English Etching

English etching artist proof. The bottom reads as follows: Printed by Henry Fradelle and engraved by Thomas Lupton.

A pair of circa 1930's English prints with gilt frames. Measurements: Height: 9.5" Width: 7.5" Depth: 1"

A well-executed portrait etching of famous Polish-British author Joseph Conrad by Arthur William North ( English Late 19th century).

Alphonse Legros was a key figure of 19th-century French etching and later became a central influence in the English Etching Revival, following his emigration to London in 1863.

1971 The Tarahumara Indians - Figurative Etching on Paper Black and white etching of The Tarahumara Indians by Kelly English (American).

The Old Road: Elegy for the English Elm I Etching by Robin Tanner (1904-1988), signed by the artist in pencil.

Signed and numbered (6of 25) etching from this much collected Scottish Artist. Image 8; x 8. Excellent condition. Matted Ian Laurie was born in 1933 and is a self taught artist wh...

This is a fine aquatint etching by British artist Percival Gaskell. The title is: The Lonely Tower, Roman Campagna, it was created and printed in 1924 in an edition of 150. The ima...

He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium.

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

An original etching by Trevor Southey depicting a quiet stone bridge crossing a narrow stream in a wooded landscape.

He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium.

He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium.

Etching of a woman dressed in turn of the century attire looking out at the viewer. The work is signed in pencil by the artist. The etching is not framed. Artist Biography: William...

Antique British Steamship Etching This moody etching by Joseph Kirkpatrick (British, b. 1874 d. 1936) features a steamboat in the midst of choppy water with a dramatic cloudy sky be...

Full Moon Etching by Robin Tanner (1904-1988), signed by the artist in pencil.

Antique English Landscape Etchings, Cottage & Trees – Sherlock, 1811 A refined pair of early 19th-century English landscape etchings, delicately rendered and published in 1811, capt...

Antique English Landscape Etchings, Castle & Ruins – Sherlock, 1811 A finely balanced pair of early 19th-century English landscape etchings, published in 1811 and engraved by W.

Hedley Fitton (British, c. 1857-1929) John Knox's House, c. 1900 Etching 17 x 12 3/4 in. Framed: 25 x 20 1/2 in. Signed in the plate by Hedley Fitton Signed in pencil lower left: E. ...

Spring and Langan English boxing scene aquatint etching Drawn and etched by James Clements & John Pitman Worcester; Published March 22, 1824 by James Clements & John Pitman at 184 F...

Westminster Abbey. Signed in pencil by the artist below the image. Rowland Langmaid was a marine painter and etcher who studied under William Lionel Wylie. Langmaid joined the Roy...

English antique coloured etching, part of a series published in 1705 by T.Macklin, taken from paintings by John de Laporte.

'Benj. West RA' Soft ground etching by William Daniell RA (1769-1837) after George Dance the Younger (1741-1825), 1809. Benjamin West PRA (1738 – 1820) was an Anglo-American paint...

The original etching on paper depicts old stone bridge leading to the traditional old English cottages, surrounded by hills with fields and trees in the timeless English countryside ...

Artist: Bertram George Buchanan (English, 1873-1962) Titles: "The Seven Sisters", "Rye from the Hills", and "Pett Level" *Each work is signed by Buchanan in pencil lower right Circa ...

Walter Richard Sickert ARA (British, 1860 – 1942) Harry Anderson – in memoriam etching 1922 signed and titled in ink (lower edge) 5.1/8 x 4.1/2 in. (13 x 11.2 cm.) to plate edge

'HMAS Australia' Signed in pencil by the artist below the image. Rowland Langmaid was a marine painter and etcher who studied under William Lionel Wylie. Langmaid joined the Royal...

She published her etchings in four series, the titles of which indicate her love of travel: ‘English Etchings, ‘Egyptian Etchings’ (both 1925), ‘German Etchings’ (1929) and ‘Indian E...

English Pastoral Landscape with Farm and Cattle, Boydell Etching, 1747 This refined mid-eighteenth-century pastoral landscape print titled “Drawn after Nature” was engraved by the B...

Rustic Farm Horse Study, English Animal Etching by Robert Hills, 1801 This finely executed early nineteenth-century animal study depicts a sturdy farm horse standing quietly in a ru...

Louis Icart, The Complete Etchings. English book, by William R. Holland, Clifford P.

18th century Philip James de Loutherbourg Portrait English school miniature etching on paper, of oval shape, set in a black and gold decoration frame.

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Rare, English 19th-century brass jardinière with beautiful etchings and hand-crafted details, floral motifs, coat of arms, chunky ornate lion head ring-handles, and a trio paw-foot ...

Antique English Sheffield Silver-Plate Footed Tea Pot with Etching, Circa 1860.

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...

English antique etching print with black wood and golden metal frame, 1863 Etching with frame.

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...

Harmony Frank Dicksee, English (1853–1928) Date: 1877 Etching, signed in the plate Size: 24 x 17 in. (60.96 x 43.18 cm) Frame Size: 30.5 x 24 inches Printer: CH Wallner

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...