Gil Blas

Theophile Alexandre Steinlen, French/Swiss (1859 - 1923) - Gil Blas Illustrated, Medium: Double

A set of four leather-bound books titled THE ADVENTURES OF GIL BLAS OF SANTILLANE translated from

, On Demande des Petites Femmes, published in Gil Blas, June, 23, 1899. Gil Blas (or Le Gil Blas) was a

Second French Empire and also made history paintings and illustrations for books such as Gil Blas and

Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which he produced over four hundred lithographs

, L'Assiette aueurre, Le Rire, Gil Blas Illustrated, La Libre Parole Illustrée, La Vie parisienne, as well as

for Paris journals (Le Chat Noir, Gil Blas), and was naturally attracted to printmaking presumably

, L'Assiette au Beurre, Le Rire, Gil Blas illustré, La Libre Parole illustrée, and La Vie Parisienne, as well

journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which he produced over four hundred

publications notably in La Lanterne magazine in February 1889 and in the periodical Gil Blas in October 1892

where he worked as an illustrator for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas

where he worked as an illustrator for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas

as an illustrator for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which

as an illustrator for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which

illustrator for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which he produced over

for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which he produced over

pour tous , La Caricature (1895-1902), Gil Blas illustré , Fin de siècle , Le Rire , La Vie pour rire

journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which he produced over four hundred

printmaking awards—among them, his illustrated books of poems for Ward Ritchie and Alexander Dumas 'A Gil Blas

Beurre, Chat Noir, and Gil Blas, for which he produced over four hundred lithographs. In the early 1890s

where he worked as an illustrator for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas

where he worked as an illustrator for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas

where he worked as an illustrator for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas

Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which he produced over four hundred lithographs

journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which he produced over four hundred

Noir, and Gil Blas, for which he produced over four hundred lithographs. In the early 1890s

origin of his popularity. He collaborated with various humorous illustrated newspapers such as "Gil Blas

publications such as Comoedia, L'Intransigeant, and Gil Blas. They founded the Maison in 1922 and exhibited at

refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's

Gil Blas, for which he produced over four hundred lithographs. Besides illustrating advertisements

newspapers such as "Gil Blas", "L'Assiette au Beurre", "Le Rire" and "Les Humoristes", which he founded in

illustrations for the Bible, The Picturesque Beauties of Shakespeare, Johnson's Rasselas, Gil Blas, the Arabian

of lithographic covers for the publication Gil blas illustré to accompany the short stories of

illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the

to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's

illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the

his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the

illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the

and Alexander Dumas 'A Gil Blas in California', and his first solo book, 'California Hills and Other

newspapers (including Paris Magazine, L’Intransigeant, Gil Blas, and Comoedia). Style & Significance

for Ward Ritchie and Alexander Dumas 'A Gil Blas in California', and his first solo book, 'California

gained early experience as an illustrator for various periodicals, including *Gil Blas*, a popular

for as seen in many of his paintings. Steinlen became a regular contributor to Le Rire and Gil Blas

attached. In 1912 in London he won the Muller house competition for the illustrations of Alain's "Gil Blas

(Ollendorff, 1899), or satirical as Gil Blas and L'Assiette au beurre . It also shows some sheet music and a

a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including

to publications like Le Rire and Gil Blas Illustre, where his wit and keen eye for modern life

to publications like Le Rire and Gil Blas Illustre, where his wit and keen eye for modern life

1903, he contributed to the illustrated publications of the time: Rabelais; Le Rire; L'Indiscret; Gil

1905 in Gil Blas, a daily newspaper, and passed into popular usage. Derain himself later called the

1905 in Gil Blas, a daily newspaper, and passed into popular usage. Derain himself later called the

1905 in Gil Blas, a daily newspaper, and passed into popular usage. Derain himself later called the

1905 in Gil Blas, a daily newspaper, and passed into popular usage. Derain himself later called the

1905 in Gil Blas, a daily newspaper, and passed into popular usage. Derain himself later called the

1905 in Gil Blas, a daily newspaper, and passed into popular usage. Derain himself later called the

1905 in Gil Blas, a daily newspaper, and passed into popular usage. Derain himself later called the

1905 in Gil Blas, a daily newspaper, and passed into popular usage. Derain himself later called the