Modern Art

Maurice De LAMBERT Art Deco : The Harvest, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagier de la Gravure sur Bois...

Roger Shimomura Night Watch – Minidoka Original 11 Color Lithograph on Rives BFK, White Year: 2014 Edition: 51 of 52 Paper Size: 30.75 × 40.5 inches (78.11 × 102.87 cm) Image Size: 27.75 × 38 inches (70.49 × 96.52 cm) Signed, dated, titled and numbered in pencil along lower margin Printer's Chop lower right Gallery-issued COA provided Print Sheet provided upon request Condition: Mint *Could come framed. Please inquire. Night Watch – Minidoka is a poignant work by Roger Shimomura that reflects his ongoing engagement with themes of identity, memory, and the Japanese American incarceration during World War II. Drawing from his own childhood experience—having been interned with his family at the Minidoka War Relocation Center in Idaho—Shimomura transforms historical trauma into a visually striking and psychologically resonant composition. The artist’s statement—“The grey and brown colors of Camp Minidoka by day turn into a lively theatre of lights at night as the incarcerates complete another day in isolation from the rest of the country.”—captures the duality at the heart of the work. While the daytime environment is marked by monotony and confinement, the nighttime scene introduces a sense of artificial vitality, where illuminated barracks create a theatrical, almost surreal atmosphere. This contrast underscores both the resilience of those incarcerated and the unsettling normalization of confinement. Stylistically, Shimomura blends elements of American Pop Art with traditional Japanese visual strategies, creating a hybrid aesthetic that is both accessible and layered with meaning. His use of bold outlines, flattened perspective, and narrative sequencing enhances the work’s immediacy while reinforcing its historical and cultural significance. Night Watch – Minidoka functions as both a personal recollection and a broader commentary on civil liberties, exclusion, and national identity. It stands as part of Shimomura’s sustained effort to confront overlooked histories and to ensure their continued relevance in contemporary discourse. Night Watch Minidoka, Japanese American internment art, Minidoka camp art...

A woman coming ashore with mask, fins, and speargun, Antigua, 1960. Snorkelling In Antigua 1960, printed later C-Type Print Estate-stamped and hand-numbered in ink on the recto. Ed...

Vintage American modernist still life oil painting . Oil on board. Signed. Framed. Measuring: 23 by 29 inches overall, and 18 by 24 painting alone. Excellent condition, ready to han...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

"Translucent Streetlights" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by mo...

Tempera on cardboard attr. to Franco Cirilli. Hand signed lower right. Framed, in excellent condition.

Pastel Landscape by Irina Hale (British 1932-2022) pastel sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotswolds condit...

Katherine Bello Bits of Magenta Mixed Media on Board 20235 Size: 12 x 12 inches (30.48 x 30.48cm) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) Signed and titled by hand CO...

Joseph Wolins 1915-1999 Subject: Jewish, Dancing with the Torah (New Torah, Simchat Torah) Hand signed oil painting In this painting, Joseph Wolins uses vibrant and complimentary co...

Mokuchu URUSHIBARA Herons, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 32.5 x 22 cm (c. 12.59 x 8.66 in) INFORMATION : Engraving published by Mo...

Pablo Picasso Bird with Worm, 1952 Original ceramic of Pablo Picasso, white faience earth, enamel and oxidized paraffin decoration Annotated on the Back : Empreinte originale Picass...

Faye Dunaway at the Beverly Hills Hotel, 1977, Printed Later Silver gelatin print 30 x 30” estate signature stamped and numbered edition of 50 with certificate of authenticity Terry...

Harbour Island in the Bahamas, 1970 Harbour Island, 1970 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. ...

VIVID BLOSSOMS Size: 64.5 x 55.5 cm (including frame) Oil on canvas A vibrant and expressive mid-century still life painting with wonderful texture, executed in oil onto canvas. Th...

Artwork sold with frame (51 x 59 x 5.5 cm)

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Boats at Dock, Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: 125, EA, Image Size: 24 x 16 inches, Size:...

Expressive crab illustration in blue and orange marker (20th century) Felt-tip pen / marker on paper, unframed. Size: approximately 12.25 x 16.5 inches (height x width) Unsigned. Co...

A Striking Mid-Century Modern Portrait of a Young Woman by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A well executed figurative work by the artist, depicting a young woman stylishly dressed in a black sleeveless top seated in a muted studio interior. The painting exemplifies the artist's adept and practiced skill at portraiture, and was likely completed at the artist's studio in Evanston, Illinois. Artwork size: 24 x 20 inches, oil on canvas, accompanied with the original painted Mid-Century frame (framed size: 27 3/4 x 23 3/4 inches). Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

A 1954 Surrealist depiction of a Summer symphony by notable Chicago Modern artist Harold Haydon. Executed in the artist's innovative, abstract "Binocular Vision" technique for which...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was and Artist's invention in 1994. In fact, since 19...

A contemporary photograph of an AC/DC - Back In Black cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro "They encapsulate an...

Alekos FASSIANOS Cyclist with a Green scarf, 2004 Offset Print Printed signature in the plate On vellum 18 x 14 cm (c. 7.1 x 5.5 inch) INFORMATION: Created for the Olympic Games o...

This etching and aquatint in colours is hand signed in pencil by the artist "Miró" in the lower right margin. It is dated ‘1953’ beneath the signature. It is also hand numbered "20/7...

Sea and Land Abstraction, 1936, oil on canvas board, 16 x 20 inches, signed and dated lower left, exhibited at the 18th Annual Paintings and Sculpture Exhibit at the Los Angeles Muse...

The Spanish Modern and Surrealist artist Joan Miro was one of the great masters of the 20th century. His bold linework and childlike technique set him apart from his contemporaries a...

Raoul DUFY Still Life with White Pot and Pears, 1953 Original Lithograph with stencil watercolor With printed signature in the plate On Arches vellum 28 x 38 cm (c. 11 x 15 inch) E...

The Cat is a lithograph on ivory-colored paper realized by Giselle Halff in 1950 ca. Hand-signed by pencil on the lower right. Numbered. Edition, 19/20. Good conditions, slight fo...

Color etching and aquatint, 1970. Signed by the artist in pencil, lower right. Numbered 2/50 in pencil, lower left. Titled in pencil, lower central. With the artist's blind stamp, l...

Pablo PICASSO (1881-1973) Diurnes, The Deepest Silence, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in)...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Size: 13.3 × 10.7 on 14.8 × 10.9 inches Framed Size: 21 x 17 x 1.5 inches R...

The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...

This stunning exhibition poster was created for Louis Comfort Tiffany – Artist for the Ages, a show honoring the visionary craftsmanship of one of America’s most celebrated designers...

Mokuchu URUSHIBARA Koi Carp, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 30 x 24 cm (c. 11.81 x 9.44 in) INFORMATION : Engraving published by Mo...

Pastel Abstract signed by Jacqueline Boisselot, French late 20th century size: 14.75 x 20 inches watercolour on artist paper, mounted in card frame condition: very good and ready to...

Mid-Century Derrière le Miroir Lithograph by Alexander Calder Vintage 1960's Alexander Calder double-page Lithograph, unsigned, part of portfolio "Derriere le Miroir". Published by:...

The Gentleman’s Park Bench Modernist Figurative Landscape by Laure Noetzin-Azam (French, 1929–2024) pupil of André Lhote oil on canvas, unframed Canvas: 13 x 18 inches Provenance: a...

Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...

Original oil on canvas by Jordi Rosich Rojas representing Cala Aiguafreda in Begur, Costa Brava. A luminous Mediterranean coastal landscape with turquoise water, rocky shoreline and ...

A large, compelling Mid-Century Modern painting of Rome by famed Chicago artist, Francis Chapin. Depicting a vibrant nocturne view of the historic Ponte Sant’Angelo, the painting da...

1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawing on light brown artist paper stuck on A4 artist paper, unframed overall size: 12.5 x 8.5 inches ...

Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. From 1949 to 1951 he attended the Brooklyn...

A rare and historically significant 1934 landscape painting by American modernist Eve Drewelowe Van Ek (1899–1989), an influential figure in Colorado art and one of the state's most respected female painters. This evocative composition depicts a weathered red barn set within a quiet rural landscape, with distant mountains rising beyond the structure and providing a dramatic natural backdrop. Executed in oil on canvas board, the painting captures the enduring character of the American countryside through Drewelowe's distinctive blend of realism and modernist sensibility. The bold red barn serves as a powerful focal point, contrasting beautifully with the surrounding landscape and conveying themes of resilience, rural heritage, and the passage of time. The artist's confident handling of color, form, and atmosphere reflects the mature style that made her an important contributor to 20th-century Western American art. Signed, titled, and dated 1934 at the lower right, the work is presented in a custom frame and represents an exceptional example of Depression-era Colorado painting...

This mid-century oil on canvas by Catalan painter Simó Busom i Grau presents a vibrant Mediterranean landscape with river and house, painted in an expressive postwar Spanish style associated with the Barcelona school. Artist: Simó Busom i Grau (Barcelona, 1927–2020) Title: Mediterranean Landscape with River and House Date: Mid-20th Century (circa 1950s–1960s) Medium: Oil on canvas Canvas size: 46 x 55 cm (18.1 x 21.6 in) Framed size: 59 x 68 cm (23.2 x 26.8 in) Signature: Signed lower right Condition: Good overall condition. Stable paint layer. Frame: Decorative frame included, ready to hang Location: Sitges, Spain Style: Spanish Postwar Landscape / Mediterranean Modern A refined example of postwar Catalan landscape painting, this original oil by Simó Busom i Grau captures the Mediterranean atmosphere through confident brushwork and luminous color transitions. The composition centers around a warm yellow house set against rolling terrain and flowing water. Gestural trees structure the foreground, creating depth and movement while framing the landscape. The artist’s handling of paint is energetic yet controlled, with visible impasto and layered color planes that enhance texture and spatial presence. The palette moves between cool river blues and sunlit earth tones, reflecting the light and tonal vibration characteristic of mid-20th century Spanish painting. The result is a work that balances decorative appeal with painterly authenticity. Compact in size yet visually dynamic, it functions beautifully in residential interiors or curated collections of European mid-century art. The painting is signed and offered with decorative frame, ready to hang. Simó Busom i Grau (Barcelona, 1927–2020) was a Catalan painter trained at the Acadèmia Baixas in Barcelona. He developed a career closely linked to the city’s artistic circuit, exhibiting regularly in Barcelona and Madrid and maintaining connections with the historic Sala Parés. His work focused primarily on Mediterranean and urban landscapes, characterized by expressive brushwork, structural clarity and a luminous color palette rooted in modern Catalan tradition. Catalan landscape painting Spanish mid century oil Mediterranean river landscape Barcelona school painting Simó Busom signed oil Postwar Spanish art European mid century painting...

Original Title: Pablo Picasso aus dem graphischen werk. Abbildungen nach Radierungen und Lithographien. Good conditions.

Queen Elizabeth - Vintage Photo realized in the 1950s. Good conditions and aged.

Ramon Antonio Carulla (Cuban, born 1936). Oil paintings on paper. Titled "When Dreams Become Reality" Artist signature lower right. Title on verso. Retains original Joy Moos Galler...

Charming mid century seahorse sculpture or object of art crafted in cast brass in a stylized art deco form.

Morris Blackburn, 'Avalon South', wood engraving, 1951, edition 30. Signed, titled, and numbered '12/30' in pencil. A fine black impression on cream wove Japan paper, with wide margins (1 3/8 to 2 1/4 inches), in excellent condition. Archivally sleeved, unmatted. Image size 5 x 7 inches (127 x 178 mm); sheet size 8 5/8 x 10 7/8 inches (219 x 276 mm). ABOUT THE ARTIST Morris Blackburn was a prominent painter, printmaker, and graphic artist, as well as a respected teacher at the Philadelphia Museum School of Industrial Art and the Pennsylvania Academy of Fine Arts. Born in Philadelphia, where he spent most of his career, Blackburn was a descendant of the notable colonial portrait artist Joseph J. Blackburn (c. 1700–1780). He developed an interest in art early on and studied architectural drawing at the Philadelphia Trade School. In 1922, he took classes at the Graphic Sketch Club and later attended the School of Industrial Art. While working for the well-known Philadelphia furniture designer Oscar Mertz, he studied at the Pennsylvania Academy of the Fine Arts from 1925 to 1929. During his studies, he learned painting from Henry Bainbridge McCarter...

Ski Jumping (1964) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A man skiing downhill and jumping into the air, circa 1964...

Wild Flowers by Irina Hale (British 1932-2022) oil painting on thick artist paper, unframed size: 8.5 x 6.5 inches provenance: private collection, Cotswolds condition: very good Iri...

Original “Watch Out .. Point the Muzzle in a SAFE Direction” vintage National Rifle Association of America vintage poster. Printed in 1946 on a thick cardboard stock. Excellent ...

Pair of rare Murano handblown glass Toucans male and female sculptures. 20"and 19" height 15" and 14"wide depth 5" base 4"x4" Artist signed (engraved), artist's seal.​ Walter Furlan ...

Frank Nelson Wilcox (American, 1887-1964) Fisherman's Island, Boothbay, Maine, c. 1925 Watercolor on paper Signed lower left 15 x 20 inches 20.75 x 25.75 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox...

Lovers is a print artwork on paper realized by Maria Carli in the late 20th century. Lithograph print on paper. Hand-signed and numbered by pencil on the lower, the edition of 99 p...

Nude Female Figure by Jacqueline Boisselot (French, late 20th century) oil on canvas, unframed Canvas: 9.5 x 7.5 inches Provenance: private collection, Paris Condition: very good co...

Al fresco diners beneath the parasols in Piazza Umberto I, Capri, 1958. Piazza Umberto I, Capri 1958, printed later C-Type Print Estate-stamped and hand-numbered in ink on the rect...

Lithograph on paper realized in 1862. Hand colored. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the laws, o...