Andy Warhol Art

Andy Warhol began using the big-shot Polaroid camera in 1971 and continued using it religiously until his death in 1987. Despite the camera being discontinued in 1973, he continued t...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. AP 45/50 (there was also a main edition of 250). Screen print on Arches Aquarelle (Rough) Paper. Printed by Alexande...

Andy Warhol Marcel Proust, ca. 1976 Acetate positive acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by Letter of Provenance from the representative of Chromacomp, Andy Warhol's printer Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass. Measurements: Frame: 17.75 x 14.75 x 1.5 inches Photograph: 10.75 x 7.75 inches This unique photographic positive acetate is of the 19th and early 20th century French novelist Marcel Proust, who's chef d'oeuvre A la recherche du temps perdu inspired some Warhol titles. Warhol would transfer the acetate to a transparency, allowing an image to be magnified and projected onto a screen. Warhol created a silkscreen painting of Marcel Proust and sent this acetate to his printer, Chromacomp, Inc. for consideration as a silkscreen multiple, which was never made. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp,Inc. a fine art printing studio in New York City. During the 1970s and 1980s, it was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Warhol had considered creating limited edition prints with Chromacomp of his famous portrait of Proust based upon this photographic image. The original painting was commissioned by art dealer Marie-Louise Jeanneret for a group of Italian collectors and avid Proust enthusiasts, Warhol's original four acrylic and silkscreen ink on linen works were based on a famous 1895 photograph of the French novelist captured by Otto Wegener. Marcel Proust, the distinguished French novelist, literary critic, and essayist, achieved renowned for his monumental 1908 seven-volume novel In Search of Lost Time. The literary masterpiece delved into the intricacies of memory, time and the profound complexity of the human experience. Proust's literary genius revolutionized the landscape of literature, leaving an enduring impact on the Parisian cultural scene at the turn of the century. About 50 years later, Andy Warhol emerged as a visionary artist who challenged artistic conventions, exploring themes that resonated with Proust's own ideas. Warhol, a trailblazer in his own right, delved into philosophical reflections on consumerism, mass production and the nature of fame. His artistic endeavors mirrored Proust's explorations, albeit through a contemporary lens, as he sought to redefine the boundaries of art and popular culture. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee...

Andy Warhol's original poster for the 1982 film "Querelle" is a fascinating fusion of two artistic worlds: cinema and pop culture art. Directed by German filmmaker Rainer Werner Fass...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

This is a unique pencil drawing by the artist Andy Warhol. It was realised circa 1974. It is stamped twice by the estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, verso. It is also initialed 'VF' by Vincent Fremont of the Andy Warhol Foundation and inscribed with the identification number"RO-28.13", verso. Provenance: Estate of Andy Warhol. The Andy Warhol Foundation for the Visual Arts, New York. Susan Sheehan Gallery...

Andy Warhol began using the big-shot Polaroid camera in 1971 and continued using it religiously until his death in 1987. Despite the camera being discontinued in 1973, he continued t...

Andy Warhol Rare broadside for Gotham Bookmart exhibition "Andy Warhol His Early Works, 1947 - 1959", 1971 Offset lithograph poster 18 × 12 1/2 inches Unframed (not signed) This pos...

1982 1st pressing, Querelle vinyl album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Marechal: Andy Warhol, The Complete Commissioned Record Covers. Cover: Off-set print of Warhol's original screen print from the same year. 12 x 12 Inches (30.48 x 30.48 cm). Minor shelf-wear; otherwise very good overall vintage condition. Record included in very good condition. Warhol credit appears in the lower section of verso (image 3). Looks super cool framed. Further Background: The soundtrack for the Rainer Werner Fassbinder film based on Jean Genet's novel "Querelle de Brest." In 1982 Warhol designed a silk-screen image which was issued as a print, used on the poster for the movie, and as cover art for the soundtrack. Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories Gay interest. Andy Warhol record art. Warhol vinyl record album. Warhol nude. Warhol men.

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alex...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Edition of 250. There were also 50 artist’s proofs. Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alexan...

This is a unique work. Bathroom at Baur au Lac Hotel in Zurich. Dated 'Mar 9 1982' (on the reverse). Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Wa...

Unique screenprint in colours, 1985, on Lenox Museum Board, signed in pencil, numbered and inscribed TP 12/30, a unique trial proof, aside from the standard edition of 40, printed by Rupert Jasen Smith, New York, published by George C. P. Mulder, Amsterdam, 100 x 80 cm. (39¼ x 31½ in.) Queen Ntombi...

Andy Warhol Andy Warhol at Pace/Columbus (Hand signed during official signing), 1978 Super rare Limited Edition Fold-out Offset lithograph invitation. Boldly signed and inscribed by...

ANDY WARHOL (1928-1987) Portrait of Patty Raynes and Son signed and dated ‘Andy Warhol 85’ (on the overlap) acrylic and silkscreen ink on canvas 40 ⅛ x 40 ⅛ in. (101.9 x 101.9 cm.) E...

Andy Warhol Deluxe Collectors' Edition of Exposures (Hand Signed and Numbered), 1979 Hardcover Monograph in leather with gilt edge and stamped in gilt. Hand signed by Andy Warhol on...

Andy Warhol To Earl and Camilla, Love Andy Warhol, 1979 Original Heart Drawing held in book with unique dedication to Earl and Camilla McGrath (Signed Twice by Andy Warhol) The original dedicated Warhol drawing is boldly signed by Warhol. The book is also signed by Warhol on the cover. 11 1/2 × 9 1/2 inches Wonderful provenance! We would not acquire or sell drawing in a signed Warhol book without knowing the provenance was irrefutable. This is one of them. Makes a memorable and unique gift. This is a signed drawing of a heart, with a beautiful dedication from Andy Warhol to Earl and Camilla McGrath - art and entertainment impresarios. Warhol writes: "To Earl and Camilla love. Andy Warhol" - on the title page of the hardback monograph "Exposures". The book is also hand signed in marker on the cover - as well! What makes this work even more collectible is that Earl McGrath is even featured in this book - his photograph is reproduced on page 11 of "Exposures". (!!) About the recipients Camilla and Earl McGrath: Camilla McGrath (nee Countess Camilla Pecci-Blunt), wife of art dealer, entertainment executive and impresario Earl McGrath. This work was acquired from the Estate of Earl and Camilla McGrath. (Camilla died in 2007. and Earl died in 2016 at the age of 84.) In remembering Earl McGrath for Vanity Fair magazine, Warhol's editor and confidant Bob Colacello interviewed the many celebrities and artists who adored McGrath: "He was the last of a breed, one of the last great gentlemen and bohemians,” says Harrison Ford.."; He was the funniest man I have ever known,” declares Jerry Hall, whose friendship with McGrath went back to 1975, when she was the girlfriend of Bryan Ferry and he was vice president of Atlantic Records. “He also had a huge heart and was a magnet for us all in New York and Los Angeles.”; “Earl was so brilliantly irreverent,” says Anjelica Huston, who credits McGrath with introducing her to her late husband, the sculptor Robert Graham, who showed at his Los Angeles gallery; “He wasn’t always the jokester,” notes Brice Marden, who frequently dined tête-à-tête with McGrath. “He also had a keen eye and a kind of natural wisdom, albeit with a slightly warped attitude towards things. I just found him a really good person to hang out with. Whenever I had some deep question, I always wanted to consult Earl. It was reassuring to hear what he had to say.”...So who was this Earl McGrath? Unknown to the general public (and liking it that way), he was very well known to the very well known, the ultimate insider equally at home in the upper echelons of music, art, letters, and entertainment. Among the regulars who flocked to the salon-like lunches and dinners he and his wife, Countess Camilla Pecci-Blunt, a descendant of Pope Leo XIII, gave at their apartment across from Carnegie Hall and their house in West Hollywood were Andy Warhol; Mick Jagger; Gore Vidal; Audrey Hepburn; Anita Loos; Cy Twombly; Larry Rivers; Francesco and Alba Clemente; Prince Rupert Loewenstein; Connie Wald; Wendy Stark; Michelle Phillips; Julian Sands; Annie Leibovitz; Jann and Jane Wenner; Sonny and Gita Mehta; Terry Southern; Fernanda Eberstadt; Wes Anderson; Prince Michael of Greece and his wife, Marina Karella...

An original hard copy of Andy Warhol's Brillo book. 11.25" h x 8.75" w. Wear consistent with age and use. Some wear at corners, as in the images. Andy Warhol, an American artist,...

"Electric Chair" F. & S. 81, is a screenprint in colors on wove paper by Andy Warhol. The work is signed verso. This piece is number 43 from an edition of 250 + 50 AP, and is one fro...

Andy Warhol Portrait of Ivan Karp, ca. 1975 Acetate negative acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance and Au...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unparalleled influence on artists and visual cultur...

Andy Warhol 1967: Film Culture magazine, 1967 featuring cover art by Andy Warhol. Warhol designed the cover using portraits taken in a photo booth ...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publications (like Harper's Bazaar) and elegant shops (such as Bonwit Teller) in addition to many smaller independent fashion companies. Throughout the decade, Warhol received numerous awards and accolades for his illustrations - yet he found it difficult to surpass the designation of “commercial artist”. It wasn’t until the mid-1950s when Warhol completed a successful campaign for shoe retailer Miller & Sons, that he was finally granted widespread recognition for his renderings. "Greengages a la Warhol," is a delightful paradigm from this era. This whimsical lithograph is an output from Warhol's self-published cookbook, "Wild Raspberries...

This film, a VHS transfer of the 16mm black and white film "Henry Geldzahler" by Andy Warhol is offered by CLAMP in New York City.

Three screen prints in colours on Rives BFK wove paper Edition of 300 50 x 66 cm (19.7 x 26.1 in) Each Frame: 74.5 x 90.6 cm (29.3 x 35.6 in) Each Signed and numbered on the front Pr...

Andy Warhol Index (Book) 1967 Hand signed by Warhol on the cover and multiple other pages in the book Numbered 122/365 from the edition of 365. Publis...

Synthetic polymer and silkscreen ink on heavy stock. This work is registered with The Andy Warhol Foundation as a painting. Similar work on manila is depicted in The Andy Warhol Catalogue...

Screen print in colours Edition of 250 90 x 121.5 cm (35.4 x 47.8 in) Signed, numbered and dated on the back Condition on request Printed by Silk Print Kettner, Zürich, published by ...

Andy Warhol- Mick Jagger (F&S II 140) Medium: Screen print on Arches Aquarelle (rough) paper Printer & Publisher: Printed by Alexander Heinrici, New York, 1975 Published by Seabird...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

Andy Warhol Record Art 1982-1986: Set of 4 Andy Warhol illustrated record covers (accompanied by their original records): Warhol's classic rendition of Miguel Bose, Aretha Franklin, ...

Andy Warhol 1928-1987 American Portrait of Proust Screenprint on paper laid on canvas Created by legendary Pop artist Andy Warhol, Portrait of Marcel Proust holds a special place in the prolific artist's oeuvre. Commissioned by art dealer Marie-Louise Jeanneret for a group of Italian collectors and avid Proust enthusiasts, Warhol's four acrylic and silkscreen ink on linen prints were based on a famous 1895 photograph of the French novelist captured by Otto Wegener...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Authenticated on verso by Andy Warhol Authentication Board. Custom framed as pictu...

Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...

Andy Warhol The Thirteen Most Wanted Men (Dossier No. 2357) screen-print & exhibition catalog: Scarce 1967 Warhol Sonnabend exhibition catalog which includes the sought-after Andy Wa...

Movie Poster Flesh is a 1968 American film directed by Paul Morrissey. It features Joe Dallesandro as a hustler working the streets of New York. It fe...

ANDY WARHOL (1928-1987) Andy Warhol 'Paloma Picasso' is a Screenprint on Arches paper. It is signed in pencil on the back Ed. 46/90 and dated 1975. Printed by Alexander Heinrici Pri...

The series of three polaroids of Donald Baechler sold together. Donald Baechler is an American painter and assemblage artist who came into recognition amid the bourgeoning art scene ...

Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp, verso, 91 from the edition of 250 (there were also 26 artist's proofs lettered...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Artist: Andy Warhol (American, 1928-1987) Title: "Peaches" Portfolio: Space Fruit: Still Lifes *Signed by Warhol in felt pen lower right Year: 1979 Me...

Andy Warhol The Philosophy of Andy Warhol (From A to B & Back Again) - Hand Signed by Andy Warhol, 1975 Hardback book with cloth backed color boards and du...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publications (like Harper's Bazaar) and elegant shops (such as Bonwit Teller) in addition to many smaller independent fashion companies. Throughout the decade, Warhol received numerous awards and accolades for his illustrations - yet he found it difficult to surpass the designation of “commercial artist”. It wasn’t until the mid-1950s when Warhol completed a successful campaign for shoe retailer Miller & Sons, that he was finally granted widespread recognition for his renderings. "A + P Surprise" is a delightful paradigm from this era. This whimsical lithograph is an output from Warhol's self-published cookbook, "Wild Raspberries...

This is a unique work. Image dimensions: 10 x 8 in. Framed dimensions: 17.125 x 16.125 in. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundati...

Black variation of the original poster (three variations were created: red - blue - black) for the exhibition "The Americans Indian Series" by Andy Warhol commissioned by the Ace Gallery...

Screen Print on Lenox Museum Board Stamped by Estate, Sticker, Label, Unsigned, Authenticated by AWAAB, with COA

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Turtle (FS II.360A) 1985 Limited edition of 250 Screenprint on Lenox Museum Board. Signed in pencil and numbered with the blindstamp of the printer. Frame size 90 cm x 110 cm

Acrylic and silkscreen ink on paper 101.5 by 151.5 cm. 40 by 59⅝ in. framed: 112 by 161.6 cm. 44⅛ by 63⅝ in. Executed in 1980. Stamped by The Estate of Andy Warhol and The Andy Warh...

Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithographic title page printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate. ‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...

Offset lithograph, circa 1954, on wove paper, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 49.1 x 34.2 cm. (19¼ x 13½ in.) From the '25 Cats Name[d] Sam and One Blue Pussy' series. 25 cats name[d] Sam, and One Blue Pussy, circa 1954, was one of Warhol’s first illustrated bound books. Produced with Seymour Berlin of Record Offset Corporation in New York, and written by Charles Lionsby, Warhol illustrated 25 cats name[d] Sam, and One Blue Pussy with sixteen drawings of cats...

Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate. ‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...

Vintage Andy Warhol Marilyn Monroe screen printed Announcement for his Retrospective in 1981

Screenprint in colors with diamond dust on Lennox Museum Board. Signed and numbered in pencil. Sheet: 38 by 38 in. 965 by 965 mm. Framed dimensions: 38½ by 38½ in. 979 by 981 mm. Ed...

Working Trial Proof Silkscreen Serigraph Includes Documentation and Official Stamps Please note this artwork is not hand signed or editioned

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

EDITION 2/60 with 10 artist’s proofs) Printed by Rupert Jasen Smith and published by the artist, New York. See F. & S., II. 274-279 and IIa., 274-279. Perhaps no other series reflect mass identity, luxury and wealth as prominently as Warhol’s Dollar Sign Series from 1982. The prints from this series are recognizable for repeatedly featuring the American dollar...