Modern Art

Antique modernist landscape painting by Jan Matulka (1890 - 1972). Watercolor on paper. Signed. Framed. Measuring 24 by 28 inches overall and 15.5 by 19.5 painting alone.

This exquisite lithograph and pochoir after Paul Klee (1879–1940), titled Landschaft mit den sobwarzes Sanden (Landscape with the Black Sands), from the folio Paul Klee, 12 aquarelle...

Ireland Landscape Rocky Cliffs with Castle on the Northern Irish Sea Coastline, by 20th Century Irish Australian Artist, Henry McLaughlin. Art measures 10 x 8 inches Frame measure...

Lydia Radda (1891-1967) Aquarium, circa 1935 Oil on panel Signed “Radda” lower right 13 x 16 inch Painter born in Corbeil-Essonnes in 1891, Julie Florent was active in Paris at the ...

Feu de Joie 1970 hand signed and dated. Measurements: 25.75 X 25.75 Framed. Image is 23.75 X 23.75 Emilcar Similien, known as Simil was born in 1944 in St. Marc. He finished elementary school in St. Marc and high school in Port-au-Prince. From 1965 until 1971 he studied at the Academy of Beaux-Arts in Port-au-Prince, where he took courses in painting, sculpture, and art history. Simil uses his images of women only as means for displaying patterns, color, and the sparkle of gold jewelry on black skin. He paints with acrylics on Masonite of any size. His surfaces are smooth and polished. Simil delights in beauty, elegance, and grace. This is done in a silhouette style reminiscent of Kara Walker. Emilcar Simil (Similcar) is known for Acrylic painting in high colors of black skinned female figures. He is of the generation of Haitian artists that include Bernard Sejourne, Prospere Pierre-Louis, Levoy Exil, Louisiane Saint Fleurant, Henri Calixte, Paul Dieuseul, Laurent Casimir, Frantz Zephirin, Denis Smith, Philton Latortue, Philome Obin, Préfète Duffaut, Fernand Pierre, Dieudonne L Cedor. Since 1971 he has taught art history and aesthetics at the Academy of Beaux-Arts. He is also an honorary teacher at the private school Juan Vasquez. In 1974, he traveled to the United States to meet American artists and visit major museums. Simil was influenced by Art nouveau and his favorite artist, Gustav Klimt. These influences are most obvious in his paintings of women. Like Bernard Sejourne, Simil delights in beauty, elegance, and grace. But instead of concentrating on pose, he uses his images of women only as vehicles for displaying pattern, color, and the sparkle of gold jewelry on black skin. Only recognizable as females by their contours, their features are not distinguished. There is a playfulness of line that is very different from Sejourne's emphasis on monumentality. Emilcar Similien uses his images of women only as means for displaying patterns, color, and the sparkle of gold jewelry on black skin. He paints with acrylics on Masonite of any size. His surfaces are smooth and polished. Simil delights in beauty, elegance, and grace. He has been exhibiting since 1969 namely in Haiti, USA, Denmark. As Art Critic, Gerald Alexis states in his book Peintres Haitiens "well trained by masters who taught him to excel in his forms, Similien’s works also contain discrete messages” . EXHIBITIONS 1969- Academie des Beaux Arts 1970- Haitian-American Institute 1971- Salon Dante Alighieri, Amb. d'Italie, Port-au-Prince 1972- Christ, Saut-d'Eau 1973- Anderson and Hopkins Gallery, Washington, D.C. 1974- Galerie Mehu, Petion-Ville 1974- Musee d'Art Haitien, Port-au-Prince 1976- Galerie Monnin, One Man Show, Port-au-Prince 1977- Martello Museum, Key West, Florida 1978- Galleriet, Copenhagen, Denmark 1978-1979 - Haitian Art - Brooklyn Museum, New York, Milwaukee Art Center, Wisconsin, Kunst aus Haiti, Berlin, Germany, New Orleans Museum of Art, Louisiana 1978- Brooklyn College, New York 1978- Musee d'Art Haitien, Port-au-Prince 1979 - Haiti, Musee d'Art (Third Generation Artists) 1979- Kunst aus Haiti, West Berlin, Germany 1980- Curacao Museum, Willemstad, Curacao 1981- Sotheby Parke Bernet Auction, New York, NY 1982- Galerie Monnin Third Generation Artists 1982- Exhibit Vorpal Gallery, San Francisco 1982- Centre de Arte Cultural, Italy 1982- International Art Expo, New York, NY 1983- Musee International d'Art Naif, Nice, France 1983- Galerie Bukowskis, Zurich, Switzerland 1984- Exhibit Metropolitan Museum of Art 1985- Galerie Bukowskis, Zurich, Switzerland 1985- Cafe de la Paix Exposition, Paris, France 1986- Three Man Show, Port-au-Prince 1988- Galerie 93, Paris, France 1989- IFA Galerie und Kontaktstelle, Bonn, Germany 1990- Exposition du Palais du Rhin, Strasbourg, France 1992- La Rencontre Des Deux Mondes Vue Par Les Peintres D'Haiti - Martinique, Seville, Rome, Paris, Nantes, Angouleme, Laval, Toulouse, Japan, Montreal, United States, Mexico Haitian art is a complex tradition, reflecting African roots with strong Indigenous, American and European aesthetic and religious influences. Many artists cluster in "schools" of painting, such as the Cap-Haïtien school, which features depictions of daily life in the city, the Jacmel School, which reflects the steep mountains and bays of that coastal town, or the Saint-Soleil School. Centre d’Art, located in Port-au-Prince, Haiti, was founded in 1944 by American watercolorist DeWitt Peters and several prominent Haitians from the intellectual and cultural circles including: Maurice Borno, Andrée Malebranche, Albert Mangonès, Lucien Price, and Georges Remponeau. Popular artists of this movement include: André Pierre, Hector Hippolyte, Castera Bazile...

Victor Pasmore, R.A. Abstract, 1980 signed with initials (centre right) oil, acrylic and charcoal on canvas 44 x 150cm.; 17¼ x 59in. Executed in 1980. Provenance Sale, Bonhams London...

Minimal image in black ink on buff rice paper. Taro leaves are a simple form inspiring this woodcut print. Three leaves (taro) - Landscape Print - Woodcut Print By Marc Zimmerman T...

A Vibrant, Colorful 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). A busy harbor scene of docks and boat houses,...

Pablo Picasso (after) "Enfant Dejeunant" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 121/500 lower left From the estate of Pablo Pi...

Nitun Kundu (Bangladeshi 1935 - 2006) Untitled - Buriganga Quayside c. 1960’s Watercolour and charcoal pastel on paper Image size: 24 x 38cm Mount Size: 31 x 46 cm Signed verso Prov...

Pablo Picasso, considered the greatest artist of the 20th Century, was a master of all art mediums. He collaborated with Madoura to produce editions of his painted ceramic works beginning in the 1940’s...

Faraglioni Rocks on the Italian island of Capri, August 1974. Slim Aarons Faraglioni Rocks 1974. (printed later) C print Estate stamped and numbered edition of 150 with Certificat...

Ducks at Play Frank Weston Benson, American (1862–1951) Date: 1940 Etching mounted to board, signed and dated in pencil Image Size: 10 x 8 inches Size: 12 x 10 in. (30.48 x 25.4 cm)

Vintage American modernist still life oil painting. Oil on board. Framed. Measuring: 14 by 17 inches overall, and 9 by 12 painting alone.. In excellent original condition. Handsomel...

Royal Palace of Naples is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Artist: Joan ...

Color lithograph on cream wove paper, 1956. Edition of 200. Printed by Mourlout, Paris.

A large, compelling Mid-Century Modern painting of Rome by famed Chicago artist, Francis Chapin. Depicting a vibrant nocturne view of the historic Ponte Sant’Angelo, the painting da...

Alexander Calder (American, 1898-1976) Fiesta, c. 1973 Lithograph in colors Signed lower right Edition: E. A. 20 x 28 inches 35.5 x 37.75 inches, framed One of America's best known ...

To Female Portraits is an original modern artwork realized in the early 20th Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original painting. Tempera on pap...

Still Life Sketch by Jacqueline Boisselot, French late 20th century size: 19.75 x 25.5 inches pastel drawing on thin paper, unframed condition: very good and ready to enjoy provenan...

"Pan of Bolts" and on Verso Joan Brown Swimming W/Manuel Neri Walking on Water Sally Wilt studied with Joan at California School of Fine Art Stunning large-scale Bay Area Figurat...

Really rare and well painted portrait by Christine Walters Martin (1895-1982). Oil on canvas. Framed in a nice modernist molding. Signed. Artist Bio: Christine Walters Martin (1895-1982) Born and raised in Brooklyn, Christine Martin majored in art at Columbia University/Teachers College. She spent summers painting at the Woodstock Art Colony under the tutelage of artists there and continued her art studies at the Art Student's League in New York City. Over the years, her teachers included John Sloan, Yasuo Kuniyoshi, Alexander Brook and John McFee. She also studied with Eugene Speicher, who recommended her for Portraits Inc, through which some of his own commissions came. Much later in life, in her 80s, Christine studied watercolor with Zoltan Szabo. Before marrying attorney George Martin in 1923, she taught art in the New York public schools for several years. During summers in the late 1920s, after having two daughters (Cynthia, 1924-2008, and Joan, 1927-2000), she went to Woodstock with her girls in tow, staying at the Hasbrook farm. In 1930, she and her husband purchased a stone house on Ohayo Mountain Road and lived there seasonally for 25 years. Among her closest artist friends in Woodstock were Emil Ganso, Florence Hardiman, Albert Heckman, Peggy Dodds, Joe Rollo, Henry Mattson, Mary Ellen Early, and Maud and Miska Petersham, along with Juliana Force (Whitney Museum). During many summers in Woodstock, Christine's daughters Cynthia and Joan kept up their serious piano studies under the tutelage of Vladimir Padwa and Inez Carroll. Known for portraits and landscapes, she was a member of the National Association of Women Artists and the National Arts Club, Gramercy Park, NY. Her work showed at the National Arts Club, Weyhe and Preston Galleries and the National Academy of Design in New York; the Pennsylvania Academy in Philadelphia; the Woodstock Art Association and Rudolf Galleries in Woodstock, Vermont's Dawson Grist Mill Gallery, and South Hampton College, among others. Her portraits, landscapes and still lives hang in hundreds of homes around the world. Information provided by Bunny McBride...

American Girl in Italy by Ruth Orkin is a black and white gelatin silver print depicting a distressed woman walking down a street, past a group of men looking at her. 11 x 14 in. Ge...

This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

Non, mon chéri, j'ai eu trop peur le mois dernier is a Litograph retouched in watercolour realized by Hermann Paul for the magazine Rire n. 49 on 9 jannuary 1904. Monogrammed on t...

Seated Nude Woman by Jacqueline Boisselot, French late 20th century 11 x 7.5 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a private collect...

This artwork titled "Happy Birthday Liberty, 100th Birthday of the Statue of Liberty" 1986 is an original color serigraph on thick paper by renown artist Hiro Yamagata (Japanese, b. ...

'Portrait of Boy in a Chair', gouache on art paper, by Raymond Debiève (circa 1960s). Here the artist paints a young boy, very probably his son, Vincent, sitting in a chair posing fo...

Harry Bertoia, After, American (1915 - 1978) - Spray Sculpture, Year: circa 1980, Medium: Wire Kinetic Sculpture, Size: 16 x 12 x 12 in. (40.64 x 30.48 x 30.48 cm), Description: ...

John Pasche Rolling Stones American Tour, original 1972 poster, 1972 Original vintage offset lithograph poster (this is the original poster, not a reprint 35 1/2 × 25 inches Unframed...

Nude Woman In Pink Female by Jacqueline Boisselot, French late 20th century 18 x 13 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a private ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Gridded, Size: 28" x 40" x 1'' inch, 71...

Nude Figure by Jacqueline Boisselot, French late 20th century 16 x 13 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a private collection of ...

Artist: Marc Chagall (after) Title: Carnaval of Flowers Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the editi...

Still Life is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwor...

A striking Mid-Century Modern 1950s abstract ink drawing by notable Chicago artist, Harold Haydon. A wonderful example of Hayden's experimentation with continuous line drawing. Ink...

Salvador Dalí "Le dos divin de Gala" (The divine back of Gala) from After 50 Years of Surrealism Original etching with hand coloring, hand sig...

Original 1975 United Airlines Ski West Vintage Travel Poster – Mid-Century Modern Artwork. Archival linen-backed and in Grade A- condition, ready for Framing. The images displayed are of the exact vintage poster you will receive. Experience the golden era of travel with this rare original United Airlines "Ski West" vintage travel poster from 1975. Created during a time when air travel embodied elegance and adventure, this striking piece provides a vibrant glimpse into mid-century advertising and ski culture. Showcasing bold typography and colorful, eye-catching artwork, the “Ski West” poster embodies the thrill of powdery slopes and the promise of unforgettable ski vacations in the American West. Ideal for vintage art collectors, travel enthusiasts, or anyone looking for a chic retro touch in their decor, this piece authentically showcases 1970s graphic design. It blends bold colors with minimalistic yet striking visuals. Whether you collect United Airlines memorabilia...

The Disastrous War is a woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions. Paul Baudier, (born October 18, 1881 in Paris and d...

Watercolor on paper. A striking and emblematic drawing by Mino Maccari, executed in fluid watercolour with brush, dominated by a vivid monochrome palette of red-pink tones. The comp...

Landscape is an original etching on paper realized by Maro Logli. Hand-signed at the bottom of the image. numbered on the lower right, edition, IX/XXX. very good condition. Sheet...

This exquisite lithograph by Henry Moore (1898–1986), titled Three Heads (Three Heads), from the album Ediciones Poligrafa, Barcelona - Redfern Gallery, London, originates from the 1...

Artist born in Vienna, Austria in 1887. Died in 1970 in Geneva. Work on canvas

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe IV Catalogue Raisonne. Nicely framed. Lithographs II ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte aux fruits (Still Life with Fruit), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...

Andre Masson, French (1896 - 1987) - Cathedral, Medium: Lithograph and Chine Colle, signed, numbered and dedicated in pencil, Edition: 7/25 HC, Image Size: 13 x 4 inches, Size: 1...

James Lesesne Wells, 'Sisters', linocut, edition not stated but small, 1928. Signed, titled, and annotated 'imp' in pencil. A fine impression on off-white wove Japan paper, with wide margins (1 7/8 to 3 3/4 inches), in excellent condition. Printed by the artist. Very scarce. Matted to museum standards, unframed. Image size 8 3/16 x 6 3/4 inches (208 x 171 mm); sheet size 13 1/2 x 10 3/4 inches (343 x 273 mm). Exhibition and Literature: 'Narratives of African American Art and Identity: The David C. Driskell Collection,' The Art Gallery at the University of Maryland, extensive touring exhibition, 1998-2000. Collections: Pennsylvania Academy of the Fine Arts, Smithsonian Institution (Anacostia Community Museum). ABOUT THE ARTIST “Wells is more than an artist with a deep concern for his fellow man. He carries many of his themes a step further into an apocalyptic world, a world of revelation and shifting lights. … He works on large blocks in a bold free style. … His work has a vigor, therefore, that is not often used in the medium today.” —Jacob Kainen (painter, critic, and collector) from Richard J. Powell’s 1986 essay Phoenix Ascending: The Art of James Lesesne Wells. James Lesesne Wells was an American painter, printmaker, educator, and pioneering figure of the Harlem Renaissance, whose work established a vital connection between African heritage, modernist form, and African American cultural identity. Known for his innovative use of linoleum and woodblock printing, Wells played a key role in shaping 20th-century African American art and inspired countless students throughout his lengthy career as a teacher at Howard University. Born in Atlanta, Georgia, Wells' early exposure to the arts came through church and community, where African American cultural traditions were central. He pursued formal artistic training at Lincoln University in Pennsylvania (earning a B.A. in 1924), followed by studies at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation, where he encountered European modernists as well as traditional African sculpture, which profoundly influenced his style. Wells moved to New York in the late 1920s, swiftly immersing himself in the lively artistic and intellectual scene of Harlem. There, he became associated with artists, writers, and thinkers of the Harlem Renaissance, contributing to the growth of Black cultural identity. Considered a mentor to many famed artists of the Harlem Renaissance, Wells served as director of a summer art workshop in Harlem where his assistants included Charles Alston, Jacob Lawrence, and Palmer Hayden...

Figures is an original artwork realized by Leo Guida. Watercolor drawing on ivory paper. Good conditions. Not signed.

Antique American modernist signed abstract landscape oil painting. Oil on canvas. Signed. Framed.

• Model created in 1979 by François-Xavier Lalanne, edited by Artcurial, cast in patinated bronze and brass • Part of Lalanne’s celebrated bestiary, a central theme in his sculptura...

The proposed work is a mixed media canvas created by artist Michele Zalopnay, measuring 63 x 100 cm is in excellent state of preservation Michele Zalopany is an American Postwar and ...

"Basquiat"is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smalle...

Amedeo Modigliani, After, Italian (1884 - 1920) - Tete de Femme III, Medium: Cast Stone Sculpture, Size: 22 x 6.5 x 5.5 in. (55.88 x 16.51 x 13.97 cm), Publisher: Austin Productions

The Market Sellers French School, mid/ last quarter 20th century signed oil on canvas, unframed canvas: 7 x 9 inches provenance: private collection, F...

A complete portfolio of four individual psychedelic portraits of John Lennon, Paul McCartney, George Harrison, and Ringo Starr, accompanied by the composite poster uniting all four i...

Title: Abstract Seated Nude with Red Background French Modern Figurative Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 20.25 x 15.75 inches (height ...

This piece is an original linoleum cut in color by Pablo Picasso, 1962. It is hand signed and numbered 40/50 from the edition of 50; there were also 35 ar...

A Fine 1930s, Modern Academic Figure Study Drawing of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930s ...

Peintre et Modele Etching and aquatint on Rives wove paper, 1966 Signature stamp lower right (see photo) Annotated in pencil lower left: "epreuve avant acierage" (see photo) One of t...