Post Modern Memphis
Vintage 1980s Post-Modern Chairs
Metal
Vintage 1980s Italian Post-Modern Floor Lamps
Metal, Chrome
Late 20th Century American Post-Modern Decorative Bowls
Aluminum
Vintage 1980s Italian Post-Modern Vases
Ceramic
Mid-20th Century Italian Mid-Century Modern Barware
Glass
Late 20th Century Japanese Post-Modern Serving Pieces
Ceramic
Vintage 1980s Swedish Post-Modern Candlesticks
Metal
Mid-20th Century American Post-Modern Tableware
Wood
Late 20th Century Italian Post-Modern Serving Tables
Aluminum
Late 20th Century Italian Post-Modern Side Chairs
Steel
1990s American Post-Modern Candlesticks
Clay, Pottery
Mid-20th Century Italian Mid-Century Modern Ceramics
Marble
Vintage 1980s American Post-Modern Stools
Wrought Iron
Mid-20th Century Moroccan Tribal Moroccan and North African Rugs
Wool
Vintage 1980s Italian Post-Modern Table Lamps
Metal
Late 20th Century American Post-Modern Table Lamps
Metal
Late 20th Century Italian Post-Modern Dining Room Chairs
Steel
Vintage 1980s Italian Post-Modern Table Lamps
Metal
Vintage 1980s Dutch Post-Modern Dining Room Chairs
Metal, Chrome
20th Century Italian Mid-Century Modern Table Lamps
Glass
Vintage 1980s American Post-Modern Stools
Iron
20th Century Japanese Post-Modern Vases
Ceramic
Vintage 1970s Italian Industrial Floor Lamps
Lacquer
Vintage 1980s North American Post-Modern Wall Mirrors
Wood, Wenge, Zebra Wood, Mirror
Vintage 1980s Italian Coat Racks and Stands
Brass
Vintage 1980s French Post-Modern Shelves
Brass, Bronze, Steel
Late 20th Century Italian Post-Modern Floor Lamps
Glass
Late 20th Century American Post-Modern Lounge Chairs
Upholstery, Wood
Vintage 1980s Dutch Post-Modern Candlesticks
Metal, Chrome
Late 20th Century German Post-Modern Desks and Writing Tables
Metal
Vintage 1980s Italian Post-Modern Coffee and Cocktail Tables
Metal
Vintage 1980s Italian Post-Modern Table Lamps
Brass
Vintage 1980s Italian Post-Modern Table Lamps
Metal
1990s American Mid-Century Modern Table Lamps
Metal
Vintage 1980s Post-Modern Dining Room Tables
Carrara Marble, Stainless Steel
Late 20th Century Japanese Post-Modern Serving Pieces
Ceramic
1990s American Post-Modern Decorative Objects
Foam
Vintage 1980s Post-Modern Side Tables
Glass
Vintage 1980s Japanese Post-Modern Serving Pieces
Ceramic
20th Century Swedish Post-Modern Tea Sets
Porcelain
Vintage 1980s Swiss Post-Modern Wall Lights and Sconces
Metal
Vintage 1980s American Post-Modern Decorative Boxes
Fabric, Wood, Paint
Late 20th Century Italian Post-Modern Table Lamps
Resin, Plastic
2010s Nepalese Post-Modern Central Asian Rugs
Silk
Vintage 1980s German Post-Modern Dining Room Chairs
Metal
Vintage 1980s French Post-Modern Table Lamps
Cork
Late 20th Century Italian Post-Modern Table Lamps
Resin, Plastic, Lucite
Late 20th Century Japanese Post-Modern Tea Sets
Ceramic
Late 20th Century American Post-Modern Floor Lamps
Metal
Vintage 1980s Japanese Post-Modern Ceramics
Ceramic
Vintage 1980s Japanese Post-Modern Dinner Plates
Ceramic
Late 20th Century Japanese Post-Modern Porcelain
Porcelain
1990s Italian Post-Modern Coat Racks and Stands
Metal
Vintage 1980s Italian Post-Modern Table Lamps
Metal
Late 20th Century North American Post-Modern Dining Room Tables
Travertine, Aluminum
Vintage 1980s American Post-Modern Stools
Metal
Vintage 1980s Italian Post-Modern Wingback Chairs
Leather, Velvet
Late 20th Century Japanese Post-Modern Barware
Plastic
Vintage 1970s Italian Post-Modern Coffee and Cocktail Tables
Wood, Lacquer
Vintage 1980s Italian Post-Modern Decorative Dishes and Vide-Poche
Ceramic
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Post Modern Memphis For Sale on 1stDibs
How Much are Post Modern Memphis?
A Close Look at Post-modern Furniture
Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.
ORIGINS OF POSTMODERN FURNITURE DESIGN
- Emerges during the 1960s; popularity explodes during the ’80s
- A reaction to prevailing conventions of modernism by mainly American architects
- Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
- Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
- Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980)
- Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
- Interest in style declines, minimalism gains steam
CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN
- Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
- Use of plastic and laminates, glass, metal and marble; lacquered and painted wood
- Unconventional proportions and abundant ornamentation
- Playful nods to Art Deco and Pop art
POSTMODERN FURNITURE DESIGNERS TO KNOW
- Ettore Sottsass
- Robert Venturi
- Alessandro Mendini
- Michele de Lucchi
- Michael Graves
- Nathalie du Pasquier
VINTAGE POSTMODERN FURNITURE ON 1STDIBS
Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.
Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.
Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group, which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.
Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals.
After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.
On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.
- 1stDibs ExpertSeptember 28, 2021A famous piece of Memphis work would be difficult to choose as there are many, including the Suvretta bookcase, Carlton shelf/room divider and the Tawaraya boxing ring bed/seating. The Memphis Group, also called Memphis Milano, was an Italian design and architecture collective that was best known for its bold postmodern furniture. Check out 1stDibs, for some of the most famous pieces of Memphis work.
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