Modern Art

Antique American modernist still life oil painting. Oil on canvas. Framed. Measuring: 28 by 34 inches overall. In excellent original condition. Handsomely framed in a modern wood ...

Title: Modernist Still Life With Bowls Bottles And Fruit French Gouache Painting Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 14 x 20.5 inches (height x wi...

'Scottsdale Home' Guests by the pool at the home of Wayne Beal in Scottsdale, Arizona, January 1973. Guests relax around the beautiful turquoise waters of the swimming pool of Wayn...

A charming, vibrant, early Mexican rooftop city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and c...

'Eleuthera Pool Party' by Slim Aarons LIMITED EDITION ESTATE STAMPED PRINT Numbered in ink to 150 only and emboss stamped on front. Guests at the French Leave...

JFK with Extended Family Sailing nb_041a -- The Kennedy Family sailing on Nantucket Sound. Image size is 10" x 15" (for 11" x 17" paper size). All Mark...

French Leave Hotel (1960) Limited Estate Stamped (Photo By Slim Aarons) Guests at the French Leave Hotel, owned by actor Craig Kelly, at Eleuthera, ...

Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...

Sphinx of Giza is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt ...

Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...

Figures is an artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Watercolor on paper. Hand-signed by the artist. Good conditions.

Golf At The Mill Reef Club 1959 Golfers at the Mill Reef Club in Antigua, by Toni Frissell 60 x 40" inches / 152 x 101" cm paper size Archival pigm...

Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contem...

Alekos FASSIANOS Young man with his hair blowing in the wind Original acrylic drawing Signed in acrylic On zinc plate, 50 × 76.5 cm (19.6 x 29.9 in) Very good condition, with a sm...

China ink drawing realized by Mino Maccari in 1960 ca. Hand signed in pencil lower right. Very good condition.

Sunil Das - Early Horses, Charcoal on paper - 19 x 29 inches (unframed size) Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extrem...

The lithograph titled “Monolithic” was created in 1999 in an edition of 40 and published by Marvin Bolotsky. This impression is inscribed “39/40”. The paper size is 15.25 x 141.75 i...

Alexander Calder (American, 1898-1976) Fiesta, c. 1973 Lithograph in colors Signed lower right Edition: E. A. 20 x 28 inches 35.5 x 37.75 inches, framed One of America's best known ...

Marc CHAGALL Opera Garnier : The Ballet, 1969 Original stone lithograph (Printed in Mourlot workshop) Unsigned and not numbered On paper 35 x 25 cm (c. 14 x 10 inch) Edited by XX Si...

This exquisite heliogravure after Bernard Buffet (1928–1999), titled Le Grand Canal de Venise (The Grand Canal of Venice), from the folio Bernard Buffet, Peintres d'aujourd'hui (Bern...

A skier using the ski lifts at Cortina D'Ampezzo, Italy, 1962. Cortina D'Ampezzo 1962 C print (Printed later) Estate signature stamped and hand numbered edition of 150 with certifi...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 190, published by Aimé Maeg...

Ira Moskowitz, 'Navajo Courtship Dance (Squaw Dance)', lithograph, 1946, edition 30, Czestochowski 161. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine...

Bikinis In Haiti 1975 - Slim Aarons Estate Stamped Marni Morrell and Denise Schluscer with a third woman, all wearing bikinis, pose beside a statue on a bridge in Haiti, in January ...

Pablo Picasso (1881-1973) - Carnaval Linocut from 1967. The edition of 137/160 on Arches paper. Dimensions of work: 75 x 62 cm. Hand signed. Publisher: Le Patriote, Nice. Refer...

Chuzo Tamotzu Horse Signed lower left Sumi ink on paper Sight 16 x 10 1/2 inches Tamotzu was born in Kagoshima Prefecture, Japan, in 1888. He was educated in political science at S...

Impressive contemporary abstract expressionist painting by Stephen Heigh. Oil on canvas. Signed. Image size, 8H x 10L.

Still Life on a Table is an original oil painting on canvas realized in the 20th Century. Good conditions (the painting has been restored in some parts). Frame included (83x108 cm).

Medium: Oil on canvas Date: c.1990 Canvas size: 41 × 33 cm 16.15 × 13 inches Frame size: 54 × 46 cm 21.25 × 18.11 inches Signed lower right Frame included Condition: Very good con...

Cohete's ritual with movement and the male dancer formations, inhabits his black and white theater-like habitat. Like light; always in motion. The harsh lights and shadows in the wa...

Modernist reclining female nude figurative painting by an unknown artist (American, 20th Century). This vivid late 20th-century figural piece featur...

Mother & Child by Irina Hale (British 1932-2022) oil painting on board, unframed size: 6.75 x 5.5 inches provenance: private collection, Cotswolds condition: very good Irina Hale (1...

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Bouquet d'amoureux (The Lovers' Bouquet), from the folio Les Peintres mes amis (The Painters My Friends), originat...

Le Chat Domestique is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie E, var. 1 (Series E, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

FIGURE IN CONSTRUSTED ROOM Size: 41.5 x 56.5 cm (including frame) Oil on canvas A very striking mid-century modern composition that presents a pared-back interior scene distilled in...

Original, 1920s vintage gelatin silver print by famed photographer Tina Modotti of a mural fresco by Diego Rivera depicting peasants and workers. Photograph size: 6 3/4 x 9 3/8 inc...

Lithograph on paper. Hand Signed and numbered. Edition of 90. Very good condition.

August Frederick Biehle (American, 1885-1979) Abstract Floral Still Life Watercolor and pencil on paper Signed lower right 24 x 19 inches 29.5 x 24.5 inches, framed A versatile pain...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 4 (Series L, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Ancient African Costumes is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Africa" and subtitle "Le...

Marc Chagall (1887-1985) - Le Cheval et l'Âne (The Horse and the Donkey) Etching from 1952. Edition 81 of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30...

Title: English Woodland Trees Landscape Watercolour Countryside Painting Medium: Watercolour on artists paper, unframed. Size: 15.75 x 19.25 inch...

Strolling Figure signed initials by Irina Hale (British 1932-2022) oil painting on thin card , unframed painting: 5 x 4 inches provenance: private collection, Cotswolds condition: ve...

A charming vintage 1950s painting of Martha's Vineyard, "Oak Bluffs, Mass." by notable Chicago artist Francis Chapin. A bustling view of the picturesque lighthouse and Soldiers Mem...

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Paysage de l'Arbre Bleu (Landscape of the Blue Tree), from the album Douze Contemporains (Twelve Contempo...

Charles Quest, 'Still Life', 1947, wood engraving, edition 8. Signed, dated, and numbered '3/8' in pencil. Titled and annotated 'wood engraving' in the bottom left margin. A fine impression, on off-white wove paper, with full margins (1 to 2 inches), in excellent condition. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

California Coastal Landscape - Original Oil Painting, Signed Serene oil painting depicting a sandy beach with low mountains in the distance. Attributed to Louise Lauritzen McCaslin ...

Robert Colquhoun (Scottish, 1914 – 1962) and Robert MacBryde (Scottish, 1913 – 1966) Maiden with arms aloft Pen on squared paper Not signed 5.3/8 x 3.7/8 in. (13.7 x 9.8 cm.) A draw...

Gouache and ink on paper; Signed "Calder 65" Calder Foundation Registration #A11309 Provenance: Galerie Maeght, Paris 1965; J.L. Hudson Co., Detroit, 1969; Private collection, IL 19...

"Flashe" is a minimalist and modernist wood wall sculpture reminiscent of both made century modern forms and the brutalist architectural movement. The piece was inspired by my love ...

Artist: Christo Title: The Umbrellas, Joint Project for Japan and the U.S.A. Medium: Offset lithograph in colors on wove paper Date: 1987 Edition: Unnumbered Sheet Size: 36 3/4" x 27...

Ira Moskowitz, 'Navajo Horse Race', lithograph, 1946, edition 30, Czestochowski 204. Signed and titled in pencil. Signed and dated in the stone, lower le...

A colorful, 1950s industrial harbor scene painting of a dockyard truck in a working Martha's Vineyard boatyard by notable Chicago artist, Francis Chapin. Completed near the artist's...

Serge LASSUS (1933-) Horses : Riders in Summer, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x ...

This artwork "Couple Reading" Circa 1980 is an offset lithograph on Wove paper by artist Barbara A. Wood (American) It is signed and numbered 731/975 i...

Pink flower power acrylic painting with heart and childlike face Acrylic Painting on canvas One of a kind artwork Size: 90 × 100 × 3 cm (unframe...

This colorful lithographic poster was printed in 1982 at the Atelier Mourlot in Paris was printed for an exhibition of Atelier Mourlot prints in Tokyo at Seibu Department Stores, 198...

An original still life from my Studio Flower series. A mixture of seasonal flowers in a decorated bowl, created in Oxfordshire. Each flower is hand crafted from Japanese paper and th...