of Andalusian light. The thick yet controlled brushwork creates movement without sacrificing harmony, making the work especially decorative and highly versatile for contemporary interiors. This piece works exceptionally well within collectors’ searches for: Mediterranean paintings, Spanish landscapes, Andalusian townscapes, European post-impressionism, sunlit architecture, coastal aesthetics, and warm modern interiors. An elegant and highly atmospheric original painting with strong decorative presence and authentic southern European character. ARTISTIC CONTEXT The work evokes the luminous Mediterranean sensibility associated with painters such as Joaquim Mir, Rafael Benet, and certain late post-impressionist European landscape traditions. The chromatic intensity and architectural simplification also recall modern Spanish interpretations of Fauvist and Mediterranean painting. ARTIST BIO Rafael Duran Benet (Terrassa, 1931 – Barcelona, 2015) was a Catalan painter linked to the Mediterranean figurative tradition. Nephew of painter Rafael Benet, he developed a personal style characterized by strong chromatic contrasts, luminous landscapes, still lifes, and Mediterranean scenes infused with warmth and atmosphere. His work reflects a deep sensitivity to light and color, often focusing on Spanish coastal and inland landscapes rendered through expressive yet balanced brushwork. Duran Benet’s paintings are appreciated for their decorative elegance and authentic Mediterranean identity. Mediterranean painting, Spanish landscape, Andalusian townscape, Carmona Spain, post impressionist oil painting, Mediterranean decor, European landscape painting, Spanish village painting...

A fantastic figure from the In Tintin’s Car (Series 1) collection, specifically model 58, “The Gangsters’ Car,” from the Tintin in America book, circa 2002. This scene is one of the...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper - Artist Authorized reproduction Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Glass sculpture Merkuce from the series The Italians 2008, glass, 37, 5x11x10 cm

OIl painting on canvas Unique work Hand-signed lower right

Sculpture by Brazilian-born artist Elizabeth Freire. Sculpture is mounted on marble base and signed "EF". B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo...

Lucian Freud (1922-2011) was a seminal figure in 20th-century British art, celebrated for his raw and psychologically charged exploration of the human form. With his distinctive figurative intensity, Freud captured friends, family, and lovers in a signature brand of realism that he refined over a seven-decade long career. The artist revitalized traditional portraiture in England by imbuing his images with visceral complexity and exposing his subjects in harsh, often unsettling poses that reveal their vulnerability. Freud's style is renowned for its striking emphasis on texture and physicality. His portraits are remarkably unsentimental and veer on harsh. Perhaps the most defining characteristic of his oeuvre is the artist's bold mastery of light and shadow. Freud accentuates every detail of his subjects with frenetic strokes and dramatic contrasts, carving out contours and imperfections with deliberate unflinching precision. Although Freud produced several prints early in his career, he took a 30-year hiatus before reconnecting with the medium in 1982. As with the rest of his practice, each etching demanded months of work and many sittings, deepening the intrigue and complexity of his printmaking. Completed in the last chapter of his career, "The New Yorker" offers a pared-back example of the artist's signature aesthetic. Freud captures his subject in a quiet moment of contemplation, his lips pursed...

Landscape - Mario Locatelli Italia 2004 - Oil on canvas cm.80x110 Gold leaf gilded wooden frame available on request Mario Locatelli’s painting depicts a rural scene, of an authentic...

Minstrel - Giovanni Faliero Italia 2002 - Oil on canvas cm. 80x60. Giovanni Faliero’s painting depicts an elegant musician, his figure is well lit, accentuated by strong contrasts with the shaded areas. the Baroque style painting...

Framed 34.25 x 38.50 in Color lithograph after the 1951 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300.

Lady Gaga Poker Face 25 x 29 cm Pen and India Ink Condition: The work shows minor age-related marks and small stains consistent with works on paper, which do not affect the legibili...

Mimmo Rotella, Le Luci della citta 2005 Slashed silk-screen print on canvas Edition of 60 Signed and numbered on the lower left 124 x 86 cm Mimmo Rotella is an Italian artist and poet known for his collages made from torn advertising posters, which he calls "double décollages". Born October 7, 1918 in Catanzaro, Italy, he studied at the Accademia di Belle Arti in Naples before settling in Rome in 1945 and getting closer to Lettrism. Alongside Raymond Hains...

This piece is an abstract composition done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with color and expressive brush strokes. ...

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

Artist: Dale Chihuly (1941) Title: Jade Forest, Ikebana Series Year: 2007 Medium: Acrylic on Arches Aquarelle Rag paper Size: 30 x 22 inches Inscription: Signed by the artist Notes: ...

Berndt Haussmann (German / American, b. 1957) Das Lied von der Erde, mixed media painting on canvas signed, titled and numbered on verso unframed 32 1/4 x 48 inches. BERND HAUSSMAN...

Uri Blayer (Israeli, born 1971) "Sanctuary" 2003 Oil paint on linen, stretcher bars The artist signed the bottom right of the artwork. "Sanctuary" by Israeli artist Uri Blayer is a ...

This powerful and graphically composed image of a black man with white angel wings was painted in a realist style by African American artist ...

Signed lower right, 'Е. Баранов, Л. Величко' for Evgeny and Lydia Barnov (Russian-American, 20th century) and dated 2006. Titled, verso, on label, 'Traveling through Time'. Born in...

Lady Reading - Figurative oil on canvas painting cm.100x80, Giovanni Santaniell, Italy 2002 In this painting, Giovanni Santaniello drew inspiration from ...

Vertical composition on paper with a saturated wine red ground over which bristle brushed lines are cross hatched in black and royal blue. Layered over these central marks is a structure of stacked, collaged geometric strips of paper painted with intersecting lines and shapes of marine blue, red and white. This work is unframed. Please ask us about framing options. Titled "listening to Scarlati" the piece may certainly be a response to the structured sonatas for harpsicord and pianoforte of Domenico Scarlatti, an Italian composer and contemporary of Bach and Handel. Scarlati spent much of his life at the service of the Portugese and Spanish royalty...

Flowers - Giovanni Bonetti Italia 2008 - Oil on canvas cm. 60x80 Undisputed artist of still life, Giovanni Bonetti reveals his originality and shrewd mastery in this precious Flower...

Artist: Peter Max (1937) Title: Liberty Head V Year: 2001 Edition: 454/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscriptio...