Andy Warhol Art

Hand signed and numbered by the artist. From the edition of 5/60 (there were also 10 artist's proofs). Unique screenprint on Lenox Museum Board. Printed by Rupert Jasen Smith, New ...

Andy Warhol (American, 1928-1987), "Tattooed Woman Holding a Rose", Offset Lithograph in Orange on Pale Green Plover Onion Skin Paper, circa 1955, unmarked, ebonized wood frame. She...

This print is an unsigned proof outside of the edition. A COA will be included.

This is a unique photographic work taken by Andy Warhol. Ulrik Trojaborg was a dancer with the New York City Ballet in the 1980s and among Andy Warhol's circle of dancer friends, which included Heather Watts...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alex...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Screenprint in colors with diamond dust on Arches Aquarelle paper. Hand signed and numbered by the artist on verso. Printed by Rupert Jasen Smith, published by the artist, New York....

Iconic in her own right, Elizabeth Taylor was an object of fascination for the artist. Created in 1964 as a color lithograph by Andy Warhol, Liz is hand-signed in pen, measuring 23 ...

Andy Warhol 1928–1987 Santa Claus (from the Myths series) 1981 screenprint in colors with diamond dust on Lenox Museum Board 37⅞ h × 37⅞ w in (96 × 96 cm) Signed and numbered to low...

Andy Warhol Hermann Hesse, circa 1984 Estate stamp "The Estate of Andy Warhol & The Andy Warhol Foundation for the Visual Arts #VF115.188" on the verso Graphite on paper 31 1/2 x 23 ...

Andy Warhol Deluxe Collectors' Edition of Exposures (Hand Signed and Numbered), 1979 Hardcover Monograph in leather with gilt edge and stamped in gilt. Hand signed by Andy Warhol on...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Screen print on Lenox Museum Board. Hand signed lower right by Andy Warhol. Hand numbered 1422/2000 on lower right (there were also 200 artist's proofs). Artwork size: 30 x 20 inc...

This is a "stitched" work of a nude male model created by Andy Warhol in the last year of his tragically short life. "Between 1982 and 1987 Andy Warhol produced several hundred wor...

ANDY WARHOL (1928-1987) Coca-Cola glass bottle, metal bottle stopper and spray paint. Signed with initials by the artist in black ink ‘A. W.’ Executed in 1967.

Artist: Andy Warhol (American, 1928-1987) Title: "Watermelon" Portfolio: Space Fruit: Still Lifes *Signed and numbered by Warhol in felt pen lower left Year: 1979 Medium: Original Sc...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

ANDY WARHOL (1928-1987) Andy Warhol's 'Cow' (F&S.II.11A) is a 1971 screenprint, on wallpaper with trimmed margins. This unsigned print comes from a publication of an unknown size (aside from approx. 100 signed impressions), printed by Bill Miller...

Andy Warhol In the Bottom of My Garden c. 1956: A double-sided hand-colored lithograph from, Andy Warhol In the Bottom of My Garden (F. & S. IV.104A-105A). Executed by Warhol c...

“Vegetable Made With Beef Stock” is an AP screenprint by American Pop artist, Andy Warhol. The work is AP Q/Z and is signed verso, "Andy Warhol Q" Andy Warhol's Campbell's Soup I: Vegetable Soup (1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist's proofs. The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two Campbell's Soup Cans paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects. Vegetable Soup was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Screen print on Lenox museum board. Hand signed lower front by Andy Warhol. Hand numbered 3/60 lower front (there were also 10 AP's, 3 PP's and 15 TP's). Each print is unique. Pu...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

This work is unique. Stamped on the reverse by The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. The work comes with an Authentication Letter from th...

Andy Warhol, American (1928 - 1987) - XIV Olympic Winter Games, Year: 1982, Medium: Poster, Size: 36 x 24 in. (91.44 x 60.96 cm)

Original photo transfer on acetate and colored paper mounted on paper. Hand signed on front by the artist. Authenticated by Andy Warhol Art Authentication Board...

This is a unique work. Work comes with a Certificate of Authenticity issued by The Andy Warhol Foundation for the Visual Arts (pictured). The work is stamped on the verso by the Es...

Pine Barren's Tree Frog, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 114/150 (there were also 30 AP's, 5 PP's, 5 EP's, 3 HC's, 10 numbered in Roman numerals, 1 BAT, and 30 TP's). Printed By Rupert Jansen Smith, Ny. Published By Ronald Feldman Fine Art Inc., NY. Artwork is in excellent condition. All reasonable offers will be considered. From the Endangered Species portfolio, which premiered in 1983. Warhol was commissioned by environmentalists and gallerists Ronald and Frayda Feldman to depict 10 endangered animals, bringing attention to their fragility. The US federal government had passed the Endangered Species Act (ESA) in 1973, making clear criteria for assigning the status of “endangered” to animals that had seen massive attrition of their populations. This designation has been adopted internationally and Warhol’s Endangered...

Andy Warhol began using the big-shot Polaroid camera in 1971 and continued using it religiously until his death in 1987. Despite the camera being discontinued in 1973, he continued to use it to capture the actors, artists, dancers, politicians, socialites, and Factory members of his world. Warhol's Polaroids were often used as preparatory works for his iconic portraits and other artworks. They also revealed his immediate personal vision, chronicling his surroundings and social life. Shoes were a recurring motif throughout Warhol's oeuvre and helped launch his career and reputation. He became synonymous with shoes in the mid-1950s after a successful ad campaign for Miller & Sons. See an early example of Warhol's shoe drawings...

Andy Warhol Cow , 1971 Silkscreen on wallpaper, unsigned Cow with a soft pink background, surrounded by a purple ground. Left margin in the same soft pink reading "Andy Warhol" and...

Andy Warhol Bodley Gallery 1957: A rare, 1950s gallery announcement offset illustrated by Andy Warhol on the occasion of: Andy Warhol Golden Pictures: December 2 - December 24, 1957: The Bodley Gallery 223 East 60th St., New York, NY. A scarce, historical Andy Warhol Pre-Pop illustration; highly collectible. Medium: Double-sided offset lithograph in colors, on wove paper, with full margins, before folding. Dimensions: 12 3/4 x 19 1/2 in. (32.4 x 49.5 cm) Good overall vintage condition. Minor signs of aging & handling. Well-preserved. Unsigned from an edition of unknown. Warhol Foundation annotations in pencil on one side. Provenance: The Andy Warhol Foundation for the Visual Arts, New York. Susan Sheehan Gallery, New York. Private Collection, New York. Literature: Kornbluth: Pre-Pop Warhol, no. 66, pp. 164-165. Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre. Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956. _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...

Technical Information: Andy Warhol Flowers, FS II.67 1970 Screenprint 36 x 36 in. Edition of 250 Signed and stamped number on verso

Acrylic and silkscreen ink on paper 101.5 by 151.5 cm. 40 by 59⅝ in. framed: 112 by 161.6 cm. 44⅛ by 63⅝ in. Executed in 1980. Stamped by The Estate of Andy Warhol and The Andy Warh...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Authenticated on verso by Andy Warhol Authentication Board. Custom framed as pictu...

Artist: Andy Warhol Title: U.N. Stamp Medium: Lithograph on Rives paper Date: 1979 Edition: 877/1000 Frame Size: 16 1/8" x 13 5/8" Sheet Size: 8 1/2" x 11" Image Size: 7" x 8 1/2" Si...

This is a unique photographic work taken by Andy Warhol of Victor Hugo and and unidentified man. Image dimensions: 10 x 8 in. Framed dimensions: 18.125 x 16.625 in. Work is framed ...

Andy Warhol To Earl and Camilla, Love Andy Warhol, 1979 Original Heart Drawing held in hardcover book with unique dedication to Earl and Camilla McGrath (Signed Twice by Andy Warhol)...

Artist: Andy Warhol Title: Marilyn Monroe I Love Your Kiss Forever Forever Date: 1964 Medium: Original Lithograph in colors on paper Edition: From the limited edition of 2000 From 1 ...

Andy Warhol Flowers and Holly (Christmas Card) c. 1955: A well-sized 1950s designed Andy Warhol flowers Christmas print, produced by Warhol circa 1955. Featuring Warhol's printed sig...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

Andy Warhol (American, 1928-1987) Lion, 1975 Medium: Offset lithograph on wove paper Print dimensions: 28 × 20 cm (11 × 7 9/10 in) Frame dimensions: 32.8 x 25.8 x 2.9 cm (13 x 10 x 1...

This is an unsigned and unnumbered unique trial proof (without the colored plates), aside from the edition of 1000. Printer: Rupert Jasen Smith, New York Publisher: Grosset and Dunl...

Andy Warhol (1928-1987) Unidentified Male (circa 1956) Black ballpoint pen on paper Size: 16.5 x 14 in (41.9 x 35.6 cm) Frame size: 21.25 x 19 in (53.9 x 48.3 cm) Unsigned Authenti...

Andy Warhol Andy Warhol at Pace/Columbus (Hand signed during official signing), 1978 Super rare Limited Edition Fold-out Offset lithograph invitation. Boldly signed and inscribed by...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Mixed colored screenprint Reference: Feldman-Schellmann, II.127. Signature and edit...

Andy Warhol (1928-1987) Tina Turner 1985 Unique gelatin silver print Size: 8 x 10 in (20.3 x 25.4 cm) Frame size: 16 x 17.5 in (40.6 x 44.4 cm) Unsigned Authenticated by the Authen...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

From the Ladies and Gentlemen Portfolio. Screenprint in colors on arches paper. Hand signed and numbered by the artist on verso. Artwork sheet size 43.33 x 28.5 in. Framed. From...

Screenprint, on Stonehenge paper, with full margins. Unsigned. Warhol Foundation stamp on verso. Sheet size 30.25 x 22 inches. Image size 22.5 x 18.125 inches. Custom framed as p...

Screen print on Beckett High white paper. From the Mao Portfolio. Hand signed by Andy Warhol and stamp numbered with the Andy Warhol Copyright and Styria Studio ink stamp on the rev...

Andy Warhol Campbell's Soup Can (Tomato), 1966 Screenprint in colors on shopping bag from an edition of an unknown size Size 48.9 x 43.2 cm Published by the Institute of Contemporary...

This work is unique. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Provenance: From the Esta...

From the early and highly iconic series of soup cans by Andy Warhol, Campbell's Soup I: Beef with Vegetables and Barley, was created by the artist in 1968 as a screenprint in colors ...

Artist: Andy Warhol Title: Untitled (Plate 17) Portfolio: In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" Sheet ...

Andy Warhol Portrait of Ivan Karp, ca. 1975 Acetate negative acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by Letter of Provenance from the...

Andy Warhol (1928-1987) Diana Ross (1981) Unique gelatin silver print Size: 10 x 8 in (25.4 x 20.3 cm) Frame size: 17.5 x 16 in (44.4 x 40.6 cm) Unsigned Authenticated by the Authe...

Andy Warhol 1928–1987 Fish 1983 screenprint in colors on wallpaper Edition Size: unknown 41¾ h × 30 w in (106 × 76 cm) Estate and foundation stamps to verso with archive number 'UP ...

A color screen print with diamond dust by Andy Warhol. "The Shadow" is a self-portrait print executed in a dark, bold palette of browns and blacks by American Pop Artist Any Warhol. ...

Andy Warhol Campbell's Chicken Rice Soup Box, 1986 Acrylic and Silkscreen on Canvas 14 x 14 inches 35.6 x 35.6 cm

This is a unique photographic work taken by Andy Warhol of Victor Hugo at his Montauk estate. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Fou...