Modern Art

Pablo Picasso (1881-1973) - La Guerre et la Paix Lithograph from 1954. Dimensions of work: 53 x 35.5 cm. Publisher: Éditions Cercle d'Art, Paris. Each copy of this Lithograph was...

Pablo Picasso (1881-1973) - Faune Lithograph from 1957. The edition 211/275. Dimensions of work: 44.5 x 33.5 cm. Publisher: Fernand Mourlot Éditeur, Paris. Reference: Bloch 793;...

Original poster for the 75th Anniversary of "Futbol Club Barcelona" by Joan Miro. Printer: Poligrafa, Barcelona. Publisher: Futbol Club Barcelona. Reference: M.931

BLACK BOAT Oil on board Size: 63 x 83 cm (including frame) An expressive mid-century modernist style coastal landscape painting, executed in oil onto board and dated 1957. The comp...

André Brasilier French I b. 1929 Automne d'or Signed “André Brasilier” (lower right) Oil on canvas In Automne d'or, celebrated French artist André Brasilier exquisitely conveys th...

This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube. About the artist: Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member. Quick Facts Born, Died ... Carybé Born Héctor Julio Páride Bernabó 7 February 1911 Lanús, Argentina Died 2 October 1997 (aged 86) Salvador, Bahia, Brazil Nationality Brazilian Known for Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist Close He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá. Orixá Panels in the Afro-Brazilian Museum in Salvador Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968. Murals at Miami International Airport American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport. As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport. The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West. Carybé's Woodcuts in Gabriel García Márquez's Books Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story. Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience. Timeline 1911 — Birth in Lanús, Argentina. 1919 — Moved to Brazil. 1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro. 1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro. 1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro. 1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina. 1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper. 1938 — Sent to Salvador by newspaper Prégon. 1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro. 1940 — Illustrates the book Macunaíma, by Mário de Andrade. 1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina. 1941–1942 — Study trip around several South American countries. 1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina). 1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina). 1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings. 1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house. 1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro. 1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro. 1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina). 1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro. 1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia. 1950–1997 — Settles in Salvador, Bahia. 1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto. 1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts. 1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP). 1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ). 1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia. 1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil. 1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA. 1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes. 1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP). 1963 — Awarded the title of Honorary Citizen of Salvador, Bahia. 1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ). 1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP). 1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA). 1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia). 1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ). 1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA). 1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP). 1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury. 1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile. 1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia. 1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ). 1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ). 1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile. 1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro. 1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research. 1982 — Receives the title of Honorary Doctor of the Federal University of Bahia. 1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria. 1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA). 1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio. 1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ). 1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP). 1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians. 1997 — Illustration of the book Poesias de Castro Alves. Exhibitions ммIndividual Exhibitions: 1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery 1944 — Salta (Argentina) — at the Consejo General de Educacion 1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ 1947 — Salta (Argentina) — Agrupación Cultural Femenina 1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP. 1952 — São Paulo SP — MAM/SP 1954 — Salvador BA — Oxumaré Gallery 1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery 1962 — Salvador BA - MAM/BA 1963 — Rio de Janeiro RJ — Bonino Gallery 1965 — Rio de Janeiro RJ — Bonino Gallery 1966 — São Paulo SP — Astrea Gallery 1967 — Rio de Janeiro RJ — Santa Rosa Gallery 1969 — London (England) — Varig Airlines 1970 — Rio de Janeiro RJ — Galeria da Praça 1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP 1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater 1973 — São Paulo SP — A Galeria 1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent 1980 — São Paulo SP — A Galeria 1981 — Lisbon (Portugal) — Cassino Estoril 1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria 1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center 1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André 1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco 1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP 1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte Collective Exhibitions: 1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes 1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize 1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery 1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery 1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia 1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP 1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion. 1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP 1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP 1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal 1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing 1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial 1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP 1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA 1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School. 1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room 1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal 1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino 1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery 1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery 1968 — São Paulo SP — Bahian Artists, at the A Gallery 1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

Erotic scene is an artwork realized by Toyen in 1927. Mixed colored watercolored lithograph. The artwork is an illustration from the book Pybrac written by Pierre Louÿs  (1870-1925...

Leonor Fini - Pregnant - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

American painter and illustrator Amos Carter Brinton was born in Wilmington, Delaware in 1888. He went on to have a successful career in illustrations, mainly maritime themed. Fishi...

snow leopards by Ben George Powell, British contemporary artist signed acrylic on canvas, unframed canvas: 20 x 28 inches provenance: private collection of this artists work, UK The ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Pablo Picasso (1881-1973) - Femme à l'oiseau Etching from 1966. The edition of 50. On BFK Rives paper. Dimensions of work: 41.2 x 50.2 cm Publisher: Galerie Louise Leiris, Paris....

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1940s. Two Figures, 1949, ebony wood, 24 x 7 x 5 inches, unsigned, but comes from Thomas' daughters and includes a copy of a 1949 photo of this work listing the artist's name, title of work and date Robert Chester Thomas was a California sculptor. A native of Wichita, Kansas, Thomas moved with his family to Southern California as a child. During World War II, he joined the army and served for a time in the European theater. When he returned to California, he studied sculpture with David Green in Pasadena in 1946 and 1947, before taking advantage of the GI Bill in 1948 to study with Ossip Zadkine in Paris. He first exhibited at Galerie St. Placide as part of an exhibition of American artists working in late 1940s Paris...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Leon Bibel, 'Unemployed Marchers', 2-color lithograph, c. 1938, edition 25. Signed, titled, and numbered '2/25' in pencil. A fine, richly-inked impression on off-white, wove paper, w...

Georgina Klitgaard Spring Ploughing Signed lower right Oil on canvas 34 x 42 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists ...

Mid Century Modern Abstract Line Art Painting Mixed Media on Canvas Stretched on 1.5" wood and not framed. The edges are painted so there is no need...

Lalu Prasad Shaw Untitled (Bibi) Untitled (Babu on the Hookah) 28 x 22 Inches Tempera on Board, 2016 ( Set of 2 works ) ( Framed & Delivered in a teak frame ) Style : Known widely f...

William Robin Jennings (1927-2005) 'Copper & Blue' - Horses in a landscape Oil on canvas Signed lower right Canvas Size - 14 x 18 in Walter Robin Jennings was a distinguished Briti...

Antique American oil painting. Oil on canvas. Measuring 18 by 22 inches.

PABLO PICASSO (1881-1973) Corrida aux personnages (A. R. 104) Terre de faïence dish, 1950, from the edition of 50, glazed and painted, with the Empreinte Originale de Picasso and M...

A beautiful 1940s painting of a seated female nude in a summer landscape by renowned Chicago artist, Francis Chapin (Am. 1899-1965). Painted at the Oxbow School in Saugatuck, Michig...

Acto Tres, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed 2020 Black and White Photograph All prices ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Univers is an original etching print on paper realized by Nina Mauli in the late 20th century. Hand-signed on the lower right in pencil. Numbered, edition of 78/99 prints. Very go...

Cat is an Drawing in watercolor realized in the Mid-20th Century by Giselle Halff (1899-1971). Good conditions. Hand-Signed. Giselle Halff (1899-1971) born in Hanoi, student of R....

Jogen Chowdhury - Untitled Edition - 5/5 Woodcut on Paper Print Size - 7.1 x 9.6 inches Paper Size - 9.5 x 14.8 inches 2019 (Unframed & Delivered) Modern Indian artist Jogen Chowdh...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

'Equestrian Entrance' Slim Aarons Limited Edition Estate Stamped Print 1957 Madame de la Haye-Jousselin on her horse at the gates to her chateau in Normandy. Slim Aarons Chromogeni...

Masami Iwata, 'Flowers and Ko-Imari', color woodblock print, c. 1960, edition 250. Signed, and with the artist’s seal, lower right. A superb, painterly impression, with fresh colors,...

Portrait of Ludwig Van Beethoven is an artwork realized in 1920 ca. by Max Wulff. Black and white lithograph. Not signed.

PABLO PICASSO (1881-1973) Visage (A.R. 288) stamped and marked 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura' (underneath) white earthenware ceramic pitcher with c...

Fausto Pirandello, Italian (1899 - 1975) - Bathers, Year: circa 1965, Medium: Lithograph, signed and numbered in pencil, Edition: 8/300, Image Size: 13 x 19 inches, Size: 17.25 x 2...

Yves Klein "Table Bleu" Designed in 1963 and from an open edition circa 1990s. Plexiglass, glass, chromed aluminum and IKB pigment. The "Table Bleu" by Yves Klein, also known as "T...

A large, dynamic Mid-Century Modern summer landscape painting with standing female bathers by noted Chicago artist, Rudolph Pen. A wonderful example of the artist's uniquely express...

The Beatles are photographed leaving Heathrow Airport for the US to perform at the Ed Sullivan Show in February of 1964. The group would go on to be regarded as the most influential ...

Sun Beams Into Grand Central Station (1930) - Silver Gelatin Fibre Print (Photo by Hal Morey/Getty Images) Beams of sunlight streaming through the windows ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Kabuki Actor is a woodcut print realized by Utagawa Kunisada in 1848/49. Lifetime impression in very good condition, except for some very minor sign of time.

Prospetto della Piazza Riuarola e Fortezza in Perugia is an original drawing in etching technique on paper, realized by Giovanni Monotti and by engravers Carattoli and Frezzolini. I...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Guéridon et Guitare". The original painting was completed in 1920. In the 1970's after Picass...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with trifold, as issued. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, P...

Stunning mid century mixed media collage of Roman travel items and photos by James A. Couglin, a Berkeley Abstract Expressionist (American, 1929-1979), c.1966. Painted during his Par...

Etching by Ziveri. Hand signed. Signed and numbered in the bottom. Editions of 20 pieces (3/20). Passepartout included. Very good conditions.

Ted Williams Martin Luther King Motorcade, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authenticity Dr. Martin Luther King waves to the crowds as he drives in a motorcade on the way to make a speech at the ‘Illinois Rally for Civil Rights’ at Soldier Field in Chicago, IL, US, June 21, 1964. Ted Williams (1925-2009) first heard jazz on the radio as a youngster in the 1930s in Wichita, Kansas. The sounds of Earl Hines, Duke Ellington and Cab...

The Little Bohémienne is an Original Etching realized by Bernard Naudin (1876-1946). The artwork is in good condition on a yellowed paper, included a white cardboard passpartout (50...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with publisher’s folds, as issued. Notes: From the volume, Verve: Revue Artistiqu...

This lithograph from the portfolio "Egon Schiele" is a reproduction of " Kirche von Bozen ", an original artwork realized by Egon Schiele in 1907. The portfolio, that includes 10 lit...

La Grenouille et le Boeuf is a black and white etching realized by Théophile Chauvel (1831-1909) in 1870s. Titled in the lower. Image size: 15cmx20.5cm. Very Good condition. Sign...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

'Schwarzenegger Is My Idol 10' Limited Edition Hahnemühle Rag Baryta print Edition size 10 only. Large 20 x 24" inches paper size. by Sergey Melnitchenko 2012-2013 “Schwarzenegger Is My Idol” is the story about the young guys from Nikolayev (Ukraine) who are united by one thing – it’s a goal to become the best of the best and they will do everything possible to achieve it. The photos show the young people who engage in athletics, acrobatics, fitness, and bodybuilding. I asked one of the boys to tell me what role his hobby plays in his life. Here’s what he told me: “For me, my sport is what I live for. Daily control and hard work – that leads me to success. Sport disciplines a man, enables him to understand the value of labor, the value of choice. I always wanted to be something more than an ordinary man in the street, more colossal than an ordinary representative of the society, so in my sport I do all the best I can, because I want to reach the top”. Why are my 'models' naked on photos? I think it adds them a kind of courage and naturalness. Of course it also looks funny and ironic. About Sergey Melnitchenko : SERGEY MELNITCHENKO Born in 1991 in Mykolayiv, Ukraine. Member of UPHA – Ukrainian Photographic Alternative. Started photography in 2009 and for less than 10 years participated in more than 70 solo and group exhibitions around the world. Winner of Ukrainian and International competitions, including the “Photographer of the year” 2012, 2013 and 2016 (Kiev, Ukraine), “Golden Camera 2012” (Kyiv, Ukraine), one of 10 finalists of the Showoff section within the month of photography in Krakow 2013, shortlist of “Pinchuk Art Center Prize 2015”. “Leica Oskar Barnack...

A dynamic landscape featuring a beautiful sunrise reflecting on storm clouds above the quiet shoreline by Santa Cruz artist Don Hannan (American 20th c). An Airplane flies into the s...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Eden-Roc Pool 1976 Slim Aarons Limited Estate Edition Guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 72" x 48" paper size Photo by Sli...

Bull is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) Lithograph print, mid-20th century. Very good conditions. Jean L...