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Synthesis 45 Chair

Ettore Sottsass, "Synthesis 45" Dactylo Chair, 1968
Ettore Sottsass, "Synthesis 45" Dactylo Chair, 1968

Ettore Sottsass, "Synthesis 45" Dactylo Chair, 1968

By Ettore Sottsass

Located in Saint-Ouen, FR

Ettore Sottsass, "Synthesis 45" dactylo chair, 1968.

Category

Vintage 1960s Italian Mid-Century Modern Chairs

Materials

Metal

Typist Chair Synthesis 45 Designed by Ettore Sottsass for Olivetti, Italy, 1970s
Typist Chair Synthesis 45 Designed by Ettore Sottsass for Olivetti, Italy, 1970s

Typist Chair Synthesis 45 Designed by Ettore Sottsass for Olivetti, Italy, 1970s

By Ettore Sottsass, Olivetti

Located in Milano, IT

Typist Chair “Synthesis 45” Designed by Ettore Sottsass for Olivetti, Italy – 1970s Beginning in

Category

Vintage 1970s Italian Mid-Century Modern Chairs

Materials

Metal

Recent Sales

Office Chair Synthesis 45 by Ettore Sottsass for Olivetti ‘Conran’, Italy, 1960s
Office Chair Synthesis 45 by Ettore Sottsass for Olivetti ‘Conran’, Italy, 1960s

Office Chair Synthesis 45 by Ettore Sottsass for Olivetti ‘Conran’, Italy, 1960s

By Ettore Sottsass, Olivetti

Located in Torino, Italy

Synthesis 45 Designer Ettore Sottsass Producer Olivetti Distributed by Conran 1960s.

Category

Vintage 1960s Italian Post-Modern Office Chairs and Desk Chairs

Materials

Aluminum

Desk Chair "Synthesis 45" Designed by Ettore Sottsass for Olivetti 1980s
Desk Chair "Synthesis 45" Designed by Ettore Sottsass for Olivetti 1980s

Desk Chair "Synthesis 45" Designed by Ettore Sottsass for Olivetti 1980s

By Olivetti, Ettore Sottsass

Located in Antwerpen, Antwerp

Very rare side chair "Synthesis 45" office furniture system designed by Ettore Sottsass for

Category

Vintage 1980s Italian Modern Chairs

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Synthesis 45 Typist Chair by Ettore Sottsass for Olivetti, Italy, 1970
Synthesis 45 Typist Chair by Ettore Sottsass for Olivetti, Italy, 1970

Synthesis 45 Typist Chair by Ettore Sottsass for Olivetti, Italy, 1970

By Olivetti, Ettore Sottsass

Located in Munster, NRW

Synthesis 45 typist’s adjustable swivel chair, designed 1970 by Ettore Sottsass. Injection-moulded

Category

Vintage 1970s Italian Space Age Office Chairs and Desk Chairs

Materials

Aluminum, Steel

Desk Chair Mod.Synthesis 45 Designed by Ettore Sottsass for Olivetti, Italy 197
Desk Chair Mod.Synthesis 45 Designed by Ettore Sottsass for Olivetti, Italy 197

Desk Chair Mod.Synthesis 45 Designed by Ettore Sottsass for Olivetti, Italy 197

By Olivetti, Ettore Sottsass

Located in Milano, IT

Desk Chair "Synthesis 45" Designed by Ettore Sottsass for Olivetti, Italy 1970s Since 1970

Category

Vintage 1970s Italian Mid-Century Modern Office Chairs and Desk Chairs

Materials

Metal

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Ettore Sottsass for sale on 1stDibs

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century. He was a wild man of the Radical Design movement that swept Italy in the late 1960s and ’70s, rejecting rationalism and modernism in favor of ever-more outrageous imaginings in lighting and furniture such as mirrors, lamps, chairs and tables.

Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. 

The Memphis Group mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking.

Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals. 

Sottsass created innovative furnishings for the likes of Artemide, Knoll, Zanotta and Poltronova, where he reigned as artistic director for nearly two decades beginning in 1958. His most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most inspired and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

Sottsass left the Memphis Group in 1985 in order to concentrate on the growth of Sottsass Associati, a design and architecture consultancy he cofounded in 1980. 

It was as an artist that Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

Find Ettore Sottsass lighting, decorative objects and furniture for sale on 1stDibs.

Finding the Right Seating for You

With entire areas of our homes reserved for “sitting rooms,” the value of quality antique and vintage seating cannot be overstated.

Fortunately, the design of side chairs, armchairs and other lounge furniture — since what were, quite literally, the early perches of our ancestors — has evolved considerably.

Among the earliest standard seating furniture were stools. Egyptian stools, for example, designed for one person with no seat back, were x-shaped and typically folded to be tucked away. These rudimentary chairs informed the design of Greek and Roman stools, all of which were a long way from Sori Yanagi's Butterfly stool or Alvar Aalto's Stool 60. In the 18th century and earlier, seats with backs and armrests were largely reserved for high nobility.

The seating of today is more inclusive but the style and placement of chairs can still make a statement. Antique desk chairs and armchairs designed in the style of Louis XV, which eventually included painted furniture and were often made of rare woods, feature prominently curved legs as well as Chinese themes and varied ornaments. Much like the thrones of fairy tales and the regency, elegant lounges crafted in the Louis XV style convey wealth and prestige. In the kitchen, the dining chair placed at the head of the table is typically reserved for the head of the household or a revered guest.

Of course, with luxurious vintage or antique furnishings, every chair can seem like the best seat in the house. Whether your preference is stretching out on a plush sofa, such as the Serpentine, designed by Vladimir Kagan, or cozying up in a vintage wingback chair, there is likely to be a comfy classic or contemporary gem for you on 1stDibs.

With respect to the latest obsessions in design, cane seating has been cropping up everywhere, from sleek armchairs to lounge chairs, while bouclé fabric, a staple of modern furniture design, can be seen in mid-century modern, Scandinavian modern and Hollywood Regency furniture styles.

Admirers of the sophisticated craftsmanship and dark woods frequently associated with mid-century modern seating can find timeless furnishings in our expansive collection of lounge chairs, dining chairs and other items — whether they’re vintage editions or alluring official reproductions of iconic designs from the likes of Hans Wegner or from Charles and Ray Eames. Shop our inventory of Egg chairs, designed in 1958 by Arne Jacobsen, the Florence Knoll lounge chair and more.

No matter your style, the collection of unique chairs, sofas and other seating on 1stDibs is surely worthy of a standing ovation.