Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - Crab & Lobster, English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - shrimps, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - lobsters, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - shrimps, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - Coconut and hermit crabs, natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Crustaceans - cyclops etc, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
The Aurelian, A Natural History of English Moths Butterflies Plate XXXVIII
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785 ) Plate XXXVIII ,The Aurelian, A Natural History of English Moths and Butterflies Hand colored engraving 1778 edition 17.88 x 11.00 Very good condi...
Engraving
Le Millouinan /// Ornithology Martinet Bird Animal Art Duck Natural History
By François Nicolas Martinet
Located in Saint Augustine, FL
Martinet engraved the plates for numerous works on natural history, especially ornithology. Notable in particular are those for l'Ornithologia, sive Synopsis methodica of Mathurin Ja...
Watercolor, Laid Paper, Engraving, Intaglio
Bird and Beetle - Etching and watercolor (Natural History of Birds, 1741)
By George Edwards
Located in Paris, IDF
George EDWARDS Bird and beetle ('The Gowry Bird') Original engraving, enhanced with watercolor Printed signature in the plate Dated, 1741 28.8 x 23.3 cm Created for Volume I of the...
Engraving, Watercolor
The Aurelian, A Natural History English Moths Butterflies Moses Harris pl. IX
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785) The Aurelian, A Natural History of English Moths and Butterflies – Plate IX Hand-Colored Engraving 17.88 x 11.00 very good condition Plate IX fro...
Engraving
$650
The Aurelian, A Natural History English Moths Butterflies Plate XXVII 1778 ed.
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and Butterflies Hand colored engraving – Plate XXVII 1778 edition Plate XXVII is from The A...
Engraving
The Aurelian, A Natural History of English Moths and Butterflies Plate XLII
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and Butterflies Plate XLII 1778 edition hand colored edition 17.88 x 11.00 good condition Pla...
Engraving
La Taupe (The Mole) - Etching by Jacques de Sève - 1771
By Jacques de Seve
Located in Roma, IT
A strong example of Enlightenment natural history engraving, illustrating Buffon’s integration of zoological description and comparative anatomy within a refined artistic framework.
Etching
Empress of Silence
By William B. Montgomery
Located in Dallas, TX
Based on the tradition of the early natural history engravings, these scientifically accurate, yet artistically exquisite, etchings and lithographs have been commissioned for a varie...
Unavailable
H 16.93 in W 13 in D 1.19 in
François Nicolas Martinet (1731-1800) Le pigeon ramier de Madacascar Engraving
By François Nicolas Martinet
Located in Meinisberg, CH
Martinet engraved the plates for numerous works on natural history, especially ornithology. Notable in particular are those for Buffon's natural history where he made 1008 engravings.
Ink, Watercolor, Laid Paper
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Sold
H 13.38 in W 9.19 in
Lepidoptera (Butterflies) /// Scottish Natural History Zoology Animal Engraving
Located in Saint Augustine, FL
Comes from MacGillivray's two volume "The Edinburgh Journal of Natural History, and of The Physical Sciences", (1835-1840) (First edition), which consists of 119 hand-colored engravi...
Watercolor, Engraving, Intaglio
Lizards / reptiles, engraving with original hand-colouring, circa 1840
Located in Melbourne, Victoria
La Salamandre Terrestial 2 La S. a Queue Plate Male 3. id Femelle 4 La S a Trois Doigts' French natural history steel-engraving with original hand-colouring.
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Sold
H 10.24 in W 6.11 in
Horses, Antique French 19th century natural history engraving print
Located in Melbourne, Victoria
'Cheval Barbe - Cheval Normand' French engraving with original hand-colouring by Madame Fournier after Edouard Travies. 260mm by 155mm (sheet)
Engraving
Spiders, four antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders. Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 125...
Engraving
Sold
H 8.27 in W 5.12 in
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Sold
H 8.27 in W 5.12 in
Crustaceans - bopyrus, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Sold
H 8.27 in W 5.12 in
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Engraving
Sold
H 9.85 in W 6.7 in
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Sold
H 9.85 in W 6.7 in
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Engraving
Lizards / reptiles, engraving with original hand-colouring, circa 1840
Located in Melbourne, Victoria
Le Tapaye 2 Le Marbre 3 Le Roquet'. French natural history steel-engraving with original hand-colouring.
Engraving
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
Once built for curbs and handrails, these boards now hang beside blue-chip works in major museums and collectors’ homes.
A planet-wide celebration feels fitting for an artist who saw connections everywhere: between paint and photography, art and life, self and surroundings.
The sculptural lithograph is part of the inimitable artist’s “Ruckus” series, now on view at the Brooklyn Museum.
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
Get to know the key movements and artists who have influenced visual culture for more than a century.
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
This set of recipes and original prints might not make you a better chef. But it will make you smile.
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.