Silver Sculptures

Description: Hinged silver fish with reliefs and applications. Metal: Silver. Origin: Spanish. Brand: Estrela. Weight: 245.68 grams. Dimensions: 33.5cmx6.5cm. Content: 925/1000. Assa...

Baroque Virgin and Child in Polychrome Wood with Silver Crown, Spain, 17th Century An important Spanish Baroque sculpture of the Virgin and Child, datable to the 17th century, made ...

Hallmarked in Edinburgh in 1997 by Hamilton & Inches, and designed and modelled by Victor Hayton for the World Wildlife Fund, this incredible, Elizabeth II period, Limited Edition St...

Stunning Silver Miao Minority Tribe Necklace mounted on a custom base. Meticulously designed to add a touch of cultural charm to your space, this captivating piece serves as a decora...

Pair of very fine sterling silver clad embracing chimpanzees. They are separate pieces that interlock. They are silver over an inner core material. The body has intricate fur detaili...

This Brutalist inspired signed Aurelio Teno sensational Spanish sculpture is a combination of silvered bronze, quartz, amethyst and painted enamel over the bronze. It sits on a marbl...

Pair of Antique Sterling silver Parcel gilt roosters. Both marked on the foot sterling / 925, Germany. Attributed to Israel Freeman. The larger is 9" tall, 8.50" in length & 4.50...

Playful true to life silver frog that serves as a lighter other than being a decorative piece of artwork. Expertly handmade by the Florentine silversmiths, the Lisi Brothers, its rea...

A Rare Buccellati Italy Sterling Silver Model of a Bull, Numbered 7 An impressive and finely detailed sterling silver model of a bull by Buccellati, Italy, numbered 7. Exquisitely h...

Dansk International Designs Ltd. Small sculpture of pig in plated silver. Rare sculpture, sold to Japan. 1970s. Marked. In excellent condition. Dimensions: D 4.5 cm x H 4.5 cm.

Description: 18th century style silver royal carriage pulled by four horses. Metal: Silver. Origin: Dutch. Weight: 107.00 grams. Brand: Espada. Dimensions: 12.7x3.1cm. Content: 830/1...

"Greyhounds" Bruno Tornati Italy, 1930 Silvered Earthenware Black tinted wood base "Returned" signed Excellent condiction Sculpture in perfect condition.

One of a kind sculpture of Crucified Christ in carved wood and crystal eyes (one of them its loose), 18th century Hispano Filipino School. The crown, ...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Our Lady of Sorrows, attributed to Salzillo, polychrome wood with 18th-century silver crown and display case An extraordinary sculpture of Our Lady of Sorrows, attributed to Francis...

A fine, whimsical Italian silver sculpture. By La Medusa Oro. In sterling silver and mounted atop a wooden plinth. In the form of a dentist's chair complete with an instrument tra...

A beautifully crafted tabletop sculpture combining silvered bronze and faux tortoiseshell made from penshell, dating from the mid to late 1970s. This piece exemplifies the era’s fasc...

Comparable to the circus set from Tiffany & Co., these 3 Italian mixed metal (including silver) circus clowns sculptures/ miniature figurines from the mid-20th century are very reali...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Art Deco Roman Archer Statue by Hermann Eichberg Dramatic statue of a Roman Archer with bow and arrow in the Art Deco style by German sculptor Hermann Eichberg. The finely detailed ...

A highly collectable and delightful silver gilt novelty egg containing a hummingbird by renowned silversmith and artist Stuart Devlin (Australian, 1931-2018) and dated 1977. Stuart D...

A striking silvered bronze rendition of the Spirit of Ecstasy, the iconic figure originally created by Charles Sykes for Rolls-Royce in 1911. Depicting a graceful female form leaning...

A Magnificent and Quite Rare English Asprey Signed Orientalist Motif Masterpiece with Dessert Palm Tree and Parcel-Gilt Silver Camels having Diamond Eyes. Gorgeously constructed in ...

An Elegant Mario Buccellati Sterling Silver Duck Perched on an Amethyst Base, Milan, 20th Century This exquisite creation epitomizes the craftsmanship and luxury for which Mario Buc...

A rare and evocative pair of antique Japanese samurai abumi (horse-riding stirrups) dating to the Edo period (1603–1868). Expertly forged in iron, with a silver inlay decorative desi...

Beautiful vintage Murano hand blown black and silver flecks Italian art glass Snoopy puppy dog sculpture / figure. Documented to the Gambaro & Poggi workshop, with original clear and...

Completely hand-crafted in 18th century Spain, this sculpture of the Virgin stands 1.5 meters / 5 feet tall and was most certainly created for devotional purposes, to be displayed in a church or chapel. Besides its impressive size this sculpture is an excellent, museum-quality example of the Spanish “Estofado” polychrome technique, developed during the Gothic period to imitate rich brocade fabrics. The finely carved “fabric” areas of the sculpture would be first covered in gesso, and then a layer of gold leaf would be applied. The gold leaf would then be painted over with various colors of tempera paints. Once dry, the painted surface would be incised or scratched away in patterns, revealing the gold beneath. The sculpture was professionally restored in 2022 by a firm that is often hired by the Spanish government to work on historic building interiors and museum pieces. The virgin was carefully cleaned, repaired and its condition stabilized. A complete and fully-illustrated restoration report will be included with purchase. Often confused with the virgin birth of Jesus, the belief that the Blessed Virgin Mary herself was conceived “immaculately” without original sin has been variously defended and debated within the Catholic Church since the pre-Middle Ages. For centuries, artists struggled to create an acceptable visual representation of this highly abstract concept, in part taking inspiration from the Book of Revelation and other scriptural sources. We see the Virgin standing on a half moon (biblically inspired, though also an ancient symbol of chastity) with her long natural hair loose down her back, another indication of purity. Both her white tunic and flowing blue mantle...

Highly realistic and detailed sculpture of a parrot with gilt silver legs perched on an amethyst base. This beautiful piece measures 6 1/3'' in height by 3 3/4'' in depth by 4 1/4'' in width. We hand polish all items...

A 1:1 cast model of a human skull in silver plated bronze. Its made from a cast of a real human skull, probably female, and is complete with teeth, lo...

Early 20th century Chilean huasos metal spurs. Heavy silvered metal stamped Chile on the side. As found with grosgrain ribbon attached.

Sterling, Bone, & Semi-Precious Gems Figure of 'St. George & Dragon' Germany, Early 20th Century A meticulously cast and modeled Medieval / Renaissance Figure of St. George Slaying the Dragon, This figure with a moveable helmet visor, revealing his carved bone face...

Virgin and Child, polychrome wood carving, colonial school, 18th century This sculpture of the Virgin and Child, carved and polychromed in wood, is attributed to an 18th-century colo...

An exceptionally large and rare French Art Deco original bronze sculpture circa 1927 by a well known artist Georges Lavaroff (1895-1991) It's quite uncommon to find this very large size and notably featuring the silver and parcel gilt finish. The artwork features a majestic female nude, adorned with a stylized cloak in alternating stripes of gold and silver, which showcases a pyramid shape. The Egyptian goddess is depicted as an undraped figure with arms outstretched above her head, holding a crescent moon. She wears a north star headdress that adds to her regal appearance. The cloak is embellished with stars and a comet, and the female figure rests on a bed of stylized clouds. The sculpture is presented on its original black and gold marble base. All of these attributes add to the uniqueness and value of the artwork, making it even more remarkable and sought after by collectors and art enthusiasts. Water bottle shown for scale. Documentation : Les bronzes Art Deco de Georges Lavaroff, sculpteur Russe a Paris 1930 Kastelyn et Mazzucotelli. Georges Lavaroff was born in Sibera in 1895. He studied medicine and painting. After the revolution of 1917 he moved to Moscow and became a member of the Russian artists association where he began to exhibit his work and take part in shows as a member of the Association of artists of Revolutionary Russia. He then worked in France from 1927 until 1935. This period was the richest point of his profession where he produced his most famous works of Art Deco figures...

A lovely Antique German Silver Model of a Cockatoo Bird standing on a wooden stump. The Bird is modelled with a lovely attention to detail and has a removable head and hinged articul...

On offer is a rare articulate spiny lobster (Ise-Ebi) in pure silver made by Myochin Hiroyoshi in the late Meiji Period circa 1890-1900s. As an ornamental display item, this type of ...

Vintage silver sculpture "Racing Greyhounds" by Angelo Schiavon made in Italy in the 1960s. The famous Italian brand Schiavon was founded in 1957 by Mr. Angelo Schiavon, whose name h...

Description: Silver cowrie shell with engraved floral motifs. Metal: Silver. Origin: Asian. Brand: Unknown. Weight: 95.29 grams. Dimensions: 12cmx6cm. Content: 800/1000. Assay...

Large Qajar Brass Peacock Incense Burner, Iran, 19th Century Origin: Iran (Persia), Qajar Dynasty, Material: Pierced and engraved brass An exceptional and rare Qajar-period brass ...

This is a stunning piece of Grupo Gal Sterling Silver and Amethyst in the shape of a pineapple.

Our Lady of Sorrows “Head and Legs” with Silver Crown Period: 19th Century Origin: Spanish School (probably Andalusian or Castilian). Dimensions: Approximately 1 meter in height. ...

A fine vintage Italian miniature figurine. In .800 fine silver. By Pietro Sorini of Arezzo, Italy. In the form of a snaggle-toothed wild boar. The boar's posture and open mouth su...

Hallmarked in London in 1899 by Stuart Clifford, this very rare pair of Antique, Sterling Silver Pepper Pots, are modelled as a seated Cat ...

A large George IV silver sideboard dish, made by Joseph Angell II, 1828 English, early 19th century Diameter 75cm, depth 10cm This magnifice...

Nice decorative exotic bird sculpture / Paperweight / Decorative item. Silver plated and amethyst, circa 1970, Brazil. Stamped underneath Gerson BA P90. This object would be stunnin...

18th century Italian silver and gold leaf crucifix adorned with baroque pearls and mounted on a mica cluster and a calcite crystal. The mica specimen is from the Great Smoky Mountain...

Buccellati Sterling Silver shell Italian work 1970

For your consideration a pair of pull handles by Los Castillo. Abstract Fish with malachite and silver. Mexico Circa the 1950s. Dimensions: 3.75" W x 3" H x .75" D Please visit t...

Fabulous Mexican Taxco abstract modernist .970 silver bracelet by Antoñio Pineda, circa 1960s. This piece is not only a ready to wear creation but also a dynamic piece of modern scu...

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys. Crafted over a century ago, a B...

Intricate workmanship imbues this decorative piece with a life of its own. Crafted from sterling silver by Florentine silversmith house Lisi Brothers, this statuette is chiseled and ...

Elegant Fish-Form Silver-Plated Napkin Holders – Sterling Silver Style Luxury Table Décor Bring an element of refined artistry and timeless elegance to your dining or interior setting with this set of fish-shaped silver-plated napkin holders. Crafted with meticulous attention to detail, each piece showcases the intricate scales, fins, and lifelike contours of a fish, creating a striking balance of naturalistic beauty and luxury design. These sculptural napkin holders are both decorative and functional, offering a sophisticated way to present napkins at formal dinners, luxury events, or elegant home settings. Their gleaming silver-plated finish, reminiscent of sterling silver craftsmanship, adds brilliance and refinement, while the contrasting tones of silver and gilt gold plating provide versatility for different table settings and interior styles. Perfect for collectors of fine silverware, interior designers, and hosts who appreciate high-end dining accessories, this set embodies the heritage of European decorative silver design while offering a unique, contemporary twist with its bold fish motif. Key Features Material: High-quality silver-plated (with sterling silver style finish) Design: Fish-shaped, detailed scales and fins, realistic artistry Finish: Mixed tones – silver and gilt gold plating for luxurious contrast Condition: Very good vintage condition, highly polished and well-preserved Function: Napkin holders, luxury table décor, or decorative collectible pieces Style: Timeless European-inspired design for fine dining and interior elegance Unlike standard napkin holders, these fish-form silver-plated pieces function as both practical dining accessories and statement décor items. Their sculptural quality makes them equally at home on a luxury dining table, displayed as part of a silverware collection, or even used as interior accents in modern and classical homes alike. This unique design draws on traditions of antique sterling silver tableware while offering an accessible option for collectors and hosts who want to achieve the same level of sophistication. Silver-Plated Fish Napkin Holders, Sterling Silver Style Tableware, Luxury Silver Dining Accessories, Collectible Silver-Plated Decor, High-End Silver Tableware, Antique Silver Napkin Holders...

Italian silver, rose quartz and malachite model of an eagle by Cervone Italian, c. 1970 Height 71cm, width 53cm, depth 32cm This Italian silver sculpture...

A circa 1960's Italian silver plated horse head. Measurements: Height: 8" Length: 6" Width: 2.5"

Dansk International Designs Ltd. Small sculpture of a cat in plated silver. Rare sculpture, sold to Japan. 1970s. Marked. In excellent condition. Dimensions: L 4 cm x H 5 cm.

Description: Silver wall salver with relief Portuguese coat of arms, surrounded by shell reliefs and floral motifs. Metal: Silver. Origin: Portuguese. Brand: boar II Title. Weight: 6...

A circa 1900 English silver plated horse sculpture. Measurements: Height: 23" Depth: 10" Width/length: 25"

A silver-gilt and enamel Austro-Hungarian horse drawn carriage model Austro-Hungarian, Early 20th Century Case: 28cm high x 89cm wide x 44...

A rare ca. 1945 Virgin Mary sculpture in .930 silver with carved bone, amethyst and turquoise by Mexican silversmith Matilde Poulat. Manufactured in Taxco, Guerrero, México. The Virg...

Whimsical silver bird with natural quartz crystal.

Silver Chamberstick / candleholder hippocampus / seahorse, circa 1837 Munich, Germany. This silver Chamberstick retain the original detachable snuffer. We have specialized in the sa...