Surrealist Art

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 10" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is...

Anita Zotkina’s “Dreamy Rabbit” is a 20 x 16 x 0.7 inch oil painting on canvas that blends luminous contrasts, soft lines, and flowing forms. This surreal, contemporary work depicts ...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 1/2 inches (130 x 90 mm)...

Release of the Psychic Spirit from Magic Butterfly & the Dream ( Tarot ) suite is an original signed limited ed. 5/250 lithograph by Salvador Dali. Published by Levine and Levi...

Medium: lithograph (after the watercolor). Charles Lapicque was one of the artists who contributed compositions to Marcelle Oury's "Lettre à mon peintre" in homage to Raoul Dufy. Thi...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity About Artist Oluw...

Anita Zotkina’s “Two Sides” is an 18 x 24 x 0.7 inch surreal oil painting on gallery-wrapped canvas. Inspired by thoughts on duality, the composition reflects how light and darkness ...

John Baker’s “Studio Sketch of Jenny” is an acrylic painting on canvas with collage 16 x 12 inches in mint greens, oranges and pinks. When she visited my studio Jenny seemed somewhat...

Artist: Salvador Dali Title: Ladies of the Renaissance Medium: Drypoint and aquatint in color on paper Year: 1971 Edition: IV/L Sheet Size: 22 7/8" x 31 1/8" Image Size: 15 1/2" x 22...

LA MAGIE NOIRE, 1945 (BLACK MAGIC) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Rives paper plate signed...

GOLCONDE, 1953 Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Rives paper plate signed and numbered of a l...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

"Nude Breakfast", A Fantastic Surrealist Mid-Century Modern Oil Painting of a Nude Couple at a Breakfast Table by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Executed in ...

This artwork titled, "l'Arcangelo (The Archangel)" from the suite, "lLes Vitaux" 1973 is an original colors lithograph on watermarked Arches paper by artist Salvador Dali 1904-1989....

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Enigma of the Rose (Death) from Visions Surrealiste Salvador Dali, Spanish (1904–1989) Portfolio: Visions Surrealiste Date: 1976 Lithograph, signed and numbered in pencil Edition of ...

A Visually Striking Abstract Surrealist 1950s Mid-Century Modern Beach Scene of a Female Nude Bather by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). "Model on Beach", Oil ...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Medium: original lithograph. Catalogue reference: Mourlot 244. This charming Miro lithograph was printed by Mourlot for XXe Siecle in 1957 for issue number 8 "Art et humour au XXe Si...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Ancient Stock Route" by George Callaghan is a mesmerizing jou...

Alejandro Colunga is a renowned Mexican artist born in 1948 in Guadalajara, Jalisco. He is part of the Nueva Mexicanidad movement and is celebrated for his surrealist and fantastical...

Roland Bierge Surrealist Still Life, 1968 Original Oil on canvas Handsigned on the lower right corner Signed, dated and titled on the back On canvas 54 x 70 cm (c. 22 x 28 in) Pres...

Obsession of the Heart Salvador Dali, Spanish (1904–1989) Portfolio: Visions Surrealiste Date: 1976 Lithograph, signed and numbered in pencil Edition of 100/150 Size: 29 x 21 in. (73...

Title: 1960's British Surrealist Oil Painting - Abstract Botanical Study Medium: Oil on board, unframed Size: 6 height x 4 width Condition: Good Provenance: all the paintings we hav...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Artist Mati (Abdul) Klarwein Title: The Good Life Year: 1978 Print - Lithograph Paper Size 23" x 23½" inches Edition: signed in pencil and marked 3/300 Hand embellished by the artis...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Queneau, Raymond. Joan Miró, Litho...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 3/4 inches (130 x 93 mm)...

Title: The Petrified Origin Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on canvas Dimensions: 25.6 x 31.9 in (65 x 81 cm) Date: 1967 Condition: Unframed Signature: Signed lower right: Pitxot Provenance: Private collection Notes: Early work from Pitxot’s mature period, featuring the symbolic and meticulously rendered stone forms that would define his artistic identity. 📝 Work Description In The Petrified Origin, Antoni Pitxot presents a haunting and timeless vision of a single, eroded rock suspended in a dreamlike, undefined space. The stone, modeled with sculptural precision, appears to float over a subtly reflective surface, devoid of background or narrative context. Its porous texture, cracks, and shadows evoke a fossilized memory — a silent relic of geological time. Painted in 1967, this piece exemplifies Pitxot's unique visual language, developed through his practice of collecting stones along the Costa Brava and transforming them into anthropomorphic and symbolic compositions. The result is both surreal and solemn, an ode to nature’s memory and the enduring presence of the inanimate. 👤 About the Artist Antoni Pitxot i Soler (born in Figueres, 1934 – died in Barcelona, 2015) was a Catalan painter deeply rooted in the surrealist tradition. Coming from an artistic family —his uncle was Ramon Pichot, a friend of Picasso and Dalí— Pitxot trained as a draughtsman and painter from a young age. In the 1960s, he settled in Cadaqués, where he developed his distinct artistic universe. His paintings revolve around stone as a symbol of permanence, transformation, and memory. Pitxot created sculptural assemblages from real coastal stones and later immortalized them in oil on canvas. His works often hint at human figures, ancient myths, and allegories of time. 🎭 Connection with Salvador Dalí Pitxot was not only a close friend of Salvador Dalí but also one of his closest collaborators. Dalí admired his work and invited him to co-design the Dalí Theatre-Museum in Figueres. After Dalí’s death...

A clock-faced figure wearing monk's robes floats in a blue void above a roiling storm cloud. This Surrealist lithograph by Salvador Dali shows the figure in movement, traveling with ...

Nadezda's beautiful new oil on panel painting "Smoking Lady" (2024) is an abstract portrait of a woman wearing a black dress smoking inside of her brightly colored house, she is stan...

Tigran Hovumyan Figurative Surrealist Oil Painter Artwork Title: Meeting Medium: Original Oil on Linen Dimensions: 36" x 47" x 1" (91 x 120 x 3 cm) Year: 2012 Unframed, Stretched o...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Joan Miro, L’Oro dell’Azzurro (Framed) Giclee print Framed in a sustainably sourced black frame gallery with UV protection acrylic glazing 67 x 80 cm 'The Gold of the Azure' w...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity About Artist Oluw...

Mid-century oil on canvas of a summer scene on the Côte d'Azur. The work is signed but the artist unknown. This artwork is a vibrant and eclectic composition that captures the essen...

Rufino Tamayo, Mexican (1899 - 1991) - Figura de Pie, Year: 1977, Medium: Mixografia, signed and numbered in pencil, Edition: 91/100, Size: 27.5 x 19.5 in. (69.85 x 49.53 cm), Pr...

Carlos Gamez de Francisco’s "The House at the End of the Road" is a striking blend of hyperrealism, figurative surrealism, and imaginative narrative art. This 12-inch round acrylic p...

Artist: Salvador Dali (1904-1989) Title: Antiombrelle à atomiseurs de liquides (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid atomizer anti-shade, ...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

This limited-edition Dibond UV print belongs to Natasha Lelenco’s Fetiches series, an artistic exploration of portraiture intertwined with organic motifs. Numbered 24 of 25, each pri...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

Mid Century Nocturnal Surrealist Oil Painting--San Francisco Unreal Dreams by Russell Tripp Dramatic and atmospheric San Francisco surrealist figurative painting by Russell R. Tripp...

Joan Miro, L’Oro dell’Azzurro (Framed) Giclee print Framed in a sustainably sourced black frame gallery with UV protection acrylic glazing 67 x 80 cm 'The Gold of the Azure' w...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

The Coronation of Gala (The Empress) from Visions Surrealiste Salvador Dali, Spanish (1904–1989) Portfolio: Visions Surrealiste Date: 1976 Lithograph, signed and numbered in pencil E...

Henri Matisse (1869-1954) - Femme Nu Photogravure from 1952. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure sh...

Color lithograph after the 1954 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Magritte...

Ian Hugo, 'Together', from the portfolio 'Ten Engravings'. engraving, 1946, edition 50. Signed, dated, titled, and numbered '22/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with wide margins (2 7/8 to 5 1/2 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed. Image size 5 7/8 x 4 7/8 inches (149 x 124 mm); sheet size 15 x 11 1/8 inches (381 x 283 mm). Collection: Indianapolis Museum of Art. Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions. “The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.” —Anais Nin, from the forward to the portfolio ‘Ten Engravings’ ABOUT THE ARTIST Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature. Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research. Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June. Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages." In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking. Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...

Salvador DALI (1904-1969) Casanova : Snail lady, 1967 Original etching Signed in the plate On vellum Rives 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog raisonné Field #67-...

Mary Spain (American, 1934–1983) Janet and Bill, 1970s Oil on canvas Signed middle right, titled verso 26 x 30 inches 32.5 x 36.5 inches, framed Set in a realm of fantasy, Mary Spai...

Lithograph on vélin d'Arches paper. Paper Size: 10.5 x 14 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Kaplan, Gilbert E., and T...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

ARTIST: Salvador Dali TITLE: Fashion Designer MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine for DALART EDITION NUMBER: I 234/250 MEASUREMENTS: 21" x 29" ...