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Killerton, Devon, English Regency country house colour aquatint, 1818
Killerton, Devon, English Regency country house colour aquatint, 1818

Killerton, Devon, English Regency country house colour aquatint, 1818

Located in Melbourne, Victoria

'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'. Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...

Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

Egham Lock
Egham Lock

Egham Lock

By Sir Francis Seymour Haden, R.A.

Located in Fairlawn, OH

shows his inspiration in Rembrandt’s etching technique. SIR FRANCIS SEYMOUR HADEN (1818-1910) English

Category

1850s English School Landscape Prints

Materials

Etching

New Staines Bridge, late 18th century English sepia aquatint, 1799

New Staines Bridge, late 18th century English sepia aquatint, 1799

Located in Melbourne, Victoria

'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Michel Grove, Sussex English Regency country house colour aquatint, 1818
Michel Grove, Sussex English Regency country house colour aquatint, 1818

Michel Grove, Sussex English Regency country house colour aquatint, 1818

Located in Melbourne, Victoria

'Michel Grove, Seat of Thomas Walker Esq'. Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape. Published by Rudolf Ackermann in his 'Repository...

Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

Rockbear House, Devon, English Regency country house colour aquatint, 1818
Rockbear House, Devon, English Regency country house colour aquatint, 1818

Rockbear House, Devon, English Regency country house colour aquatint, 1818

Located in Melbourne, Victoria

'Rockbear House, Seat of Thos Porter Esq'. Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...

Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

St Margarets, Isleworth, English Regency country house colour aquatint, 1818
St Margarets, Isleworth, English Regency country house colour aquatint, 1818

St Margarets, Isleworth, English Regency country house colour aquatint, 1818

Located in Melbourne, Victoria

'St Margarets (Entrance Front) Seat of the Earl of Cassillis'. St Margarets was a Regency house in Isleworth, Middlesex. Published by Rudolf Ackermann in his 'Repository of the A...

Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

La Tresse (Anais)
La Tresse (Anais)

La Tresse (Anais)

By Gerald Leslie Brockhurst

Located in Fairlawn, OH

La Tresse (Anais) Etching with stipple, October 1926 Signed in pencil lower right (see photo

Category

1920s English School Figurative Prints

Materials

Etching

Lady Stanhope, English mezzotint portrait print after Sir Joshua Reynolds, c1780

Lady Stanhope, English mezzotint portrait print after Sir Joshua Reynolds, c1780

By Joshua Reynolds

Located in Melbourne, Victoria

'The Honourable Lady Stanhope' Anne Hussey (Delaval), Lady Stanhope (died 1811) was the wife of Sir William Stanhope of Whig Park. James Watson (c1739-1790) was born in Ireland. H...

Category

Late 18th Century Naturalistic Portrait Prints

Materials

Engraving, Etching, Mezzotint

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799

Located in Melbourne, Victoria

'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799

Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799

Located in Melbourne, Victoria

'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799

Located in Melbourne, Victoria

'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799

Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799

Located in Melbourne, Victoria

'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799

Located in Melbourne, Victoria

'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

Located in Melbourne, Victoria

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Black and White Abstract Etching, Signed 1/25, Framed, Contemporary
Black and White Abstract Etching, Signed 1/25, Framed, Contemporary

Black and White Abstract Etching, Signed 1/25, Framed, Contemporary

By Oliver Gaiger

Located in New York, NY

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in

Category

21st Century and Contemporary English Contemporary Art

Materials

Other

A Jersey Vraic Cart
A Jersey Vraic Cart

A Jersey Vraic Cart

By Edmund Blampied

Located in Fairlawn, OH

A Jersey Vraic Cart Etching, 1939 Signed lower center margin (see photo) Signed and dated in the

Category

1930s English School Animal Prints

Materials

Etching

Amberley Boy, No. 2
Amberley Boy, No. 2

Amberley Boy, No. 2

By Gerald Leslie Brockhurst

Located in Fairlawn, OH

Amberley Boy, No. 2 Etching with stipple, 1928 Signed in pencil lower right (see photo) Signed in

Category

1920s English School Figurative Prints

Materials

Etching

The Gate of Hundred Sorrows
The Gate of Hundred Sorrows

The Gate of Hundred Sorrows

By William Strang, R.A., R.E.

Located in Fairlawn, OH

The Gate of Hundred Sorrows Etching, 1900 Signed in the plate lower right (see photo) From: A

Category

Early 1900s English School Figurative Prints

Materials

Etching

A LANCASHIRE RIVER,
A LANCASHIRE RIVER,

A LANCASHIRE RIVER,

By Sir Francis Seymour Haden, R.A.

Located in Santa Monica, CA

; Harrington 215 ii/ii) Original etching with drypoint. Signed in pencil., image 11 x 16. A large sheet, 18 x

Category

1880s English School Landscape Prints

Materials

Etching

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English Etching For Sale on 1stDibs

With a vast inventory of beautiful furniture at 1stDibs, we’ve got just the English etching you’re looking for. Frequently made of blown glass, brass and glass, every English etching was constructed with great care. There are 34 variations of the antique or vintage English etching you’re looking for, while we also have 24 modern editions of this piece to choose from as well. You’ve searched high and low for the perfect English etching — we have versions that date back to the 18th Century alongside those produced as recently as the 21st Century are available. An English etching made by Victorian designers — as well as those associated with Regency — is very popular. You’ll likely find more than one English etching that is appealing in its simplicity, but Oliver Gaiger and James Abbott McNeill Whistler produced versions that are worth a look.

How Much is an English Etching?

Prices for an English etching can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $150 and can go as high as $5,750, while the average can fetch as much as $2,850.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.