Fabric Sculptures

Fabulous very 1960s MOD style dresser top display female fiberglass mannequinn bust with long neck. Blue eye shadow, pink lips and nylon eyelashes. Great way to display your hats, wi...

Masterfully handcrafted in Italy, Kazimir is not only a perfect divider for a Minimalist or Classic room, but also a symbolic bridge, linking design to art, functionality to decorati...

Handmade sheep in curly brown fur and beech wood. Designed by German artist and designer Hans-Peter Krafft, produced in Germany by Meier Germany. Originally used as a stool, the sh...

Cool whimsical collection of seven Danish modern viking figures after Jacob Jensen, circa 1960s. The set is in good vintage condition and the vikings range in size from 3" high to 7....

'Comment Section' Faux Fur by Elliot Routledge is a playful yet gently incisive sculptural work that reflects the artist’s ongoing exploration of abstraction, material contrast, and ...

19th Century country house dinner gong figure We are proud to offer an exceptional 55-inch-tall fine figural country house dinner gong figure in the form of an oriental man which is hand carved pine with gesso detail. All section carved body, shaped bamboo legs and midsection detail with glass eyes. With long ponytail real hair detail. Wearing its original 19th century Chinese court official's winter hat made of soft black velvet and is covered with red silk fringe and hand-crafted brass and wood knob. The green colour knob on the top of the hat indicates that this hat was a Qing official's hat, and the knob is an imperial court cap knob button antique...

Florence Resnikoff Wall Sculpture, Painted Canvass stretched over wire frame. Signed on backside Resnikoff Resnikoff's work can be found in the permanent collections of the City and ...

Drawers lamp designed by Dali manufactured by BD. Carved structure in black varnished limewood. Lampshade in black linen. The black label collection came to market in a limited edi...

Sculpture Samuraï Puppet Musha Nyngyo B Set of 2 with structure in wood, hand-carved wood, hand-painted wood, hand-lacquered wood, covered with hand-...

Monica Machado Born in Lisbonne (Portugal) in 1966. Lives in Paris since 1981. Technique: textile work. Stuffed animals mosaic reworked and reassembled Exhibition: 1993 to 19...

Vintage cotton elephant, covered in Indian textiles, retailed in the 1950s by Harrods. Interior frame composed of wire and straw. Textiles originally s...

Upholstered armchair by Peter Shire, 2018 Upholstered with Kvadrat Divina Fabric, Aluminum, Wood & Paint. Approximate measures: 60 1/4" high x 40" wide x 39" deep Peter Shire: ...

Unique piece hand made by the artist. The silk velvet fabrics and velvet embroidery were made expressly for the artist, Carla Tolomeo.

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

A striking pair of **hand-carved wooden figural table lamps by Paul László, featuring sculptural seated figures mounted on black bases. Each lamp is accented with a decorative brass...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king...

This all original, antique mannequin is a true piece of art. The age and patina that the mannequin has make it visually interesting and the best ant...

Sculpture Samuraï Yoshitsune Puppet with structure in wood, hand-carved wood, hand-painted wood, hand-lacquered wood, covered with hand-embroidered silk puppet garments. With arro...

Mannequin used by tailors and mercantile retailers in Paris, manufactured by Stockman, circa 1910-1920. Mannequin measures 34 H x 15 W x 9.5 D. Stan...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork is a ceremonial doll...

This fantastic one of a kind lamp was designed as part of the interior that Arthur Elrod created for the Johnson Publishing building in downtown Chicago. The entire lamp was custom fabricated to the specifications of the Elrod design team. They began with a cast and slump-formed glass sculpture. The base and lamp structure was fabricated to illuminate the glass sculpture from below/ within as well as above. The amber glass sculpture...

Superb Japanese-style mantel / fireplace mirror in lacquered wood, carved with an imposing dragon and decorative motifs. Japonism, France, circa 1880. Attributed to Gabriel Viard...

Rare Hand Made Doll, by Marilyn Neuhart for Textiles & Objects, which was a "pop up shop" conceived by Alexander Girard and sponsored by Herman Miller in May of 1961. See the last tw...

Sculpture. Unique piece hand made by the artist. Armchair decorated by the author. Pontoglio velvet rose, trimmings.

Large sculpture of beetle in flight, this is a large cut-away model (on the original base) of a beetle used for anatomical instruction in a Prague, (circa 1950-1959). Model is hand-crafted from papier-mâché and carved wood. Completely hand-painted and features articulated arms, removable painted cloth...

Beautiful toy house made of cardboard clad with felt by Claudy Jongstra. Very early work of this amazing designer. One-off piece designed and made specially for an interior design fa...

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys....

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby...

Antique Edwardian Wasp Waist Mannequin – c. 1900–1910 A rare and elegant early 20th-century tailor's mannequin featuring the iconic wasp waist silhouette, characteristic of the Edwa...

Large French brass cockerel rooster An impressive large French brass cockerel stands in a fighting pose with its wings out-stretched and tail held high. The piece shows great...

Diane Cooper Mixed Media over Wood Wall Mounted Bundle Sculpture, From Ruth Horwich collection. Textures Canvas and Metal About Diane Cooper: Inspired by the visual culture in Japan,...

Art Nouveau golden patinated bronze bust model/seal with acrylic base 'La Poésie' signed by Lecci, exhibited at the Salon des Artistes Français, Paris 1910 By: Lecci Material: coppe...

West African hand beaded head dress crown from Yoruba, Nigeria. This artistic beautiful and functional art piece is covered with beads in turquoise, orange, green, yellow red, blue ...

Sculpture. Unique piece hand made by the artist. The silk velvet fabric and the embroideries are made expressly for the artist, Carla Tolomeo.

Sculpture. Unique piece hand made by the artist. The silk velvet fabric and velvet embroidery are made expressly for the artist, Carla Tolomeo.

Sculpture. Unique piece hand made by the artist. Semi-circular pouff designed by Gabriel. Vintage chenille Pontoglio cotton velvets, silk and cotton trimmings, designer decorations

Vessel #854 Hand formed stoneware base with mossy green glaze. The top part is woven with lavender cotton. 19.5”H x 5”W One of a kind collections with a limited number of pieces a...

Bed in silk velvet, unique pieces hand made by the artist. The silk velvet fabrics and the embroideries are made expressly for the artist, Carla Tolomeo.

Antique historicsm vintage mannequin tailor´s dummy from beech and linen manufactured circa 1890 Austria. The vintage mannequin shows a circular bas...

Unusual Antique / French Art Deco 1920s Mannequin Display Head/Brass Thread Hair,,, signed,,

Mr. B limited edition of 200 pcs 2001 Art Toy from the Crazy Children series by Michael Lau. Produced by Crazy Smiles. This rare piece comes with it's orig...

Sculpture. Unique pieces hand made by the artist. The silk velvet fabrics and the embroidery are made expressly for the artist, Carla Tolomeo.

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork is a ceremonial doll...

Magical imaginative tabletop sculpture made from a vintage toaster having white porcelain base and metal wire appliance. Artist has created a scene of found antique folk art sheep...

This set includes two shadow boxes housing kelp sculptures made of natural and nickel-plated brass. Each piece is mounted on a fabric background, providing a soft texture that contra...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork is a fertility doll...

Classic mid century Pretzel arm chair by Norman Cherner for Plycraft: Great original condition, Retains original seat and back padded cushion fabric,...

On a round base is placed the nativity composed of the Holy Family with the ox and donkey, three cherubim fly to heaven. The seated Madonna and St. Joseph standing turn an adoring ga...

Late 19th century French Fabric Bust. Antique bust found in Paris was a shop display and is now a fantastic object with a rich and gorgeous patina. Tur...

Sculpture. Unique piece hand made by the artist. 19th-century silk velvet poltrock decorated by the author. Rose back in Pontoglio silk velvet. Trimmings

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork is a fertility doll...

Thierry Despont, best-known as a very successful architect, was also an accomplished artist. In his paintings and sculptures, when not analyzing the smallest, most detailed creatures...

Bringing worlds together. Soft, matte and formable with hard, shiny and fragile. A dreamscape object made in collaboration. With hints of blossoms and corals. Intuition and life. Sho...

Rare Hand Made Doll, by Marilyn Neuhart for Textiles & Objects, which was a "pop up shop" conceived by Alexander Girard and sponsored by Herman Miller in May of 1961. See the last tw...

Zulu bridal hat, made of natural hair and red pigments. The young girls were called ‘Itshishi’. They let their hair grow, cut it of, conserved it and worked the strings of hair aroun...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king...

This is a new work by Mattia Biagi Sculptural chair with collage on wood.