David Loggan: New College, Oxford 1690 engraving
By David Loggan
Located in London, GB
Loggan (1634-1692) New College, Oxford Engraving Mounted to Board 32x49cm Loggan was born to English and
Engraving
$85
H 7.88 in W 10.44 in
Magdalen Hall. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Magdalen Hall' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's
Engraving
New College, Oxford, engraving, 1690 David Loggan
By David Loggan
Located in London, GB
Loggan (1634-1692) New College, Oxford Engraving Mounted to Board 32x49cm Baptised in Danzig in 1634 his
Engraving
$469
H 19.69 in W 12.6 in
Wainflete School, Lincolnshire (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie Wainflete School, Lincolnshire Engraving 50 x 32 cm
Engraving
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
John Basire & John Carter St Albans Cathedral Engraving 62 x 46 cm This engraving was originally
Engraving
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter St Albans Cathedral Engraving 62 x 46 cm This engraving was
Engraving
Fonts in Suffolk (1792), engraving by James Basire
Located in London, GB
James Basire, after James Johnson and John Carter The Chancel of Chatham Church, Kent Engraving 50
Engraving
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Floor plan of St Albans Cathedral Engraving 61 x 95 cm This engraving
Engraving
$3,105
H 14.97 in W 16.93 in
Sidney Sussex College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
Loggan (1634 - 1692) Sidney Sussex College, Cambridge (1690) Engraving 38 x 43 cm Loggan's view of
Engraving
$172Sale Price|20% Off
H 11.23 in W 9.06 in D 0 in
Rustic Landscape with Child and Bridge, 1856 Engraving by P.L. Dubourcq
Located in Langweer, NL
Title: "Rustic Landscape with Child and Bridge, 1856 Engraving by P.L. Dubourcq" This finely
Paper
Exeter College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
Loggan (1634 - 1692) Exeter College, Oxford (1675) Engraving 30 x 42 cm Loggan's view of Exeter College
Engraving
Wadham College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
Loggan (1634 - 1692) Wadham College, Oxford (1675) Engraving 32 x 41 cm Loggan's view of Wadham from the
Engraving
$2,070
H 15.36 in W 18.9 in
Christ's College, Cambridge 1690 engraving by David Loggan
By David Loggan
Located in London, GB
Loggan (1634 - 1692) Christ's College, Cambridge (1690) Engraving 39 x 48 cm Loggan's view of College
Engraving
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
Loggan (1634 - 1692) Christ Church, Oxford (1675) Engraving 42 x 84 cm Loggan's view of Christ Church
Engraving
Cambridgeshire map 17th century engraving by John Speed
By John Speed
Located in London, GB
." John Speed (1551 or 1552 - 1629) Map of Cambridgeshire Engraving with later hand colouring 39 x 53 cm
Engraving
$2,001
H 12.21 in W 17.33 in
Pembroke College, Oxford 1705 engraving by David Loggan
By David Loggan
Located in London, GB
Loggan (1634 - 1692) Pembroke College, Oxford (1705) Engraving 31 x 44 cm Loggan's view of Pembroke from
Engraving
$433
H 22.45 in W 26.38 in
Sutton Nicholls - Framed 18th Century Engraving, Devonshire Square
By Sutton Nicholls
Located in Corsham, GB
according to the act of Parliament in 1754 for Stow's Survey of London. This detailed engraving has been
Engraving
$2,691
H 13.78 in W 18.12 in
St Catharine's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
Loggan (1634 - 1692) St Catharine's College, Cambridge (1690) Engraving 35 x 46 cm Loggan's view of St
Engraving
David Loggan: All Souls College, Oxford 1675 engraving
By David Loggan
Located in London, GB
Loggan (1634-1692) All Souls College, Oxford - Collegium Omnium Animarum Engraving 30x40cm Loggan was
Engraving
Cambridge map 17th century engraving after John Speed
By John Speed
Located in London, GB
Engraving 8 x 12 cm A beautifully coloured map of Cambridgeshire, with an antique description of the county
Engraving
$280
H 18.12 in W 22.05 in
French pipe organ design, late 18th century engraving
Located in Melbourne, Victoria
'Elevation Geometralle d'Un Buffet D'Orgue d'Une Nouvelle Decoration' Copper-line engraving. C1770
Engraving
$759
H 16.93 in W 14.18 in
Map of Cambridgeshire, 18th century engraving by Sutton Nicholls
Located in London, GB
." Sutton Nichols (1668 - 1729) Map of Cambridgeshire Engraving 43 x 36 cm Signed in plate lower left. A
Engraving
David Loggan All Souls College, Oxford Engraving 1675
By David Loggan
Located in London, GB
Loggan (1634-1692) All Souls College, Oxford - Collegium Omnium Animarum Engraving 30x40cm Later hand
Engraving
$875
H 18.5 in W 22.32 in D 1.57 in
Winslow Homer 19th Century Woodcut Engraving "Making Hay"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the
Engraving, Woodcut
$338
H 23.23 in W 27.17 in
William Woollett after Annibale Carracci - 19th Century Engraving, Italian Town
By William Woollett
Located in Corsham, GB
A charming engraving by William Woollett (British 1735-1785) after Annibale Carracci (Italian 1560
Engraving
$3,105
H 13.39 in W 17.72 in
Map of Cambridge, c.1572 engraving by Braun & Hogenberg
Located in London, GB
& Hogenberg Map of Cambridge Engraving with later hand colouring 34 x 45 cm This map is taken from the
Engraving
Map of Cambridge 18th century engraving by Sutton Nichols
Located in London, GB
." Sutton Nichols (1668 - 1729) Map of Cambridgeshire Engraving 43 x 36 cm Signed in plate lower left. A
Engraving
$483
H 11.42 in W 12.6 in
Cambridgeshire map 17th century engraving by Kip after Saxton
Located in London, GB
) Engraving with later hand colouring 29 x 32 cm An antique map of Cambridgeshire. The map was originally
Engraving
$220
H 7.88 in W 14.57 in
Bindon Abbey, Dorset engraving after Samuel and Nathaniel Buck
By Samuel & Nathaniel Buck
Located in London, GB
, in the County of Dorset (1733) Engraving 20 x 37 cm An engraved view of Bindon Abbey, a Cistercian
Engraving
$2,346
H 12.6 in W 16.15 in
St John's College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
Loggan (1634 - 1692) St John's College, Oxford (1675) Engraving 32 x 41 cm Loggan's view of St John's
Engraving
$1,449
H 11.82 in W 16.15 in
Corpus Christi College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
Loggan (1634 - 1692) Corpus Christi College, Oxford (1675) Engraving 30 x 41 cm Loggan's view of Corpus
Engraving
$240
H 11.13 in W 18.25 in
"Cockersand Abbey" from "Buck's Antiquities" /// British Old Master Engraving
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
in England and Wales Year: 1726-1739 Medium: Original Engraving on watermarked laid paper Limited
Laid Paper, Engraving, Intaglio
$279
H 8.27 in W 10.63 in
Johann Christian Reinhart (1761-1847) - 1807 Engraving, Balaam's Donkey
Located in Corsham, GB
A fine early 19th Century engraving, showing the Biblical scene of Balaam's Donkey. The artist has
Engraving
$2,139
H 15.75 in W 19.69 in
Botanic Garden, University of Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
Loggan (1634 - 1692) The University of Oxford Botanic Garden (1675) Engraving 40 x 50 cm An eighteenth
Engraving
$483
H 13.78 in W 19.3 in
Emmanuel College, Cambridge engraving by Samuel Sparrow after John Baldrey
Located in London, GB
Sparrow (active 1800) after John Kirby Baldrey (1750 - 1823) Emmanuel College, Cambridge Engraving 35 x 49
Engraving
$595
H 23.04 in W 26.78 in
L. Sullivan after D. Teniers - 18th Century Engraving, St. Anthony's Temptations
By Luke Sullivan
Located in Corsham, GB
A finely detailed engraving by Luke Sullivan (1705-1771) after David Teniers the Younger (1610-1690
Engraving
$483
H 12.21 in W 16.93 in
Downing College, Cambridge engraving by Samuel Sparrow after Henry Barker
Located in London, GB
(active 1770 - 1806) after Henry Barker (1774 - 1856) Downing College, Cambridge (1812) Engraving 31 x 43
Engraving
$1,787
H 18.9 in W 24.02 in
Prospect of Oxford 18th century engraving by William Williams
By William Williams (painter)
Located in London, GB
. William Williams (Welsh, active 1724 - 1733) Jesus College, Oxford (circa 1732) Engraving 43 x 44 cm This
Engraving
$469
H 19.69 in W 12.6 in
Tiltey Church, Essex & Rochester Cathedral (1790), engraving by James Basire
Located in London, GB
Cathedral Engraving 50 x 32 cm This engraving was originally published by the Society of Antiquaries of
Engraving
$1,904
H 24.02 in W 36.23 in
Architectural view of Exeter Cathedral (1797), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural view of Exeter Cathedral Engraving 61 x 95 cm This
Engraving
$386
H 8.27 in W 9.45 in
Pembroke College, Oxford engraving by Joseph Skelton after G Vertue
Located in London, GB
View of the Buildings &c. (1818) Engraving 21 x 24 cm A historic engraving of Pembroke's august
Engraving
Oriel College, Oxford 18th century engraving from the Oxford Almanac
Located in London, GB
College, Oxford (1736) Engraving 35 x 43 cm This fantasia on Oriel, featuring a sublime rendering of the
Engraving
$345
H 10.83 in W 22.25 in
Whitehaven, Cumbria engraving by Elizabeth Byrne after Joseph Farington RA
Located in London, GB
-coloured engraving 27.5 x 56.5 cm A view of the cliffs and port of Whitehaven in Cumbria. Joseph
Engraving
$345
H 7.88 in W 14.57 in
Winchester Palace, Southwark, London engraving after Samuel and Nathaniel Buck
By Samuel & Nathaniel Buck
Located in London, GB
Palace (1733) Engraving 20 x 37 cm An engraved view of Winchester Palace, a bishop's palace built in the
Engraving
$250
H 9.5 in W 15.25 in
Surrender of Tahiti to Captain Wallis: An Original 18th C. Engraving
By John Webber
Located in Alamo, CA
Queen of Oberea" is an original 18th century engraving created by Sparrow, from a drawing created by
Engraving
$395
H 7.49 in W 14.38 in
Samuel and Nathaniel Buck - 1730 Engraving, View of St. Osyth's Priory
By Samuel & Nathaniel Buck
Located in Corsham, GB
A finely detailed engraving with hand colouring by Samuel (1696-1779) and Nathaniel Buck (c.1695-c
Engraving
$450
H 19 in W 14.25 in
Ricinus Africanus Maximus N. 867 J.W. Weinman original engraving 1737
By Johann Wilhelm Weinmann
Located in Paonia, CO
Mezzotint Engraving with Some Hand Coloring image size 15.25 x 10 from Johan Wilhelm Weinmann’s
Engraving
$395
H 9.26 in W 12.01 in
Byrne and Middiman after Hearne - 1779 Engraving, A View of Lumley Castle
Located in Corsham, GB
A finely detailed engraving depicting Lumley Castle near Durham by William Byrne (1743-1805) and
Engraving
$280
H 10.24 in W 15.36 in
'Vue des Montagnes du Val-Travers, Neuchatel, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel' French copper-line engraving
Engraving
$234
H 14.57 in W 7.49 in
Byland Abbey Yorkshire UK - 1770 engraving by Samuel & Nathaniel Buck
By Samuel & Nathaniel Buck
Located in London, GB
Samuel & Nathaniel Buck Byland Abbey, Yorkshire Engraving “Byland Abbey is an interesting ruin
Engraving
$358
H 20.08 in W 17.33 in
The Oxford Almanack 1744, engraving by Joseph Skelton after G Vertue
Located in London, GB
Skelton (1783 - 1871) after George Vertue (1684 - 1756) Oxford Almanack 1744 Engraving 51 x 44 cm A
Engraving
$395
H 12.21 in W 17.72 in
Parr after Brookes - Engraving, A View of the Royal Palace of Windsor
Located in Corsham, GB
A magnificent eighteenth-century "vue d'optique" engraving with hand colouring depicting Windsor
Engraving
$395
H 12.01 in W 17.52 in
Chatelain after Bickham Jr. - Engraving, A View from the Temple of Diana
Located in Corsham, GB
A delightful eighteenth-century "vue d'optique" engraving with hand colouring by Jean Baptiste
Engraving
$395
H 12.41 in W 17.72 in
Thomas Bowles after Peter van Ryne - Engraving, A General View of Amsterdam
Located in Corsham, GB
Amsterdam is rendered in magnificent detail in this eighteenth-century "vue d'optique" engraving
Engraving
$745
H 13 in W 16.15 in
The Divinity School, University of Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
Loggan (1634 - 1692) The Divinity School, Oxford (1675) Engraving 33 x 41 cm David Loggan's view of
Engraving
$517
H 14.18 in W 19.3 in
The Sheldonian and Clarendon, Broad Street, Oxford engraving by Basire
Located in London, GB
. (1800) Engraving 36 x 49 cm A view of Broad Street, showing the Clarendon Building, Sheldonian Theatre
Engraving
$172
H 4.73 in W 5.91 in
Sidney Sussex College, Cambridge engraving by John Le Keux after Mackenzie
Located in London, GB
Mackenzie (1788 - 1854) Sidney College from the Master's Garden (1845) Hand-coloured engraving 12 x 15 cm
Engraving
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
Once built for curbs and handrails, these boards now hang beside blue-chip works in major museums and collectors’ homes.
A planet-wide celebration feels fitting for an artist who saw connections everywhere: between paint and photography, art and life, self and surroundings.
The sculptural lithograph is part of the inimitable artist’s “Ruckus” series, now on view at the Brooklyn Museum.
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
Get to know the key movements and artists who have influenced visual culture for more than a century.
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
This set of recipes and original prints might not make you a better chef. But it will make you smile.
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.