Audrey Hepburn on Set of Sabrina, Next to Piano, 1953 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c11_13 -- Audrey Hepburn did all her own singing for the movie Sabrina.
Giclée
Audrey Hepburn, Wally Westmore on the Set of Sabrina, 1953 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, Wally Westmore on the Set of Sabrin, c1_35 – Audrey Hepburn gets a last minute touch up from the make up man on the set of Sabrina.
Giclée
Audrey Hepburn, Wally Westmore on the Set of Sabrina, 1953 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, Wally Westmore on the Set of Sabrin, c1_35 – Audrey Hepburn gets a last minute touch up from the make up man on the set of Sabrina.
Giclée
Audrey Hepburn at Home, Heron Day Bed, Glances Away, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_9 -- Audrey Hepburn looked incredible no matter what she was doing.
Giclée
Audrey Hepburn at Home, Heron Day Bed, Glances Away, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_9 -- Audrey Hepburn looked incredible no matter what she was doing.
Giclée
Audrey Hepburn with Feet Up in Dressing Room, Eyes Closed, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn is seen with costume designer Edith Head.
Giclée
Audrey Hepburn at Home, Heron Day Bed, Looks Down, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r18_4 -- Audrey Hepburn at home. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine.
Giclée
Audrey Hepburn at Home, Heron Day Bed, Arms Crossed, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_6 -- Informal portrait of Audrey Hepburn.
Giclée
Audrey Hepburn on Striped Sofa, Faces Forward with Book Open, 1954 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn on Striped Sofa, r17_7 -- Audrey Hepburn looked incredible no matter what she was doing.
Giclée
$2,500
Audrey Hepburn at Home, Heron Day Bed, Glances, 1954 - Mark Shaw Editioned Print
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r18_6 -- Audrey Hepburn looked incredible no matter what she was doing -- This image is an out take from the photo shoot for the cover of the April 19, 1954 internati...
Giclée
$2,500
Audrey Hepburn on Striped Sofa, Arm Back, Head Tilted, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r15_10 -- Informal portrait of Audrey Hepburn.
Giclée
$2,500
Audrey Hepburn on Striped Sofa, Arm Back, Glances Right, 1954 - Mark Shaw Print
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r23_9 -- Audrey Hepburn looked incredible no matter what she was doing.
Giclée
Audrey Hepburn on Striped Sofa, Hands on Closed Book, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r22_1 -- Informal portrait of Audrey Hepburn.
Giclée
$2,500
Audrey Hepburn on Striped Sofa, Arm Back, Head Tilted Smiling, 1954 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r15_9 -- Audrey Hepburn at home. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine.
Giclée
Audrey Hepburn in Directors Chair on Set of Sabrina, 1953 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn in Directors Chair on Set of Sabrina -- Audrey Hepburn on the set of Sabrina.
Giclée
Audrey Hepburn in Directors Chair on Set of Sabrina, 1953 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn in Directors Chair on Set of Sabrina -- Audrey Hepburn on the set of Sabrina.
Giclée
Audrey Hepburn in Directors Chair on Set of Sabrina, 1953 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn in Directors Chair on Set of Sabrina -- Audrey Hepburn on the set of Sabrina.
Giclée
Audrey Hepburn on Striped Sofa, Reclines Hand Up, Book Open, 1954 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r15_6 -- Informal portrait of Audrey Hepburn.
Giclée
$1,500
Audrey Hepburn on Striped Sofa, Arm Back, Head Tilted Smiling, 1954 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r15_9 -- Audrey Hepburn at home. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine.
Giclée
$1,400
Audrey Hepburn on Striped Sofa, Arm Back, Glances Right, 1954 - Mark Shaw Print
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r23_9 -- Audrey Hepburn looked incredible no matter what she was doing.
Giclée
Audrey Hepburn on Striped Sofa, Hands on Closed Book, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r22_1 -- Informal portrait of Audrey Hepburn.
Giclée
Audrey Hepburn on Striped Sofa, Hands on Closed Book, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r22_1 -- Informal portrait of Audrey Hepburn.
Giclée
$1,500
Audrey Hepburn on Striped Sofa, Arm Back, Head Tilted, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r15_10 -- Informal portrait of Audrey Hepburn.
Giclée
Audrey Hepburn at Home, Heron Day Bed, Arms Crossed, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_6 -- Informal portrait of Audrey Hepburn.
Giclée
Audrey Hepburn at Home, Heron Day Bed, Arms Crossed, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r19_6 -- Informal portrait of Audrey Hepburn.
Giclée
Audrey Hepburn at Home, Heron Day Bed, Looks Down, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r18_4 -- Audrey Hepburn at home. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine.
Giclée
Audrey Hepburn at Home, Heron Day Bed, Looks Down, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r18_4 -- Audrey Hepburn at home. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine.
Giclée
$1,100
Audrey Hepburn on Striped Sofa, Arm Back, Head Tilted, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r15_10 -- Informal portrait of Audrey Hepburn.
Giclée
$1,500
Audrey Hepburn at Home, Heron Day Bed, Glances, 1954 - Mark Shaw Editioned Print
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r18_6 -- Audrey Hepburn looked incredible no matter what she was doing -- This image is an out take from the photo shoot for the cover of the April 19, 1954 internati...
Giclée
Audrey Hepburn on Striped Sofa, Reclines Hand Up, Book Open, 1954 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r15_6 -- Informal portrait of Audrey Hepburn.
Giclée
Audrey Hepburn on Striped Sofa, Faces Forward with Book Open, 1954 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn on Striped Sofa, r17_7 -- Audrey Hepburn looked incredible no matter what she was doing.
Giclée
Audrey Hepburn on Striped Sofa, Reclines Hand Up, Book Open, 1954 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r15_6 -- Informal portrait of Audrey Hepburn.
Giclée
$1,100
Audrey Hepburn at Home, Heron Day Bed, Glances, 1954 - Mark Shaw Editioned Print
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r18_6 -- Audrey Hepburn looked incredible no matter what she was doing -- This image is an out take from the photo shoot for the cover of the April 19, 1954 internati...
Giclée
Audrey Hepburn on Striped Sofa, Faces Forward with Book Open, 1954 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn on Striped Sofa, r17_7 -- Audrey Hepburn looked incredible no matter what she was doing.
Giclée
$1,100
Audrey Hepburn on Striped Sofa, Arm Back, Head Tilted Smiling, 1954 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r15_9 -- Audrey Hepburn at home. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine.
Giclée
Audrey Hepburn with Feet Up in Dressing Room, Eyes Closed, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn is seen with costume designer Edith Head.
Giclée
Audrey Hepburn with Feet Up in Dressing Room, Eyes Closed, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn is seen with costume designer Edith Head.
Giclée
$2,500
Audrey Hepburn in White Blouse with Phone, Head on Hand, 1953 - Mark Shaw Print
By Mark Shaw
Located in New York, NY
Mark Shaw took 24 informal portraits while Audrey Hepburn was at home.
Giclée
$1,100
Audrey Hepburn in White Blouse with Phone, Head on Hand, 1953 - Mark Shaw Print
By Mark Shaw
Located in New York, NY
Mark Shaw took 24 informal portraits while Audrey Hepburn was at home.
Giclée
$1,500
Audrey Hepburn in White Blouse with Phone, Head on Hand, 1953 - Mark Shaw Print
By Mark Shaw
Located in New York, NY
Mark Shaw took 24 informal portraits while Audrey Hepburn was at home.
Giclée
$2,500
Audrey Hepburn and Director Billy Wilder on the set of Sabrina, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c23_44 -- Audrey Hepburn and Director Billy Wilder on the set during the filming of Sabrina.
Giclée
$1,500
Audrey Hepburn and Director Billy Wilder on the set of Sabrina, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c23_44 -- Audrey Hepburn and Director Billy Wilder on the set during the filming of Sabrina.
Giclée
$1,100
Audrey Hepburn and Director Billy Wilder on the set of Sabrina, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c23_44 -- Audrey Hepburn and Director Billy Wilder on the set during the filming of Sabrina.
Giclée
$2,500
Audrey Hepburn in White Blouse with Phone, Head on Right Hand, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn allowed Mark Shaw a visit to her apartment for "up close and natural" photos of her everyday life.
Giclée
$2,500
Audrey Hepburn and William Holden on Set of Sabrina, Run Lines, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn and William Holden on Set of Sabrina, 1953 -- Photographed on the set of Sabrina, Audrey Hepburn runs through a scene with William Holden who plays one of her suitors.
Giclée
$1,500
Audrey Hepburn in White Blouse with Phone, Head on Right Hand, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn allowed Mark Shaw a visit to her apartment for "up close and natural" photos of her everyday life.
Giclée
$1,100
Audrey Hepburn in White Blouse with Phone, Head on Right Hand, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn allowed Mark Shaw a visit to her apartment for "up close and natural" photos of her everyday life.
Giclée
$1,500
Audrey Hepburn and William Holden on Set of Sabrina, Run Lines, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn and William Holden on Set of Sabrina, 1953 -- Photographed on the set of Sabrina, Audrey Hepburn runs through a scene with William Holden who plays one of her suitors.
Giclée
$1,100
Audrey Hepburn and William Holden on Set of Sabrina, Run Lines, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn and William Holden on Set of Sabrina, 1953 -- Photographed on the set of Sabrina, Audrey Hepburn runs through a scene with William Holden who plays one of her suitors.
Giclée
Audrey Hepburn Chats with a Colleague on the Set of Sabrina, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r1_2 -- Audrey Hepburn on the set of Sabrina Fair, "turns happily to chat with a colleague."
Giclée
Audrey Hepburn Chats with a Colleague on the Set of Sabrina, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r1_2 -- Audrey Hepburn on the set of Sabrina Fair, "turns happily to chat with a colleague."
Giclée
Audrey Hepburn Chats with a Colleague on the Set of Sabrina, 1953 - Mark Shaw
By Mark Shaw
Located in New York, NY
Audrey Hepburn, r1_2 -- Audrey Hepburn on the set of Sabrina Fair, "turns happily to chat with a colleague."
Giclée
$2,500
Audrey Hepburn with Feet Up in Dressing Room, Head Back, 1953 - Mark Shaw Print
By Mark Shaw
Located in New York, NY
Audrey Hepburn is seen with costume designer Edith Head.
Giclée
$1,100
Audrey Hepburn with Feet Up in Dressing Room, Head Back, 1953 - Mark Shaw Print
By Mark Shaw
Located in New York, NY
Audrey Hepburn is seen with costume designer Edith Head.
Giclée
$1,500
Audrey Hepburn with Feet Up in Dressing Room, Head Back, 1953 - Mark Shaw Print
By Mark Shaw
Located in New York, NY
Audrey Hepburn is seen with costume designer Edith Head.
Giclée
$2,500
Audrey Hepburn on Striped Sofa, Rests on Book Head Up, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn at home -- This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine.
Giclée
$1,500
Audrey Hepburn on Striped Sofa, Rests on Book Head Up, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn at home -- This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine.
Giclée
$1,100
Audrey Hepburn on Striped Sofa, Rests on Book Head Up, 1954 - Mark Shaw Edition
By Mark Shaw
Located in New York, NY
Audrey Hepburn at home -- This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine.
Giclée
Audrey Hepburn in Grey Turtleneck Sweater, Looking Up, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in Grey Turtleneck Sweater Looking Up -- Audrey Hepburn was photographed for LIFE magazine in 1953.
Giclée
Audrey Hepburn in Grey Turtleneck Sweater, Looking Up, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in Grey Turtleneck Sweater Looking Up -- Audrey Hepburn was photographed for LIFE magazine in 1953.
Giclée
The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.
Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.
The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.
Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.
Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.
There’s a lot to love about black and white photography.
The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.
When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.
Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.
Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.
Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.
Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.
On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.