Axel Bentzen Interior Paintings

This impressionist still life by French painter Léon Garraud depicts a table set with a plate of peaches and a vase of pink peonies and delicate white flowers. The warm palette of or...

A charming and decorative composition painted in 1943 by Danish artist Evan Wulff. This stilleben painting unveils a rustic table adorned simply with a wine bottle and two oranges. T...

Mostly White by Lu Haskew Floral Still Life Oil painting 24x20" image size 28x24" framed size Shipping price includes the custom packing necessary for safe transport of fine art. ...

Morston Constantine Ream (American, 1840-1898) Grapes Oil on canvas, 10 x 12 inches Framed: 22 x 24 inches (approx.) Signed at lower right: “Morston Ream” The still-life painter Mor...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Post Impressionist Still Life Spanish Oil Painting Bottles and Fruit Canvas Artist: Pilar Margenat (Sant Quirze del Vallès, 1939) Technique: Oil on canvas Signature: Signed verso Di...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

A richly composed and masterfully executed oil on canvas, Still Life with Fruits and Statuette showcases Carl Rudolph Krafft at his most decorative and assured. At center stands a lu...

"Oil On Canvas Still Life With Flowers And Japanese Satsuma Porcelain" Painting very rich in colors with beautiful dimensions The whole sold with a sublime frame in perfect condition...

Larry Day (American, 1921-1998) Still Life with Decanter Oil on canvas, 33 3/4 x 41 3/ 4 inches FRAMED: 41 x 49 inches (approx.) Signed at lower right: “Day” Exhibition label on str...

Vintage Spanish Fruit Still Life Oil Painting Large Kitchen Wall Art Mediterranean Tabletop Interior Decor Canvas Painting Artist: Antonio Tarraso (Spanish, born 1946) Title: Bodegón de frutas Date: circa 1990 Medium: Oil on canvas Dimensions (image): Height: 65 cm (25.6 in); Width: 81 cm (31.89 in) Dimensions (framed): Height: 77 cm (30.31 in); Width: 93 cm (36.61 in) Signature: Signed lower right Condition: Good overall condition with minor age-related surface marks visible Frame: Frame included Origin: Spain Style: Traditional Mediterranean still life painting Period: 1990–1999 Subject: Fruit still life composition with melon grapes apples ceramic bowl Elegant Mediterranean still life composition featuring grapes, melon and apples arranged around a traditional ceramic bowl and tableware elements. The painting combines classical studio arrangement with warm tonal harmony typical of late 20th century Spanish still life painting, creating a strong decorative presence suitable for dining room, kitchen or hospitality interiors. Its large horizontal format and original frame make the piece immediately display-ready and particularly effective as a focal wall artwork. Traditional fruit still life paintings remain among the most versatile interior artworks for collectors seeking warm European atmosphere pieces. This composition follows the long European still life tradition shaped by Spanish masters such as Luis Meléndez and later Mediterranean studio painters working with structured tabletop arrangements and luminous fruit surfaces. The balanced grouping of ceramics and fruit echoes the decorative realism widely developed in Spanish studio painting during the late 20th century. Antonio Tarraso is a Spanish painter known for traditional Mediterranean still life compositions and decorative interior-oriented oil paintings. His work reflects the continuity of the classical fruit still life genre within modern Spanish studio painting. fruit still life painting kitchen wall art painting dining room wall art painting large still life painting spanish still life painting mediterranean still life painting vintage fruit painting...

Carole Rabe’s Looking into Dining Room is a beautifully composed 24 x 12 inch oil on canvas that transforms a simple domestic view into a meditative interior landscape. In this intim...