Antique Landscape Engravings

Work on paper Dimension of the "passe-partout" frame 27 x 37.5 cm

Edward Edwards R.A. (English, 1738-1806) landscape engraving, published 1790 Paper: 6 by 4

'Durham' Engraving by F Chesham after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's

'Conway' Engraving by William Watts (1752-1851) after Paul Sandby (1731-1809). From Paul Sandby's

'Caernarvon Castle' Engraving by William Watts (1752-1851) after Paul Sandby (1731-1809). From

'Newstead in Nottinghamshire, the Seat of Lord Byron' Engraving by Thomas Malton after Paul Sandby

‘Duff House, the Seat of the Earl of Fife, in Bamffshire’ Engraving by P Mazell After C Cordiner

Farnham House Estate View, Georgian Manor Landscape Engraving, c1850 A refined architectural

'Newsted Priory, Nottinghamshire' Engraving by W Walker And W Angus After Paul Sandby (1731-1809

'Part of Middleham Castle, NW Riding, Yorkshire' Engraving by T Woodyer after Paul Sandby (1731

: The Turner Gallery: A Series of Sixty Engravings From The Principal Works of Joseph Mallord William

'Ivy Bridge near Plymouth' Engraving by F Chesham after Paul Sandby (1731-1809). From Paul

'Remains of the Tower at Luton, Bedfordshire' Engraving by MA Rooker after Paul Sandby (1731-1809

'Queen's Gate, at Caernarvon' Engraving by William Watts (1752-1851) and William Angus after Paul

'North East View of Pembroke' Engraving by William Watts (1752-1851) and William Angus after Paul

Landscape is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after

Antique Chinese Architecture & Landscape Engravings, Ferrario China Views 1815 A refined pair of

Warwick Castle River View, English Castle Landscape Engraving, c1850 A finely composed hand

Academy in 1807, in 1810 landscapes in the Bond Street gallery of the Associated Painters, where he was a

Floors Castle Estate View, Scottish Castle Landscape Engraving, c1850 A refined hand-colored

The landscape is an engraving on ivory-colored paper realized by Charles Amand Durand after an

'The New Bridge, On The River Dee, Near Chirk Castle' Engraving by Peter Mazell After Paul Sandby

Lea Country House View, Victorian English Estate Landscape Engraving A charming hand-colored

Small Gray Landscape: a House and Trees beside a Pool is an engraving on ivory-colored paper

Reading from Holm Park — English River Landscape Engraving, Hearne & Byrne 1803 This refined early

Antique Japanese Landscape Engraving of Mount Fuji: Serene River View This remarkable 19th-century

View of Nezlet Abonour on the Nile – Antique Egypt Landscape Engraving, c.1755 This refined 18th

This magnificent engraving depicts a fishing scene in the middle of a landscape with lush

Industrial Landscape engraving representing the banks of the Ruhr and Essen late 19th century

: 1816 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: William

Les Bergers Romains Copper-line engraving by Jean Jacques Leveau (1729-1786) after Pierre Mettay

Franciscus de Neve (c.1632-1704) 'Landscape with Shepherdess Playing a Tambourine' and 'Echo

Jean Pierre Marie JAZET Paris, 1788 - Paris, 1871 (after Nicolas POUSSIN) Color engraving 46 x

"Veduta del Palazzo Maggiore" is an original engraving by Israel Silvestre, titled along the lower

"Veduta Presso di San Stefano Rotondo" is an original engraving by Israel Silvestre, titled along

"Tempo di Minerva Medica" is an original engraving by Israel Silvestre, titled along the lower edge

Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper

In the mid-seventeenth century, views of historic landscapes and classical structures were

"Tempio Della Pace" is an original engraving by Israel Silvestre. The title is printed below the

Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper

Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T

This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream

Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols

This is a rare, original first edition hand-colored engraving depicting the natural history of

This is a hand-colored engraving depicting the natural history of moths and a lady bug, which is

." James Redaway (1797 - 1858) Eton from the Locks Hand-coloured engraving 27 x 28 cm Redaway's view of

"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...

Richard Bankes Harraden Queen's College, Cambridge Engraving 40 x 54 cm Inscribed to the bottom

Loggan (1634 - 1692) Jesus College, Cambridge (1690) Engraving 36 x 52 cm Loggan's skilful view of Jesus

." Henry Winstanley (1644 - 1703) Rycote House, Oxfordshire Engraving 19 x 44 cm Rycote House, Oxfordshire

Loggan (1634 - 1692) Trinity College, Cambridge (1690) Engraving 80 x 50 cm Loggan's marvellous and

Loggan (1634 - 1692) Magdalene College, Cambridge (1690) Engraving 38 x 43 cm Loggan's view of Magdalene

Loggan (1634 - 1692) University College, Oxford (1675) Engraving 29 x 40 cm Loggan's view of Univ from

Loggan (1634 - 1692) Christ's College, Cambridge (1690) Engraving 39 x 48 cm Loggan's view of Christ's

Loggan (1634 - 1692) Trinity College, Oxford (1705) Engraving 32 x 41 cm Loggan's view of Trinity from

Loggan (1634-1692) New College, Oxford Engraving Mounted to Board 32x49cm Loggan was born to English and

'Magdalen Hall' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's