Bernard Locca Art

This interior portrait of a woman dressed in an elegant lace shawl is a 30" x 25" oil on canvas painting in the style of Jacob Eichholtz. The artist is unknown but the painting is believed to have been painted in the 1840's. It is not signed but framed and in good condition. Provenance: Private Collection, Old Queens Gallery...

Post Office WPA Mural Study American Scene Social Realism Modern 20th Century Carlos Lopez (1910-1953) "Bounty" WPA Mural Study for Michigan Post Office 19 ½ x 22 ½ inches Oil on B...

A beautiful and rare antique American portrait of a young woman in a stunning period frame, likely original to the piece. Unsigned but beaut...

Elizabeth Zanzinger's (US based) "Chrysalis" is an oil painting that depicts a nude feminine form sitting on a tree trunk in the wilderness Elizabeth Zanzinger is an award-winning ...

Linda Adair's (Germany based) "Outrunning Karma" is an oil painting that depicts a lone female figure shrouded by darkness on all sides. Linda Adair is a...

Mid-century city life is captured in this Clyde Singer portrait, Standing Figure, where he depicts a woman posing in 1954. An accomplished American Scene painter, Singer successful...

"Unemployed" WPA American Scene Social Realism Mid 20th Century Modern William Gropper (1898 - 1977) Unemployed 20 x 16 inches Oil on canvas, 1937 Signed lower right Provenance: Estate of the artist Bio Throughout his life, William Gropper used his artistic talents to protest social injustice. Born in New York City, he grew up there in poverty and left high school to work as a dishwasher and delivery boy. He eventually began a career in art and was able to study with Robert Henri and George Bellows from 1912 to 1915. He adopted their realistic painting style, and his own work expressed sympathy for common laborers and outrage at society's ills. In 1919 Gropper established a reputation as a political cartoonist working for the New York Tribune. His blunt, forceful style attracted the attention of other publications, and he provided illustrations and cartoons for a variety of magazines, from the left-wing New Masses to mainstream Vanity Fair. Like many social realist artists of the 1930s, Gropper supported liberal political causes, depicting subjects such as the plight of migrant laborers and striking factory workers. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

Self Portrait at 43

Wang Kun's "Portrait of Qiang Woman" is an oil painting created in 2023 that depicts a traditional Qiang woman. kun Wang(王琨), was born in Jilin Province of China in 1970. His legs...

Christopher Clark's (US based) "Reclining Figure" is an oil painting that depicts a woman in white reclining in a deep blue interior Bio/artist statem...

Zack Zdrale's (US based) "6 and Two" is an oil painting that depicts two male figures with an obscured faces arching their backs and extending their arms a...

An original antique American painting by Samuel Knight Wright, depicting the fairytale character of "Little Red Riding Hood" on her way to gr...