Silver Sculptures

Small silver-plate over bronze nude Greek mythological figure with horns and tail standing on a small tierred base (stamped in corner)

Bjorge Skohg For Gustavsberg art rock of abstract design with superb applied silver motif A wonderful piece of Swedish design history Signed Skohg, G for ...

Elegant Art Deco sculpture depicting Diana the Huntress with a bow, created in the 1930s by Italian sculptor Salvatore Melani. The figure is crafted from plaster and finished with si...

A beautiful and rare solid sterling silver nude female figurative torso sculpture by artist sculptor, Richard McDermott Miller, 1988, New York...

A superb antique silver sculpture of a fish with original emerald green glass eyes, made in Spain c. 1930. The fish is fantastically modelled, with fine quality hammered texturing o...

Monumental Rock Crystal Quartz Stalagmite on Carved Silver Leaf Base, in the Style of Serge Roche France, Circa 1960 Two Pieces: The Rock Crystal Quartz Stalagmite and the Carved Sil...

Mario Buccellati vintage 800. Italian silver duckling figurine. Made Italy, Milano, Ca.1930's Fully Hallmarked. The furry duckling figurine i...

Vintage Silverplated Cast of a Strolling Bear Item e7244 A lovely sculpture of a strolling bear made of silver plated metal cast, Germany 1st half of the 20th century. 83,3 gramm, 2....

A dramatic and highly unusual crocodile skull sculpture, hand cast in recycled aluminium and finished with a highly polished silver surface. Measuring an impressive 53.5 cm in leng...

19th century French marbleized painted crucifix with green mica. The crucifix originally came from a collector in France. The crucifix is painted ...

The “Summer Pond” is a monumental sculptural centerpiece that unites master craftsmanship with the poetic stillness of nature. Specifications & Details Materials: Solid 925 Sterling...

In a dramatic pose perched on branches atop rock-work all resting on acorn feet.

An amazing and rare Chinese silver Nine Phoenix Coronet or Crown, Ming Dynasty (1368 to 1644), late 16th to early 17th century, China. A delicate and...

Italy, a country that produces great wines and an ancient agricultural tradition, could not fail to dedicate its art also to create prestigious objects concerning this excellence for...

An exceptional, fine and impressive contemporary cast English sterling silver model of a pug; part of our animal related silverware collectio...

This vintage sterling silver shopping bag was handmade by Cartier. The boutique-style shopping bag is designed to stand upright and features two arched handles composed of thick-gau...

Pair of figural candelabra by Elkington, Mason & Co English, circa 1860 Height 44cm, width 26cm, depth 20cm This pair of three light figural candelabra is made of silvered-bronze. The candelabra take the form of a male and female figure in exotic dress...

A fine silver miniature figurine. In sterling silver. In the form of a boar in trot. Hallmarked to the stomach. Simply a wonderful miniature boar! Date: 20th Century Overall C...

Dansk International Designs Ltd. Small sculpture in plated silver. Rare sculpture, sold to Japan. 1970s. Marked. In excellent condition. Dimensions: L 7.0 cm x H 3.8 cm.

A most wonderful addition to any table - a serving spoon that will make your friends talk to each other. An intricately detailed Repoussé peacock handled spoon. One of the most impre...

Sterling silver decorative basket with various vegetables The sculpture's oval structure is formed at the bottom by a silver-wire basket resembling a wicker basket with handles. Insi...

Mario Buccellati, a rare and exceptional Italian silver goat circa 1940. Made in Milan Italy. Very fine quality and workmanship and very large in size. Measures: 12" high x 14" w...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

The “Dance of the Sturgeons” sculptural caviar server is an exceptional creation handcrafted in 925 sterling silver, Bohemian crystal, and gilded silver, enriched with traditional ha...

Large Bertoia Studios 32-Rod 'Sounding Chess / B-2466' copper & brass sculpture. A lyrical and musical sound sculpture with certificate of authenticity signed by Val, the artist and son of the original designer, Harry Bertoia. Hand made at the original Bertoia...

This is an interesting and very unusual silver plated bronze bust of the famous four-faced Buddha. This history of this fascinating motif entails a fusion between the Hindu and Buddhist faiths. This high quality hot cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 15 x Width 14 x Depth 14 & Weight 2.45 kg Dimensions in inches: Height 6 inches x Width 5 inches x Depth 5 inches & Weight 5.4 lbs The four faced Buddha at the Erawan Shrine, Bangkok is actually Lord Brahma who is one of the Trinity of Hindu Gods. The other two are Lord Vishnu, the sustainer and Lord Siva the destroyer. Brahma is said to be born from a lotus leaf sprouting from the navel of Vishnu. The Thais call Brahma, Than Tao MahaProm or Phra Phrom. When Indian scholars spread Buddhism to Thailand, they brought with them Hindu culture and folklore, which has been inextricably linked with Thai culture and beliefs. Brahma has four faces and eight hands; a feature that could have given rise to the name four faced Buddha. He is the god of creation, mercy and benevolence. He sits atop a lotus leaf; the lotus flower is commonly used for prayers at Thai shrines...

A large sterling silver ring.

Rare pair of bronze sculptures by Emile Hebért. Fine quality silvered and gilt bronze figures of a warrior woman and a poet women dressed accordingly with military attire and poetic words. Signed and foundry marked with the G. Servant mark. Pierre-Eugène-Emile Hébert, French, (1828 - 1893). A native Parisian, Hébert apparently lived and worked in the capital until his death. He was born in 1828, and studied sculpture privately, with his father Pierre (1804-1869) and Jean-Jacques Feuchère (1807-1852), both of whom pursued modestly successful careers in the Salon and as public sculptors beginning in the 1830s. Hébert learned extensively from their very divergent paths. Whereas Pierre Hébert...

Cast of a Silverplated Sitting Bear ca. 1930s Item e7247 A lovely sculpture of a sitting bear made of casted metal and silverplated, Germany 1st half of the 20th century. 75,9 gramm,...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

This intricate silver necklace was once a part of the elaborate attire of a Miao women in southwest China, an ethnic minority with rich traditions of textile art and silverwork. In t...

Desert Majesty: A Majestic Buccellati Sterling Silver Arabian Oryx A masterful creation by the renowned Italian house of Buccellati, this exceptional sterling silver model depicts t...

A magnificent, fine and impressive, rare antique silver sugar box modelled in the form of a squirrel; part of our collection of rare silverware. This magnificent, fine and impressive antique cast silver sugar box has been realistically modelled in form of a squirrel perched on a branch. The silver sugar box is embellished with chased details reproducing the squirrel's coat and anatomical features, in additional to the naturalistic features of the branches, leaves and acorns. This exceptional and large antique silver squirrel sugar box is fitted with the original push fit head/cover. Such magnificent specially commissioned, large examples in this form are highly unusual and are not available on the open market. Condition This rare squirrel sterling silver sugar box is a magnificent gauge of silver, magnificent quality and in magnificent condition. Full British hallmarks struck to the body of the box and part hallmarks to the sleeve of the cover are all very clear; the hallmarks are struck deeply to the magnificent gauge of silver. Reflections in photographs may detract from the true representation of this large silver animal ornament...

Sculpture of Womanin Silver Foil and Gold Italy 1970s Guido Mariani

The “Swan Song” ceremonial centerpiece captures the elegance and grace of swans through an extraordinary composition of sterling silver, 24K gold vermeil, luminous hot enamel, 24K go...

Pedro Friedeberg handcrafted silver leaf hand clock, vintage early 1960s, with original label from dated service inside, 1969.

Agnus Dei Porcelain Easter Lamb. Antique Naples creamware lamb’s head mask centered on silver thread embroidered red silk background in gold metal roun...

In Renaissance Style with various shaped applied stones and strap-like figures in front and back, the silver lid opens as box.

Exceptional large silver coffee pot dating to the late 18th or very early 19th century, designed in an elegant Baroque style with finely executed period detailing. The substantial s...

Art Déco silvered/nickeled bronze rabbit sculpture designed by animalier swiss author Édouard-Marcel Sandoz to be manufactured by the french firm Susse Frères By: Édouard-Marcel Sandoz, Susse Frères Material: bronze, nickel, silver, metal Technique: polished, silvered, hand-crafted, patinated, metalwork, cast Dimensions: 2 in x 1.5 in x 2 in Date: early 20th century, circa 1930 Style: Art Déco, Animalier Place of origin: France This small sculpture, crafted by hand in nickel-plated bronze, depicts a rabbit with ears bowed in a gesture of meekness, its form affixed atop a sturdy base of matching material. In this case, the signature of artist...

Silverplated tube vase by Jacques Sitoleux for Christofle, France, circa 1969..

An exceptional, fine and impressive contemporary cast English sterling silver model of a squirrel; part of our animal related silverware collection. This exceptional, fine and impressive contemporary cast sterling silver ornament has been realistically modelled in the form of a squirrel eating. This silver squirrel has been embellished with details reproducing the rodent's anatomical features and fur. Condition This contemporary sterling silver squirrel ornament is an exceptional gauge of silver, exceptional quality and in exceptional condition. The cast decoration is all very sharp. Full hallmarks struck to the squirrel's leg are all very clear. Reflections in photography may detract from the true representation of this example of silver animal ornaments...

This beautiful large clamshell swan is designed and handmade by Gabriella Binazzi. She creates original and unique objects using strange materials such...

A large George IV silver sideboard dish, made by Joseph Angell II, 1828 English, early 19th century Diameter 75cm, depth 10cm This magnifice...

A charming 19th-century Northern European tobacco pipe hand-carved from richly patinated hardwood in the form of a hand grasping the pipe bowl. The bowl is fitted with an ornate silv...

A wonderful and utterly charming greyhound or whippet Victorian antique paper clip or paperweight, made in England of finely cast silver plated bro...

This early wire wrapped pendant was likely made by Harry Bertoia while he was at Cranbrook.

Made circa 1980 by Giuseppe Silva in Milan, this impressive sterling silver model of a shark is realistically modelled, and hand crafted. The shark is depicted with an open mouth rev...

A magnificent, fine and impressive, large and rare antique cast sterling silver elephant sugar box; part of our continental ornamental silverware collection ...

A Sterling Silver pair of figures on a display block by noted artist Ruth Bloch. Stamped R.B. and 925, includes black painted wood block plinth. Ruth Bloch was born in Israel in 195...

Stunning vintage 1980s original Ruzzetti & Gow Italian sterling silver wrapped spindle tibia shell is 8.5" long. Has the original tag inside. Excellent table top decorative object. G...

Giuseppe Garibaldi silver medal is an original silver medal realized in Italy by Italian manufacture in 1910. This silver medal celebrates Giusep...

Stylish and quite rare heavy gauge silvered chisel Cast Iron Victorian Door Stop of exceptional quality, last half of the Nineteenth Century of English origin. Depicting a standing pose of an Irishman the Duke of Wellington in full uniform attire, holding a sword and standing on a magnificent, stepped platform with a ball foot at each corner. Condition: Good overall condition, with no restoration anywhere, professionally re-silvered by our restorers in London. Doorstop is constructed by bolting together in three areas, see image. Casting is exceptional, study face area. Height: (entire as per image one) 14.75" (37.5cm). Width: (at base area). 6.5" (16.5cm). Depth: (at base) 3.25” (8.25cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping offered by Seller. Arthur Wellesley 1st Duke of Wellington is today more famous as a soldier than as a politician. In fact, as the Prime Minister, he was known for his measures to repress reform, and his popularity sank a little during his time in office. The Duke of Wellington was born in Dublin to the Earl and Countess of Mornington. A leading political and military figure of the 19th century, the Duke of Wellington is best remembered for his defeat of Napoleon Bonaparte at Waterloo in 1815. As a general, he was renowned for his stunning defensive skills. His battle plans...

Gorilla Chairman, cast silver sculpture. Made by Patrick Mavros in Zimbabwe in 2001. Hunched and squatting primate makes a show of bamboo stalk-breaking strength with flexed arms and...

An exceptional, fine and impressive vintage cast English sterling silver model of a labrador; part of our animal related silverware collection. This exceptional, fine and impressive vintage silver dog ornament...

This is a rare and magnificent object fashioned from a rare coco de mer nut and Ostrich egg by Antony Redmile. The box is secured to a wooden base with a silvered stand, holding both sides of the coconut. The coconut is a rich dark chocolate brown and appears to be warmly polished. The top of the box is silvered and adorned with beautiful malachite specimens. 2 small cast resin boar's teeth set with malachite are present on either side of the box, much like handles. Decorative silvered fittings hold ostrich eggs that serve as the lids to the box. Finally, a silvered fitting holds an oval malachite finial...

Sterling silver snail with natural shell Portuguese work – 925 silver hallmark Length: 31 cm Width: 9.5 cm Height to the antennae: 9.8 cm Weight: 320 grams

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. ARGENTA DRAGON...

An exceptional, fine and impressive Spanish silver presentation car model on plinth; an addition to our diverse silver ornaments collection. This exceptional, fine and impressive co...

A striking Colonial Peruvian devotional sculpture depicting the Virgin of the Rosary, carved in maguey wood and presented with an impressive antique silver crown and richly layered textiles. Created within the artistic traditions of the Andean world, the sculpture reflects the distinctive fusion of Spanish Baroque devotional models and local craftsmanship that characterized religious art in Colonial Peru. Particularly noteworthy is the use of maguey wood, a lightweight material traditionally employed in Andean sculpture and strongly associated with the religious imagery produced in Peru and the Cuzco region. The figure displays a serene and expressive face, glass eyes, delicately modelled hands and a commanding vertical presence. Its imposing silhouette is enhanced by elaborate period and later textiles, recreating the appearance these devotional images would have presented in churches, chapels and private oratories throughout the colonial period. The sculpture is accompanied by a substantial antique Peruvian silver...