Marble Sculptures

Bronze sculpture The Resignation inspired by Salvador Dalí, depicting a human head with a hand covering the face, symbolizing withdrawal, silence, and inward reflection. Cast in pati...

Likely 1970s A designer friend referred to this as the 'magic baguette' and I started doing so after. You could also call it the leaning baguette. It has a stone (marble?) base. A s...

Hand-carved using Carrara white, Serpentine green, Portuguese pink, Belgium black and Alicante red marbles, a 3d mosaic puzzle that brings them alive as in ancient times, when sculpt...

Top quality and condition sculpture. If you are a collector of anything to do with ancient Egypt or if you are decorating a room or business with an Egyptian theme then this rare Pharaoh sculpture...

A superb and richly carved giltwood eagle perched on rocks with open wings, the eagle's head looking to its left and fitted with a separate giltwood wreath...

A very large tessellated marble sculpture of a shark, at 111cm wide an impressive piece. The movement captured very well, jaws agape and aggressive posture. Greta scale, size and for...

A stunning museum quality French 19th century Ormolu, patinated Bronze, Rouge Griotte, Coquillier de Bilbao marble statue and original pedestal named "Gloria Victis" and signed by A...

French sculpture of a bird standing proud on a polychromed marble pedestal. The statue is in a two-toned patinated bronze, representing a pheasant walking with its wings tucked in an...

Marble Busts of Roman on pedestal. Early 19th Century

A Torch cut iron sculpture signed and dated Stolpe 1991. We believe it to be the work of Daniel Owen Stolpe. I have included a picture from his obituary of him standing next to a ver...

Add some sophistication and elegance to your living space with our decorated satin brass cup on a black marble base. Perfect for holding small items or just ...

Magnificent pair of hand-carved marble sculptures depicting two female figures in a serene pose, each carrying a basket of flowers. The works stand out for their combination of diffe...

Brazilian modern white Carrara marble sculpture on black granite base by Fatima Fontes, circa 1990s.

After «  la Bottega Del Mosaico Vaticano », Marble tabletop decorated in the center with a mosaic of concentric friezes featuring plant and geometric motifs. The central medallion, m...

A 19th century patinated bronze depicting the hero Ajax or Menelaus, king of Sparta, mounted on a column-shaped base of grey veined marble, a classic souvenir of the Grand Tour

Carrara marble sculpture "Ariadne on the Panther" signed A. Frilli, Firenze, Italy, circa 1890. Dimensions green marble pedestal: 114 cm.

This French Earth globe, attributed to Jacques Adnet, is a stunning decorative piece that blends artistry with craftsmanship. Made of plaster with raised polychrome decoration, it fe...

Superb patinated marble and alabaster bust of a veiled woman crowned with laurel by Professore Giuseppe Bessi, Italy 19th century. Signed "Prof. G. Bessi". Excellent condition. Dim...

Add elegance and charm to your interior with this Art Nouveau bronze bust of a boy, signed by the renowned French artist Auguste Moreau. Each detail of the sculpture reflects the del...

Beautiful hollywood regency brass waves porcelain dolphin sculpture on marble base by Bijian, circa 1980s. The sculpture sits on a curved brass "wave" and measures 10.5"W x 4"D x 12...

This is a stunning antique pair of patinated bronze reclining Classical semi-nude sculptures of young ladies mounted on carved marble bases, circa 1880 in date. These exceptionally ...

Group of 13 of various size marble spheres (PRICED EACH)

Antique (late 19th century) patinated bronze figurines mounted on Italian Siena marble depicting Psyche and Cupid. Each 13 inches tall and signed in the cast, Sevres, after the orig...

A very fine large, rare and charming, French, 19th century. Belle Époque carved white marble whimsical figural urn fountain depicting children (Putti) climbing on an urn with flowers and garlands, influenced in the Louis XV style, by Joseph Reynés I Gurgui (Barcelona, 1850-1926). Signed: Reynes. Barcelona, circa 1890. An almost identical Carrara marble fountain also by Josep Reynés carved in 1893 currently at the Parc de la Ciutadella in Barcelona, Spain. Measures: Overall height: 55 inches (140 cm) Marble height: 49 inches (124.5 cm) width: 37 inches (94 cm) depth: 30 inches (76.3 cm) Joseph Reynes Gurguí (Barcelona, 1850 - 1926) is a Catalan sculptor, also known as Reynesy-Gurgui, Spanish school. He studied at the Ecole de la Llotja, studied for a time in Paris, in the workshops of the great French sculptors Jean-Baptiste Carpeaux (1827-1875) and Carrier-Belleuse (1824-1887). He devoted himself mainly to interior decoration. His works were profoundly marked by a French influence. He exhibited in Paris in 1895 where he received an honorable mention. In 1890 he obtained the first medal in Madrid for "The Violinist". Literature: E. Benezit Dictionaire des Peintres, Sculpteurs, Dessinateurs et Graveurs by Grund - Nouvelle Edition, 1976 - Volume 8, Page 714. Cristina Mensoza, Ramon Casas...

Introducing Elysian, a large sculpture that epitomizes the essence of biophilic design, seamlessly integrating the serene beauty of nature into your living space. Inspired by the nat...

Hand-Carved Marble & Onyx Bust of Marcus Aurelius on Base

LYSIS Art Deco style sculpture of a dancer by Pierre Le Faguays. Signed Fayral. Pseudonym of Pierre Le Faguays. With foundry seal. Design 1930. Posthumous contemporary cast at the...

Statuary marble bas-relief, Cupid and Psyche, twentieth century. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING QUOTE CAN BE REQUEST BY SENDING AN EMAIL Indicative shipping...

Beautiful geometric form carved marble abstract form sculpture. A gray and white marble, with a faint green hue is beautifully sculpted with a feel of movement in its geometric abstr...

Large Estero Wall Sculpture by Aura Carpio Dimensions: W 60 x D 6 x H 100 cm. Materials: Copper, Marble. This piece can be produced in customized sizes and finishes upon request. Pl...

An impressive, classically inspired sculptural group carved in stone, depicting a pair of reclining mythological figures, likely with a marine or riverine theme. The composition show...

An Art Deco bronze sculpture by Pierre Le Faguays (1892-1962). An elegant female dancer in a playful pose holding a bunch of grapes between her hands, wearing a loose fitting dress. SIlvered bronze, set over a marble base with a silvered bronze decoration to the front. Signed P Laurel...

An Impressive 19th Century Italian Hand-Carved Carrara Marble Model of The Three Graces, Originally by Antonio Canova. The carving on this piece is exceptionally well done. The faces, hair, hands and draped clothing...

A most impressive and extremely high quality true pair of French 19th century Neo-Classical st. Egyptian Revival patinated bronze, ormolu and marble statu...

Bronze sculpture depicting a boy sitting on horseback, executed in a modern figurative style and inspire by G. Lachaise. The sculpture shows a slender horse with an elongated body an...

Elegant pair of decorative obelisks crafted in green marble in Italy during the 1970s. Inspired by the monumental obelisks of Ancient Egypt and their later adoption into Roman, Renai...

Highly detailed crafted by hand in the 19th century by Italian craftsmen from white marble for a Roman Catholic Church in the United States Mounted outdoors for over a hundred years...

Italian Marble Sculpture

Gilt bronze lion on marble base. Antique chased gilt bronze recumbent lion on rare green speckled marble base. Italy, late 17th century. Dimensions: Ov...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

Large French Carrera Marble Art Deco Carving Used, Good condition, View all photos for the most accurate details on condition and appearance. Dimensions: 45 1/2 Inches Height x 32 ...

Sculpture called "Pro Ingenio" made by Émile Lois Picault (1833-1915), made of Carrara marble, a gilt bronze harp and ivory laurels. The sculpture represents Jupiter and eagle. Signe...

Large French Art Deco Sculpture Borzoi Dogs Beautifully cast pair of borzoi dogs with good detail and well-aged patina. They are cast in spelter with a cold painted green fin...

French Gilt Bronze Figural Sculpture, 19th century, depicting a classically draped standing female with raised arm, on a green marble base. 15.25" H x 7" W x 4.75" D.

A classic Italian Roman statue of the 'David' on a black marble base by sculptor G. Ruggeri, Italy, circa mid-20th century, Italy. White resin statue is on a black marble base with t...

Beautiful artist made sculpture with heavy marble on a chrome rotating base. This piece has no front, so looks amazing from all angles. Please confirm location NY or NJ

Collection of five pieces of alabaster peaches in a 19th century wire compote. The condition is very good. There are five peaches in the group.

Elegant French Art Deco bronze sculpture of a kneeling nude woman by Joé Descomps‑Cormier (French, 1869–1950), cast in cire perdue (lost wax) and mounted on a black and white veined ...

Large marble sculpture of Medusa rondinini, marble base, black lacquered with bronze decorations. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY...

A Roman Marble Sculpture of Hercules, Circa 1st / 2nd Century AD The sculpture is nude except for the draped Nemean lion skin. Provenance: Sotheby's London, December 14, 1981, lot ...

1970s Modernist Sculpture Two Bronze Fish Marble Block Base Mexico City Ideal as a Letter Holder in the style of Curtis Jere Signed and edition stamped 39/500 unable to read. 12 h x ...

This mid-century painted plaster bust, created around 1976 by late German artist Jens Schleede, presents a compelling portrait of a man rendered with expressive realism and sculptura...

This monumental abstract sculpture is masterfully carved from richly veined black marble, revealing a powerful organic silhouette defined by smooth, flowing contours and a dramatic c...

Unique and amazing 19th century mantel clock garniture. If you are looking for a one of a kind and truly spectacular clock to grace your living space then this work of beauty could ...

Antique male marble torso, circa 1850 A copy of the roman marble statue Apoxyomenus in Musei Vaticani in Rome (I sec d.c.) copy of a greek bronze athlete statue...

Solid patinated bronze post-modern abstract sculpture on black marble base by listed artist Bob Bennett, circa 1990. The piece has a great look and beautiful finish and patina; it m...

Beautiful stylized art deco style elephants bronze sculpture on marble base, circa 1940s. The piece is in very good vintage condition and measures 9.5"W x 3.75"D x 8"H and has a grea...

Sea monster Carrara marble mouth fountain Italy, late 16th century It measures 13.8 x 31.5 x 18.9 in (35 x 80 x 48 cm) State of conservation: some small evident gaps and widespread signs of wear due to outdoor exposure. The gray marks crossing it do not come from restoration, but are rather the natural veins of the marble. This work has some morphological characteristics typically associated with the iconography of the sea monster: an elongated muzzle, sharp teeth, protruding eyes, elongated ears, and a coiled serpent's tail. An in-depth series of studies on artistic depictions of the sea monster attempted to verify how this symbol evolved in antiquity in the European and Mediterranean contexts and how it gradually changed its image and function over time. The iconography itself is mutable and imaginative and its history is rich with cultural and artistic exchange, as well as the overlapping of ideas. This occurred so much that it is difficult to accurately pinpoint the "types" that satisfactorily represent its various developments. However, we can try to summarize the main figures, starting from the biblical Leviathan and the marine creature that swallowed Jonah (in the Christian version, this figure was to become a whale or a "big fish", the “ketos mega”, translation of the Hebrew “dag gadol”). Other specimens ranged from the dragons mentioned in the Iliad (which were winged and had legs) to "ketos” (also from Greek mythology), the terrifying being from whose Latinized name (“cetus”) derives the word "cetacean". See J. Boardman, “Very Like a Whale” - Classical Sea Monsters, in Monsters and Demons in the Ancient and Medieval Worlds, in Papers presented in Honor of Edith Porada, Mainz am Rhein 1987, pp. 73-84). In Italy the monster underwent yet further variations: it can be found in Etruscan art on the front of some sarcophagi representing the companion of souls, while among the Romans we find the “Pistrice” (cited by Plinio in Naturalis Historia PLIN., Nat., II 9, 8 and by Virgilio in Eneide: VERG., Aen., III, 427), which appeared in the shape of a stylized hippocampus or a very large monstrous cetacean and evolved into a hideous being with a dragon's head and long webbed fins. During the Middle Ages, the sea monster was the object of new transformations: at this time, it is often winged, the head is stretched like a crocodile, the front legs are often very sharp fins - sometimes real paws - until the image merges with dragons, the typical figures of medieval visionary spirituality widely found throughout Europe (on this topic and much more, see: Baltrušaitis, J., Il Medioevo fantastico. Antichità ed esotismi nell’arte gotica, Gli Adelphi 1997). In Italy during the 15th and 16th centuries, the revival of classicism - representative of the humanistic and Renaissance periods - led to a different reading of these "creatures". Indeed, the sea monster was also to find widespread use as an isolated decorative motif, especially in numerous fountains and sculptures where dolphins or sea monsters were used as a characterizing element linked to water (on this theme see: Chet Van Duzer, Sea Monsters on Medieval and Renaissance Maps, London, The British library, 2013). From the morphological point of view, the "sea monsters" of this period are mostly depicted as hybrid figures, in which the body of a mythological or real being (a hippocampus, a sea snake, a dolphin), is joined to a head with a rather indistinct appearance. It was usually characterized by large upright ears, an elongated snout, sharp teeth and globular, protruding eyes; a complex and indefinite figure, both from the symbolic point of view and from that of its genesis. The work we are examining is placed as a cross between the medieval sea serpent and the Renaissance dolphin, with stylistic features which recall the snake as often used in heraldry (such as the "snake" depicted in the coat of arms of the Visconti - the lords and then dukes of Milan between 1277 and 1447 - and which, for some, may be derived from the representations of the “Pistrice” that swallowed Jonah). In the search for sources, Renaissance cartography and in particular woodcuts should not be neglected. See for example the monsters of Olaus Magnus, from the editions of the “Historia de gentibus septentrionalibus” (“History of the peoples of the north”) and the natural histories of Conrad Gesner, Ulisse...

Stunning bronze sculpture designed and manufactured in Puerto Vallarta, Mexico by Victor Salmones. The sculpture is titled "Tiren la Primera Piedra" (throw the first stone) made i...

Standout vintage obelisk crafted in brass and rouge marble in a modern stylized form on ball feet. Signed Maitland-Smith on the bottom.