Joanne Tinker Art

Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and throu...

Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and throu...

"Ghianda" is a nostalgic and tactile artwork from Elizabeth Art Candy’s Fake Gum’s series, where small, familiar objects are transformed into sculptural treasures. Using hand-modeled...

Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and throu...

"Beasts of Burden" (2023) by Andy Evansen is an original handmade watercolor painting on paper that depicts a midwestern plain, with a sunset from a passing storm. This piece measures 11 x 15 inches, and 16 x 20 inches in its frame. Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He began painting watercolors in the mid 1990s as a change of pace from his career as a medical illustrator. Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis...

Based on her breathtaking golden faces chandelier made for the Tel Aviv 2020 Biennale, Dana Bloom is now offering a limited edition of framed figures. Just ...

Daniel Arsham (American, 1980-) 35MM Camera Sculpture Plaster and crushed glass multiple, contained in the original foam-lined presentation box with a pair of original handling gloves. Dimensions: 4 X 6 X 6.5 (approximately) Daniel Lambert Arsham (born 8 September 1980) is an American visual artist. He lives and works in New York City. Born in Cleveland, Ohio and raised in Miami, Florida, Arsham was 12 when Hurricane Andrew destroyed his childhood home. This traumatic event has been a continuous theme through his work. Arsham attended the Design and Architecture High School and was awarded a full scholarship to The Cooper Union in New York City. After graduating from school, Arsham moved back to Miami and started an exhibition space called "The House" with several artist friends It was through The House that Arsham met Emmanuel Perrotin in 2004. By 2005, Galerie Perrotin in Paris was representing Arsham. Arsham was part of a circle of Miami artists around Carlos Betancourt that included Craig Coleman, Carlos Alves and Kenny Scharf as well as younger artists like Martin Oppel, Bhakti Baxter and Daniel Arsham.Arsham was invited to create stage design and tour with choreographer Merce Cunningham's Dance Company leading to ongoing stage design practice and a sustained collaboration with choreographer and former Cunningham dancer, Jonah Bokaer. Arsham founded Snarkitecture with Alex Mustonen in 2007. The architecture collaboration has included work with fashion brands, interior and architectural design, and a complete line of functional design objects. Daniel Arsham is mostly known for his objects cast in volcanic ash - as if they were found on some future archeological site. They are called "Future Relics". Daniel Arsham’s "Future Relics" series is one of the most enigmatic and compelling ongoing art projects. Arsham’s artistic oeuvre primarily consists of taking objects that we do not use anymore — old clocks, phones, cameras or music cassettes — and recasts them as archaeological artifacts, as if they were excavated by scientists in some distant, dystopian future. The packaging of the relics is done in a very particular way. The design of the packaging looks almost like something you would find in a museum setting, but a back-of-house museum setting, where they would keep artifacts and relics. They would be numbered, with information about the weight, provenance and where they were discovered.In 2014, Arsham was named to the Hypebeast HB100 list, and has continued to remain on the Top 100 list to date. Some of Arsham's more recent collaborative endeavors exist in the fashion world. These include projects with brands such as Tiffany, Adidas, Dior, Toraichi, Byredo, Rimowa, and Porsche. Arsham's work has been shown at PS1 in New York, The Museum of Contemporary Art in Miami, The Athens Biennale in Athens, Greece, The New Museum in New York, Mills College Art Museum in Oakland, Cincinnati CAC, SCAD Museum of Art in Savannah GA, California and Carré d'Art de Nîmes, France, among others. Longtime friends Ronnie Fieg and Arsham have collaborated on numerous projects. Snarkitecture has designed six KITH stores, located in New York, Miami, and Los Angeles among others. In June 2017, Daniel Arsham and adidas' New Installation opened at KITH New York. The store was transformed into an "audio, visual and tactile experience" with a functioning New York payphone as the centerpiece, painted in adidas' signature blue. October 2017 marked the opening of the Arsham Fieg gallery located inside KITH New York. The gallery has had exhibitions from FriendsWithYou, Evren Erol, Youn Lee, Mike Lee and Sam Friedman. In May 2019, Arsham collaborated with Rimowa on a 500 piece limited edition series of eroded suitcase sculptures contained in functional Rimowa attaché cases. The collection was launched with the auction of a one-of-one example containing a hand-signed drawing of the work by Arsham at Sotheby's. In September 2022, Arsham and Rimowa released two 500 piece limited editions of pilots cases in silver or black containing eroded turntable sculptures. In January 2022, Arsham released an animated Pokemon short titled "A Ripple in Time" by Pokémon × Daniel Arsham...

Artist: Kristina Oganezz Work: Art Installation / Art decor Medium: Porcelaine Year: 2024 Color: Metal Gold Title: Apple of Eden Size: H 4,75" x Diameter 3,75" inch, 337 Gram, Eleg...

Helen Weber Large wall hanging wood and metal sculptural relief in a tropical Hawaiian or Polynesian motif with tropical flowers. "Art belongs everywhere from cruise ships to churches" This has been the mantra of Helen Webber since she began her career in the 1970’s creating hundreds of art works for public spaces throughout the United states and abroad. It was her strongly held belief that art can touch the spirit of many more people than those whose art experiences are limited to the halls and walls of museums and galleries. Her bold and richly hued art works executed in a wide variety of media, such as tapestry, glass, metal wood and clay have been installed in universities, corporations, medical facilities, cruise ships, hotels, religious spaces, community and civic centers and even in a train station. Over the years many architects and interior designers have collaborated with Helen Webber finding that her work enhanced their designed environments, giving her the opportunity to create art for well known corporations as well as multitudes of residences. It is the tapestries that she is best known for, and it is this medium that dominates the largest body of her work, which was first introduced to the design world in the mid 1970's. The tapestries utilize a fabric collage technique combining an array of designer upholstery fabrics such as velvets, brocades, worsteds, jacquards, mohair, hand woven woolens, among many others. Yarns of all kinds are integrated into the tapestries surrounding the edges of each fabric piece. Some clients, who saw that Webber’s particular art style could be expressed in a variety of media, offered her commissions in stained and etched glass, wood collage, sculpted tile...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed his original drawings and patterns onto, which he then cut and assembled into this thr...

This piece is Vacuum formed with plastic, painted and fabricated to be 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

"Beasts of Burden" (2023) by Andy Evansen is an original handmade watercolor painting on paper that depicts horses resting in the shade alongside a small creek. This piece measures 15 x 22 inches and 21 x 28 inches in its frame. Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He began painting watercolors in the mid 1990s as a change of pace from his career as a medical illustrator. Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis...