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17th Century Etching

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Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690
Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690

Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690

By Cornelius de Bruyn

Located in Melbourne, Victoria

'Alexandria' A view of Pompey's Pillar with Alexandria in the background. Cornelis de Bruijn was a Dutch artist and traveler. He is best known for his drawings of the ruins of Perse...

Category

Late 17th Century Naturalistic Landscape Prints

Materials

Etching, Engraving

To Drink in Excess

To Drink in Excess

By Cornelis Visscher

Located in Middletown, NY

Etching on cream laid paper, full margins. Trimmed at the plate mark. Scattered light caramel colored areas of discoloration in the sheet corners, light skinning on the verso at the ...

Category

Mid-17th Century Old Masters Portrait Prints

Materials

Laid Paper, Etching

Two men standing ankle-deep in a body of water, rocky outcrop ... hilltop
Two men standing ankle-deep in a body of water, rocky outcrop ... hilltop

Two men standing ankle-deep in a body of water, rocky outcrop ... hilltop

By Karel Dujardin

Located in Middletown, NY

Etching on light, fibrous, laid Japon paper, 5 3/16 x 6 1/4 inches (132 x 158 mm), full margins. Scattered moderate foxing throughout, very minor printing creases (innate), and one s...

Category

Mid-17th Century Old Masters Landscape Prints

Materials

Handmade Paper, Etching

The Quacksalver
The Quacksalver

The Quacksalver

By Adriaen van Ostade

Located in Middletown, NY

Etching on cream laid paper. 1/4 inch to 1/2 inch margins. In good condition with a band of minor discoloration along top and bottom sheet edge verso. One circular 1.5 inch- sized ar...

Category

Mid-17th Century Old Masters Figurative Prints

Materials

Laid Paper, Etching

Head of a Laughing Peasant
Head of a Laughing Peasant

Head of a Laughing Peasant

By Cornelis Bega

Located in Middletown, NY

Etching on white laid paper, 1 5/8 x 1 1/2 inches (41 x 38 mm), thread margins. In excellent condition with a light pencil inscription on the verso. [Hollstein 6]

Category

17th Century Old Masters Figurative Prints

Materials

Handmade Paper, Laid Paper, Etching

Judith Grasping The Head Of Holofernes... by Giovanni A. Sirani after Guido Reni
Judith Grasping The Head Of Holofernes... by Giovanni A. Sirani after Guido Reni

Judith Grasping The Head Of Holofernes... by Giovanni A. Sirani after Guido Reni

By Guido Reni

Located in Middletown, NY

Judith Grasping The Head Of Holofernes By The Hair And Looking To The Left, and Old Woman to the Right. circa 1640 Etching on cream laid paper with a foolscap watermark, 10 x 7 inche...

Category

Mid-17th Century Old Masters Portrait Prints

Materials

Laid Paper, Etching

Daniel Marot's The Siege of the Dutch Fortified City of Ypres by Louis XIV
Daniel Marot's The Siege of the Dutch Fortified City of Ypres by Louis XIV

Daniel Marot's The Siege of the Dutch Fortified City of Ypres by Louis XIV

By Daniel Marot

Located in Alamo, CA

"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the...

Category

Late 17th Century Old Masters Landscape Prints

Materials

Engraving, Etching

The Mother Seated in an Inn
The Mother Seated in an Inn

The Mother Seated in an Inn

By Cornelis Bega

Located in Middletown, NY

Etching on cream laid paper with an indiscernible horizontal watermark, 6 1/8 x 4 11/16 inches (154 x 120 mm). Thread margins. The first state (of two), before the additional work on...

Category

17th Century Old Masters Figurative Prints

Materials

Handmade Paper, Laid Paper, Etching

Louis XI, Roi de France

Louis XI, Roi de France

By Jean Morin

Located in Middletown, NY

Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...

Category

Mid-17th Century Old Masters Portrait Prints

Materials

Laid Paper, Engraving, Etching

The Spectacle Seller

The Spectacle Seller

By Adriaen Jansz van Ostade

Located in Middletown, NY

Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...

Category

Mid-17th Century Old Masters Figurative Prints

Materials

Laid Paper, Drypoint, Etching

Fountains of Rome
Fountains of Rome

Fountains of Rome

By Giovan Battista Falda

Located in Middletown, NY

A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, as the fountain was design...

Category

Early 17th Century Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching

Shepherd talking to a young shepherd on a donkey
Shepherd talking to a young shepherd on a donkey

Shepherd talking to a young shepherd on a donkey

Located in Middletown, NY

Etching on handmade, cream laid paper. 5 13/16 x 7 5/8 inches (146 x 192 mm), thread margins. Scattered handling creases, light age tone, and minor paper inconsistoncies throughout....

Category

Mid-17th Century Old Masters Figurative Prints

Materials

Handmade Paper, Laid Paper, Etching

Venus Lamenting over the Death of Adonis

Venus Lamenting over the Death of Adonis

By Herman van Swanevelt

Located in Middletown, NY

c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...

Category

Mid-17th Century Old Masters Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Frontispiece with stepped fountain.
Frontispiece with stepped fountain.

Frontispiece with stepped fountain.

By Karel Dujardin

Located in Middletown, NY

Dujardin, Karel. Frontispiece with stepped fountain; a stone wall with water spout pouring water into a rectilinear basin, from which a second spout pours water into a smaller rectil...

Category

Mid-17th Century Old Masters Landscape Prints

Materials

Handmade Paper, Etching, Laid Paper

Rosersberg Palace and Gardens near Stockholm in the Baroque Splendor of 1695
Rosersberg Palace and Gardens near Stockholm in the Baroque Splendor of 1695

Rosersberg Palace and Gardens near Stockholm in the Baroque Splendor of 1695

Located in Langweer, NL

This is a historical etching from "Suecia Antiqua et Hodierna", which translates to "Ancient and Modern Sweden", a large work that includes a collection of engravings collected by Er...

Category

Antique 1690s Prints

Materials

Paper

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17th Century Etching For Sale on 1stDibs

You are likely to find exactly the 17th century etching you’re looking for on 1stDibs, as there is a broad range for sale. There are many Old Masters and Modern versions of these works for sale. If you’re looking for a 17th century etching from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 18th Century while another version may have been produced as recently as the 18th Century. When looking for the right 17th century etching for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray, beige, brown and orange. There have been many interesting 17th century etching examples over the years, but those made by Antonio Tempesta, Rembrandt van Rijn, Adriaen van Ostade, Jacques Callot and Claude Lorrain are often thought to be among the most thought-provoking. These artworks were handmade with extraordinary care, with artists most often working in etching, engraving and paper.

How Much is a 17th Century Etching?

The price for a 17th century etching in our collection starts at $111 and tops out at $135,000 with the average selling for $801.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.