American Impressionist Art

Summer Bouquet, watercolor on paper size 24x30 framed 32x38 Joan Brady 20th Century American artist is known for her watercolors. Exhibition : Custom House Museum Key West Art...

Keying Up - The Court Jester Etching with drypoint, 1879 Signed in the plate lower left corner (see photos) Proof before engraved title and engraved names Printed on thin light golden Japanese tissue paper In the final state, with engraved titled and typeface engraved artist’s signature below the image Condition: excellent Plate size: 6-5/8 x 4-1/4" According to Pisano, this image was very popular during Chase’s life. It is based on his famous painting, Keying Up-The Court Jester, in the collection of the Pennsylvania Academy of Fine Arts. The painting was created in Munich during the artist’s studies there. It was exhibited in the 1876 Centennial Exhibition in Philadelphia where it won a Medal of Honor and helped establish the artist’s reputation as a leading American painter. Chase, always conscious of self promotion, created the etching and had numerous impressions printed. He sold them for a modest price to increase his fame. The etching was later published in Sylvester R. Koehler, American Art Review, September 1878. It was for this American Art Review printing that the engraved titled and type face signature below the image were added to the plate. This example was part of a group of impressions that came down in the Chase family via his daughter Dorothy Bremond Chase, his third daughter. They were acquired at auction in a single auction lot, housed in a paper board folder. The consignor was Associated American Artist’s as they were liquidating their stock prior to closing the gallery. Dorothy was the subject of Chase’s painting, My Little Daughter Dorothy. C. 1894, in the collection of the Detroit Institute of Arts as well as numerous other portraits of her. Reference: Pisano/Bake, Volume 1, Pr. 3, illustrates the rare 1st state, this being a 2nd state before any other the engraved title and Chase's name in the bottom margin which are found in the third state. Artist bio in file (Chase) In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn where their first child was born. The couple would parent six daughters and two sons and it was only his family that could rival his devotion to his art. Indeed, Chase often combined his two loves by painting several portraits of his wife and children in Brooklyn parks before the couple relocated to Manhattan. Later Period Between 1891 and 1902, Chase and his family spent their summers at a purpose-built home and studio in Shinnecock Hills, a close suburb of the upmarket town of Southampton on the south shore of Long Island (roughly 100 miles east of New York). Chase set up, and taught two days a week, at the nearby Shinnecock Hills Summer School of Art which benefitted from the financial backing of local art collectors. It was at Shinnecock that Chase, taken in by the region's striking natural surroundings, painted several Impressionistic landscapes. As Bettis put it, "There, among the dunes, in the bright sunlight and sea air his painterly impulse was given free sway, and he produced some of his freest and loveliest work". His passion for the area was so felt he even gave his daughter Hazel the middle name of Neamaug, in honor of the rich Native American history of Shinnecock. Chase was equally focused on the students that came to the School and who he encouraged to paint in the modern plein air style favored by the French Impressionists. Although Chase was making a name for himself as an Impressionist, he never abandoned his commitment to the sombre tones and academic tropes he had learned in Munich, though these he reserved for his portraits, and for his series of striking still lifes featuring dead fish. Chase was in fact a successful society portraitist - he painted fashionable women for a fee of $2,000 - and would paint his students as "samples" which he then donated to leading art institutions (such as Lady in Black (1888) which he donated to the Metropolitan Museum in 1891). In 1896, facing financial difficulties, Chase flirted with the idea of giving up his teaching in New York and traveled with his family to Madrid where he developed a passion for bullfighting. Chase returned however to Shinnecock in June to teach his yearly summer art class, and in the fall of that year, established his own art school in Manhattan: the Chase School which was modelled on the Académie Julian in Paris. Chase lacked business savvy, however, and the Chase School lasted only two years before it was placed under new management. It continued as the New York School of Art (changed to Parsons School of Design starting 1941) with Chase as head the School for eleven more years. Chase also taught during this period at the Pennsylvania Academy of Fine Arts. In 1902, following the premature death of his friend John Twachtman, Chase was invited to join the Ten American Painters group (who included amongst its members, Frank Weston Benson, Thomas Wilmer Dewing...

A beautiful watercolor painting of high tide and overcast skies; the perfect time for a beach walk with furry friend, by California artist Les (Leslie Luverne) Anderson (American, 19...

Cheerful mid century watercolor still-life of a basket of fruit by Luella Murphy (American, 20th Century). Signed "Luella Murphy" lower left. Displayed in a new beige mat and rustic ...

Sweeping landscape of small cabin next to a river with a stone bridge and distant mountains by an unknown artist with the last name Lace (American, 20th C...

Elegant 1940's still-life of pussy willows in a white vase with a rich royal blue drape by an unknown artist (American, 20th Century). Unsigned and unfram...

Charming landscape of a house along a lake with a flock of geese in the foreground by K. Smith (American, 20th Century). Signed and dated "K. Smith '83" lower right. Displayed in a r...

Beautiful mid-century landscape of sycamore trees along a stream in front of a distant mountain range by Alice Egge (American, 1931 - 2000), c.1960s. A t...

Small Rocky Mountain landscape by Sacramento, California artist Ruth Scott (American, 1891-1964). A purple sky looms over gigantic mountain p...

Wonderful woodblock print titled "Weaving" by Aptos, California artist Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004), circa 1990. Signed "Virginia" bottom rig...

This artwork "Still Life with Watermelons and Cantaloupes" c.1980 is a watercolor on heavy watercolor paper by California artist Charlotte Huntley. I...

Lord of Luckenback is an oil painting of a Texas Rooster prancing in the field. It is 20 x 16 and comes with a custom made frame. Artist Statement: " I am inspired by the simple ev...

Pt. Pinos California, Coastal Figural Landscape Watercolor Striking depiction of a lighthouse by Donald J. Phillips (American, 20th Century). Signed and dated "DONALD J. PHILLIPS WW/7-89" in the lower right corner. Tag on verso with artist and exhibition information. Presented in a double mat of white and cream, in a green metal frame with glass. Image size: 21"H x 15"W Donald J. Phillips (American, 20th Century) is an artist from San Leandro, CA. He attended California College of Arts and Crafts in Oakland, where he met his wife. Phillips served in Marine Corps Reserve and was called to duty from 1950-1951 during the Korean War. Exhibitions and Memberships: 21st Annual Santa Cruz Art Exhibit, 1950 New England Watercolor...

Vibrant landscape by California artist Grace Sidwell (American, 1920-2013). Bright blue, red and white flowers carpet the foreground, with a dirt path c...

Susan Grisell Poults Feeding Signed lower left Pastel on paper 10 1/4 x 6 3/4 inches 16 x 12 inches mat Following the guidance of her long-time teacher and mentor, the respected New England impressionist painter, Bernard Lennon, Susan Grisell developed a style marked adherence to nature. Her paintings are recognizable for their effortless rendering, with line and color that express the impressions of what she observes, and dense brushwork that conveys her response following the sensitive observation of atmosphere. In May 2023, one of Susan's paintings "Blue Crock...

Antique landscape watercolor painting of a country road in San Rafael, California, circa 1880. Unsigned and unframed. Presented in mat. Im...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY PAYS FOR SHIPPING. Garden of Roses is a Floral Painting, in the style of Representational Oil Painting. The artist was selected in 2015 as one of the top 21 under 31 Young Artists to watch in Southwest Art Magazine..BoldBrush Signature Artist Artist Zac Elletson...

This artwork titled "Desert at Death Valley, California, 178 Feet Below Sea Level" 1941, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is...

"And wasn't it good for a boy to be Out to old Aunt Mary's" Charcoal and watercolor on artist illustration board, 1900 Initialed and dated lower right: H.C.C. 1900 by the artist (see...

This artwork "Sonoma County Landscape" 1901, is a watercolor on paper by noted California artist Elizabeth Hoen, 1868-1955. It is signed and dated at the lower right corner by the artist. The artwork (image) size is 5.75 x 8.65 inches, framed size is 13 x 15.65 inches. Custom framed in a silver decorated frame, with beige matting. It is in good condition, the paper have 3 vertical soft creases that cross the image. About the artist: Born in Santa Rosa, California to a pioneering California family, Elizabeth Hoen was known for her watercolor paintings, many of them landscapes, in impressionist style. Her father, Berthold Hoen started a trading post in the Carillo adobe, the first building erected in the Sonoma Valley. He also helped survey and lay out the city of Santa Rosa. Elizabeth Hoen is not only the first painter to have their work cataloged into the Sonoma County Museum’s collection, but she was also a prolific artist in California in the late 19th and early 20th centuries and maintained a studio during a period when California art was largely dominated by men. She was from an important family in early Sonoma County history. Her father, Berthold Hoen, purchased land from the Carrillo family that would one day be...

Lone figure with red

This artwork "Balanced Rock" in the Garden of the Gods, Colorado Springs, CO" c.1950 is a watercolor on paper by noted California artist Ted Lewy, 1912-1963. It is hand signed at the...

Beautiful turn of the century figurative landscape by F.S. Mediary (American, Late 19th Century/Early 20th Century). Presented in a giltwood frame. Signed "F.S. Mediary" lower right....

This artwork "Landscape with Bridge" c.1980, is an oil painting on canvas board by American artist David P. Curtis. It is signed at the lower right corner. The canvas board size is 12 x 16 inches, framed size is 15.5 x 19.5 inches. Framed in original wooden light...

This artwork titled " Flowers in a Vase" c.1950 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963.Signed at the lower...

Moss Landing Farm Landscape in Acrylic on Canvas Expansive farm landscape by a California artist (20th Century), Unknown. The viewer is low to the ground, in the middle of a tilled ...

Wonderful earth-toned mid century kitchen still life by Frances Thayer Robbins (American, 1906-1967). Signed "Frances Robbins" and dated 1958 lower...

This artwork "Landscape with People Fishing" 1978, is an oil painting on hard board by Polish/American artist Morris Katz, 1932-2010. It is signed and dated at the lower right corner by the artist. The artwork (Hard Board) size is 20 x 24 inches, framed size is 28 x 31.75 inches. Framed in original wooden gold frame, with fabric liner and gold trim. The artwork is in excellent condition, the frame is in very good condition. About the artist: On May 9th, 1988, the New York artist set a new world record by painting a 12- by 16-inch canvas of a child in the snow in just half a minute. (It took an additional eight seconds to frame it.) And that wasn’t the only distinction granted to Katz by the Guinness Book of World Records—his name appeared alongside Pablo Picasso’s under the heading for “Most Prolific Painters.” The Spanish master is estimated to have completed some 13,500 paintings in his life; when Katz died in 2010 at age 78, he was credited with 225,000. Katz’s preposterously productive career began in the small Polish village where he was born in 1932. He started studying under a German painter at age 13, but following World War II he earned a diploma in carpentry instead. In 1949, at the age of 17, he travelled to the United States. It was there that he picked up a paintbrush again, while studying at the Art Students League of New York and showing in the Village. “Soon, I decided I was good enough—compared to others, excellent enough—to make my living as an artist,” he said. It was during those years that he developed the techniques that would eventually land him in the record books. He tossed out his paintbrushes and replaced them with palette knives and toilet paper, which he used to stipple the paint. “Soon I picked up speed,” Katz said. “If you know which way you’re travelling, then you can run.” He made art in bulk, buying up canvases by the thousands and paint by the gallon. He went through some 10,000 rolls of toilet paper per year; he often wore out palette knives. Katz branded his method as “instant art.” Charles Salzberg, writing in New York magazine in 1978, urged readers, “Think of him, if you will, as the McDonald’s of the art world”—fast, cheap, and ubiquitous. He wore a green beret, paint-splattered pants, and a shirt emblazoned with the words “Morris Katz - World’s Most Prolific Artist.” It was a title that came with a price—he worked 18-hour days into his 60s, sometimes from his Greenwich Village studio and other times as a performer at hotels across the Catskills. He would often visit three different hotels in the same day, waking up at 7 a.m. and returning home as late as 1 a.m. His show was as much about the painting as it was the one-liners: “These are the highlights—you can tell because they’re high up on the painting,” he might say. Audiences gobbled up the jokes and the works, often paying less than $50 for a painting. “I give them a fresh painting like a fresh bagel,” he said. Photographer David M. Spindel first met Katz on assignment. “They’d call him mashugana—that’s the Yiddish word for a little bit crazy,” he told Artsy. The pair soon became friends, and Spindel ended up attending several of the artist’s hotel shows. “There were a lot of people from the hotel who were sitting in the room and he set up his easel and his toilet paper and paints and knocked out paintings one after another,” Spindel said. “Just a couple of minutes for each painting, usually. If he was kibitzing with the people in the audience then it took a lot longer. He was always clowning around.” His act was ready-made for television; he appeared on 60 Minutes, David Letterman, and Oprah, among other programs. And Katz didn’t just make instant art—he taught it as well. In 1987, the New Yorker sent a writer to attend one of his speed-painting classes at the Notre Dame School on West 79th Street. A dozen eager students watched in admiration as he whipped up a mountain landscape, asking for advice on how, exactly, to hold their toilet paper for maximum artistic effect. For those who couldn’t make it to Manhattan for a lesson, he published a book—Paint Good & Fast (1985)—with a title as straightforward as his philosophy on art. “Life goes faster and faster,” he wrote. “The fine arts must keep pace. This art will one day be...

Captiva Island, Florida - Beach Landscape in Watercolor on Paper Detailed watercolor of a Florida island beach by unknown artist "Dowst" (American, 20th Century). Scrub brush and ot...

Serene landscape of fresh snow in the desert by Tru Trudeau (20th Century). Signed and dated "Tru Trudeau 87" in the lower left corner. No frame.

Abstract composition by Les Anderson (American, 1928-2009). Unsigned, but was acquired from the estate of Les Anderson in Monterey, California. No frame. Les (Leslie Luverne) Anders...

This artwork titled "Along the Shore, Staten Island, New York" 1937, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is signed and dated at the lower right corner by the artist. Also signed, dated, and titled on the back. The canvas board size is 12 x 16 inches, framed size is 16.25 x 20.25 inches. Framed in a wooden gold frame, with gold bevel and fabric liner. It is in excellent condition, especially considering the age. About the artist: Xavier J Barile was a Social Realist painter, teacher, lecturer, graphic artist, and writer. He was born March 18, 1891, in Tufo, Italy. His love of beauty manifested itself at a very early age. During his early teens, he used to design monograms for the young girls of his home town, Tufo, Italy, to embroider on their most precious possession, their hope chest and trousseau. In 1907, his mother brought him, his two younger brothers and two sisters to New York, to join their father who had been in New York for several years, preparing the way. He quickly learned English and spent some time helping his father, who was earning a living for the family as a tailor. Having learned English well, Barile then enrolled in the Evening Art Classes at Cooper Union Institute in New York. In due course he enrolled in the Art Students League, New York City. Here he came under the influence of John Sloan, Reginald Marsh and Victor Perard as teachers and George Luks, Robert Henri and Everett Shinn of "the Eight" as friends and colleagues. In 1939 John Sloan dedicated his book, Gist of Art as follows, "To my old friend, first monitor of my first class at the Art Students League 1914." This friendship and mutual regard lasted until Sloan's death in 1951. Of course, it was only natural that Barile should be a part of the "Ashcan School," painting the New York Scene. During this time that he was on his own he worked with all mediums - oil, watercolor, pastel, casein, charcoal, etc. - and he did some fine work with monotypes. It was during these years, the 20's and 30's, that he began to exhibit in such places as the Whitney Studio Club (forerunner of the Whitney Museum of American Art), The Kit Kat Club, The Anderson Gallery, The Cincinnati Museum, The New Mexico Museum, National Society of Painters in Casein, The Salmagundi Club and many other exhibits throughout the United States. He is currently represented in The National Collection of Fine Arts (NCFA) Smithsonian Institution, Washington, D.C. In the mid 30's, like many another struggling artist, XJB worked on the WPA Art Project. One of the murals he worked on is in the U.S. Customs House, Bowling Green, N.Y.C. In this project he collaborated with Reginald Marsh who was the supervisor of this phase of the work. The years until 1939 were spent working in all parts of the United States and in conducting his own classes for aspiring artists. In 1939, on the recommendation of John Sloan, he became the founder, first teacher and Chairman of The Department of Fine Arts, Pueblo Junior College, Pueblo Colorado...

Deer at the Purple Mountains - Landscape in Oil on Canvas Dramatic mountain landscape by California artist Ken Lucas (American, 20th Century). Deer are grazing in the grasslands at the base of a mountain range. The mountains are rich shades of tan, red-brown, and purple. In the distance, the mountains have a blue cast. The sky above is light blue with wispy clouds in white, yellow, orange, and magenta. Numbered in the lower left corner ("49") The artist signed and gave each painting a number in order of execution, we don't see the signature on the front side on this one. Dated on verso ("#49, Nov., 93") From a collection of the artist's works. Unframed. Canvas size: 30"H x 36"W Ken Lucas was a school teacher and amateur painter from Monterey, California. He was primarily self-taught but became proficient as an artist and left a legacy of excellent paintings. He was a friend of and painted with Richard Lofton, Carmel Artist.

Karen Offutt approaches Queen 20" x 16" oval , oil on panel with an atmospheric sensitivity combining shape, tone line, and color. Queen show the strength in the female boxer. Queen ...

Substantially framed contemporary limited edition giclée print on canvas of a beautiful plein air impressionist landscape painting by California artist Donald R. Britton (American, b.20th Century), 2007. Some small areas of oil paint highlights added to canvas print by the artist. The landscape features a calm mountain stream flowing past large boulders and yellow autumn trees, with tall majestic mountains in the background. Hand signed lower right "DR Britton" with the edition number 11/100. Signed and dated in the print "DR Britton '07", lower left. Displayed in a custom rustic style contemporary wood frame with linen liner and gold trim. Canvas size: 20"H x 16"W. Don Britton is a contemporary representational landscape painter of the western US with focus on the southwest, the Pacific coast and the Sierras. Recent Awards and Publications: 2019: Juror's Purchase Award, "Pacific Bluffs" at Art for Heaven's Sake Annual Art Festival, Redlands, CA 2016: First Place,"Land Put to A Higher Use", The 9th Annual Ralph Love Plein Air Competition in Temecula, CA 2014: "Canyon Clouds" and "Carmel Wetlands" were juried in to the Museum of the Art Institute Regional Show in San Diego 2012: "View from Mather Point" was selected for installation in the US Embassy in Sri Lanka. 2011: "On the Rocks" selected as a finalist in the Artist's Magazine annual national competition. 2010 - "Your Composition Should Evoke an Emotion" feature article in International Artist, pp 52-59, vol 70, 2010 2010 - "Morning Becomes the Valley" and "Lamoille Canyon" selected for installation in the US Embassy in Yemen 2010 - Grant from Nevada Arts Council 2008 - Grant from Nevada Arts Council 2007 - Paint America National Competition Top 50 Miniatures 2007 - First Place, Oil Painting, Carson Valley Art Association Annual Exhibit Artist’s Statement: I have been surrounded by artists virtually all my life. I received my first drawing instruction at the age of six from my father. We were living in New Mexico at the time and he was an avid amateur landscape painter there. Although I dabbled in painting off and on for years, my first career took a different path. Following a BA from the University of Colorado and a PhD from The Ohio State University I entered a career in neuroscience research. However, in 2004, I committed to painting full time and was almost immediately rewarded with the joy of recreating scenes I loved. I am indebted to numerous mentors along the way including Mark Tompkins, Skip Whitcomb, William Scott Jennings, Jim Wilcox...

Abstract Still Life with Roses and Coffee Set in Watercolor on Paper Colorful still life with flowers and a coffee pot by Les (Leslie Luverne) Anderson (American, 1928-2009). A brig...

This original 1890s watercolor by celebrated American Western landscape artist Charles Partridge Adams captures the serene beauty of the Platte River in Colorado during springtime. T...

Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from h...

Susan Grisell Sunflower Still Life Oil on canvas laid on card 15 1/2 x 12 inches Following the guidance of her long-time teacher and mentor, the respected New England impressionist...

Beautifully capturing the pacific on a sunny day at one of the hidden coves at Pt. Lobos State Park in California is Max Flandorfer's (American, b.1962) seascape "Pt.. Lobos Cove." ...

House In The Woods, 1964 - Original Oil Painting On Masonite 1964 Original oil painting by New York area artist Dickson (American, 20th C), depicting a small house surrounded by tre...

A Day At The Lake - Original Watercolor on Paper Original watercolor on paper depicting a day at the lake by Ken L. Stephens (. The viewer looks on as two women can be seen painting...

Bill Shields "Garden Cottage" 1990's Acrylic on paper affixed to board 10"x8" unframed Signed in pencil lower right William Stephens Shields, Jr., 1925 - 2010 He was born at Lette...

Vibrant impressionist pastel still-life of red tomatoes by California artist Karen Colby (American, 20th Century). Signed "Karen Colby" and dated "1-95" lower right. Presented in a b...

This artwork "Abstract Landscape s" c.1970 is a watercolor on paper by California artist Robert Holdeman, 1912-1994. It is hand signed at the lower rig...

This artwork "Landscape with Tree" c.1950 is an oil painting on hardboard by British/American artist Julius Maximilian Delbos, 1879-1970. It is signed at the lower left corner. The hardboard size is 12 x 10 inches, framed size is 22.25 x 20.25 inches. Custom framed in a wooden gold frame, with fabric liner. It is in excellent condition. About the artist: Julius M. Delbos, born in 1879 in London, England, was a landscape painter, teacher, and lecturer. He was elected an Associate of the National Academy of Design, New York City, in 1945, an Academician in 1948. He was also a member of the American Watercolor Society; the New York Watercolor Club; the Society of Graphic Art; Old Dudley Art Society, London; American Artists Professional League; National Arts Club; and the Century Club...

Beargrass - Original Watercolor on Paper Original watercolor depicting beargrass, also known as horse tail, by Marie Yunker (American, 20th C). Hues of greens and blues take up the ...

Harvest Time The Hills of Mt Tamalpais near Lake Bon Tempe 1890s The Hills around San Rafael in the 19th century were a time of work and play as seen in this watercolor near Lake Bon...

Wonderful example of California "Eucalyptus School" painting by Gail Pace (American, 20th Century), c. 1960. Signed "Pace" lower right. Unframed. Image size:...

Gorgeous mid century oil landscape of hills of Melbourne Australia by James George Wilmot (American/Australian, 20th century). Signed "James ...

California Suburbs - Plein Aire Landscape in Acrylic on Canvas Suburban landscape by California Plein Aire artist Nick White (American, 1943-2009). Two homes sit side by side on a w...

"St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...

This artwork titled "State Capitol at night, Sacramento, California" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he low...

Eagle Creek Trail, Columbia River Gorge, Oregon - Stylized Landscape in Acrylic Stylized landscape by Central Oregon artist Tirzah Lane (American, 20th Ce...

Sumi-e Brushes and Bowl - Still Life by Elizabeth Harrington Vibrant still life of Sumi-e Brushes in vase and rinsing bowl by Elizabeth Mae Harrington, "Betty" (American, 1919-1990). A small vase holds several sumi-e brushes, next to a small red bowl. A small piece of blotter cloth is in front of the bowl. Signed "Elizabeth Harrington" in the lower right corner. Presented in a wood frame with a double mat of pink and tan. Image size: 10.5"H x 9"W Frame size: 19.5"H x 16.5"W Elizabeth "Betty" Harrington (American, 1919-1990) was born in San Diego, California in 1919. She studied at the University of California and the California School of Arts and Crafts. She also studied privately with Richard Yip...

Charming landscape of a house with a red roof on a tree lined country road, surrounded by a beautiful mountain setting with blooming spring wildflowers, by an unknown artist named Co...

Grove Oil /Canvas Landscape Light & Color New England 30" x 40" Contemporary Artist Statement Throughout my life I have had the benefit of living in different rural environments...

Stoic watercolor painting of a tall windmill in a rural landscape by H. Kendall . Signed "H. Kendall" lower right. Presented in a yellow mat and wood f...

This is an exciting new oil on canvas. The richness of the blue and ephemeral cast are entrancing. For me this piece is about how we stay connected to those who we love even when we...

This artwork "Native American Woman with basket" c.1970 is an oil painting on canvas by noted California artist Richard Rackus, 1922-2013. It is signed at the lower right corner by the artist. The canvas size is 28 x 22 inches, framed size is 33 x 27 inches. Custom framed in a wood distressed style frame. It is in excellent condition. About the artist: Born in Michigan in 1922, Richard Rackus moved to Los Angeles, California in 1936. He studied at Chouinard Art Institute under the tutelage of Frank Tolles Chamberlin...