Sculptures

Artist: Kuno Vollet Title: Aspiring Path Contemporary steel sculpture for inside or garden outdoor spaces. Stunning large artwork. Possible to put on a pedestal or directly on to ...

Clustered and sensuous oblong forms in translucent red glass have a smooth polished surface like the fruit that surrounds pomegranate seeds. A single seed sits next to the cluster. T...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Introducing a one-of-a-kind collaboration between visionary artist Dustin Yellin and the iconic 1800 Tequila. This exclusive collection features six meticulously designed, limited edition bottles, each a fusion of art and craft, encapsulating Yellin's unparalleled creative vision. Dustin Yellin is a trailblazing contemporary artist renowned for his innovative approaches to visual storytelling. Born in Los Angeles, California, Yellin's work has captivated audiences worldwide, combining elements of painting, sculpting, and collage to create captivating three-dimensional narratives. With a career spanning over two decades, Yellin's creations have been featured in prestigious galleries, museums, and private collections, solidifying his place as a leading force in the contemporary art scene. Dustin Yellin draws inspiration from a myriad of sources, weaving together a tapestry of influences that shape his distinctive artistic voice: Nature's Symphony: Yellin's fascination with the natural world permeates his work. He often captures the harmonious dance between organic forms, textures, and colors, seamlessly integrating them into his creations. Cultural Alchemy: Yellin's global travels have exposed him to a rich tapestry of cultures and traditions. His art reflects a profound respect for cultural diversity, showcasing a harmonious blend of influences from around the world. Surreal Dreamscapes: Yellin's art transcends conventional boundaries, inviting viewers into surreal dreamscapes where reality intertwines with the ethereal. His work challenges perceptions and invites contemplation. Social Commentary: Yellin's pieces often serve as a poignant commentary on contemporary issues, shedding light on societal complexities and provoking thoughtful reflection. Kinetic Energy: Movement and dynamism infuse Yellin's art, giving it a sense of vitality and energy that captivates the observer, inviting them to explore the depths of each creation. Number of Bottles: Six (6) EMPTY Limited Edition Bottles Bottle Specifications: Handcrafted, individually sealed bottles...

Artist: Jeff Koons Title: Balloon Dog (Blue) Year: 2021 Medium: Porcelain with metallic chromatic coating Dimensions: 15 3/4 x 18 7/8 x 6 3/16 inches (40 x 47.9 x 15.7 cm) Edition: 7...

A Monumental and Truly Exceptional French Patinated Bronze Bust of Jesus Christ, Circa 1858, Signed J. Clesinger, Rome 1858 & F. Barbedienne Fondeur This monumental and extraord...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Louise Nevelson Reclining Figure, circa 1943 Tattistone 8 inches high x 21 inches wide x 9 inches deep With base 10 inches high x 21 3/4 inches wide x 9 1/2 inches deep Provenance T...

Cast in bronze, this contemporary figurative sculpture of an anthropomorphic dog is by Gillie and Marc. British and Australian artists, Gillie and Marc have been called “the most su...

David Lipson's "Edwards" (2025) is a striking found-object assemblage sculpture that reimagines mechanical components into a humanoid form. Standing 26.5 inches tall, this meticulously crafted piece fuses vintage industrial elements, including a repurposed electrical meter as the torso, metallic coils forming the limbs, and canisters elegantly supporting the figure. The sculpture embodies a nostalgic yet futuristic aesthetic, reminiscent of early robotics and steampunk influences. David Lipson assembles robot sculptures...

Piccolo busto neoclassico in marmo bianco di Carrara raffigurante l'Apollo del Belvedere. Bottega romana, metà del XIX secolo. I busti di piccole dimensioni raffiguranti capolavori ...

Slide is a work by British artist Patricia Volk. Dimensions are 32 × 50 × 7 cm (12.6 × 19.7 × 2.8 in). It is a unique signed piece and comes with a certificate of authenticity signe...

"Lucy" by Carole Eisner Abstract, Outdoor Sculpture in welded steel Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded in st...

Ibex I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 200 × 130 × 56 cm (78.7 × 51.2 × 22 in). The sculpture is signed and numbered, it is part of...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** ***The artist is moving on to a new full time venture in 2026**...

This glazed ceramic bowl with pedestal base features a multi-colored palette with muted grey, blue, and sepia tones. It has a wide, shape with crimped rim. The artist's stamp is loca...

The wind comes up is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 64 × 128 × 40 cm (25.2 × 50.4 × 15.7 in). The sculpture is signed and numbered, it is ...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

2021 , 8 editions Resin pained and varnished 39 2/5 × 59 1/10 × 59 1/10 in - 100 × 150 × 150 cm The artwork is signed by the Artist , carved with edition number and date on the base ...

Jackson Pollock 400% & 100% Bearbrick Vinyl Figure (set of 2): A rare highly collectible Bearbrick Jackson Pollock statue piece, splattered from head to toe in Pollock’s signature a...

A large contemporary black powder coated steel sculpture. Beautiful on the floor or a pedestal. A contemporary statement piece full of elegance and movement. _______________________...

Figure of Recumbent Lion, 19th Century Carved gray veined marble 4.5 x 8 x 4.5 inches

Mirror “with fold” 148 is a unique mirror-polished stainless steel sculpture and concrete base by contemporary artist Franck K, dimensions are 153 × 148 × 50 cm (60.2 × 58.3 × 19.7 i...

Tainan’s Anping has long been a fishing community where, towards the end of World War II, fishermen lived between hardship and reward. They rose with the sun, ventured into uncertain...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

LABUBU, Kasing Lung, LABUBU, Big into Energy "Have A Seat" Blind Box Unopened Mint Condition Japan, 2025 ABS/PVC/Polyester 6 7/10 × 3 7/10 × 2 7/10 in 17 × 9.4 × 6.9 cm From an open...

This sculpture is made out of Outdoor Marine Italian Stainless Steel. This sculpture will be shipped directly from the artist's studio.

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 8 inches tall Frame Size: 8 inches across Medium: Bronze Sculpture "A Texas Bre...

KAWS SHARE (Grey), new & unopened in its original packaging. KAWS SHARE first appeared in 'BLACKOUT' – the first London solo exhibition by KAWS (Skarstedt London 2019). In SHARE, KA...

Carved and painted wooden sculpture - Figure of a saint - Italy, 17th-18th century. 36 x 25 x 74 cm. Made entirely of carved, lacquered, and painted wood. Some signs of wear and pa...

Traces V is a unique concrete sculpture by contemporary English sculptor Oliver Ashworth-Martin, dimensions are 26 × 13 × 13 cm (10.2 × 5.1 × 5.1 in). This sculpture is signed by the...

Hebru Brantley (Hebru Brantley art toy), 2017. New in its original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). New and sealed in i...

Madonna and Child, polychrome stucco relief, workshop of Luca della Robbia. Second half of the 15th century. Modeled as half-length, the Child holds his mother's veil in one hand, th...

Yayoi Kusama Love Forever, 2016 Ceramic (Porcelain) Dish and Cover Stamped Yayoi Kusama on bottom 4 1/2 × 4 1/2 × 1 1/2 inches Unframed Limited edition (exact number created is unkno...

"Pulse of the Earth" Abstract Sculpture 56" x 18" x 18" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is a Miami-based artist renowned for his immersive, l...

"Rabbit with ears down" with molded oval base by Antoine-Louis BARYE (1796-1875) Bronze with nuanced dark brown patina Stamped "Barye" Numbered "89" old edition cast – from the Bary...

Set of 5 hyperreal glass water balloon sculpture installation by Dylan Martinez. Made of 100% hot-sculpted glass. Balloon Size: 3.5 × 3.5 × 4.5 inches (each) Dylan Martinez’s hype...

This contemporary glass wall sculpture in deep blue is by John Paul Robinson. A single elegantly curved tube of hand-blown glass makes a dynamic statement as light plays off its tran...

A new middle class began to emerge in Colonial America and a migration into urban areas began. Unlike farmhouses, these new homes were elegant two-store homes designed in the new Georgian style, imitating the lifestyle of the upper middle class of England. The interiors consisted of a passageway down the middle of the house with specialized rooms off the sides, such as a library, dining room, sitting room or a primary bedroom. Unlike the multi-purpose space of the farmhouse, each of these rooms served a separate purpose. This new middle class had leisure time to entertain guests. In this sitting room, the Kupjacks have replicated this stately room with upholstered furniture, a working fireplace, decorative ceramics and silver accent pieces. This miniature room is presented in a custom leather bound case with faux books on either end as if it could be placed in a bookshelf. the room can also be installed in a wall. Kupjack Miniatures Late Colonial Sitting Room, Boston MA, 1760, circa 2009 mixed media 14.25h x 28.75w x 15.25d in 36.20h x 73.03w x 38.73d cm KJK003 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

"Pearl Royale Chess Set" 14K White Gold & Diamonds Ed. of 3 by Colin Burn Medium: 18K White Gold, Diamonds, Sapphires & South Sea Pearls Limited Edition - 3 Only Edition: Artist Proof 1/1 NOTE: preparation time may take up to 12 weeks. Pearl Royale Limited Edition Chess Set Crafted in solid 18K white gold and pave set with more than 510 carats of fine diamonds, the Pearl Royale stands as the world’s most opulent chess set ever created. This unique and lavish chess set radiates pure opulence through the finest quality materials, design, and workmanship. Handcrafted with a luxurious regal feel the Pearl Royale is symbolic in its design to the renowned 1849 Staunton standard chess set. Limited edition with only three sets being created, each being hallmarked, numbered, and authorized by the artist. Each solid 18K white gold chess piece is painstakingly paved’ set with the highest quality fine diamonds, AAA South Sea pearls, and Ceylon Blue sapphires, sitting atop a crystal glass board embellished with solid 18K white gold, pearl, and diamond set corners. The underside of each piece is intricately designed and channel set with the same quality fine diamonds and finished with smooth polished edges to glide effortlessly across the crystal glass board. Crafted as part of the artist's Limited-Edition Pearl Royale contemporary art collection, this truly unique chess set is sure to be realized as one of the world’s finest jewelry artworks ever created. Exquisite Staunton With championship origins, the Staunton design has been the world standard since 1849. Inspired by this legacy, the artist has paid homage to this royal standard, meticulously dressing and bringing each of his pieces to life with lavish regalia, fit for Kings and Queens. Artists Inspiration: As a young child I regularly played chess with my cousins so my parents gave me a beautiful Staunton chess set which I really loved. Growing up in the 60’s & 70’s my generation was exposed to Hollywood movies of epic battles, it was popular for us kids to have collections of toy soldiers which made chess a popular game as it embodied the same spirit and challenge. Thinking back on that fun times I was drawn to the idea of creating the world’s most beautiful chess set and in 2008 I finally put pen to paper to commence the design. At the time I was doing a lot of work with beautiful South Sea pearls, so they became the inspiration for my design to embody the heads of each piece and bring life to the characters. It was perfect as I could use both black and white pearls to define each side of the chess set. It was also important for my design to be Staunton-inspired as this has become the standard for chess sets since 1849 and the only chess set allowed in the world championships. I wanted to create the most beautiful chess set within this royal standard and it had to be dressed in all its regalia, with the world’s most beautiful diamonds and rich blue sapphires fit for kings and queens. My overall dream was to create the world’s finest chess set for the world’s greatest players to do battle! - Colin Burn The high-quality gems sourced and used in making the Limited-Edition Pearl Royale Chess Sets are GIA certified. Established in 1931, GIA is the world’s foremost authority on diamonds, colored stones, and pearls. A public benefit, non-profit institute, GIA is the leading source of knowledge, standards, and education in gems and jewelry. South Sea Pearls The Australian and Tahitian South Sea pearls are internationally regarded as the finest and most prestigious pearls in the world. Among the largest and rarest of cultured pearls, they feature a distinctive lustre and superior strength, endowed by their thicker layers of nacre. The Limited-Edition Pearl Royale Chess Set, features both silver white Australian and peacock black Tahitian South Sea pearls of AAA quality. Fine Diamonds The Limited-Edition Pearl Royale Chess Set features over 510 carats of the finest white diamonds ethically sourced and certified from the worlds leading diamond suppliers. Ceylon Sapphires Ceylon, which is now known as Sri Lanka, is one of the best-known sources for sapphire gems, particularly the Ceylon blue sapphire. Sri Lanka has produced sapphires for many years and a few of the most famous sapphires include the 423 carat Logan Blue Sapphire, the 563 carat Star of India...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

Donkey is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 82 × 60 × 60 cm (32.2 × 23.6 × 23.6 in). This ...

This contemporary sculptural indoor porcelain vessel was made by Susan Collett. The exquisite hand-built porcelain vessels of Susan Collett have garnered her international praise an...

Mark Morrison (1895-1964) Head of Woman , ca. 1950 Carved stone 7.75" wide, 9" deep, height is 20 7/8" Signed at base. Provenance: Estate of Mrs. Mark Morrison. Born: Kingf...

Bespoke 1/1 original Neon SMSPF wall sculpture Easy wall mount Signed 1/1 Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best stre...

Evoking both nostalgia and a forward-looking vision, "Beacon" is a dynamic wood wall sculpture that captures the essence of mid-century modernism. Pigmented lacquer on poplar wood cr...

The Geologic Screens Series The Geologic Screens are studies from the Colorado Cascade Mural. David pieced together bits of the original rock and ice castings to try various combinat...

This artwork was created by the Italian artist Rodica Tanasescu. The title " Musa" Muse. Rodica Tanasescu was born in Rumania and now lives in and works in Mestre, (Venezia, Italy). ...

Kupjack Miniatures Medieval French Charter-House Library, Normandy France, circa 1425, 2012 mixed media 16.50h x 27.75w x 15d in 41.91h x 70.48w x 38.10d cm KJK002 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

This sculpture is numbered in an edition of 50 and can be purchased on a commission basis, please allow 8 - 12 weeks before shipping. The sculpture weighs about 600 lbs and different base options are available, please inquire. This Jeremy Guy Mobius sculpture is formed from black granite. The surface is like velvet to the touch; the granite is subtly flecked with copper and white. The form, a Mobius strip...

Kairos is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 28 × 53 × 28 cm (11 × 20.9 × 11 in). The sculpture is signed and numbered, it is part of a limite...

A finely sculpted dark bronzed wall relief plaster sculpture of Virgin Mary by Arvid Knöppel, signed and dated 1921. An unusual subject of his...

Roger Phillips Kinetic Sculpture Painted iron and aluminum on walnut plinth base 44 1/2 inches high x 13 inches wide x 7 3/4 inches deep oger Phillips was born in New York City in ...

When was the last time you broke yourself from the hustle and bustle of the daily routine, spent quality time with yourself and plan some travel plans to enrich your life? Edition S...

Klaus Ihlenfeld (b.1934) Untitled (Flower Form), sculpted phosphor bronze-coated copper sounding sculpture, early 1970s. Exhibited: Klaus Ihlenfeld - Recent Sculpture at Albright College - Campus Center Gallery from Feb. 18 - March 18, 1973.. Welded bronze. 15 h x 12.5 inches w. Signed with initial on base. Provenance: Albright College Museum collection. Excellent condition. Klaus Karl Otto Ihlenfeld. He was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe. Opened own gallery in the Kurfürstendam area of Berlin. 1954 Traveled to West Germany, France, Barcelona, Spain (Balearic Islands), and Menorca for 3 months. 1957 First visit to the United States in Durham, NC. Participated in a group show at the Museum of Art, Raleigh, NC. Friendship with Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Work with metal sculptor Harry Bertoia in Bally, PA. Started own metal sculptures in Bertoia Studio. Traveled to Mexico and throughout the US. Visited Monte Alban, and Mitla-Oaxaca. Started collecting works of pre-Columbian art. Also African and South Pacific works of art and the works of children. 1958 Returned to West Berlin, Germany to open own workshop and gallery. Cooperation with his brother Bertram Ihlenfeld and brother-in-law, violinist Heinz Ortleb. Precise metal sculptures in various medias. 1959: Motion picture of the development of sculptures: Spiel in Stahl (Play in Steel), filmed by Dr. Hans Cürlis shown at the Bergamo Film Festival in Italy, in West Germany, and German Embassies in South America. 1960 Second visit to the United States. Cooperation with sculptor Harry Bertoia in Bally, PA. Friendship with Brigitta Valentiner Bertoia. Worked on large commissions. Met painter Willem DeKoonig, gallerist Georg W. Staempfli in New York City, and furniture maker George Nakashima in New Hope, PA. First one-man show of sculptures at Kutztown State College, Kutztown, PA. One-man show of sculptures at the Allentown Museum of Art under Director Hirsch. 1961 Traveled and studied archeological sites in Mexico (Monte Alban, Mitla-Oaxaca; Colima, Nayarit, Sinaloa, Patzcuaro, etc.). Collected pre-Columbian art in Mexico and New York City. Second one-man show at the Allentown Museum of Art (sculptures) under Director Caldwell. 1962 One-man show at Staempfli Gallery in New York City. Participated in various group shows at the gallery: "Twenty Sculptors" and "Recent Acquisitions". Met artists Marcel Duchamp and Salvador Dali; sculptors Alexander Calder and Alexander Lieberman. Participated in a major exhibition at the Solomon R. Guggenheim Museum in New York City entitled "Modern Sculpture from the Joseph H. Hirshhorn Collection". 1963 Married Patricia A. Lambert of Springfield, PA. Harry Bertoia was their best man. 1964 One-man show at the Pennsylvania State University, University Park, PA and a group show "Stone, Wood and Metal" at Staemplfi Gallery in New York City. First child, Paul Vincent born. 1965 Entered group show at Staempfli Gallery "Stone and Crystal". One-man show of graphics at Kutztown State Teachers College in Kutztown, PA. One-man show at Wyomissing Art Alliance, Reading, PA. 1966 Commissioned for a fountain sculpture at Kutztown State Teachers College, Kutztown, PA. Birth of twins, Phillip Sydney and Naomi Andrea. 1967 Artist-in-Residence at the Bertha Eccles Art Center, Ogden, Utah (received a grant from the National Endowment of the Arts). Met sculptor Larry Elsner. One-man show at Mansfield State College, Mansfield, PA. Fourth child born, Douglas Robinson. 1968 - 1969 Commissioned to create a large relief sculpture for the Emigrant Savings Bank at 5 East 42nd Street in Manhattan, New York City entitled: Heavenly Bodies, 250 ft. X 32 ft. (weighing 8 tons). Moved to the estate "Iron Masters Mansion", Barto, PA. 1970 - 1971 Artist-in-Residence at the Huntington Museum of Art, Huntington, WV (received a grant from the National Endowment of the Arts). One-man show at the Huntington Museum of Art. A movie was made of the exhibition by the Huntington Television Station. Met A. Moretti, sculptor of glass figures. One-man show at the old Sears and Roebuck mansion in Haverford, PA. 1971 - 1972 Artist-in-Residence at the Pennsylvania State University, University Park, PA (received a grant from the National Endowment of the Arts). Classes for drawing and experimental sculpture. One-man show at the Chambers Building and the Hetzel Union Building. Also Artist-in-Residence at Shippensburg State College, Shippensburg, PA. Commissioned to execute a sculpture for the new Library at the Shippensburg State College. Death of father, Kurt Ihlenfeld. 1973 Invitation to lecture and work with sculpture classes at Colorado State University, Denver, Colorado. One-man show at Albright College, Reading, PA. 1974 - 1976 Years of increased studies and work. Acquisition of a farm in Barto, PA. Built a new workshop. Works and lives with his wife and four children at the Barto, PA farm. New sculptures in iron, bronze, brass and wood. Traveled to Belgium, West Germany and Switzerland. One-man show at Gallery Heimat 85, West Berlin, Germany. One-man show at the Ianuzzi Gallery, Scottsdale, Arizona. Friendship with sculptor Tom Althouse and paintress Jane Mitchell. 1977 - 1981 Traveled to West Berlin. Works exhibited at Gallery Heimat 85, West Berlin. Also exhibited at Gallery Ludwig Lange. New workshop opened at parent's house in West Berlin. Many sculptures in steel, iron and bronze, some are represented at the Gallery Herbert Remmert and Dr. Barth, Düsseldorf, West Germany. Visited the Island of Korfu in Greece. New graphics. First visit to Italy. A fire at the farm destroyed two buildings, also 38 sculptures (created from 1950 to 1979), reliefs, graphics, correspondences, and various art collections. 1981 - 1984 One-man show and group shows at the Jack Savitt Gallery, Macungie, PA. One-man show at Misericordia College, Dallas, PA. 1984 - 1985 Change of direction. Painting in watercolor dominates sculptural work. Also greater interest in collecting other artists' work. One-man show at the James A. Caplan estate in Villanova, PA. 1989 Represented in the June 1989 Colonial Homes magazine. The article and photographs described the artist's life and his collections. 1992 Traveled to Europe, mainly living and working in Germany and Belgium. One-man show in Liegé, Belgium. Sculptures, drawings and paintings shown at the Heinz Ortleb Gallery, Berlin. Death of mother, Annie Ihlenfeld, in Berlin. 1994 - 1996 Restored a large barn at the farm with his son Phillip for extensive art collections and completed sculptures. Created sculpture garden at farm. 1996 Created many new bronze and brass sculptures during the winter months. Participated in the Central Bucks Chamber of Commerce Sculpture Show. Study tour to Bermuda with his wife. The semi-tropical plants and landscapes inspired new works. 1997: Traveled, study-tour, to St. Lucia, near Martinique, in the West Indies with his wife. This tropical environment was most inspiring. Participated in the Central Bucks Chamber of Commerce Sculpture Show at the James A. Michener Art Museum in Doylestown from June 13 to September 7, 1997. 1998 Entered the Berks County Art Alliance juried art show in the fall at the Reading Art Museum, Reading, PA. 1999 Travels and studies with family members of ruins near Oaxaca City, Oaxaca, Mexico (Monte Alban, Mitla, Dainzu, Teotitlan del Valle, Lambityeco, San Jose El Mogote, Yagul), the Rufino Tamayo Museum of Pre-Columbian Art, and the Regional Museum of Anthropology in Oaxaca City, in May. This is one of the most productive years in metal sculpting - forged iron and steel (many large scale works) all welded, new watercolors and art acquisitions. 2000 Sculptures entered in the Baum School Art Auction, Allentown, PA. 2001 Entered a group show of sculpture and paintings at the Schwenkfelder Library and Heritage Center, Pennsburg, PA. Continues to create new sculptures in iron, bronze, brass and wood. Also has continued to produce a wide variety of watercolor & other graphics large and small. 2002 Study tour to the Key West, Cozumel, Tulum, Belize and Nassau. Continues to produce many sculptures in bronze and iron. 2003 - 2004 Visited Niagara Falls, the Finger Lakes, Thousand Islands, Rockport, Maine and Concord, Massachusetts. Many inspirations for water colors and sculptures. 2005 - Exploring Maryland during the summer. First grandchild born in July, which was an extraordinary event. Painting many watercolors and continuing to work in forged iron. 2006 Sculptures entered in the PA Sinfonia Orchestra Art Auction, Allentown, PA. Continues to produce a wide variety of watercolors and bronze sculptures. Acquired over 200 African artifacts. Sculptures sold at David Rago Auctions...

Decorative plate "Interaction". Porcelain h 5 cm; w 20 cm

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

"Guided Spirit" (maquette) Abstract, Tabletop Size, Metal Sculpture by Kevin Barrett Bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculptu...