Surrealist Art

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...

"LarA 008" is a light gray cement bust from the LarA series by Spanish sculptor José Perozo, created in 2024. The sculpture presents a fusion of human form and urban structure, where...

Jean HUGO ( 1894 - 1984 ) " Le miroir Magique " . PARIS .Jeanne Buchet .1927. Musée FABRE . Montpellier . portefeuille de 20 lithographies coloriées sur pochoir par Jean saudé d'apré...

Antique American modernist abstract surreal oil painting. Oil on canvas. Framed. In excellent original condition. Handsomely framed in a modernist wood molding. Excellent condition,...

René Magritte - LE CHEF D'OEUVRE OU LES MYSTÈRES DE L'HORIZON, 1965 Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 131/275 Size: 60 x 45 cm Condition: N...

Paul KLEE (after) Blue, Bird, Squash Lithograph and stencil (Jacomet process) Signed in the board On vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : This lithograph was edited i...

Mark Ryden 2 part invitation forming a 3-D Dodecahedron (hand signed by Mark Ryden), 2016 Offset lithograph invitation Hand signed by Mark Ryden 6 1/2 in diameter Ingeniously desig...

Dali -De Draeger, Portfolio by Max Gérard Luxury edition inside special packaged box bearing a cover with “soft melting pocket watch” and bronze medal of “L'Unicorne Dyonisiaque” minted and numbered by Monnaie de Paris...

ARTIST: Salvador Dali TITLE: Le Vitrail MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: XCVII/C MEASUREMENTS: 15" x 10.4" YEAR: 1968 FRAMED: No CONDITION: Excellent ...

Original painting by artist Airom

Roland Bierge Surrealist Still Life, 1968 Original Oil on canvas Handsigned on the lower right corner Signed, dated and titled on the back On canvas 54 x 70 cm (c. 22 x 28 in) Pres...

Salvador Dali - The Beach At Sete - Original Etching Dimensions: 38 x 28 cm Edition: 235 Editor : Argillet 1967 embossed signature On Arches Vellum From the series : Poemes Secrets P...

No.119 captures a phantom ascent in the desert, blending surrealism with the raw textures of nature. Created using double exposure on 4x5 large format film, this haunting black-and-w...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Medium: pochoir. Printed at the atelier of Daniel Jacomet in 1958 for the art revue XXe Siecle (issue number 10) published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (315 x...

A woman with flowing gold hair kneels before a unicorn. The horse theme was frequently used by Dali throughout his career. The horse is seen as a symbol of beauty and elegance as wel...

Antonio GUANSE (1926-2008) Still Life with Flowers, 1962 Oil on canvas panel Signed lower right Countersigned and dated on the back On panel, 37 x 45 cm (14.5 x 17.7 in) visible Pre...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you and you decide to follow. Artwork Details: Isabel Rock , 'Just another Day in Paradise', mixed media on best archival paper, 85cm x 140cm, unframed, 2022 In Rock's own words, 'It was just another day in Paradise for the Pink Poodle People of the Everlasting Fountain of Eternal Joy. Since every day was Paradise it was just another normal day filled with love, ecstasy and wonder. It started slowly at first, things began to appear in paradise, strange objects that the Pink Poodle People did not know what to do with. Some had sharp edges, others were so and smelt strange, bad strange. Some things glittered and shone. Every day more of these objects would arrive in Paradise. ' If this happens every day then soon Paradise will be full of these strange objects. Some of them are nice but many are bad and smelly. One day there will be no Paradise, only bad, sharp and smelly things.' But the Pink Poodle People did not know what to do with the objects and every day more arrived.' Artwork Provenance: from the Artist Studio A certificate of authentication comes from Gallery Art 1821 photo credits, Isabel working, black and white shots, James Brown About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...

Artist/ School: signed verso, dated 1999 Title: Carnival Figures Medium: signed oil painting on canvas, framed framed: 26.5 x 37 inches canvas: ...

Apparition of Christ - Paradise 14 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limi...

Salvador Dali - The Winged Demon - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12"....

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Christopher Clark's "Honfleur Street" is an original, handmade oil & acrylic painting that depicts an abstracted cityscape bustling with people and the sun brightly reflecting off of...

Title: 1960's British Surrealist Oil Painting - 'The Dell' Abstract Study Medium: Oil on board, unframed Size: 4 height x 3.5 width Condition: Good Provenance: all the paintings we ...

Franz Graw Bull Color Offset Lithograph Year: 2023 Size: 11.81 x 15.74 inches (30 x 40 cm) Edition: 100 Signed and numbered in pencil COA provided Franz Graw (b. 1964) is a Düsseld...

Salvador Dali Le Nu à la Jarretière, from The Hippies Etching with hand coloring on Japon Signed in pencil and embossed signature to lower right Edition V/C to lower left Published ...

Title: Companion (Compañera) Artist: Félix Ferreras Medium: Oil on canvas Dimensions: 28.7 x 23.6 inches Framing: Unframed Description The artwork Companion (Compañera) by Félix Ferr...

Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

Lithograph on vélin du Marais paper. Paper Size: 11 x 8.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the volume, Poèmes 1923-1958. Dix dessins d...

Léonor FINI (1907-1996) Surrealist lady Original etching, 1973 Hand signed in pencil Numbered /275 copies On Arches vellum size 56 x 38 cm (c. 22 x 15 in) Very good condition

ARTIST: Salvador Dali TITLE: The Magicians L'Illusioniste MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 68/100 MEASUREMENTS: Paper: 1...

Safety Pin Cloud is a lithograph on paper with an image size of 3 x 3 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fram...

TAGGED TREE is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on ...

Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...

Surrealist Garden - Vertical Psychedelic Still Life in Acrylic on Canvas Vibrant, playful composition by Marilyn Collins (American, 20h Century). Several striped, spherical objects ...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

It is important to note that this work consists of three separate canvases, each one of 70x70x2. They make up a work of 210x70x2. The scene depicted is purely imaginary, where two wi...

André Masson, French (1896 -1987) - Amours légendaires, Year: 1959, Medium: Etching, signed and numbered in pencil, Edition: 7/30, Image Size: 11.75 x 9.75 inches, Frame Size: 2...

Idols is a lithograph on Arches paper realized by Max Ernst in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Godd conditions. T...

Surrealist proto-Afropunk drawing by African-American artist, Roland Ayers (1932-2014). Animal Capers, ca. 1970 . Ink on illustration board, image measures 20 inches. inches; illustration panel measures 21.5 inches. Unsigned. Minor staining evident in detail photos Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Leonor Fini, Rogomelec (rare original print on Rives paper) Texte : Rare lithograph on Rives paper, handsigned and numered by surrealist artist Leonor Fini, now rediscovered and inscreasingly esteemed with the movement of rediscovering art by women. Leonor Fini was actually the life of the party during the Surrealist movement like Leonora Carrington, Remedios Varo, Jacqueline Lamba and Claude Lalanne. Many consider her to be the most fiercely independent female artist of the 20th centuryThis rare lithograph was made after the painting untitled Rogomelec, which was sold by Christie's on october 9th 2024 at GBP 907,200. Created in 1978, Rogomelec is an arresting example of Leonor Fini’s fantastical visions. Within a barren land stands a king dressed in an elaborate coat of peacock feathers. Light glints off his dazzling crown. He is magisterial, imperious, royalty incarnated. The painting shares its title with that of Fini’s third novella, first published in 1979; Rogomelec means ‘he who stones the king’. Written in the first person, the story tells of a traveller in a faraway land, home to a decaying monastery-turned-sanatorium, where monks proffer hallucinatory herbal cures, and culminates in an unsettling discovery during a ritual celebration of the king, the subject of the present work. Born in Buenos Aires, Fini moved to Trieste as a young child. There, she developed an early interest in Renaissance and Mannerist art – the latter’s influence is evident in the elongated figure of Rogomelec – as well as Gustav Klimt, the Pre-Raphaelites, and the German and French Romantics, artists she discovered while riffling through her uncle’s extensive library. Largely self-taught, she moved to Paris in 1931 where she befriended René Magritte, Paul Éluard, Max Ernst, and Victor Brauner. Through them, Fini grew close with the Surrealists and participated in their exhibitions, including Peggy Guggenheim’s landmark show 31 Women at her eponymous gallery on West 57 Street in New York. Like her contemporaries, Fini’s paintings too seem wrenched from a dream and across her works she sought to reconcile the world that she experienced with that of her subconscious mind. In Rogomelec, the king’s clothing is meticulous, and the drama of the ensemble was likely influenced by Fini’s work outside the studio. She created sets and costumes for the ballet, stage, and film; collaborated on performances for the Paris Opéra and La Scala in Milan; and conceived of the bottle and packaging for Elsa Schiaparelli’s perfume...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Planetary and Scatologic Vision Year: 1974 Medium: Engraving with embossing and color lithograph Edition: Numbered...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Medium: stencil print on sandpaper (after the painting). At the height of his period of creative experimentation during the 1930's, Miro executed an abstract painting on sandpaper. ...

Robert Vale Faro, 'Hold that Tiger', color lithograph, 1945, edition 16. Signed, dated, titled, and numbered '91' and '15/16' in pen. A fine impression, with fresh colors, on heavy, coated, off-white wove paper; the full sheet with margins (13/16 to 1 1/2 inches), in excellent condition. Scarce. Matted to museum standards, unframed. Image size 14 x 9 3/8 inches (356 x 239 mm); sheet size 17 x 11 1/4 inches (432 x 285 mm). ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States. Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space...

Léopold Survage, 'Le Cheval' (The Horse), color etching, edition 60, 1953. Signed and numbered '46/60' in pencil. Initialed in the plate, lower right. A superb, richly-inked impressi...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

This painting is in excellent condition and has only been shown in a gallery setting. The board dimensions measure approximately 32" x 26", with frame it measures approximately 40" ...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows a woman sitting on chair with her feet on a Moon. There is parisian arc...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

Salvador Dali - Erotic Grapefruit - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference...

ARTIST: Salvador Dali TITLE: La Venus aux Fourrures Complete Suite MEDIUM: 16 Etchings SIGNED: Each etching is Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: ...

This poignant painting by Rudolf Kosow presents us with a remarkable visual allegory rich with surrealistic influences. The canvas is occupied by a colossal, detailed black labrador ...

Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mourlot. Good Condition; ne...

Salvador Dali - Cherries - Original Hand-Signed Lithograph Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned Edition: EC.d (collaborator edition "d") Excellent Condition Refer...