Silver Sculptures

A truly outstanding and rare find, this is an outstanding Victorian figural inkwell made from a winning combination of brass and silver plate and retaining his wonderful two original...

A sculpture of many violins by French artist Fernandez Arman created for Christofle in 1984 as a new years gift wishing for a happy new year. Signed and stamped. Silver plate bronze...

A signed female sculpture or figurine executed in silver-plated/silvered pewter. A remarkable mix of grotesque and stylized female features. Made by Myron BV in The Nederlands circa ...

Our Lady of Sorrows “Head and Legs” with Silver Crown Period: 19th Century Origin: Spanish School (probably Andalusian or Castilian). Dimensions: Approximately 1 meter in height. ...

Sculpture in silver-plated cast zinc by Irenee Rochard, France, Art Deco. Signed “Rochard” on the pedestal. Irénée Rochard (1906-1984) was a French sculptor who made a name for hims...

DANSK Modernist Bear Animal Figure Paperweight Silver Plated by Gunnar Cyren. Vintage Dansk Modernist Bear Animal Figure Paperweight Silver Plated designed by Gunnar Cyren for Dansk designed in circa 1970s. Wonderful modernist silver plated bear...

Description: Pair of chiseled silver pheasants, profusely embossed. Metal: Silver. Origin: Portuguese. Mark: standing eagle. Weight: 1247.47 grams. Dimensions: 28.5cmx14cm. Content: ...

A fine and impressive pair of vintage Spanish silver bird figurines; part of our continental ornamental silverware collection. These exceptional vintage Spanish silver table ornaments have been realistically modelled in the form of a pair of birds/grouse. Each silver bird ornament has been embellished with embossed decoration reproducing the plumage and the bird's anatomical features. Condition These vintage silver bird figurines are a very good gauge of silver for their type, good quality and in excellent condition. The embossed decoration is all very sharp. The Spanish hallmarks...

An exceptional, fine and impressive Spanish silver presentation car model on plinth; an addition to our diverse silver ornaments collection. This exceptional, fine and impressive co...

Dansk International Designs Ltd. Small sculpture of rabbit in plated silver. Rare sculpture, sold to Japan. 1970s. Marked. In excellent condition. Dimensions: L 6.0 cm x H 4.0 cm.

A fine, whimsical Italian silver sculpture. By La Medusa Oro. In sterling silver and mounted atop a wooden plinth. In the form of a dentist's chair complete with an instrument tra...

Folk art cane: The pommel is made of carved and engraved tortoiseshell depicting the head of a greyhound with eyes set with rosette-cut diamond stones, and the tongue extending betwe...

Mellerio Paris, a large silver, gold, lapis lazuli, coral, and hardstone picture photo frame with two falcons. France, circa 2000 The frame resting on a lapis lazuli base with squa...

A 1:1 cast model of a human skull in silver plated bronze. Its made from a cast of a real human skull, probably female, and is complete with teeth, lo...

Italy, a country that produces great wines and an ancient agricultural tradition, could not fail to dedicate its art also to create prestigious objects concerning this excellence for...

This is an interesting and very unusual silver plated bronze bust of the famous four-faced Buddha. This history of this fascinating motif entails a fusion between the Hindu and Buddhist faiths. This high quality hot cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 15 x Width 14 x Depth 14 & Weight 2.45 kg Dimensions in inches: Height 6 inches x Width 5 inches x Depth 5 inches & Weight 5.4 lbs The four faced Buddha at the Erawan Shrine, Bangkok is actually Lord Brahma who is one of the Trinity of Hindu Gods. The other two are Lord Vishnu, the sustainer and Lord Siva the destroyer. Brahma is said to be born from a lotus leaf sprouting from the navel of Vishnu. The Thais call Brahma, Than Tao MahaProm or Phra Phrom. When Indian scholars spread Buddhism to Thailand, they brought with them Hindu culture and folklore, which has been inextricably linked with Thai culture and beliefs. Brahma has four faces and eight hands; a feature that could have given rise to the name four faced Buddha. He is the god of creation, mercy and benevolence. He sits atop a lotus leaf; the lotus flower is commonly used for prayers at Thai shrines...

An exceptional, fine and impressive vintage cast sterling silver fox model on plinth; an addition to our animal silverware collection. This exceptional, fine and impressive vintage ...

A rare and evocative pair of antique Japanese samurai abumi (horse-riding stirrups) dating to the Edo period (1603–1868). Expertly forged in iron, with a silver inlay decorative desi...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Neapolitan Pulcinella in silver foil, made in Italy, 90s Very good condition, enamelled parts

A bespoken large sculptural sterling silver bracelet by Graziella Laffi (1923-2009), Lima, Peru, circa 1960-70s. The oversized bracelet showcases a low-relief motif of the mythologic...

Highly realistic and detailed sculpture of a multi-colored bird with gilt silver legs perched on an amethyst base. This beautiful piece measures 3 3/4'' in height by 5 3/8'' in depth...

Wang Mang Emperor Sculpture in solid bronze, enameled, weighing 30 kg and adorned with 58 rubies (4.5/10ths) totaling 27.25 carats on the pectoral plate, back, and both sides. The ...

Stylish and quite rare heavy gauge silvered chisel Cast Iron Victorian Door Stop of exceptional quality, last half of the Nineteenth Century of English origin. Depicting a standing pose of an Irishman the Duke of Wellington in full uniform attire, holding a sword and standing on a magnificent, stepped platform with a ball foot at each corner. Condition: Good overall condition, with no restoration anywhere, professionally re-silvered by our restorers in London. Doorstop is constructed by bolting together in three areas, see image. Casting is exceptional, study face area. Height: (entire as per image one) 14.75" (37.5cm). Width: (at base area). 6.5" (16.5cm). Depth: (at base) 3.25” (8.25cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping offered by Seller. Arthur Wellesley 1st Duke of Wellington is today more famous as a soldier than as a politician. In fact, as the Prime Minister, he was known for his measures to repress reform, and his popularity sank a little during his time in office. The Duke of Wellington was born in Dublin to the Earl and Countess of Mornington. A leading political and military figure of the 19th century, the Duke of Wellington is best remembered for his defeat of Napoleon Bonaparte at Waterloo in 1815. As a general, he was renowned for his stunning defensive skills. His battle plans...

An exceptional, fine and impressive antique Mexican sterling silver bird model; an addition to our animal related silverware collection. This exceptional vintage Mexican cast sterling silver table...

Pair of very fine silver plate substantial & decorative Ram's Heads. Perfect for bookends.

A very unique and rare gramophone made by a Seville jewller for the Gramophone Exhibition in Seville in 1925 in wich was awarded with a silver medal.It was...

Solid silver 800 silver neo-Gothic silver table clock. The clock was made in casting and chiselling. Mechanical mechanism

Hallmarked in London in 1985 by Wakely & Wheeler, this handsome, Sterling Silver model of a Horse, stands on a wooden plinth with an applied silver plaque, and is realistically cast....

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Add a touch of vintage charm to your jewellery collection with this beautiful elephant ring holder. Crafted from high-quality metal with silver plating, it is the perfect addition to...

A rare and impressive antique French silver-plated bronze bust depicting a smiling Satyr (Faun), mounted on its original dark grey marble plinth. This finely executed sculpture is si...

A silver plated architecturally inspired table object. Signed Original unpolished state.

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys. Crafted over a century ago, a B...

Chain seal in silver and jet. The seal features a rectangular silver plate with a carved noble coat of arms representing a two-headed eagle. The matrix is crowned by a frame with a w...

Hallmarked in London in 1899 by Stuart Clifford, this very rare pair of Antique, Sterling Silver Pepper Pots, are modelled as a seated Cat ...

Late19th Century Nguyen Seated Buddha Statue, ca 1890-1900. Collected in Hunan, Southern China. The Nguyen Dynasty was the last ruling imperial dynasty of Vietnam, reigning from 180...

Pair of 800 silver pheasants. Gold vermeil. European (probably Austria).   

Italian grand tour-era silver figure of Mercury after Giambologna, ca 1820. Mercury holds a herald’s staff in one hand and a torch in the other, and balances on one foot resting on a...

Pair of Antique Sterling silver Parcel gilt roosters. Both marked on the foot sterling / 925, Germany. Attributed to Israel Freeman. The larger is 9" tall, 8.50" in length & 4.50...

An evocative Spanish devotional ensemble composed of a recumbent Christ figure dating from the late 17th to early 18th century and a beautifully dressed Our Lady of Sorrows from the ...

Eye catching mid century silver plate on copper hand crafted pitcher featuring a lizard handle with a black stone back. Attributed to Castillo.

Pair of German sterling silver pheasants, ca 1920. The birds are caught midstride on scaly talons. The rooster has tucked-down wings and looks warily to the side while the hen is ner...

This antique cast silver bird sculpture is unsigned, but presumed to have originated from Europe, likely Austria or Italy and date to approximate...

A magnificent, fine and impressive antique cast German sterling silver table owl; part of our continental ornamental silverware collection. This magnificent antique cast German silver table ornament has been realistically modelled in the form of a owl. This antique silver owl ornament...

Elegant Art Deco sculpture depicting Diana the Huntress with a bow, created in the 1930s by Italian sculptor Salvatore Melani. The figure is crafted from plaster and finished with si...

Midcentury carved wood and silver Taurus bull sculpture, well carved with expressive face and glass eyes. The body with one inset lapis stone, and numerous...

A Pair of Artistically created birds for table decor, silver-plated roosters - ideal for a coffee table or bookends. These figures are Classic Hollywood Regency! They are each unique...

Extremely rare combination pendant attached to custom-made chain by Harry Bertoia in sterling silver, containing one Lapis Lazuli and one Coral. This piece comes from a private collection. Provenance will accompany the piece. The work has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.78. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The pendant measures: 1.25" long x 1" wide. The necklace measures: 11" length with a measurement of 22" overall length. The chain and closure are all handcrafted and in his unique design. Lapis Lazuli measures 20mm round supported by one 6 mm red coral. Total weight is 33 grams. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise Green...

Rare pair of bronze sculptures by Emile Hebért. Fine quality silvered and gilt bronze figures of a warrior woman and a poet women dressed accordingly with military attire and poetic words. Signed and foundry marked with the G. Servant mark. Pierre-Eugène-Emile Hébert, French, (1828 - 1893). A native Parisian, Hébert apparently lived and worked in the capital until his death. He was born in 1828, and studied sculpture privately, with his father Pierre (1804-1869) and Jean-Jacques Feuchère (1807-1852), both of whom pursued modestly successful careers in the Salon and as public sculptors beginning in the 1830s. Hébert learned extensively from their very divergent paths. Whereas Pierre Hébert...

Dansk International Designs Ltd. Small sculpture of a cat in plated silver. Rare sculpture, sold to Japan. 1970s. Marked. In excellent condition. Dimensions: L 4 cm x H 5 cm.

A wonderfully naturalistic large Japanese Meiji period mixed metal okimono (ornamental sculpture) of a pair of oriental turtle doves ...

A magnificent, fine and impressive, rare antique silver sugar box modelled in the form of a squirrel; part of our collection of rare silverware. This magnificent, fine and impressive antique cast silver sugar box has been realistically modelled in form of a squirrel perched on a branch. The silver sugar box is embellished with chased details reproducing the squirrel's coat and anatomical features, in additional to the naturalistic features of the branches, leaves and acorns. This exceptional and large antique silver squirrel sugar box is fitted with the original push fit head/cover. Such magnificent specially commissioned, large examples in this form are highly unusual and are not available on the open market. Condition This rare squirrel sterling silver sugar box is a magnificent gauge of silver, magnificent quality and in magnificent condition. Full British hallmarks struck to the body of the box and part hallmarks to the sleeve of the cover are all very clear; the hallmarks are struck deeply to the magnificent gauge of silver. Reflections in photographs may detract from the true representation of this large silver animal ornament...

A fabulous unusual accessory, this pair of 19th century English carpet balls on wooden stands makes a true collector’s item. Silverplate round plaques are signed and dated. RR

Solid sterling silver bull and bullfighter miniature. Both the bull and the bullfighter were made with the casting technique and then chiseled to bring out the details. The precisi...

Nice decorative exotic bird sculpture / Paperweight / Decorative item. Silver plated and amethyst, circa 1970, Brazil. Stamped underneath Gerson BA P90. This object would be stunnin...

Hallmarked in London in 1901 by Henry Lewis, this handsome, Victorian, Antique Sterling Silver Model of a Horse, has a cropped tail like a polo pony, and is very realistically modell...

1978 Gio Ponti designed silver plated horse sculpture, titled "Cavallo", edition Lino Sabattini for Christofle, 2008. Very good condition. Comes with original Christofle box and non-...

A magnificent rustic Spanish Colonial 18th century wooden bowl adorned with mid-20th century silver plated mounts in the form of a squirrel, m...

Mexican 20th century silver-plated shark sculpture by Enrique Jolly Mexican, 20th Century Height 19cm, width 57cm, depth 25cm This silver-plated sculpture by Mexican artist Enriqu...