Old Masters Art

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La cassolette, Year: 1875, Medium: Heliogravure, Size: 12.5 x 7 in. (31.75 x 17.78 cm), Printer: Amand Durand,...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Still-life with a profile portrait was painted by Spanish artist Goyo Domínguez in 1994. Acrylics in a 65 cm by 54 cm wooden panel. Using a classical style with renaissance reminisc...

'Closure' London, United Kingdom 2018 Limited edition of 20. John Gibson 'Hylas Surprised by the Naiades' According to Greek mythology, Hylas was the beautiful son of King Thiodom...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Justice, Year: 1875, Medium: Heliogravure, Size: 9.25 x 4.75 in. (23.5 x 12.07 cm), Printer: Amand Durand, ...

Louis-Félix de La Rue (1730-1777)  A Banquet scene Pen and black ink, brown ink wash on paper Diameter 21 cm In good condition In a modern frame under glass 30 x 30 cm Louis Feli...

Agostino Carracci, After by Amand Durand, Italian (1557 - 1602) - Portrait du Titien, Medium: Heliogravure, Size: 13.25 x 9.5 in. (33.66 x 24.13 cm), Printer: Amand Durand, Descri...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Le jugement de Paris, Year: 1875, Medium: Heliogravure, Size: 12.25 x 17.5 in. (31.12 x 44.45 cm), Printer: Am...

Artist: James Sayers (English, 1748-1823) Title: "The Manager and his Dog - or - A New Way to Keep One's Head above Water" *Issued unsigned, though monogram signed by Sayers in the p...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Les trois Graces, Year: 1875, Medium: Heliogravure, Size: 13.75 x 9 in. (34.93 x 22.86 cm), Printer: Amand Dur...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Notre Dame a l'escalier, Year: 1875, Medium: Heliogravure, Size: 9.75 x 13.75 in. (24.77 x 34.93 cm), Printer:...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Vendange d'apres Raphael, Year: 1875, Medium: Heliogravure, Size: 8 x 6 in. (20.32 x 15.24 cm), Printer: Am...

Maitre E.S., After by Amand Durand, German (1420 - 1468) - Le Sauveur du Monde, Medium: Heliogravure, Size: 6.5 x 5 in. (16.51 x 12.7 cm), Printer: Amand Durand, Description: Fren...

Jose de Ribera, After by Amand Durand, Spanish (1591 - 1652) - Saint Barthelemy, Year: circa 1878, Medium: Heliogravure, Size: 13.5 x 9.75 in. (34.29 x 24.77 cm), Printer: Amand D...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Le femme au croissant, Year: 1875, Medium: Heliogravure, Size: 7 x 3.75 in. (17.78 x 9.53 cm), Printer: Amand ...

Eurito Echione e Etalide Argonote Etching, 1664 after Remigio Cantagallina From: La manifique carousel fait sur le fleuve de l"Arne a Florence, pour le Mariage du Grand Duc, (18 plates, this no. 14) Depicts Three Argonauts conveyed on aquatic peacock Published by Pierre Giffart, Paris Note: This image is a record of the celebration on the Arno River in Florence of the marriage of Cosimo II de Medici and Maria Madaglena of Austria, 1608 Condition: Trimmed to the border line of the image Slight foxing and staining to the sheet Tipped on an "English Mount" Image size: 3 9/16 x 4 15/16 inches Reference: Bartsch XX.63.37 (copy after) Drugulin 1179 Balthasar Moncornet printmaker; publisher/printer Tapissier, engraver and print publisher in Paris, specialist in ornament prints...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Lucrece, Year: 1875, Medium: Heliogravure, Size: 8.75 x 5.25 in. (22.23 x 13.34 cm), Printer: Amand Durand, De...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La paix, Year: 1875, Medium: Heliogravure, Size: 9.5 x 5 in. (24.13 x 12.7 cm), Printer: Amand Durand, Descrip...

French school 18th Century, A mytholological scene with a couple, Pen and brown ink, brown ink wash on paper 11.5 x 11.5 cm, diameter of the main scene : 10,5 cm in a modern frame under glass : 33.5 x 33.5 cm This drawing by a particularly talented 18th-century artist - as yet unidentified - is notable for its mastery of pen and wash...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Le joueur de guitare, Year: 1875, Medium: Heliogravure, Size: 8 x 5.5 in. (20.32 x 13.97 cm), Printer: Amand D...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Temperance, Year: 1875, Medium: Heliogravure, Size: 5.5 x 3 in. (13.97 x 7.62 cm), Printer: Amand Durand, D...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Le jeune et le vieux Bacchant, Year: 1875, Medium: Heliogravure, Size: 7.5 x 5.5 in. (19.05 x 13.97 cm), Print...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Vierge pleurant le corps mort de Jesus Christ, Year: 1875, Medium: Heliogravure, Size: 12 x 9 in. (30.48 x ...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Foi, Year: 1875, Medium: Heliogravure, Size: 9 x 4.75 in. (22.86 x 12.07 cm), Printer: Amand Durand, Descri...

Marco Dente, After by Amand Durand, Italian (1493 - 1527) - Le Bas Relief aux Trois Amours, Year: circa 1878, Medium: Heliogravure, Size: 7.5 x 14.5 in. ...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Pallas, Year: 1875, Medium: Heliogravure on Laid Paper, Size: 11.5 x 7.25 in. (29.21 x 18.42 cm), Printer: Ama...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Trajan entre la ville de Rome et la Victoire, Year: 1875, Medium: Heliogravure, Size: 12 x 17 in. (30.48 x 43....

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Les Chanteurs, Year: 1875, Medium: Heliogravure, Size: 7.5 x 4.5 in. (19.05 x 11.43 cm), Printer: Amand Durand...

Marc de Ravenne, After by Amand Durand, French - Le Massacre des Innocents (d'Apres Raphael), Medium: Heliogravure, Size: 11.25 x 17.25 in. (28.58 x 43.82 cm), Printer: Amand Duran...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Portrait de Pierre Aretin, Year: 1875, Medium: Heliogravure, Size: 9 x 6 in. (22.86 x 15.24 cm), Printer: Aman...

Small sculpture in different marbles and semiprecious stones - Young man with samovar. Probably Russia, 19th-20th century. 6 x 6 x h 15 cm the sculptu...

Artist: Herman Saftleven, After by Amand Durand, Dutch (1580 - 1670) - La porte de femmes blanches a Utrecht, Medium: Heliogravure, Size: 11.5 x 9.5 in. (29.21 x 24.13 cm), Printer...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - David en Priere, Year: 1873, Medium: Heliogravure, Size: 7 x 4.75 in. (17.78 x 12.07 cm), Printer: Amand Dura...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648) Portfolio: Histoire Na...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Baccharis (Baccharises); Chrysocoma (Golden Bitter Bush)" (Syngenesie; Polygamie, Plate 698) Portfolio: His...

A very interesting 17th century Dutch Old Master oil on panel depicting figures in a landscape with one figure on a white horse. Excellent quality painting similar to the work of Ph...

Max Klinger's Intermezzi (Intermezzos) offers a diverse selection of amusements, like brief comedic interludes at the opera. The portfolio highlights the capriciousness of life and i...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Euphorbia (Spurge)" (Dodecandrie, Trigynie, Plate 411) Portfolio: Histoire Naturelle Year: 1749-1789 Medium...

Ostiakes Engraving, 1718 From: Voyages de Corneille le Brun par la Moscovie, en Perse, et aux Indes Occidentales (French translation, 1718), Chapter XXI The Ostyak are a member of an...

Sextus Tarquinius Raping Lucretia Engraving, c. 1546-47 Signed with the intials in the plate (see photo) From: "Four Scenes of Early Roman History" An early impression with plate ton...

Georg Lemberger (German, c. 1490 – 1540) Matthew the Evangelist Woodcut on paper 5.3/4 x 3.3/4in. (14.5 x 9.6 cm. ) Hollstein, 7. This is from the New German bible...

Artist: Pierre Bulliard (French, 1742-1793) Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...

"Perseus and Andromeda" is an etching by Scottish artist Alexander Runciman, signed in plate to the lower left. It depicts Perseus on the left sw...

The Expulsion of Adam and Eve from the Garden of Eden Workshop of Abraham Bloemaert (Gorinchem 1564 - Utrecht 1651) Oil on canvas (118 x 81 cm. - in frame 129 x 91 cm.) The w...

Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844) Title: "Benevolent Cottagers" Year: 1816 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown...

Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History Year: 1743-1764 Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers Limited edition: Unknown Printer: C. Rickaby, London, UK Publisher: William Gardiner and Messrs. Robinson, London, UK Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198 Sheet size (each): approx. 11.25" x 9" Image size (each): approx. 8.63" x 7.38" Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors Notes: Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included. Biography: George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...

Artist: Thomas Pennant (Welsh, 1726-1798) Title: "The Royston Crow (Hooded Crow)" (Plate D1) Portfolio: The British Zoology, Class II: Birds Year: 1761-1766 (First edition) Medium: O...

High relief panel depicting 'Saint Barbara' Southern France, 16th-17th century Polychrome carved wood with traces of gilding 64 x 32 cm. (good condition, with minor missing and cra...

Georg Friedrich Schmidt (German, 1712-1775), after Rembrandt van Rijn Portrait of a young man wearing a fur hat (1763) signed in the plate, and with printed inscription Du Cabinet...

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Jacques Callot (1592-1635), The Bohemians, the set of four etchings touched with burin, 1621. Reference: Lieure 374 (second state of four); Lieure 375-77 (second state of two). In ve...

Artist: Francis Drake (English, 1696-1771) Title: "York, from near the Confluence of the Rivers Ouse and Foss" (Plate 20) Portfolio: Eboracum: or The History and Antiquities of the City of York Year: 1736 (First edition) Medium: Original Engraving on light laid paper Limited edition: Unknown Printer: William Bowyer...

Cornelis Bega (active 1631/32-64), The Young Hostess, c. 1660-64, etching. Reference: Hollstein, Bartsch 33, third state (of 5). With the address of J. Covens and C Mortier bottom left - before the address was removed (in the fourth state) and the artist’s signature was added (in the fifth state). In excellent condition, printed in black/grey ink on an old laid paper, with a 3/16 inch margin outside the plate mark all around, archival matting. Provenance: Ex collection Graff (with stamp verso, Lugt 1092a), LRV (with stamp verso, Lugt 1761), an unidentified collector’s stamp verso, and Dr. Karl Herveg (his stamp verso, Lugt 3974). A very good impression, with the guidelines of the address strongly visible. Dr. Karl Herweg was a noted collector of 17th Century Dutch prints...

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Gerard ter Borch The Cards Game Oil on canvas 14 x 15.5 inches unframed 19 3/4 x 21 1/2 inches framed Gerard ter Borch (Dutch; December 1617 – 8 December 1681), also known as Gerard Terburg, was an influential and pioneering Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

In this print, Wenceslaus Hollar presents a portrait of D. Henrico van der Borcht, copying a painting or drawing by Hans Holbein. Copying works of famous masters was a common task of...

Matthew Cook Ophelia Oil & Acrylic on Aluminum 24 x 24w in 38.25h x 38.25w x 1d in (framed) 97.16h x 97.16w x 2.54d cm MLC021 Bio: Matthew Cook is a realist painter, born in Toledo...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.88" Image size (each): approx. 8.13" x 12.63" Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition Notes: Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall". "PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...