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Portrait of Women and Children - Original Etching by James Neagle - 1810

Portrait of Women and Children - Original Etching by James Neagle - 1810

By James Neagle

Located in Roma, IT

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...

Category

1810s Old Masters Figurative Prints

Materials

Etching

A Boy Climbing a Tree - Original Etching by James Neagle - 1810

A Boy Climbing a Tree - Original Etching by James Neagle - 1810

By James Neagle

Located in Roma, IT

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...

Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of Man While Reading - Original Etching by John Hall - 1810

Portrait of Man While Reading - Original Etching by John Hall - 1810

By John Hall 3

Located in Roma, IT

Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...

Category

1810s Old Masters Figurative Prints

Materials

Etching

Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving

Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving

Located in Saint Augustine, FL

Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844) Title: "Benevolent Cottagers" Year: 1816 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown...

Category

1810s Old Masters Landscape Prints

Materials

Engraving, Etching, Laid Paper, Intaglio

Killerton, Devon, English Regency country house colour aquatint, 1818
Killerton, Devon, English Regency country house colour aquatint, 1818

Killerton, Devon, English Regency country house colour aquatint, 1818

Located in Melbourne, Victoria

'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'. Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...

Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

Egham Lock
Egham Lock

Egham Lock

By Sir Francis Seymour Haden, R.A.

Located in Fairlawn, OH

Egham Lock etching & drypoint, 1859 Signed in the plate faintly lower left (see photo) Titled in the plate lower left Published: in Gazette des Beaux-Arts, 1864 Rich impression print...

Category

1850s English School Landscape Prints

Materials

Etching

La Tresse (Anais)
La Tresse (Anais)

La Tresse (Anais)

By Gerald Leslie Brockhurst

Located in Fairlawn, OH

La Tresse (Anais) Etching with stipple, October 1926 Signed in pencil lower right (see photo) Signed and dated in reverrse in the plate lower left Edition: 111, published by Conaghi,...

Category

1920s English School Figurative Prints

Materials

Etching

New Staines Bridge, late 18th century English sepia aquatint, 1799

New Staines Bridge, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Michel Grove, Sussex English Regency country house colour aquatint, 1818
Michel Grove, Sussex English Regency country house colour aquatint, 1818

Michel Grove, Sussex English Regency country house colour aquatint, 1818

Located in Melbourne, Victoria

'Michel Grove, Seat of Thomas Walker Esq'. Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape. Published by Rudolf Ackermann in his 'Repository...

Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

St Margarets, Isleworth, English Regency country house colour aquatint, 1818
St Margarets, Isleworth, English Regency country house colour aquatint, 1818

St Margarets, Isleworth, English Regency country house colour aquatint, 1818

Located in Melbourne, Victoria

'St Margarets (Entrance Front) Seat of the Earl of Cassillis'. St Margarets was a Regency house in Isleworth, Middlesex. Published by Rudolf Ackermann in his 'Repository of the A...

Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

Rockbear House, Devon, English Regency country house colour aquatint, 1818
Rockbear House, Devon, English Regency country house colour aquatint, 1818

Rockbear House, Devon, English Regency country house colour aquatint, 1818

Located in Melbourne, Victoria

'Rockbear House, Seat of Thos Porter Esq'. Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...

Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

Lady Stanhope, English mezzotint portrait print after Sir Joshua Reynolds, c1780

Lady Stanhope, English mezzotint portrait print after Sir Joshua Reynolds, c1780

By Joshua Reynolds

Located in Melbourne, Victoria

'The Honourable Lady Stanhope' Anne Hussey (Delaval), Lady Stanhope (died 1811) was the wife of Sir William Stanhope of Whig Park. James Watson (c1739-1790) was born in Ireland. H...

Category

Late 18th Century Naturalistic Portrait Prints

Materials

Engraving, Etching, Mezzotint

Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799

Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799

Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

1972 After Johnny Friedlaender 'Friedlaender Etchings Eaux-Fortes Radierungen'

1972 After Johnny Friedlaender 'Friedlaender Etchings Eaux-Fortes Radierungen'

By Johnny Friedlaender

Located in Brooklyn, NY

Hardcover, dust jacket, in protective slip case. As new. Text in English, French, and German. Etchings by Friedlaender limited 2000 copies DOES NOT include the 3 original lithographs...

Category

1970s Prints and Multiples

Materials

Lithograph

Black and White Abstract Etching, Signed 1/25, Framed, Contemporary
Black and White Abstract Etching, Signed 1/25, Framed, Contemporary

Black and White Abstract Etching, Signed 1/25, Framed, Contemporary

By Oliver Gaiger

Located in New York, NY

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a charcoal grey wood frame.

Category

21st Century and Contemporary English Contemporary Art

Materials

Other

Antique Marine Etching Fishing Boat at Sea - Nelson Dawson, British - ca.1910
Antique Marine Etching Fishing Boat at Sea - Nelson Dawson, British - ca.1910

Antique Marine Etching Fishing Boat at Sea - Nelson Dawson, British - ca.1910

Located in Langweer, NL

During the early twentieth century Dawson produced a series of small maritime etchings portraying North Sea and English Channel fishing vessels navigating changing weather and seas.

Category

Early 20th Century British Prints

Materials

Paper

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Rough Weather at Blatchington Pulling in the Fishing Nets on the English Coast
Rough Weather at Blatchington Pulling in the Fishing Nets on the English Coast

Rough Weather at Blatchington Pulling in the Fishing Nets on the English Coast

By Sir Frank Short

Located in Soquel, CA

Drypoint etching rawing of a coastal scene with figures drawing a net or boat form the sea by Sir Francis (Frank) Job Short (British, 1857 - 1945) Sir Frank Short, Royal Academy*, wa...

Category

1880s Impressionist Figurative Drawings and Watercolors

Materials

Rag Paper, Drypoint, Etching, Gouache

A Jersey Vraic Cart
A Jersey Vraic Cart

A Jersey Vraic Cart

By Edmund Blampied

Located in Fairlawn, OH

A Jersey Vraic Cart Etching, 1939 Signed lower center margin (see photo) Signed and dated in the plate (see photo) Edition 250 plus 10 on J. Whatman laid paper Printed by David Stran...

Category

1930s English School Animal Prints

Materials

Etching

Amberley Boy, No. 2
Amberley Boy, No. 2

Amberley Boy, No. 2

By Gerald Leslie Brockhurst

Located in Fairlawn, OH

Amberley Boy, No. 2 Etching with stipple, 1928 Signed in pencil lower right (see photo) Signed in the plate in reverse (see photo) Provenance inscription in pencil verso A proof outs...

Category

1920s English School Figurative Prints

Materials

Etching

The Gate of Hundred Sorrows
The Gate of Hundred Sorrows

The Gate of Hundred Sorrows

By William Strang, R.A., R.E.

Located in Fairlawn, OH

The Gate of Hundred Sorrows Etching, 1900 Signed in the plate lower right (see photo) From: A Series of Thirty Etchings by William Strang, Illustrating Subjects from the Writings of...

Category

Early 1900s English School Figurative Prints

Materials

Etching

A LANCASHIRE RIVER,
A LANCASHIRE RIVER,

A LANCASHIRE RIVER,

By Sir Francis Seymour Haden, R.A.

Located in Santa Monica, CA

SIR FRANCIS SEYMOUR HADEN (1818-1910) A LANCASHIRE RIVER, 1881 (Schneiderman 203 viii/ix; Harrington 215 ii/ii) Original etching with drypoint. Signed in pencil., image 11 x 16. A l...

Category

1880s English School Landscape Prints

Materials

Etching

Panama Hat with a Bow Tie on a Chair, from The Geldzahler Portfolio
Panama Hat with a Bow Tie on a Chair, from The Geldzahler Portfolio

Panama Hat with a Bow Tie on a Chair, from The Geldzahler Portfolio

By David Hockney

Located in London, GB

Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered 69th from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice ...

Category

1990s English School Figurative Prints

Materials

Etching, Aquatint

Group of 19th & 20th century hand colored fashion plates.
Group of 19th & 20th century hand colored fashion plates.

Group of 19th & 20th century hand colored fashion plates.

Located in Middletown, NY

19th century European Group of 13 hand-colored English and Continental fashion plates and costume designs.

Category

19th Century English School Still-life Prints

Materials

Watercolor, Handmade Paper, Etching

The Queen's Entrance into Edinburgh
The Queen's Entrance into Edinburgh

The Queen's Entrance into Edinburgh

By William Ewart Lockhart

Located in Middletown, NY

Etching by Brunet-Debaines, Alfred (after William Ewart Lockhart) Paris: A. Durand, 1878. Etching on watermarked Van Gelder Portfolio cream laid paper,10 1/4 x 7 1/4 inches (260 x ...

Category

Mid-19th Century English School Landscape Prints

Materials

Laid Paper, Etching

Fortune Hunting
Fortune Hunting

Fortune Hunting

By James Gillray

Located in Middletown, NY

A richly hand-colored image with a counterstrike on the verso. London: Hannah Humphrey, 1804. Etching with hand coloring in watercolor on buff wove paper, 10 1/4 x 15 inches (260 x...

Category

Early 19th Century English School Figurative Prints

Materials

Etching, Watercolor

Chepstow Castle ( on a limestone cliff above the River Wye in Wales)
Chepstow Castle ( on a limestone cliff above the River Wye in Wales)

Chepstow Castle ( on a limestone cliff above the River Wye in Wales)

By Percival Gaskell

Located in New Orleans, LA

The magnificent printed works of the Yorkshire artist, Percival Gaskell have only been fully rediscovered in recent years. Percival Gaskell rose to prominence whilst working together...

Category

1940s English School Landscape Prints

Materials

Mezzotint, Etching

Italian Boat at Sunrise
Italian Boat at Sunrise

Italian Boat at Sunrise

By Sidney Mackenzie Litten

Located in Middletown, NY

Venice was the subject for fifteen etchings, exhibited until 1935, at which time Litten appears to have quit etching.

Category

Early 20th Century English School Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

Chartres Cathedral

Chartres Cathedral

By Axel Herman Haig, R.E.

Located in Middletown, NY

Etching in brownish black ink on cream laid paper, 8 1/4 x 4 1/4 inches (209 x 111 mm), full margins. Signed (illegibly) in pencil, lower right margin. In good condition with a print...

Category

Early 20th Century English School Figurative Prints

Materials

Etching, Laid Paper

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English Etching For Sale on 1stDibs

With a vast inventory of beautiful furniture at 1stDibs, we’ve got just the English etching you’re looking for. Frequently made of blown glass, brass and glass, every English etching was constructed with great care. There are 34 variations of the antique or vintage English etching you’re looking for, while we also have 24 modern editions of this piece to choose from as well. You’ve searched high and low for the perfect English etching — we have versions that date back to the 18th Century alongside those produced as recently as the 21st Century are available. An English etching made by Victorian designers — as well as those associated with Regency — is very popular. You’ll likely find more than one English etching that is appealing in its simplicity, but Oliver Gaiger and James Abbott McNeill Whistler produced versions that are worth a look.

How Much is an English Etching?

Prices for an English etching can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $150 and can go as high as $5,750, while the average can fetch as much as $2,850.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.