Leeds Pottery

Staffordshire Pottery porcellaneous stirrup cup which features a fox head, stood directly on the ground, no base. Dull gilt base line. Decorated 'in the round' - decoration to front ...

19th Century Bennington pottery seated spaniel with treacle glaze, circa 1860s. From the Bennington factory in Vermont USA. A text book example, in well cared for antique condition...

Brutalist Art Pottery, Studio Ceramic by Brenda Williams. Northern California artist. Dramatic form, technique, wonderful glaze and color.  

Exceptionally rare early figure of Bacchus in black basalt. The mixed-case mark places this figure between 1780 and 1785. He is portrayed in typical style, his head garlanded with grapes and with a wine cup to his lips. Bacchus, also known as Dionysus in Greek mythology, is the enigmatic god of wine, fertility, and ritual madness. He symbolizes freedom, ecstasy, and the blurring of societal norms through his rituals and festivities. Bacchus is often depicted in myths as a deity who challenges the status quo, promoting an atmosphere where conventional rules do not apply, and his followers are liberated from their everyday constraints. Born from Zeus and the mortal Semele, Bacchus is unique among gods, bridging the divide between the divine and the human. His followers included the wild and ecstatic maenads, female devotees who often reached states of divine frenzy, and the satyrs, mischievous half-man, half-goat beings. The worship of Bacchus was marked by theatrical processions, dances, and plays, reflecting his patronage of the theater and the dramatic arts. Bacchus’s mythology...

A wonderful stoneware pottery model of a Monkey designed by Knud Khyn for Royal Copenhagen. Knud Khyn (1880-1969) was a Danish sculptor and painter. He was an important, long-term...

A stunning three hooped ‘Pagoda Pot’ by Dorset potter Alan Ashpool, with a flared bowl to the top, tiered forms made from a mixture of thrown and slipcast sections joined together, culminating in a bell shaped base. Predominantly in an ecru colourway, followed by a dark grey glaze, then a turquoise/blue glaze, culminating in a stunning bronze manganese glaze. There are also beautiful blue flecks in the ecru finish, which were created in the firing process. A wonderfully impressive and tactile piece measuring 40cm in height, in very good condition with no chips or cracks. Alan Ashpool backstamp to the base alongside the original address label. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

Early design, whimsical! A bird-form teapot with winged lid, Monmouth Pottery, via Pine Stoneware or Western Stoneware Company in Monmouth, Illinois....

Great sample of the well known Austrian artist, Erna Kopriva. She was assistant of Joseph Hoffman and worked at Wiener Werkstatte . Similar pieces are now...

English Creamware Gray Tortoiseshell Lead Glaze Pottery Teapot and Cover, Whieldon Type, Circa 1765. The creamware teapot and cover, of small circular f...

Blue pottery by Piero Fornasetti Italy, 1960 Perfect condiction.

Staffordshire Whieldon-type creamware teapot and cover, circa 1765-1775 The Whieldon-type cream earthenware teapot has a moulded design of grape vines and large grape leaves to t...

Group of Malcolm Wright pottery including two covered bowls and an oversized charger. All monogram signed on the unglazed bases. All in black and brown glaze and decorated with leaf motifs. The charger with a scalloped rim. Measurements: Smaller lidded bowl 9.75 inches wide and 6.5 inches high, and larger covered bowl...